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	<title>Marvin Gaye Archives - The History of Rock and Roll Radio Show</title>
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	<description>Rock and Rock podcast and radio show</description>
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		<title>Motown Sound &#8211; A Martin Luther King Day Special</title>
		<link>https://thehistoryofrockandroll.net/motown-sound-a-martin-luther-king-day-special/</link>
		
		<dc:creator><![CDATA[Bwana]]></dc:creator>
		<pubDate>Fri, 16 Jan 2026 13:53:19 +0000</pubDate>
				<category><![CDATA[Radio Show]]></category>
		<category><![CDATA[60s Soul]]></category>
		<category><![CDATA[70s Soul]]></category>
		<category><![CDATA[Berry Gordy]]></category>
		<category><![CDATA[Detroit]]></category>
		<category><![CDATA[Gospel]]></category>
		<category><![CDATA[Marvin Gaye]]></category>
		<category><![CDATA[Motown]]></category>
		<category><![CDATA[Pop]]></category>
		<category><![CDATA[R&B]]></category>
		<category><![CDATA[Stevie Wonder]]></category>
		<category><![CDATA[The Supremes]]></category>
		<category><![CDATA[The Temptations]]></category>
		<guid isPermaLink="false">http://2026.thehistoryofrockandroll.net/?p=67962</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/motown-sound-a-martin-luther-king-day-special/">Motown Sound &#8211; A Martin Luther King Day Special</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
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				<div class="et_pb_text_inner"><h3>🎙️ Show Topic: <strong><span style="color: #fdcf58;">Motown Sound &#8211; A Martin Luther King Day Special</span></strong></h3>
<p>This Monday, January 19th, 2026, we celebrate the Motown Sound on Martin Luther King Day, a soundtrack of hope, unity, and unstoppable groove.</p>
<p>Founded by <strong>Berry Gordy Jr.</strong> in Detroit on January 12, 1959, Motown blended soul, R&amp;B, gospel, and pop into a sound that crossed every line and brought people together.</p>
<p>We will spin the classics and tell the stories: <strong>Smokey Robinson &amp; The Miracles</strong>, <strong>The Supremes</strong>, <strong>The Temptations</strong>, <strong>The Four Tops</strong>, <strong>Marvin Gaye</strong>, <strong>Jr. Walker &amp; The All-Stars</strong>, <strong>The Jackson 5</strong>, <strong>Stevie Wonder</strong>, <strong>Mary Wells</strong>, <strong>Martha Reeves &amp; The Vandellas</strong>, <strong>Edwin Starr</strong>, <strong>Rick James</strong>, and more.</p>
<p>From hand-clap hits to message songs, these records still lift the room and light the way.</p>
<p><strong>🕰️ Tune in for harmony, history, and the beat of a movement.</strong></p>
<p><strong>📅 Mark your calendars:</strong> Monday, January 19th, 2026 — celebrate Motown and the legacy of Dr. King.</p>
<p><strong>🎧 Don’t miss it!</strong> Stream the special as soon as it drops.</p></div>
			</div><div class="et_pb_button_module_wrapper et_pb_button_0_wrapper et_pb_button_alignment_center et_pb_module ">
				<a class="et_pb_button et_pb_button_0 et_pb_bg_layout_light" href="#recording">Missed our latest show? No problems, you can listen to it here</a>
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				<a class="et_pb_button et_pb_button_1 et_pb_bg_layout_light" href="https://streamingv2.shoutcast.com/lynnradio" target="_blank" data-icon="">Broadcasting:  Thursday, January 15th, 2026</a>
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				<div class="et_pb_text_inner">Motown Sound &#8211; A Martin Luther King Day Special</div>
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				<span class="et_pb_image_wrap "><img fetchpriority="high" decoding="async" width="600" height="337" src="https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/Motown-Collage.jpg" alt="Sir George Martin" title="Motown- Collage" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/Motown-Collage.jpg 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/Motown-Collage-480x270.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-67970" /></span>
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				<span class="et_pb_image_wrap "><img decoding="async" width="600" height="529" src="https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/Motown.jpg" alt="Sir George Martin" title="Motown" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/Motown.jpg 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/Motown-480x423.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-67973" /></span>
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				<span class="et_pb_image_wrap "><img decoding="async" width="600" height="462" src="https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/motown-supremes.jpg" alt="Sir George Martin" title="motown-supremes" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/motown-supremes.jpg 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/motown-supremes-480x370.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-67972" /></span>
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				<span class="et_pb_image_wrap "><img decoding="async" width="600" height="364" src="https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/motown-45.jpg" alt="Sir George Martin" title="motown-45" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/motown-45.jpg 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/motown-45-480x291.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-67971" /></span>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><span style="font-size: large; color: #999999;">Our latest recorded show </span></p></div>
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				<div class="et_pb_text_inner"><audio class="wp-audio-shortcode" id="audio-67962-1" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://thehistoryofrockandroll.net/radio/2026/Motown_Sound_and_Soul.mp3?_=1" /><a href="https://thehistoryofrockandroll.net/radio/2026/Motown_Sound_and_Soul.mp3">https://thehistoryofrockandroll.net/radio/2026/Motown_Sound_and_Soul.mp3</a></audio></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/motown-sound-a-martin-luther-king-day-special/">Motown Sound &#8211; A Martin Luther King Day Special</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>1971 at 55 &#8211; New Rules, New Voices, New Hollywood</title>
		<link>https://thehistoryofrockandroll.net/1971-at-55-new-rules-new-voices-new-hollywood/</link>
		
		<dc:creator><![CDATA[Bwana]]></dc:creator>
		<pubDate>Fri, 09 Jan 2026 20:56:04 +0000</pubDate>
				<category><![CDATA[Radio Show]]></category>
		<category><![CDATA[1971]]></category>
		<category><![CDATA[26th Amendment]]></category>
		<category><![CDATA[55th Anniversary]]></category>
		<category><![CDATA[All in the Family]]></category>
		<category><![CDATA[Apollo 15]]></category>
		<category><![CDATA[Carole King]]></category>
		<category><![CDATA[Magic Kingdom]]></category>
		<category><![CDATA[Marvin Gaye]]></category>
		<category><![CDATA[New Hollywood]]></category>
		<category><![CDATA[Paul McCartney]]></category>
		<category><![CDATA[Pentagon Papers]]></category>
		<category><![CDATA[Soul Train]]></category>
		<guid isPermaLink="false">http://2026.thehistoryofrockandroll.net/?p=67884</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/1971-at-55-new-rules-new-voices-new-hollywood/">1971 at 55 &#8211; New Rules, New Voices, New Hollywood</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="et_pb_section et_pb_section_1 et_pb_with_background et_section_regular" >
				
				
				
				
				
				
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				<div class="et_pb_text_inner"><h3>🎙️ Show Topic: <strong><span style="color: #fdcf58;">1971 at 55 &#8211; New Rules, New Voices, New Hollywood</span></strong></h3>
<p>This Monday, January 12th, 2026, we celebrate the 55th anniversary of <strong>1971 &#8211; </strong>a bold, transitional year that reshaped culture, politics, film, TV, and the sound of the radio.</p>
<p><strong>Richard Nixon</strong> occupied the White House as the <strong>Pentagon Papers</strong> leaked, exposing years of Vietnam decision-making and igniting a national reckoning.</p>
<p>The <strong>26th Amendment</strong> lowered the voting age to 18, bringing millions of new voices into American democracy. In Florida, the <strong>Magic Kingdom</strong> opened its gates, while <strong>Apollo 15</strong> astronauts took the first <strong>Lunar Roving Vehicle</strong> for a drive on the Moon.</p>
<p>On the screen, <strong>New Hollywood</strong> roared to life.</p>
<p>We’ll spotlight the grit and electricity of <em>The French Connection</em>, <em>A Clockwork Orange</em>, <em>Dirty Harry</em>, <em>McCabe &amp; Mrs. Miller</em>, and <em>The Last Picture Show</em>, alongside audience favorites like <em>Willy Wonka &amp; the Chocolate Factory</em> and <em>Fiddler on the Roof</em>, a sea change toward director-driven storytelling for a younger crowd.</p>
<p>Television found its edge with <em>All in the Family</em>, <em>The Sonny and Cher Comedy Hour</em>, <em>The Jackson 5ive</em>, <em>Columbo</em>, <em>Soul Train</em>, and more.</p>
<p>And the music of 1971? Still towering.</p>
<p>We’ll play music from <strong>Paul McCartney</strong>, <strong>George Harrison</strong>, <strong>The Rolling Stones</strong>, <strong>Rod Stewart</strong>, <strong>Three Dog Night</strong>, <strong>The Osmonds</strong>, <strong>Carole King</strong>, <strong>John Denver</strong>, <strong>Carpenters</strong>, <strong>Marvin Gaye</strong>, <strong>James Taylor</strong>, <strong>John Lennon</strong>, <strong>The Bee Gees</strong>, <strong>Led Zeppelin</strong>, <strong>Janis Joplin</strong>, <strong>Cher</strong>, <strong>The Who</strong>, <strong>Chicago</strong>, <strong>Badfinger</strong>, and more—records that defined the year and still feel immediate.</p>
<p><span class="guest-color" style="color: #000000;">Special Feature: 🎞️ 1971 on Screen &amp; Stage: </span>From shock-cut cinema to groundbreaking sitcoms and music-TV revolutions, we connect the year’s films and series to the singles that kept spinning &#8211; one cultural conversation, many soundtracks.</p>
<p><strong>🕰️ Tune in for headlines, studio stories, and tracks that captured a year of upheaval and invention.</strong></p>
<p><strong>📅 Mark your calendars:</strong> Monday, January 12th, 2026—drop the needle on 1971.</p>
<p><strong>🎧 Don’t miss it!</strong> Stream the new episode as soon as it drops.</p></div>
			</div><div class="et_pb_button_module_wrapper et_pb_button_2_wrapper et_pb_button_alignment_center et_pb_module ">
				<a class="et_pb_button et_pb_button_2 et_pb_bg_layout_light" href="#recording">Missed our latest show? No problems, you can listen to it here</a>
			</div><div class="et_pb_button_module_wrapper et_pb_button_3_wrapper et_pb_button_alignment_center et_pb_module ">
				<a class="et_pb_button et_pb_button_3 et_pb_bg_layout_light" href="https://streamingv2.shoutcast.com/lynnradio" target="_blank" data-icon="">Broadcasting:  Monday, January 12th, 2026</a>
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				<div class="et_pb_text_inner"><p>1971 at 55 &#8211; New Rules, New Voices, New Hollywood</p></div>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="600" height="449" src="https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/1971-the-best-year.jpg" alt="Sir George Martin" title="1971-the-best-year" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/1971-the-best-year.jpg 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/1971-the-best-year-480x359.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-67894" /></span>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="600" height="399" src="https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/1971-Radio-Montage.jpg" alt="Sir George Martin" title="1971-Radio-Montage" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/1971-Radio-Montage.jpg 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/1971-Radio-Montage-480x319.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-67895" /></span>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="600" height="450" src="https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/1971-Albums.jpg" alt="Sir George Martin" title="1971-Albums" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/1971-Albums.jpg 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2026/01/1971-Albums-480x360.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-67896" /></span>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><span style="font-size: large; color: #999999;">Our latest recorded show </span></p></div>
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				<div class="et_pb_text_inner"><audio class="wp-audio-shortcode" id="audio-67884-2" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://thehistoryofrockandroll.net/radio/2026/1971_55th_Anniversary.mp3?_=2" /><a href="https://thehistoryofrockandroll.net/radio/2026/1971_55th_Anniversary.mp3">https://thehistoryofrockandroll.net/radio/2026/1971_55th_Anniversary.mp3</a></audio></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/1971-at-55-new-rules-new-voices-new-hollywood/">1971 at 55 &#8211; New Rules, New Voices, New Hollywood</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>The Music of 1968</title>
