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	<title>Martin Luther King Jr. Archives - The History of Rock and Roll Radio Show</title>
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		<title>A Walk Down Memory Lane: 1958-1959 (Part 1)</title>
		<link>https://thehistoryofrockandroll.net/a-walk-down-memory-lane-1958-1959-part-1/</link>
		
		<dc:creator><![CDATA[Meagan Paese]]></dc:creator>
		<pubDate>Mon, 19 Mar 2018 16:06:59 +0000</pubDate>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Bobby Darin]]></category>
		<category><![CDATA[Charles de Gaulle]]></category>
		<category><![CDATA[Dion and The Belmonts]]></category>
		<category><![CDATA[Eisenhower]]></category>
		<category><![CDATA[Elvis Presley]]></category>
		<category><![CDATA[Explorer 1]]></category>
		<category><![CDATA[Fabian Forte]]></category>
		<category><![CDATA[Gigi]]></category>
		<category><![CDATA[Hope Diamond]]></category>
		<category><![CDATA[Hula Hoops]]></category>
		<category><![CDATA[Khrushchev]]></category>
		<category><![CDATA[Martin Luther King Jr.]]></category>
		<category><![CDATA[NASA]]></category>
		<category><![CDATA[NORAD]]></category>
		<category><![CDATA[Peace Symbol]]></category>
		<category><![CDATA[The Donna Reed Show]]></category>
		<category><![CDATA[The Everly Brothers]]></category>
		<category><![CDATA[The Rifleman]]></category>
		<category><![CDATA[Van Cliburn]]></category>
		<category><![CDATA[Vertigo]]></category>
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					<description><![CDATA[<p>Dwight D. Eisenhower (1890-1969) Eisenhower as an American Army general and statesman who served as the 34th President of the United States from 1953 to 1961. During World War II, he was a five-star general in the United States Army and served as Supreme Commander of the Allied Expeditionary Forces in Europe. He was responsible [&#8230;]</p>
<p>The post <a href="https://thehistoryofrockandroll.net/a-walk-down-memory-lane-1958-1959-part-1/">A Walk Down Memory Lane: 1958-1959 (Part 1)</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
										<content:encoded><![CDATA[<h2><strong>Dwight D. Eisenhower (1890-1969)</strong></h2>
<p><img loading="lazy" decoding="async" class="wp-image-37200 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-10.jpeg" width="348" height="439" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-10.jpeg 480w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-10-238x300.jpeg 238w" sizes="(max-width: 348px) 100vw, 348px" />Eisenhower as an American Army general and statesman who served as the 34th President of the United States from 1953 to 1961. During World War II, he was a five-star general in the United States Army and served as Supreme Commander of the Allied Expeditionary Forces in Europe.</p>
<p>He was responsible for planning and supervising the invasion of North Africa in Operation Torch in 1942–43 and the successful invasion of France and Germany in 1944–45 from the Western Front.</p>
<p>He was also the first American President to be bound by the 22nd Amendment, which limits the number of times one can be elected to the office of President of the United States.</p>
<p>Born <strong>David Dwight</strong> <strong>Eisenhower</strong> in Denison, Texas, he was raised in Kansas in a large family of mostly Pennsylvania Dutch ancestry; his parents had a strong religious background. His mother was born a Lutheran, married as a River Brethren, and later became a Jehovah&#8217;s Witness. Eisenhower did not belong to any organized church until 1952. He cited constant relocation during his military career as one reason. He graduated from West Point in 1915 and later married Mamie Doud, with whom he had two sons. During World War I, he was denied a request to serve in Europe and instead commanded a unit that trained tank crews. Following the war, he served under various generals and was promoted to the rank of brigadier general in 1941. After the U.S. entered World War II, Eisenhower oversaw the successful invasions of North Africa and Sicily before supervising the invasions of France and Germany. After the war, Eisenhower served as Army Chief of Staff and then took on the uncomfortable role as president of Columbia University. In 1951–52, he served as the first Supreme Commander of NATO.</p>
