Symphonic rock can be best described as the combination of rock and classical music traditions. Some symphonic rock artists perform rock arrangements of themes from classical music, or write original pieces in classical composition styles.
Baroque Pop is a fusion genre that combines rock music with particular elements of classical music. It emerged in the mid 1960s as artists pursued a majestic, orchestral sound, and is identifiable for its appropriation of Baroque compositional styles (contrapuntal melodies and functional harmony patterns) and dramatic or melancholic gestures. Harpsichords figure prominently, while oboes, French horns, and string quartets are also common.
Although harpsichords had been deployed for a number of pop hits since the 1940s, starting in the 1960s, some record producers increasingly placed the instrument in the foreground of their arrangements.
Inspired partly by the Beatles’ song “In My Life” (1965), various groups were incorporating baroque and classical instrumentation by early 1966.
The term “baroque rock” was coined in promotional material for the Left Banke, who used harpsichords and violins in their arrangements and whose 1966 song “Walk Away Renée” exemplified the style.