		<link>https://thehistoryofrockandroll.net/the-music-of-1968/</link>
		
		<dc:creator><![CDATA[Bwana]]></dc:creator>
		<pubDate>Mon, 26 Mar 2018 12:29:18 +0000</pubDate>
				<category><![CDATA[Rock and Roll]]></category>
		<category><![CDATA[(Sittin’ On) The Dock of the Bay]]></category>
		<category><![CDATA[Diana Ross and The Supremes]]></category>
		<category><![CDATA[Glen Campbell]]></category>
		<category><![CDATA[Hey Jude]]></category>
		<category><![CDATA[In-A-Gadda-Da-Vida]]></category>
		<category><![CDATA[Iron Butterfly]]></category>
		<category><![CDATA[Jumpin’ Jack Flash]]></category>
		<category><![CDATA[Love Child]]></category>
		<category><![CDATA[Marvin Gaye]]></category>
		<category><![CDATA[Midnight Confession]]></category>
		<category><![CDATA[Mrs. Robinson: Simon and Garfunkel]]></category>
		<category><![CDATA[Otis Redding]]></category>
		<category><![CDATA[Sunshine of Your Love]]></category>
		<category><![CDATA[The Grass Roots]]></category>
		<category><![CDATA[the Rolling Stones]]></category>
		<category><![CDATA[Wichita Lineman]]></category>
		<guid isPermaLink="false">http://www.thehistoryofrockandroll.net/?p=37424</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/the-music-of-1968/">The Music of 1968</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
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				<div class="et_pb_text_inner"><h2>Hey Jude: The Beatles</p>
</h2>
<p><img loading="lazy" decoding="async" width="300" height="300" class="wp-image-37425 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-126.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-126.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-126-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-126-45x45.jpeg 45w" sizes="(max-width: 300px) 100vw, 300px" /> Hey Jude&#8221; is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney.</p>
<p>The ballad evolved from &#8220;Hey Jules&#8221;, a song McCartney wrote to comfort John Lennon&#8217;s son, Julian, during his parents&#8217; divorce.</p>
<p>&#8220;Hey Jude&#8221; begins with a verse-bridge structure incorporating McCartney&#8217;s vocal performance and piano accompaniment; further instrumentation is added as the song progresses.</p>
<p>After the fourth verse, the song shifts to a fade-out coda that lasts for more than four minutes.</p>
<p>&#8220;Hey Jude&#8221; was released in August 1968 as the first single from the Beatles&#8217; record label Apple Records.</p>
<p><img loading="lazy" decoding="async" width="400" height="262" class="wp-image-37426 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-16.png" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-16.png 400w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-16-300x197.png 300w" sizes="(max-width: 400px) 100vw, 400px" />More than seven minutes in length, it was at the time the longest single ever to top the British charts.</p>
<p>It also spent nine weeks at number one in the United States, the longest for any Beatles single.</p>
<p>&#8220;Hey Jude&#8221; tied the &#8220;all-time&#8221; record, at the time, for the longest run at the top of the US charts.</p>
<p>The single has sold approximately eight million copies and is frequently included on professional critics&#8217; lists of the greatest songs of all time.</p>
<h2>
Jumpin’ Jack Flash: The Rolling Stones</h2>
<p>Jumpin&#8217; Jack Flash&#8221; is a song by English rock band the Rolling Stones, released as a single in 1968.</p>
<p>Called &#8220;supernatural Delta blues by way of Swinging London&#8221; by <em>Rolling Stone</em> magazine, the song was perceived by some as the</p>
<p>band&#8217;s return to their blues roots after the baroque pop and psychedelia heard on their preceding albums, <em>Aftermath</em> (1966), <em>Between the Buttons</em> (1967) and especially <em>Their Satanic Majesties Request</em> (1967).</p>
<p><img loading="lazy" decoding="async" width="316" height="316" class="wp-image-37427 alignnone" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-127.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-127.jpeg 316w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-127-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-127-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-127-45x45.jpeg 45w" sizes="(max-width: 316px) 100vw, 316px" /></p>
<h2>
(Sittin’ On) The Dock of the Bay: Otis Redding</p>
</h2>
<p><img loading="lazy" decoding="async" width="200" height="200" class="wp-image-37428 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-128.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-128.jpeg 200w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-128-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-128-45x45.jpeg 45w" sizes="(max-width: 200px) 100vw, 200px" />A song co-written by soul singer Otis Redding and guitarist Steve Cropper. It was recorded by Redding twice in 1967, including once just days before his death in a plane crash. The song was released on Stax Records&#8217; Volt label in 1968, becoming the first posthumous single to top the charts in the US. It reached number 3 on the UK Singles Chart.</p>
<p>Redding started writing the lyrics to the song in August 1967, while sitting on a rented houseboat in Sausalito, California. He completed the song with the help of Cropper, who was a Stax producer and the guitarist for Booker T. &amp; the M.G.&#8217;s. The song features whistling and sounds of waves crashing on a shore.</p>
<h2>
All Along the Watchover: Jimi Hendrix Experience</h2>
<p><img loading="lazy" decoding="async" width="280" height="272" class="wp-image-37429 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-129.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-129.jpeg 280w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-129-45x45.jpeg 45w" sizes="(max-width: 280px) 100vw, 280px" />The Jimi Hendrix Experience began to record their version of Dylan&#8217;s &#8220;All Along the Watchtower&#8221; on January 21, 1968, at Olympic Studios in London.</p>
<p>According to engineer Andy Johns, Jimi Hendrix had been given a tape of Dylan’s recording by publicist Michael Goldstein, who worked for Dylan’s manager Albert Grossman. &#8220;(Hendrix) came in with these Dylan tapes and we all heard them for the first time in the studio&#8221;, recalled Johns.</p>
<p><strong>Recording</strong></p>
<p>According to Hendrix’s regular engineer Eddie Kramer, the guitarist cut a large number of takes on the first day, shouting chord changes at Dave Mason who had appeared at the session and played guitar. Halfway through the session, bass player Noel Redding became dissatisfied with the proceedings and left. Mason then took over on bass. According to Kramer, the final bass part was played by Hendrix himself. Hendrix&#8217;s friend and Rolling Stones multi-instrumentalist Brian Jones played the various percussion instruments on the track. &#8220;That’s him playing the <em>thwack</em> you hear at the end of each bar in the intro, on an instrument called a vibraslap.&#8221;  Jones originally recorded a piano part that was later mixed out in place of the percussion instruments.</p>
<p>Kramer and Chas Chandler mixed the first version of &#8220;All Along the Watchtower&#8221; on January 26, but Hendrix was quickly dissatisfied with the result and went on re-recording and overdubbing guitar parts during June, July, and August at the Record Plant studio in New York. Engineer Tony Bongiovi has described Hendrix becoming increasingly dissatisfied as the song progressed, overdubbing more and more guitar parts, moving the master tape from a four-track to a twelve-track to a sixteen-track machine. Bongiovi recalled, &#8220;Recording these new ideas meant he would have to erase something. In the weeks prior to the mixing, we had already recorded a number of overdubs, wiping track after track. [Hendrix] kept saying, &#8216;I think I hear it a little bit differently.'&#8221;</p>
<p><strong>Release and charts </strong></p>
<p>The completed version was released as a single in the US on September 21, 1968, almost a month prior to the album release on <em>Electric Ladyland</em> in October. The single reached number five in the British charts, becoming the first UK stereo-only single to do so, and number 20 on the <em>Billboard </em>chart, Hendrix&#8217;s highest ranking American single.</p>
<h2>This Guy’s In Love with Love: Herb Alpert</h2>
<p><img loading="lazy" decoding="async" width="320" height="311" class="wp-image-37430 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-130.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-130.jpeg 320w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-130-300x292.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-130-45x45.jpeg 45w" sizes="(max-width: 320px) 100vw, 320px" /></p>
<p>Is a song written by Burt Bacharach and Hal David, and recorded by Herb Alpert. Although known primarily for his trumpet playing as the leader of the Tijuana Brass, Alpert sang lead vocals on this solo recording, arranged by Bacharach.</p>
<p>Reached No. 1 on the U.S. <em>Billboard</em> Hot 100 pop singles chart in June of that year, remaining in the top position for four weeks. It was not only Alpert&#8217;s first No. 1 single, but it was also the first No. 1 single for his A&amp;M record label. The song also spent ten weeks at No. 1 on the Easy Listening chart.</p>
<h2>Born to Be Wild: Steppenwolf</h2>
<p><img loading="lazy" decoding="async" width="250" height="250" class="wp-image-37431 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-131.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-131.jpeg 250w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-131-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-131-45x45.jpeg 45w" sizes="(max-width: 250px) 100vw, 250px" />Is a song first performed by the band Steppenwolf, written by Mars Bonfire. The song is often invoked in both popular and counter culture to denote a biker appearance or attitude. It is sometimes described as the first heavy metal song, and the second verse lyric &#8220;heavy metal thunder&#8221; marks the first use of this term in rock music (although not as a description of a musical style). Born to Be Wild&#8221; was written by Mars Bonfire (who also wrote several other songs for Steppenwolf) as a ballad. Bonfire was previously a member of the Sparrows, the predecessor band to Steppenwolf, and his brother was Steppenwolf&#8217;s drummer. Although he initially offered the song to other bands — The Human Expression, for one — &#8220;Born to Be Wild&#8221; was first recorded by Steppenwolf in a sped-up and rearranged version that AllMusic&#8217;s Hal Horowitz described as &#8220;a roaring anthem of turbo-charged riff rock&#8221; and &#8220;a timeless radio classic as well as a slice of &#8217;60s revolt that at once defines Steppenwolf&#8217;s sound and provided them with their shot at AM immortality. Born to Be Wild&#8221; was the band&#8217;s third single off their 1968 debut album <em>Steppenwolf</em> and became their most successful single, reaching No. 2 on the <em>Billboard</em> Hot 100 singles charts.</p>
<h2>In-A-Gadda-Da-Vida: Iron Butterfly</h2>
<p><img loading="lazy" decoding="async" width="313" height="318" class="wp-image-37432 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-132.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-132.jpeg 313w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-132-295x300.jpeg 295w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-132-45x45.jpeg 45w" sizes="(max-width: 313px) 100vw, 313px" />is a song recorded by Iron Butterfly and written by band member Doug Ingle, released on their 1968 album <em>In-A-Gadda-Da-Vida</em>.</p>
<p>At slightly over 17 minutes, it occupies the entire second side of the <em>In-A-Gadda-Da-Vida</em> album. The lyrics are simple, and heard only at the beginning and the end. The track was recorded at Ultrasonic Studios in Hempstead, Long Island, New York.</p>
<p>Though it was not recorded until their second album, &#8220;In-A-Gadda-Da-Vida&#8221; was written during Iron Butterfly&#8217;s early days. According to drummer Ron Bushy, organist/vocalist Doug Ingle wrote the song one evening while drinking an entire gallon of Red Mountain wine. When the inebriated Ingle then played the song for Bushy, who wrote down the lyrics for him, he was slurring his words so badly that what was supposed to be &#8220;in the Garden of Eden&#8221; was interpreted by Bushy as &#8220;In-A-Gadda-Da-Vida&#8221;. Catalogs.com confirmed that the song &#8220;was supposed to have been named &#8216;In The Garden of Eden&#8217;, but the singer was slurring his words when he told Ron Bushy, the drummer, the title, and the garbled name stuck.&#8221;</p>
<p>Even though nearly all of Iron Butterfly&#8217;s songs were quite structured, the idea of turning the minute-and-a-half long ballad into an extended jam emerged very early; Jeff Beck claims that when he saw Iron Butterfly perform at the Galaxy Club in April 1967, half a year before the band recorded their first album, their entire second set consisted of a 35-minute long version of &#8220;In-A-Gadda-Da-Vida&#8221;.</p>
<p><img loading="lazy" decoding="async" width="632" height="632" class="wp-image-37433" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-133.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-133.jpeg 632w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-133-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-133-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-133-610x610.jpeg 610w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-133-45x45.jpeg 45w" sizes="(max-width: 632px) 100vw, 632px" /></p>
<h2>Midnight Confession: The Grass Roots</h2>
<p><img loading="lazy" decoding="async" width="314" height="317" class="wp-image-37434 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-134.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-134.jpeg 314w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-134-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-134-297x300.jpeg 297w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-134-45x45.jpeg 45w" sizes="(max-width: 314px) 100vw, 314px" />Is a song written by Lou T. Josie and originally performed by the Ever-Green Blues. It was later made famous by American rock band The Grass Roots, who released the song as a single in 1968. Though never released on any of the group&#8217;s studio albums, it was on their first compilation album, <em>Golden Grass</em>, and has been included on many of their other compilations since.</p>
<p>The Grass Roots version became the band&#8217;s biggest charting hit on the <em>Billboard</em> Hot 100, reaching the Top 5 of both the U.S. and Canadian pop singles charts. The lyrics describe a man who is infatuated with a married woman, knows he can never have her, and is relegated to confessing his love for her audibly, but alone. The song appears to be a musical dramatization of the midnight confession of the Reverend Arthur Dimmesdale&#8217;s love for Hester Prynne in the classic 1850 Nathaniel Hawthorne novel <em>The Scarlet Letter</em>.</p>
<p>The original recording of &#8220;Midnight Confessions&#8221; was a demo by the Evergreen Blues Band, whose manager – Lou Josie – wrote the song. The demo contained a horn section and caught the attention of Record producer/engineer Steve Barri, who was looking to produce a song for the Grass Roots that was a &#8220;West Coast&#8221; version of a Motown-style production. The Grass Roots version was produced/engineered by Steve Barri with the horn section&#8217;s arrangement by Jimmie Haskell. The song&#8217;s instrumentation was recorded by the group of LA studio-musicians known as the Wrecking Crew, as were many hits by The Grass Roots. Midnight Confessions&#8221; was released as a single by the ABC/Dunhill record label in late June 1968. It was the Grass Roots&#8217; first single to feature a horn section and was a departure from the group&#8217;s previous singles and thus caused worry for the band members as it might not have become a hit. However, the single was well received and became their biggest hit in the United States, peaking at #5 on the <em>Billboard</em> Hot 100 on November 2, 1968, and was certified gold by the Recording Industry Association of America, with sales of over one million units, on December 3, 1968.</p>
<h2>Wichita Lineman: Glen Campbell</h2>
<p><img loading="lazy" decoding="async" width="280" height="280" class="wp-image-37435 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-135.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-135.jpeg 280w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-135-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-135-45x45.jpeg 45w" sizes="(max-width: 280px) 100vw, 280px" />A song written by American songwriter Jimmy Webb in 1968. It was first recorded by American country music artist Glen Campbell with backing from members of The Wrecking Crew and widely covered by other artists.</p>
<p>Campbell&#8217;s version, which appeared on his 1968 album of the same name, reached number 3 on the US pop chart, remaining in the Top 100 for 15 weeks. In addition, the song also topped the American country music chart for two weeks, and the adult contemporary chart for six weeks. It was certified gold by the RIAA in January 1969. The song reached number 7 in the United Kingdom. In Canada, the single also topped both the <em>RPM</em> national and country singles charts. As of August 2017 the song has also sold 357,000 downloads in the digital era in the United States.</p>
<h2>Sunshine of Your Love: Cream</h2>
<p><img loading="lazy" decoding="async" width="245" height="247" class="wp-image-37436 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-136.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-136.jpeg 245w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-136-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-136-45x45.jpeg 45w" sizes="(max-width: 245px) 100vw, 245px" />is a 1967 song by the British rock band Cream. With elements of hard rock, psychedelia, and pop, it is one of Cream&#8217;s best known and most popular songs. Cream bassist and vocalist Jack Bruce based it on a distinctive bass riff, or repeated musical phrase, he developed after attending a Jimi Hendrix concert. Guitarist Eric Clapton and lyricist Pete Brown later contributed to the song. Recording engineer Tom Dowd suggested the rhythm arrangement in which drummer Ginger Baker plays a distinctive tom-tom drum rhythm, although Baker has claimed it was his idea.</p>
<p>The song was included on Cream&#8217;s second album <em>Disraeli Gears</em> in November 1967, which was a best seller. Atco Records, the group&#8217;s American label, was initially unsure of the song&#8217;s potential. After recommendations by other label-affiliated artists, it released an edited single version in December 1967. The song became Cream&#8217;s first and highest charting American single and one of the most popular singles of 1968. In September 1968, it became a modest chart hit after being released in the UK.</p>
<h2>The Weight: The Band</h2>
<p><img loading="lazy" decoding="async" width="280" height="271" class="wp-image-37437 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-137.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-137.jpeg 280w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-137-45x45.jpeg 45w" sizes="(max-width: 280px) 100vw, 280px" />The Weight&#8221; is a song originally by the Canadian-American group the Band that was released as Capitol Records single 2269 in 1968 and on the group&#8217;s debut album <em>Music from Big Pink</em>. Written by Band member Robbie Robertson, the song is about a visitor&#8217;s experiences in a town mentioned in the lyric&#8217;s first line as Nazareth. &#8220;The Weight&#8221; has significantly influenced American popular music, having been listed as #41 on <em>Rolling Stone&#8217;</em>s 500 Greatest Songs of All Time published in 2004. Pitchfork Media named it the 13th best song of the Sixties, and the Rock and Roll Hall of Fame named it one of the 500 Songs that Shaped Rock and Roll.</p>
<p>The Weight&#8221; is one of The Band&#8217;s best known songs though it was not a significant mainstream hit for the group in the U.S., peaking at only #63. The Band&#8217;s recording fared much better in Canada and the UK – in those countries, the single was a top 40 hit, peaking at #35 in Canada and #21 in the UK in 1968. The song&#8217;s popularity was greatly enhanced by three cover releases in 1968 and 1969 with arrangements that appealed to a diversity of music audiences.</p>
<h2>I Heard It Through the Grapevine: Marvin Gaye</h2>
<p> <img loading="lazy" decoding="async" width="315" height="315" class="wp-image-37439 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-139.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-139.jpeg 315w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-139-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-139-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-139-45x45.jpeg 45w" sizes="(max-width: 315px) 100vw, 315px" />Is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight &amp; the Pips and released as a single in September 1967; it went to number two in the <em>Billboard</em> chart.</p>
<p>The Miracles recorded the song first and included their version on their 1968 album, <em>Special Occasion</em>.</p>
<p>The Marvin Gaye version was placed on his 1968 album <em>In the Groove</em>, where it gained the attention of radio disc jockeys, and Motown founder Berry Gordy finally agreed to its release as a single in October 1968, when it went to the top of the <em>Billboard</em> Pop Singles chart for seven weeks from December 1968 to January 1969 and became for a time the biggest hit single on the Motown label (Tamla).</p>
<p><img loading="lazy" decoding="async" width="441" height="498" class="wp-image-37438 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-138.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-138.jpeg 441w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-138-266x300.jpeg 266w" sizes="(max-width: 441px) 100vw, 441px" />Whitfield recorded the song with Marvin Gaye over five sessions, the first on February 3, 1967, and the last on April 10, 1967.</p>
<p>Recordings of this version took more than a month due to Whitfield overdubbing Gaye&#8217;s vocals with that of the Andantes&#8217; background vocals, mixing in several tracks featuring the Funk Brothers on the rhythm track, and adding the string section from the Detroit Symphony Orchestra with an arrangement by Paul Riser.</p>
<p>The session featuring Gaye led to an argument between the producer and singer. Whitfield wanted Gaye to perform the song in a higher key than his normal range, a move that had worked on David Ruffin during the recording of the Temptations&#8217; hit, &#8220;Ain&#8217;t Too Proud to Beg&#8221;.</p>
<p>The mixture of Gaye&#8217;s raspy vocals and the Andantes&#8217; sweeter harmonies made Whitfield confident that he had a hit; however, despite approval from Motown&#8217;s Quality Control Department, Gordy blocked the release</p>
<h2>Love Child: Diana Ross and The Supremes</h2>
<p><img loading="lazy" decoding="async" width="316" height="315" class="wp-image-37440 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-17.png" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-17.png 316w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-17-150x150.png 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-17-300x300.png 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-17-45x45.png 45w" sizes="(max-width: 316px) 100vw, 316px" />A 1968 song released by the Motown label for Diana Ross &amp; the Supremes. The second single and title track from their album <em>Love Child</em>, it became the Supremes&#8217; 11th (and penultimate) number-one single in the United States.</p>
<p>The record took just three weeks to reach the Top Ten of the <em>Billboard</em> Hot 100 pop chart, which it then topped for two weeks, November 30—December 7, 1968, before being dethroned by an even bigger Motown single, Marvin Gaye&#8217;s &#8220;I Heard It Through the Grapevine&#8221;. &#8220;Love Child&#8221; also performed well on the soul chart — where it spent three weeks at number two (stuck behind Johnnie Taylor&#8217;s &#8220;Who&#8217;s Making Love&#8221;) — and paved new ground for a major pop hit with its then-controversial subject matter of illegitimacy. It is also the single that finally knocked the Beatles&#8217; &#8220;Hey Jude&#8221; off the top spot in the United States after its nine-week run. The Supremes debuted the dynamic and intense song on the season premiere of the CBS variety program <em>The Ed Sullivan Show</em> on Sunday, September 29, 1968</p>
<h2>Mrs. Robinson: Simon and Garfunkel</h2>
<p><img loading="lazy" decoding="async" width="300" height="300" class="wp-image-37441 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-140.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-140.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-140-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-140-45x45.jpeg 45w" sizes="(max-width: 300px) 100vw, 300px" />Mrs. Robinson&#8221; is a song by American music duo Simon &amp; Garfunkel from their fourth studio album, <em>Bookends</em> (1968). Produced by the duo and Roy Halee, it is famous for its inclusion in the 1967 film <em>The Graduate</em>. The song was written by Paul Simon, who pitched it to director Mike Nichols alongside Art Garfunkel after Nichols rejected two other songs intended for the film. The song contains a famous reference to baseball star Joe DiMaggio.</p>
<p>&#8220;Mrs. Robinson&#8221; became the duo&#8217;s second chart-topper, hitting number one on the <em>Billboard</em> Hot 100, and peaking within the top 10 of multiple other countries, including the United Kingdom, Ireland, and Spain, among others. In 1969, it became the first rock song to win the Grammy Award for Record of the Year.</p>
<h2>Abraham, Martin and John: Dion</h2>
<p>Is a 1968 song written by Dick Holler and first recorded by Dion. It is a tribute to the memory of four assassinated Americans, all icons of social change, Abraham Lincoln, Martin Luther King, Jr., John F. Kennedy and Robert F. Kennedy. It was written in response to the assassination of King and that of Robert Kennedy in April and June 1968, respectively.</p>
<p><img loading="lazy" decoding="async" width="220" height="217" class="wp-image-37442 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-18.png" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-18.png 220w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-18-45x45.png 45w" sizes="(max-width: 220px) 100vw, 220px" />The original version, recorded by Dion, featured a gentle folk rock production from Phil Gernhard and arrangement from John Abbott. The feeling of the song is set with a gentle oboe and violin opening then featuring harp flourishes at multiple points, including the instrumental conclusion. The song also features a flugelhorn, an electric organ, bass, and drums. Dion felt during post production that the song needed more depth and added a track featuring him playing classical guitar notably at the bridge, lead ins and the close.</p>
<p>Although it was quite unlike the rock sound that Dion had become famous for in the early 1960s, and even more unlike Holler and Gernhard&#8217;s previous collaboration in the 1966 novelty smash &#8220;Snoopy Vs. The Red Baron&#8221;, &#8220;Abraham, Martin and John&#8221; nonetheless was a major American hit single in late 1968. It reached #4 on the U.S. pop singles chart and was awarded an RIAA gold record for selling a million copies. In Canada, it topped the charts, reaching #1 in the <em>RPM 100</em> on November 25, 1968.</p>
<h2>Piece of My Heart: Big Brother and Holding Company</h2>
<p>The song became a bigger pop hit when recorded by Big Brother and the Holding Company in 1968 with lead singer Janis Joplin. The song was taken from the group&#8217;s album <em>Cheap Thrills</em>, recorded in 1968 and released on Columbia Records. This 2 minutes 43 seconds rendition made it to number twelve on the U.S. pop chart. The album release was the culmination of a hugely successful year for Joplin with acclaimed performances at the Monterey Pop Festival, Anderson Theater in New York, Wake For Martin Luther King Jr. (with Jimi Hendrix) in New York and on TV&#8217;s prime-time <em>The Dick Cavett Show</em>.</p>
<p>The song&#8217;s instrumentation was arranged by Sam Andrew, who also performed three distorted, loud guitar solos giving the song a psychedelic touch. The B-side was &#8220;Summertime&#8221;. Another version had the B-side &#8220;Turtle Blues&#8221;.</p>
<p><img loading="lazy" decoding="async" width="300" height="300" class="wp-image-37443 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-141.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-141.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-141-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-141-45x45.jpeg 45w" sizes="(max-width: 300px) 100vw, 300px" />Franklin said in an interview that when she first heard Joplin&#8217;s version on the radio, she didn&#8217;t recognize it because of the vocal arrangement.</p>
<p>Noted cultural writer Ellen Willis wrote of the difference: &#8220;When Franklin sings it, it is a challenge: no matter what you do to me, I will not let you destroy my ability to be human, to love. Joplin seems rather to be saying, surely if I keep taking this, if I keep setting an example of love and forgiveness, surely he has to understand, change, give me back what I have given&#8221;. In such a way, Joplin used blues conventions not to transcend pain, but &#8220;to scream it out of existence&#8221;.</p>
<p>Until her death in 1970, &#8220;Piece of My Heart&#8221; was Joplin’s biggest chart success and best-known song. (&#8220;Me and Bobby McGee”, which Kris Kristofferson wrote, eclipsed &#8220;Piece of My Heart&#8221; when it appeared after her death in 1970. It went to #1 in 1971). &#8220;Piece of My Heart&#8221; remains most associated with Joplin and continued to get airplay long after her death. Berns never got to hear Joplin’s Version, dying of a heart attack on December 30, 1967</p>
<h2>People Got to Be Free: The Rascals</h2>
<p>is a song released in 1968 by The Rascals. Written by group members Felix Cavaliere and Eddie Brigati and featuring a lead vocal from Cavaliere, it is a musically upbeat but impassioned plea for tolerance and freedom:</p>
<p><em>All the world over, so easy to see!</em></p>
<p><em>People everywhere, just wanna be free.</em></p>
<p><em>Listen, please listen! that&#8217;s the way it should be</em></p>
<p><em>Peace in the valley, people got to be free.</em></p>
<p><img loading="lazy" decoding="async" width="299" height="298" class="wp-image-37444 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-142.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-142.jpeg 299w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-142-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-142-45x45.jpeg 45w" sizes="(max-width: 299px) 100vw, 299px" />In the song&#8217;s coda, Felix says in a half-sung, half-spoken voice, that the &#8220;Train of Freedom&#8221;, is &#8220;about to arrive any minute now&#8221;, that &#8220;it has been long, long overdue&#8221;, and that it&#8217;s &#8220;coming right on through&#8221;, before the song&#8217;s fade with Felix saying &#8220;Chug&#8221; repeatedly.</p>
<p>It became a big hit in the turbulent summer of 1968, spending five weeks atop the <em>Billboard</em> Pop Singles chart, the group&#8217;s longest such stay. It was also the group&#8217;s second-most successful single on the <em>Billboard</em> Black Singles chart, reaching number 14 and trailing only the previous year&#8217;s &#8220;Groovin'&#8221;. &#8220;People Got to Be Free&#8221; was RIAA-certified as a gold record on August 23, 1968, and eventually sold over 4 million copies. It later was included on the group&#8217;s March 1969 album <em>Freedom Suite</em>. <em>Billboard</em> ranked the record as the number 5 song for 1968.</p>
<p>The single&#8217;s picture sleeve photo was previously featured in the inner album cover of the Rascals&#8217; <em>Time Peace: The Rascals&#8217; Greatest Hits</em> compilation. The B-side, &#8220;My World&#8221;, was a track from the group&#8217;s <em>Once Upon a Dream</em> album.</p>
<p>While &#8220;People Got to Be Free&#8221; was perceived by some as related to the assassinations of Martin Luther King, Jr. and Robert F. Kennedy earlier that year, it was recorded before the latter&#8217;s death. In fact it was partly a reaction to an ugly encounter wherein the long-haired group was threatened by a group of strangers after their tour vehicle broke down in Fort Pierce, Florida.</p>
<h2>Honey: Bobby Goldsboro</h2>
<p><img loading="lazy" decoding="async" width="220" height="217" class="wp-image-37445 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-143.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-143.jpeg 220w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-143-45x45.jpeg 45w" sizes="(max-width: 220px) 100vw, 220px" />is a song written by Bobby Russell. He first produced it with former Kingston Trio member Bob Shane. Then he gave it to American singer Bobby Goldsboro, who recorded it for his 1968 album of the same name, originally titled <em>Pledge of Love</em>.</p>
<p>The song&#8217;s narrator mourns his deceased lover, beginning with him looking at a tree in their garden, remembering how &#8220;it was just a twig&#8221; on the day she planted it (with his disapproval). This single about the loss of a loved one hit No. 1 the week after Martin Luther King, Jr. was assassinated in Memphis. Further, the Hot 100 top 10 run of &#8220;Honey&#8221; began the week of the King assassination and ended the week of the assassination of Robert Kennedy, and no other Hot 100 entry had a top 10 run that spanned that same time interval.</p></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/the-music-of-1968/">The Music of 1968</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>Best Songs of the 60s Pt-2</title>
		<link>https://thehistoryofrockandroll.net/best-songs-of-the-60s-pt-2/</link>
		
		<dc:creator><![CDATA[Meagan Paese]]></dc:creator>
		<pubDate>Mon, 16 Jan 2017 13:31:46 +0000</pubDate>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Pop]]></category>
		<category><![CDATA[Rock and Roll]]></category>
		<category><![CDATA[Aretha Franklin]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[Elvis Presley]]></category>
		<category><![CDATA[Help Me Rhonda]]></category>
		<category><![CDATA[Honky Tonk Women]]></category>
		<category><![CDATA[I Got You Babe]]></category>
		<category><![CDATA[I Heard it Through the Grapevine]]></category>
		<category><![CDATA[I Want to Hold Your Hand]]></category>
		<category><![CDATA[I’m a Believer]]></category>
		<category><![CDATA[Johnny Cash]]></category>
		<category><![CDATA[Like a Rolling Stone]]></category>
		<category><![CDATA[Marvin Gaye]]></category>
		<category><![CDATA[Respect]]></category>
		<category><![CDATA[Ring of Fire]]></category>
		<category><![CDATA[Rolling Stone]]></category>
		<category><![CDATA[Sonny and Cher]]></category>
		<category><![CDATA[Suspicious Minds]]></category>
		<category><![CDATA[The 13h Floor Elevator]]></category>
		<category><![CDATA[The Beach Boys]]></category>
		<category><![CDATA[the Beatles]]></category>
		<category><![CDATA[The Monkees]]></category>
		<category><![CDATA[The Shirelles]]></category>
		<category><![CDATA[Will You Love Me Tomorrow]]></category>
		<category><![CDATA[You’re Gonna Miss Me]]></category>
		<guid isPermaLink="false">http://www.thehistoryofrockandroll.net/?p=34787</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/best-songs-of-the-60s-pt-2/">Best Songs of the 60s Pt-2</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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										<content:encoded><![CDATA[<p><div class="et_pb_section et_pb_section_3 et_section_regular" >
				
				
				
				
				
				
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				<div class="et_pb_text_inner"><p style="text-align: center;"><a href="http://www.thehistoryofrockandroll.net/best-songs-of-the-60s-pt-1/">Best Songs of the 60s (Pt 1)</a> | <a href="http://www.thehistoryofrockandroll.net/best-songs-of-the-60s-pt-2/">Best Songs of the 60s (Pt 2)</a> | <a href="http://www.thehistoryofrockandroll.net/best-songs-of-the-60s-pt-3/">Best Songs of the 60s (Pt 3)</a></p></div>
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				<div class="et_pb_text_inner"><h2>The 13h Floor Elevator: You’re Gonna Miss Me</h2></div>
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				<div class="et_pb_text_inner"><p><strong>The 13h Floor Elevator: You’re Gonna Miss Me</strong> is a song by the American psychedelic rock band the 13th Floor Elevators, written by Roky Erickson, and released as the group&#8217;s debut single on Contact Records, on January 17, 1966.</p>
<p>It was reissued nationally on International Artists, in May 1966 (see 1966 in music). Musically inspired by traditional jug band and R&amp;B music, combined with the group&#8217;s own experimentation, &#8220;You&#8217;re Gonna Miss Me&#8221;, along with its Stacy Sutherland and Tommy Hall-penned B-side, &#8220;Tried to Hide&#8221;, was influential in developing psychedelic rock, garage rock, and was one of the earliest rock compositions to utilize the electric jug. Accordingly, critics often cite &#8220;You&#8217;re Gonna Miss Me&#8221; as a bona fide garage rock song, as well as a classic of the counterculture era.</p>
<p>&#8220;You&#8217;re Gonna Miss Me&#8221; reached number 55 on the Billboard Hot 100, making it the 13th Floor Elevators&#8217; only single to chart nationally. The failure of the song to achieve a higher chart listing is attributed to poor distribution by a disestablished record label. In addition, the band was prevented from consistently touring during their parole for possession of marijuana. The song was also included as a track on their debut album, The Psychedelic Sounds of the 13th Floor Elevators, in November 1966.</p></div>
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				<div class="et_pb_text_inner"><h2>Johnny Cash: Ring of Fire</h2></div>
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				<div class="et_pb_text_inner"><p><img loading="lazy" decoding="async" class="alignright size-full wp-image-29182" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/06/1963-Ring-of-Fire-Johnny-Cash.jpg" alt="" width="200" height="200" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1963-Ring-of-Fire-Johnny-Cash.jpg 200w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1963-Ring-of-Fire-Johnny-Cash-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1963-Ring-of-Fire-Johnny-Cash-45x45.jpg 45w" sizes="(max-width: 200px) 100vw, 200px" /><strong>Johnny Cash: Ring of Fire</strong> is a song written by June Carter Cash and Merle Kilgore and recorded by Johnny Cash. The single appears on Cash&#8217;s 1963 album, Ring of Fire: The Best of Johnny Cash.</p>
<p>The song was originally recorded by June&#8217;s sister, Anita Carter, on her Mercury Records album Folk Songs Old and New (1963) as &#8220;(Love&#8217;s) Ring of Fire&#8221;. &#8220;Ring of Fire&#8221; was ranked No. 4 on CMT&#8217;s 100 Greatest Songs of Country Music in 2003 and #87 on Rolling Stone&#8217;s list of The 500 Greatest Songs of All Time.</p>
<p>The song was recorded on March 25, 1963, and became the biggest hit of Cash&#8217;s career, staying at number one on the country chart for seven weeks. It was certified Gold on January 21, 2010, by the RIAA and has also sold over 1.2 million digital downloads</p></div>
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				<div class="et_pb_text_inner"><h2>The Shrangri-Las: Leader of the Pack</h2></div>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="300" height="310" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shrangri-Las-Leader-of-the-Pack.jpg" alt="" title="" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shrangri-Las-Leader-of-the-Pack.jpg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shrangri-Las-Leader-of-the-Pack-290x300.jpg 290w" sizes="(max-width: 300px) 100vw, 300px" class="wp-image-34812" /></span>
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				<div class="et_pb_text_inner"><p><strong>The Shrangri-Las: Leader of the Pack</strong> is a song written by George &#8220;Shadow&#8221; Morton, Jeff Barry, and Ellie Greenwich.</p>
<p>It was a number one pop hit in 1964 for the American girl group The Shangri-Las. The single is one of the group&#8217;s best known songs as well as a popular cultural example of a &#8220;teenage tragedy song&#8221;.</p></div>
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				<div class="et_pb_text_inner"><h2>The Beach Boys: Help Me Rhonda</h2></div>
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				<div class="et_pb_text_inner"><p><img loading="lazy" decoding="async" class="alignright size-full wp-image-29409" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/06/1965-Help-Me-Rhonda-The-Beach-Boys.jpg" alt="" width="280" height="285" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1965-Help-Me-Rhonda-The-Beach-Boys.jpg 280w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1965-Help-Me-Rhonda-The-Beach-Boys-45x45.jpg 45w" sizes="(max-width: 280px) 100vw, 280px" /><strong>The Beach Boys: Help Me Rhonda</strong> is a song written and composed by Brian Wilson with additional lyrics by Mike Love for American rock band the Beach Boys. It was first released as &#8220;Help Me, Ronda&#8221; in March 1965 on the album The Beach Boys Today!</p>
<p>A second recording, with a significantly different arrangement, was issued as a single under the revised title &#8220;Help Me, Rhonda&#8221;. The single peaked at number one in the United States, making it the second Beach Boys single to reach that position after &#8220;I Get Around&#8221; in 1964. The single version was later released on the album Summer Days (And Summer Nights!!) in June 1965.</p></div>
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				<div class="et_pb_text_inner"><p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-32427" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/07/1969-Suspicious-Minds-Elvis-Presley-150x150.jpg" alt="" width="150" height="150" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/07/1969-Suspicious-Minds-Elvis-Presley-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/07/1969-Suspicious-Minds-Elvis-Presley-150x150-45x45.jpg 45w" sizes="(max-width: 150px) 100vw, 150px" /><strong>Elvis Presley: Suspicious Minds</strong> is an American song written and first recorded by American songwriter Mark James. After James&#8217; recording failed commercially, the song was handed to Elvis Presley by producer Chips Moman, becoming a number one song in 1969, and one of the most notable hits of Presley&#8217;s career.</p>
<p>&#8220;Suspicious Minds&#8221; was widely regarded as the single that returned Presley&#8217;s career success, following his &#8217;68 Comeback Special. It was his eighteenth and last number-one single in the United States. In 2004, Rolling Stone ranked it No. 91 on their list of the 500 Greatest Songs of All Time.[citation needed] Session guitarist Reggie Young played on both the James and Presley versions.</p></div>
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				<div class="et_pb_text_inner"><h2>The Monkees: I’m a Believer</h2></div>
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				<div class="et_pb_text_inner"><p><img loading="lazy" decoding="async" class="size-full wp-image-29563 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/06/1966-I’m-a-Believer-The-Monkees-252x250.jpg" alt="" width="252" height="250" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1966-I’m-a-Believer-The-Monkees-252x250.jpg 252w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1966-I’m-a-Believer-The-Monkees-252x250-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1966-I’m-a-Believer-The-Monkees-252x250-45x45.jpg 45w" sizes="(max-width: 252px) 100vw, 252px" /><strong>The Monkees: I’m a Believer</strong> is a song composed by Neil Diamond and recorded by The Monkees in 1966 with the lead vocals by Micky Dolenz. The single, produced by Jeff Barry, hit the number one spot on the U.S. Billboard Hot 100 chart for the week ending December 31, 1966 and remained there for seven weeks, becoming the last No. 1 hit of 1966 and the biggest-selling record for all of 1967. Billboard ranked the record as the No. 5 song for 1967.</p>
<p>Because of 1,051,280 advance orders, it went gold within two days of release. It is one of the fewer than forty all-time singles to have sold 10 million (or more) physical copies worldwide.</p>
<p>The song was No. 1 in the UK Singles Chart for four weeks in January and February 1967, as well as a Number 1 in numerous countries including Australia, Canada, and Ireland.The success of the single prompted the song to appear in four consecutive episodes of The Monkees&#8217; TV show throughout December 1966.</p></div>
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				<div class="et_pb_text_inner"><h2>The Shirelles: Will You Love Me Tomorrow</h2></div>
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				<div class="et_pb_text_inner"><p><strong><img loading="lazy" decoding="async" class="size-full wp-image-34817 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shirelles-Will-You-Love-Me-Tomorrow.jpg" alt="" width="222" height="221" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shirelles-Will-You-Love-Me-Tomorrow.jpg 222w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shirelles-Will-You-Love-Me-Tomorrow-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shirelles-Will-You-Love-Me-Tomorrow-45x45.jpg 45w" sizes="(max-width: 222px) 100vw, 222px" />The Shirelles: Will You Love Me Tomorrow</strong> is a song written by Gerry Goffin and Carole King. It was originally recorded in 1960 by the Shirelles, who took their single to number one on the Billboard Hot 100 chart.</p>
<p>The song is also notable for being the first song by an all-girl group to reach number one in the United States. It has since been recorded by many artists over the years, including a 1971 version by co-writer Carole King.</p></div>
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				<div class="et_pb_text_inner"><h2>The Beatles: I Want to Hold Your Hand</h2></div>
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				<div class="et_pb_text_inner"><p><strong>The Beatles: I Want to Hold Your Hand</strong> is a song by the English rock band the Beatles. Written by John Lennon and Paul McCartney, and recorded in October 1963, it was the first Beatles record to be made using four-track equipment.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-34578" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/11/I-Want-to-Hold-Your-Hand-The-Beatles.jpg" alt="The Beatles" width="229" height="228" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/11/I-Want-to-Hold-Your-Hand-The-Beatles.jpg 229w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/11/I-Want-to-Hold-Your-Hand-The-Beatles-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/11/I-Want-to-Hold-Your-Hand-The-Beatles-45x45.jpg 45w" sizes="(max-width: 229px) 100vw, 229px" />With advance orders exceeding one million copies in the United Kingdom, &#8220;I Want to Hold Your Hand&#8221; would have gone straight to the top of the British record charts on its day of release (29 November 1963) had it not been blocked by the group&#8217;s first million seller &#8220;She Loves You&#8221;, their previous UK single, which was having a resurgence of popularity following intense media coverage of the group. Taking two weeks to dislodge its predecessor, &#8220;I Want to Hold Your Hand&#8221; stayed at number one for five weeks and remained in the UK top 50 for 21 weeks in total.</p>
<p>It was also the group&#8217;s first American number one, entering the Billboard Hot 100 chart on 18 January 1964 at number 45 and starting the British invasion of the American music industry. By 1 February it held the number-one spot, and stayed there for seven weeks before being replaced by &#8220;She Loves You&#8221;, a reverse scenario of what had occurred in Britain. It remained on the Billboard chart for 15 weeks.</p>
<p>&#8220;I Want to Hold Your Hand&#8221; became the Beatles&#8217; best-selling single worldwide. In 2013, Billboard magazine named it the 44th biggest hit of &#8220;all-time&#8221; on the Billboard Hot 100 charts.</p></div>
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				<div class="et_pb_text_inner"><h2>Bob Dylan: Like a Rolling Stone</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Bob Dylan: Like a Rolling Stone</strong> is a 1965 song by the American singer-songwriter Bob Dylan. Its confrontational lyrics originated in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. Dylan distilled this draft into four verses and a chorus. &#8220;Like a Rolling Stone&#8221; was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-34565 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/11/Like-a-rollling-stone-bob-dylanjpg.jpg" alt="Like a Rolling Stone: Bob Dylan" width="253" height="252" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/11/Like-a-rollling-stone-bob-dylanjpg.jpg 253w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/11/Like-a-rollling-stone-bob-dylanjpg-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/11/Like-a-rollling-stone-bob-dylanjpg-45x45.jpg 45w" sizes="(max-width: 253px) 100vw, 253px" />During a difficult two-day preproduction, Dylan struggled to find the essence of the song, which was demoed without success in 3/4 time. A breakthrough was made when it was tried in a rock music format, and rookie session musician Al Kooper improvised the organ riff for which the track is known.</p>
<p>However, Columbia Records was unhappy with both the song&#8217;s length at over six minutes and its heavy electric sound, and was hesitant to release it. It was only when a month later a copy was leaked to a new popular music club and heard by influential DJs that the song was put out as a single. Although radio stations were reluctant to play such a long track, &#8220;Like a Rolling Stone&#8221; reached number two in the US Billboard charts (number one in Cashbox) and became a worldwide hit.</p>
<p>Critics have described the track as revolutionary in its combination of different musical elements, the youthful, cynical sound of Dylan&#8217;s voice, and the directness of the question &#8220;How does it feel?&#8221; &#8220;Like a Rolling Stone&#8221; transformed Dylan&#8217;s image from folk singer to rock star, and is considered one of the most influential compositions in postwar popular music.</p>
<p>Rolling Stone magazine listed the song at number one in their &#8220;500 Greatest Songs of All Time&#8221; list. The song has been covered by numerous artists, from The Jimi Hendrix Experience and The Rolling Stones to The Wailers and Green Day.</p>
<p>At an auction in 2014, Dylan&#8217;s handwritten lyrics to the song fetched $2 million, a world record for a popular music manuscript</p></div>
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				<div class="et_pb_text_inner"><h2>Sonny and Cher: I Got You Babe</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Sonny and Cher: I Got You Babe</strong> is a song written by Sonny Bono. It was the first single taken from the debut studio album Look at Us, of the American pop music duo Sonny &amp; Cher. In August 1965, their single spent three weeks at number 1 on the Billboard Hot 100 in the United States where it sold more than 1 million copies and was certified Gold. It also reached number 1 in the United Kingdom and Canada.</p>
<p>In 1985, a cover version of &#8220;I Got You Babe&#8221; by British reggae/pop band UB40 featuring American singer Chrissie Hynde, peaked at number one in the UK Singles Chart and reached number 28 on the US Billboard Hot 100 chart. A 1993 version by Cher with Beavis and Butt-Head bubbled under the Hot 100 chart.</p></div>
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				<div class="et_pb_text_inner"><h2>Aretha Franklin: Respect</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Aretha Franklin: Respect</strong> is a song written and originally released by American recording artist Otis Redding in 1965. The song became a 1967 hit and signature song for R&amp;B singer Aretha Franklin.</p>
<p>The music in the two versions is significantly different, and through a few minor changes in the lyrics, the stories told by the songs have a different flavor.</p>
<p>Redding&#8217;s version is a plea from a desperate man, who will give his woman anything she wants. He won&#8217;t care if she does him wrong, as long as he gets his due respect, when he comes home. However, Franklin&#8217;s version is a declaration from a strong, confident woman, who knows that she has everything her man wants. She never does him wrong, and demands his &#8220;respect&#8221;.</p>
<p>Franklin&#8217;s version adds the &#8220;R-E-S-P-E-C-T&#8221; chorus and the backup singers&#8217; refrain of &#8220;Sock it to me, sock it to me, sock it to me&#8230;&#8221;</p></div>
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				<div class="et_pb_text_inner"><h2>Rolling Stone: Honky Tonk Women</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Rolling Stone: Honky Tonk Women</strong> is a 1969 hit song by The Rolling Stones. Released as a single only release (although a country version was included on Let It Bleed), on 4 July 1969 in the United Kingdom and a week later in the United States, it topped the charts in both nations.</p>
<p>The song was written by Mick Jagger and Keith Richards while on holiday in Brazil from late December 1968 to early January 1969, inspired by Brazilian &#8220;caipiras&#8221; (inhabitants of rural, remote areas of parts of Brazil) at the ranch where Jagger and Richards were staying in Matão, São Paulo.</p>
<p>Two versions of the song were recorded by the band: the familiar hit which appeared on the 45 single and their collection of late 1960s singles, Through the Past, Darkly (Big Hits Vol. 2); and a honky-tonk version entitled &#8220;Country Honk&#8221; with slightly different lyrics, which appeared on Let It Bleed (1969).</p>
<p>Thematically, a &#8220;honky tonk woman&#8221; refers to a dancing girl in a western bar who may work as a prostitute; the setting for the narrative in the first verse of the blues version is Memphis, Tennessee, while &#8220;Country Honk&#8221; sets the first verse in Jackson, Mississippi.</p>
<blockquote><p>I met a gin soaked bar-room queen in Memphis<br />
I&#8217;m sittin&#8217; in a bar, tippin&#8217; a jar in Jackson</p></blockquote>
<p>The band initially recorded the track called &#8220;Country Honk&#8221;, in London in early March 1969. Brian Jones was present during these sessions and may have played on the first handful of takes and demos. It was his last recording session with the band.</p>
<p>The song was transformed into the familiar electric, riff-based hit single &#8220;Honky Tonk Women&#8221; sometime in the spring of 1969, prior to Mick Taylor&#8217;s joining the group. In an interview in the magazine Crawdaddy!, Richards credits Taylor for influencing the track: &#8220;&#8230; the song was originally written as a real Hank Williams/Jimmie Rodgers/1930s country song. And it got turned around to this other thing by Mick Taylor, who got into a completely different feel, throwing it off the wall another way.&#8221;</p>
<p>However, in 1979 Taylor recalled it this way: &#8220;I definitely added something to Honky Tonk Women, but it was more or less complete by the time I arrived and did my overdubs.&#8221;</p>
<p>&#8220;Honky Tonk Women&#8221; is distinctive as it opens not with a guitar riff, but with a beat played on a cowbell. The Rolling Stones&#8217; producer Jimmy Miller performed the cowbell for the recording.</p></div>
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				<div class="et_pb_text_inner"><h2>Marvin Gaye: I Heard it Through the Grapevine</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Marvin Gaye: I Heard it Through the Grapevine</strong> a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight &amp; the Pips and released as a single in September 1967; it went to number two in the Billboard chart.</p>
<p>Whitfield recorded the song with Marvin Gaye over five sessions, the first on February 3, 1967, and the final one on April 10, 1967. Recordings of this version took more than a month due to Whitfield overdubbing Gaye&#8217;s vocals with that of the Andantes&#8217; background vocals, mixing in several tracks featuring the Funk Brothers on the rhythm track, and adding the string section from the Detroit Symphony Orchestra with an arrangement by Paul Riser.</p></div>
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				<div class="et_pb_text_inner"><h2>Glen Campbell: Wichita Lineman</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Glen Campbell: Wichita Lineman</strong> is a song written by American songwriter Jimmy Webb in 1968. It was first recorded by American country music artist Glen Campbell with backing from members of The Wrecking Crew and widely covered by other artists.</p>
<p>Campbell&#8217;s version, which appeared on his 1968 album of the same name, reached #3 on the U.S. pop chart, remaining in the Top 100 for 15 weeks. In addition, the song also topped the American country music chart for two weeks, and the adult contemporary chart for six weeks.</p>
<p>It was certified gold by the RIAA in January 1969. The song reached #7 in the UK. In Canada, the single also topped both the RPM national and country singles charts.</p></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/best-songs-of-the-60s-pt-2/">Best Songs of the 60s Pt-2</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>The  Greatest Singers of All Time (Part 1)</title>
		<link>https://thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-1/</link>
		
		<dc:creator><![CDATA[Meagan Paese]]></dc:creator>
		<pubDate>Thu, 27 Oct 2016 20:32:38 +0000</pubDate>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Pop]]></category>
		<category><![CDATA[Rock and Roll]]></category>
		<category><![CDATA[Aretha Franklin]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[Elvis Presley]]></category>
		<category><![CDATA[Grace Slick]]></category>
		<category><![CDATA[James Brown]]></category>
		<category><![CDATA[Jim Morrison]]></category>
		<category><![CDATA[John Lennon]]></category>
		<category><![CDATA[Karen Carpenter]]></category>
		<category><![CDATA[Little Richard]]></category>
		<category><![CDATA[Marvin Gaye]]></category>
		<category><![CDATA[Otis Redding]]></category>
		<category><![CDATA[Paul McCartney]]></category>
		<category><![CDATA[Ray Charles]]></category>
		<category><![CDATA[Sam Cooke]]></category>
		<category><![CDATA[The King]]></category>
		<guid isPermaLink="false">http://www.thehistoryofrockandroll.net/?p=34400</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-1/">The  Greatest Singers of All Time (Part 1)</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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										<content:encoded><![CDATA[<p><div class="et_pb_section et_pb_section_18 et_section_regular" >
				
				
				
				
				
				
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				<div class="et_pb_text_inner"><p style="text-align: center;"><a href="http://www.thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-1/">The Greatest Singers of all Times (Part 1)</a> | <a href="http://www.thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-2/">The Greatest Singers of all Times (Part 2)</a></p></div>
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				<div class="et_pb_text_inner"><h2>Aretha Franklin</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Aretha Franklin is an American singer–songwriter and musician.</strong> Franklin&#8217;s church as a child. In 1960, at the age of 18, Franklin embarked on a secular career, recording for Columbia Records but only achieving modest success. Following her signing to Atlantic Records in 1967, Franklin achieved commercial acclaim and success with songs such as &#8220;Respect&#8221;, &#8220;(You Make Me Feel Like) A Natural Woman&#8221; and &#8220;Think&#8221;. These hits and more helped her to gain the title The Queen of Soul by the end of the 1960s decade.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-34402 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Aretha-Franklin.jpg" alt="Aretha Franklin" width="236" height="315" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Aretha-Franklin.jpg 236w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Aretha-Franklin-225x300.jpg 225w" sizes="(max-width: 236px) 100vw, 236px" />Franklin eventually recorded a total of 112 charted singles on Billboard, including 77 Hot 100 entries, 17 top ten pop singles, 100 R&amp;B entries and twenty number-one R&amp;B singles, becoming the most charted female artist in the chart&#8217;s history. Franklin also recorded acclaimed albums such as I Never Loved a Man the Way I Love You, Lady Soul, Young, Gifted &amp; Black and Amazing Grace before experiencing problems with her record company by the mid-1970s. After her father was shot in 1979, Franklin left Atlantic and signed with Arista Records, finding success with her part in the film The Blues Brothers and with the albums Jump to It and Who&#8217;s Zoomin&#8217; Who?</p>
<p>In 1998, Franklin won international acclaim for singing the opera aria &#8220;Nessun dorma&#8221;, at the Grammys of that year replacing Luciano Pavarotti. Later that same year, she scored her final Top 40 recording with &#8220;A Rose Is Still a Rose&#8221;. Franklin&#8217;s other popular and well known hits include &#8220;Rock Steady&#8221;, &#8220;Something He Can Feel&#8221; (from the soundtrack to the 1976 film Sparkle), &#8220;Jump to It&#8221;, &#8220;Freeway of Love&#8221;, &#8220;Who&#8217;s Zoomin&#8217; Who&#8221;, &#8220;Sisters Are Doin&#8217; It for Themselves&#8221;, &#8220;I Knew You Were Waiting (For Me)&#8221; (with George Michael), &#8220;It Isn&#8217;t, It Wasn&#8217;t, It Ain&#8217;t Never Gonna Be&#8221; (with Whitney Houston) and a remake of The Rolling Stones song &#8220;Jumpin&#8217; Jack Flash&#8221;.<br />
Franklin has won a total of 18 Grammy Awards and is one of the best-selling artists of all time, having sold over 75 million records worldwide.</p>
<p>Franklin has been honored throughout her career including a 1987 induction into the Rock and Roll Hall of Fame, in which she became the first female performer to be inducted. She was inducted to the UK Music Hall of Fame in 2005. In August 2012, Franklin was inducted into the GMA Gospel Music Hall of Fame. Franklin is listed in at least two all-time lists on Rolling Stone magazine, including the 100 Greatest Artists of All Time, in which she placed number 9, and the 100 Greatest Singers of All Time in which she placed number 1.</p></div>
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				<div class="et_pb_text_inner"><h2>Bob Dylan</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Bob Dylan is an American songwriter, singer, artist, and writer.</strong> He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest. Early songs such as &#8220;Blowin&#8217; in the Wind&#8221; and &#8220;The Times They Are a-Changin'&#8221; became anthems for the American civil rights and anti-war movements. Leaving behind his initial base in the American folk music revival, his six-minute single &#8220;Like a Rolling Stone&#8221;, recorded in 1965, enlarged the range of popular music.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34404" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Bob-Dylan.jpg" alt="greatest-singers-of-all-time-bob-dylan" width="329" height="247" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Bob-Dylan.jpg 329w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Bob-Dylan-300x225.jpg 300w" sizes="(max-width: 329px) 100vw, 329px" /></p>
<p>Dylan&#8217;s lyrics incorporate a wide range of political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning more than 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica.</p>
<p>Backed by a changing lineup of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.</p>
<p>Since 1994, Dylan has published six books of drawings and paintings, and his work has been exhibited in major art galleries. As a musician, Dylan has sold more than 100 million records, making him one of the best-selling artists of all time. He has also received numerous awards including eleven Grammy Awards, a Golden Globe Award, and an Academy Award. Dylan has been inducted into the Rock and Roll Hall of Fame, Minnesota Music Hall of Fame, Nashville Songwriters Hall of Fame, and Songwriters Hall of Fame.</p>
<p>The Pulitzer Prize jury in 2008 awarded him a special citation for &#8220;his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power.&#8221; In May 2012, Dylan received the Presidential Medal of Freedom from President Barack Obama. In October 2016, he was awarded the Nobel Prize in Literature, the second to receive this honor for songwriting.</p></div>
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				<div class="et_pb_text_inner"><h2>Elvis Presley</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Elvis Presley was an American singer and actor.</strong> Regarded as one of the most significant cultural icons of the 20th century, he is often referred to as &#8220;the King of Rock and Roll&#8221;, or simply, &#8220;the King&#8221;.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-34405" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/the-greatest-singers-of-all-time-Elvis-Presley.jpg" alt="The Greatest Singers of all time Elvis Presley" width="226" height="267" />Presley was born in Tupelo, Mississippi, as a twinless twin—his brother was stillborn. When he was 13 years old, he and his family relocated to Memphis, Tennessee. His music career began there in 1954, when he recorded a song with producer Sam Phillips at Sun Records. Accompanied by guitarist Scotty Moore and bassist Bill Black, Presley was an early popularizer of rockabilly, an uptempo, backbeat-driven fusion of country music and rhythm and blues. RCA Victor acquired his contract in a deal arranged by Colonel Tom Parker, who managed the singer for more than two decades.</p>
<p>Presley&#8217;s first RCA single, &#8220;Heartbreak Hotel&#8221;, was released in January 1956 and became a number-one hit in the United States. He was regarded as the leading figure of rock and roll after a series of successful network television appearances and chart-topping records. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines that coincided with the dawn of the Civil Rights Movement, made him enormously popular—and controversial.</p>
<p>In November 1956, he made his film debut in Love Me Tender. In 1958, he was drafted into military service. He resumed his recording career two years later, producing some of his most commercially successful work before devoting much of the 1960s to making Hollywood films and their accompanying soundtrack albums, most of which were critically derided.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-34406" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Elvis-Presley-2.jpg" alt="The Greatest Singers of all time Elvis Presley" width="217" height="287" />In 1968, following a seven-year break from live performances, he returned to the stage in the acclaimed televised comeback special Elvis, which led to an extended Las Vegas concert residency and a string of highly profitable tours. In 1973, Presley was featured in the first globally broadcast concert via satellite, Aloha from Hawaii. Several years of prescription drug abuse severely damaged his health, and he died in 1977 at the age of 42.</p>
<p>Presley is one of the most celebrated and influential musicians of the 20th century. Commercially successful in many genres, including pop, blues and gospel, he is the best-selling solo artist in the history of recorded music, with estimated record sales of around 600 million units worldwide.He won three Grammys, also receiving the Grammy Lifetime Achievement Award.</p></div>
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				<div class="et_pb_text_inner"><h2>John Lennon</h2></div>
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				<div class="et_pb_text_inner"><p><strong>John Lennon was an English singer and songwriter</strong> who co-founded the Beatles (1960-70), the most commercially successful band in the history of popular music.</p>
<p>With fellow member Paul McCartney, he formed a celebrated songwriting partnership.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34408" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-John-Lennon.jpg" alt="The Greatest Singers of all time John Lennon" width="245" height="433" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-John-Lennon.jpg 245w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-John-Lennon-170x300.jpg 170w" sizes="(max-width: 245px) 100vw, 245px" /></p>
<p>Born and raised in Liverpool, Lennon became involved in the skiffle craze as a teenager; his first band, the Quarrymen, evolved into the Beatles in 1960. When the group disbanded in 1970, Lennon embarked on a solo career that produced the albums John Lennon/Plastic Ono Band and Imagine, and songs such as &#8220;Give Peace a Chance&#8221;, &#8220;Working Class Hero&#8221;, and &#8220;Imagine&#8221;. After his marriage to Yoko Ono in 1969, he changed his name to John Ono Lennon. Lennon disengaged himself from the music business in 1975 to raise his infant son Sean, but re-emerged with Ono in 1980 with the new album Double Fantasy. He was murdered three weeks after its release.</p>
<p>Lennon revealed a rebellious nature and acerbic wit in his music, writing, drawings, on film and in interviews. Controversial through his political and peace activism, he moved to Manhattan in 1971, where his criticism of the Vietnam War resulted in a lengthy attempt by Richard Nixon&#8217;s administration to deport him, while some of his songs were adopted as anthems by the anti-war movement and the larger counterculture.</p></div>
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				<div class="et_pb_text_inner"><h2>Ray Charles</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Ray Charles was an American singer,</strong> songwriter, musician, and composer. Among friends and fellow musicians he preferred being called &#8220;Brother Ray&#8221;. He was often referred to as &#8220;The Genius&#8221;. Charles was blind from the age of seven.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34410" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Ray-Charles.jpg" alt="The Greatest Singers of all time Ray Charles" width="313" height="400" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Ray-Charles.jpg 313w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Ray-Charles-235x300.jpg 235w" sizes="(max-width: 313px) 100vw, 313px" /></p>
<p>He pioneered the genre of soul music during the 1950s by combining blues, rhythm and blues, and gospel styles into the music he recorded for Atlantic Records.</p>
<p>He also contributed to the integration of country and rhythm and blues and pop music during the 1960s with his crossover success on ABC Records, most notably with his two Modern Sounds albums.While he was with ABC, Charles became one of the first African-American musicians to be granted artistic control by a mainstream record company.</p></div>
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				<div class="et_pb_text_inner"><h2>Sam Cooke</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Sam Cooke was an American singer, songwriter, and entrepreneur.</strong> Influential as both a singer and composer, he is commonly known as the King of Soul for his distinctive vocals and importance within popular music.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-34412" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Sam-Cooke.jpg" alt="The Greatest Singers of all time Sam Cooke" width="310" height="320" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Sam-Cooke.jpg 310w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Sam-Cooke-291x300.jpg 291w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Sam-Cooke-45x45.jpg 45w" sizes="(max-width: 310px) 100vw, 310px" />His pioneering contributions to soul music contributed to the rise of Aretha Franklin, Bobby Womack, Al Green, Curtis Mayfield, Stevie Wonder, Marvin Gaye, and Billy Preston, and popularized the likes of Otis Redding and James Brown. AllMusic biographer Bruce Eder wrote that Cooke was &#8220;the inventor of soul music&#8221;, and possessed &#8220;an incredible natural singing voice and a smooth, effortless delivery that has never been surpassed&#8221;.</p>
<p>Cooke had 30 U.S. top 40 hits between 1957 and 1964, plus three more posthumously. Major hits like &#8220;You Send Me&#8221;, &#8220;A Change Is Gonna Come&#8221;, &#8220;Cupid&#8221;, &#8220;Chain Gang&#8221;, &#8220;Wonderful World&#8221;, &#8220;Another Saturday Night&#8221;, and &#8220;Twistin&#8217; the Night Away&#8221; are some of his most popular songs.</p>
<p>Cooke was also among the first modern black performers and composers to attend to the business side of his musical career. He founded both a record label and a publishing company as an extension of his careers as a singer and composer. He also took an active part in the Civil Rights Movement.</p>
<p>On December 11, 1964, at the age of 33, Cooke was shot and killed by Bertha Franklin, the manager of the Hacienda Motel in Los Angeles, California. After an inquest, the courts ruled Cooke&#8217;s death to be a justifiable homicide. Since that time, the circumstances of his death have been called into question by Cooke&#8217;s family.</p></div>
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				<div class="et_pb_text_inner"><h2>Marvin Gaye</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Karen Carpenter was an American singer and drummer.</strong> She and her brother, Richard Carpenter, formed the 1970s duo The Carpenters. Although her skills as a drummer earned admiration from drumming luminaries and peers, she is best known for her vocal performances. She had a contralto vocal range.<br />
<img loading="lazy" decoding="async" class="alignright size-full wp-image-34414" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Karen-Carpenter.jpg" alt="The Greatest Singers of all time Karen Carpenter" width="222" height="307" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Karen-Carpenter.jpg 222w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Karen-Carpenter-217x300.jpg 217w" sizes="(max-width: 222px) 100vw, 222px" /></p>
<p>Carpenter suffered from anorexia nervosa, an eating disorder about which little was known at the time. She died at age 32 from heart failure caused by complications related to her illness. Carpenter&#8217;s death led to increased visibility and awareness of eating disorders.</p></div>
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				<div class="et_pb_text_inner"><h2>Marvin Gaye</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Marvin Gaye was an American singer, songwriter and record producer.</strong> Gaye helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of hits, including &#8220;Ain&#8217;t That Peculiar&#8221;, &#8220;How Sweet It Is (To Be Loved By You)&#8221; and &#8220;I Heard It Through the Grapevine&#8221;, and duet recordings with Mary Wells, Kim Weston, Diana Ross and Tammi Terrell, later earning the titles &#8220;Prince of Motown&#8221; and &#8220;Prince of Soul&#8221;.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-34416 aligncenter" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Marvin-Gaye.jpg" alt="The Greatest Singers of all time Marvin Gaye" width="393" height="221" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Marvin-Gaye.jpg 393w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Marvin-Gaye-300x169.jpg 300w" sizes="(max-width: 393px) 100vw, 393px" /><br />
During the 1970s, he recorded the concept albums What&#8217;s Going On and Let&#8217;s Get It On and became one of the first artists in Motown to break away from the reins of their production company.</p>
<p>Gaye&#8217;s later recordings influenced several contemporary R&amp;B subgenres, such as quiet storm and neo soul. Following a period in Europe as a tax exile in the early 1980s, Gaye released the 1982 Grammy Award-winning hit &#8220;Sexual Healing&#8221; and its parent album Midnight Love.</p>
<p>On April 1, 1984, Gaye&#8217;s father, Marvin Gay Sr., fatally shot him at their house in the West Adams district of Los Angeles. Since his death, many institutions have posthumously bestowed Gaye with awards and other honors—including the Grammy Lifetime Achievement Award, the Rhythm and Blues Music Hall of Fame, the Songwriters Hall of Fame and the Rock and Roll Hall of Fame.</p></div>
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				<div class="et_pb_text_inner"><h2>Paul McCartney</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Paul McCartney is an English singer-songwriter, multi-instrumentalist, and composer.</strong> With John Lennon, George Harrison, and Ringo Starr, he gained worldwide fame with the rock band the Beatles, one of the most popular and influential groups in the history of pop music. His songwriting partnership with Lennon is one of the most celebrated of the 20th century. After the band&#8217;s break-up, he pursued a solo career and formed the band Wings with his first wife, Linda, and Denny Laine.</p>
<p>McCartney has been recognised as one of the most successful composers and performers of all time. More than 2,200 artists have covered his Beatles song &#8220;Yesterday&#8221;, more than any other copyrighted song in history. Wings&#8217; 1977 release &#8220;Mull of Kintyre&#8221; is one of the all-time best-selling singles in the UK.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34419" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-TimePaul-McCartney.jpg" alt="The Greatest Singers of all time Paul McCartney" width="415" height="276" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-TimePaul-McCartney.jpg 415w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-TimePaul-McCartney-300x200.jpg 300w" sizes="(max-width: 415px) 100vw, 415px" /></p>
<p>A two-time inductee into the Rock and Roll Hall of Fame (as a member of the Beatles in 1988, and as a solo artist in 1999), and a 21-time Grammy Award winner, McCartney has written, or co-written, 32 songs that have reached number one on the Billboard Hot 100, and as of 2009 he has 25.5 million RIAA-certified units in the United States. McCartney, Lennon, Harrison and Starr all received The Most Excellent Order of the British Empire (MBE) in 1965, and in 1997, McCartney was knighted for services to music.<br />
McCartney has released an extensive catalogue of songs as a solo artist and has composed classical and electronic music.</p>
<p>He has taken part in projects to promote international charities related to such subjects as animal rights, seal hunting, land mines, vegetarianism, poverty, and music education. He has married three times and is the father of five children.</p></div>
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				<div class="et_pb_text_inner"><h2>Otis Redding</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Otis Redding was an American singer, songwriter, record producer, arranger, and talent scout.</strong> He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. His singing style influenced many other soul artists of the 1960s. During his lifetime, his recordings were produced by Stax Records, based in Memphis, Tennessee, and exemplify the sound of Stax.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34421" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Otis-Redding.jpg" alt="The Greatest Singers of all time Otis Redding" width="387" height="260" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Otis-Redding.jpg 387w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Otis-Redding-300x202.jpg 300w" sizes="(max-width: 387px) 100vw, 387px" /><br />
Born and raised in the US state of Georgia, Redding quit school at age 15 to support his family, working with Little Richard&#8217;s backing band, the Upsetters, and performing at talent shows for prize money. In 1958, he joined Johnny Jenkins&#8217;s band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first single, &#8220;These Arms of Mine,&#8221; in 1962. Stax released Redding&#8217;s debut album, Pain in My Heart, two years later.</p>
<p>Initially popular mainly with African-Americans, Redding later reached a wider American pop music audience. Along with his group, he first played small gigs in the American South. He later performed at the popular Los Angeles night club Whisky a Go Go and toured Europe, performing in London, Paris and other major cities. He also performed at the Monterey Pop Festival in 1967.<br />
Shortly before his death in a plane crash, Redding wrote and recorded his iconic &#8220;(Sittin&#8217; on) The Dock of the Bay&#8221; with Steve Cropper. The song became the first posthumous number-one record on both the Billboard Hot 100 and R&amp;B charts. The album The Dock of the Bay was the first posthumous album to reach number one on the UK Albums Chart.</p>
<p>Redding&#8217;s premature death devastated Stax. Already on the verge of bankruptcy, the label soon discovered that Atlantic Records owned the rights to his entire song catalog.</p>
<p>Redding received many posthumous accolades, including the Grammy Lifetime Achievement Award and induction into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In addition to &#8220;(Sittin&#8217; on) The Dock of the Bay,&#8221; &#8220;Respect&#8221; and &#8220;Try a Little Tenderness&#8221; are among his best-known songs.</p></div>
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				<div class="et_pb_text_inner"><h2>Grace Slick</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Grace Slick is an American singer-songwriter, musician, artist, and former model.</strong> She is widely known in rock and roll history for her role in San Francisco&#8217;s burgeoning psychedelic music scene in the mid-1960s.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-34423 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Grace-Slick.jpg" alt="The Greatest Singers of all time Grace Slick" width="310" height="304" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Grace-Slick.jpg 310w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Grace-Slick-300x294.jpg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Grace-Slick-45x45.jpg 45w" sizes="(max-width: 310px) 100vw, 310px" />Her career spanned all or parts of four decades, most notably with the bands Jefferson Airplane, Jefferson Starship, and Starship.</p>
<p>She started with The Great Society and also had stints as a solo performer. Slick provided the lead vocals on a number of signature songs of such bands including the &#8220;flower power era-psychedelic rock&#8221; Airplane themes &#8220;Somebody to Love&#8221; and &#8220;White Rabbit&#8221;.</p>
<p>Two decades later, Slick became (at 47) the oldest female vocalist to reach the number one position on the U.S. Billboard Hot 100, this time with the Starship signature new wave/pop-influenced songs &#8220;We Built This City&#8221; and &#8220;Nothing&#8217;s Gonna Stop Us Now&#8221;.</p></div>
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				<div class="et_pb_text_inner"><h2>Jim Morrison</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Jim Morrison was an American singer,</strong> songwriter, and poet best remembered as the lead singer of the Doors.</p>
<p>Because of his songwriting, wild personality, performances, and the dramatic circumstances surrounding his life and death, he is regarded by critics and fans as one of the most iconic and influential frontmen in rock music history. In the later part of the 20th century, he was one of the popular culture&#8217;s most rebellious and oft-displayed icons, representing the generation gap and youth counterculture.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34425" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Jim-Morrison.jpg" alt="The Greatest Singers of all time Jim Morrison" width="385" height="258" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Jim-Morrison.jpg 385w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Jim-Morrison-300x201.jpg 300w" sizes="(max-width: 385px) 100vw, 385px" /><br />
He was also well known for improvising spoken word poetry passages while the band played live. Morrison was ranked number 47 on Rolling Stone&#8217;s list of the &#8220;100 Greatest Singers of All Time&#8221;, and number 22 on Classic Rock magazine&#8217;s &#8220;50 Greatest Singers In Rock&#8221;.</p>
<p>Ray Manzarek said Morrison &#8220;embodied hippie counterculture rebellion&#8221;. Morrison was sometimes referred to by other nicknames, such as &#8220;Lizard King&#8221; and &#8220;King of Orgasmic Rock&#8221;.</p>
<p>Morrison developed an alcohol dependency during the 1960s, which affected his performances on stage. He died at the age of 27 in Paris, apparently from an accidental heroin overdose. No autopsy was performed, and the exact cause of Morrison&#8217;s death is still disputed. Morrison is interred at Père Lachaise Cemetery in eastern Paris.</p></div>
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				<div class="et_pb_text_inner"><h2>James Brown</h2></div>
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				<div class="et_pb_text_inner"><p><strong>James Brown was an American singer, songwriter, record producer, dancer and bandleader.</strong>The founding father of funk music and a major figure of 20th century popular music and dance, he is often referred to as the &#8220;Godfather of Soul&#8221;. In a career that spanned six decades, he influenced the development of several music genres.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-34427" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-James-Brown.jpg" alt="The Greatest Singers of all time James Brown" width="236" height="288" />Brown began his career as a gospel singer in Toccoa, Georgia. He joined an R&amp;B vocal group, the Gospel Starlighters (which later evolved into the Flames), in which he was the lead singer.</p>
<p>First coming to national public attention in the late 1950s as a member of the singing group The Famous Flames with the hit ballads &#8220;Please, Please, Please&#8221; and &#8220;Try Me&#8221;, Brown built a reputation as a tireless live performer with the Famous Flames and his backing band, sometimes known as the James Brown Band or the James Brown Orchestra.</p>
<p>His success peaked in the 1960s with the live album Live at the Apollo and hit singles such as &#8220;Papa&#8217;s Got a Brand New Bag&#8221;, &#8220;I Got You (I Feel Good)&#8221; and &#8220;It&#8217;s a Man&#8217;s Man&#8217;s Man&#8217;s World&#8221;.</p>
<p>During the late 1960s he moved from a continuum of blues and gospel-based forms and styles to a profoundly &#8220;Africanized&#8221; approach to music-making that influenced the development of funk music. By the early 1970s, Brown had fully established the funk sound after the formation of the J.B.s with records such as &#8220;Get Up (I Feel Like Being a) Sex Machine&#8221; and &#8220;The Payback&#8221;. He also became noted for songs of social commentary, including the 1968 hit &#8220;Say It Loud – I&#8217;m Black and I&#8217;m Proud&#8221;. Brown continued to perform and record until his death from congestive heart failure in 2006.</p>
<p>Brown recorded 16 singles that reached number one on the Billboard R&amp;B charts. He also holds the record for the most singles listed on the Billboard Hot 100 chart which did not reach number one. Brown has received honors from many institutions, including inductions into the Rock and Roll Hall of Fame and Songwriters Hall of Fame. In Joel Whitburn&#8217;s analysis of the Billboard R&amp;B charts from 1942 to 2010, James Brown is ranked as number one in The Top 500 Artists.</p>
<p>He is ranked seventh on the music magazine Rolling Stone&#8217;s list of its 100 greatest artists of all time. Rolling Stone has also cited Brown as the most sampled artist of all time.</p></div>
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				<div class="et_pb_text_inner"><h2>Little Richard</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Little Richard is an American musician singer and songwriter. </strong>An influential figure in popular music and culture for more than six decades, Little Richard&#8217;s most celebrated work dates from the mid-1950s, when his dynamic music and charismatic showmanship laid the foundation for rock and roll.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-34429" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Little-Richard.jpg" alt="greatest-singers-of-all-time-little-richard" width="364" height="258" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Little-Richard.jpg 364w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Little-Richard-300x213.jpg 300w" sizes="(max-width: 364px) 100vw, 364px" />His music also played a key role in the formation of other popular music genres, including soul and funk. Little Richard influenced numerous singers and musicians across musical genres from rock to hip hop; his music helped shape rhythm and blues for generations to come, and his performances and headline-making thrust his career right into the mix of American popular music.</p>
<p>Little Richard has been honored by many institutions. He was inducted into the Rock and Roll Hall of Fame as part of its first group of inductees in 1986. He was also inducted into the Songwriters Hall of Fame.</p>
<p>He is the recipient of a Lifetime Achievement Award from the Recording Academy and a Lifetime Achievement Award from the Rhythm and Blues Foundation. Little Richard&#8217;s &#8220;Tutti Frutti&#8221; (1955) was included in the National Recording Registry of the Library of Congress in 2010, which stated that his &#8220;unique vocalizing over the irresistible beat announced a new era in music.&#8221; In 2015, the National Museum of African American Music [1] honored Little Richard with a Rhapsody &amp; Rhythm Award for his pivotal role in the formation of popular music genres and in helping to shatter the color line on the music charts, changing American culture significantly</p></div>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><a href="http://www.thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-1/">The Greatest Singers of all Times (Part 1)</a> | <a href="http://www.thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-2/">The Greatest Singers of all Times (Part 2)</a></p></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-1/">The  Greatest Singers of All Time (Part 1)</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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