<p>In 1952, Eisenhower entered the presidential race as a Republican in order to block the foreign policies of Senator Robert A. Taft. He won that election and the 1956 election in landslides, both times defeating Adlai Stevenson II. He became the first Republican elected President since 1928. Eisenhower&#8217;s main goals in office were to contain the expansion of the Soviet Union and reduce federal deficits. In 1953, he threatened the use of nuclear weapons until China agreed to terms regarding POWs in the Korean War. An armistice ended the stalemated conflict. His New Look policy of nuclear deterrence prioritized inexpensive nuclear weapons while reducing funding for expensive Army divisions. He continued Harry S. Truman&#8217;s policy of recognizing the Republic of China as the legitimate government of China, and he won congressional approval of the Formosa Resolution. His administration provided major aid to help the French fight off Vietnamese Communists in the First Indochina War. After the French left he gave strong financial support to the new state of South Vietnam. He supported local military coups against governments in Iran and Guatemala. During the Suez Crisis of 1956, Eisenhower condemned the Israeli, British and French invasion of Egypt, and he forced them to withdraw. He also condemned the Soviet invasion during the Hungarian Revolution of 1956 but took no action. During the Syrian Crisis of 1957 he approved a CIA-MI6 plan to stage fake border incidents as an excuse for an invasion by Syria&#8217;s pro-Western neighbours. After the Soviet Union launched Sputnik in 1957, Eisenhower authorized the establishment of NASA, which led to the Space Race. He deployed 15,000 soldiers during the 1958 Lebanon crisis. Near the end of his term, his efforts to set up a summit meeting with the Soviets collapsed when an American spy plane was shot down over Russia. He approved the Bay of Pigs invasion, which was left to his successor to carry out.</p>
<p>On the domestic front, Eisenhower was a moderate conservative who continued New Deal agencies and expanded Social Security. He covertly opposed Joseph McCarthy and contributed to the end of McCarthyism by openly invoking executive privilege. Eisenhower signed the Civil Rights Act of 1957 and sent Army troops to enforce federal court orders that integrated schools in Little Rock, Arkansas. His largest program was the Interstate Highway System. He promoted the establishment of strong science education via the National Defense Education Act. Eisenhower&#8217;s two terms saw widespread economic prosperity except for a minor recession in 1958. In his farewell address to the nation, Eisenhower expressed his concerns about the dangers of massive military spending, particularly deficit spending and government contracts to private military manufacturers. He was voted Gallup&#8217;s most admired man twelve times and also achieved widespread popular esteem both in and out of office. Historical evaluations of his presidency place him among the upper tier of U.S. presidents.</p>
<h2><strong>Hula Hoops</strong></h2>
<p>Wham-O Toy Company introduced hula hoops, 100 million were sold.</p>
<p><img loading="lazy" decoding="async" width="539" height="389" class="wp-image-37201" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-11.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-11.jpeg 539w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-11-300x217.jpeg 300w" sizes="(max-width: 539px) 100vw, 539px" /> <img loading="lazy" decoding="async" width="400" height="310" class="wp-image-37202" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-12.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-12.jpeg 400w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-12-300x233.jpeg 300w" sizes="(max-width: 400px) 100vw, 400px" /></p>
<h2><strong>Explorer I</strong></h2>
<p>&nbsp;</p>
<p><img loading="lazy" decoding="async" class="wp-image-37203 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-13.jpeg" width="220" height="165" />First American satellite, Explorer I, launched in orbit from Cape Canaveral on January 31, 1958.</p>
<p>The mission followed the first two satellites the previous year; the Soviet Union&#8217;s Sputnik 1 and 2, beginning the Cold War Space Race between the two nations.</p>
<p>&nbsp;</p>
<p><img loading="lazy" decoding="async" width="410" height="517" class="wp-image-37204" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-14.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-14.jpeg 410w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-14-238x300.jpeg 238w" sizes="(max-width: 410px) 100vw, 410px" /></p>
<h2><strong>Peace Symbol </strong></h2>
<p>Peace Symbol was deigned and completed by Gerald Holtom, commissioned by the campaign for Nuclear Disarmament, in protest against Atomic Weapons Research Establishment.</p>
<p><img loading="lazy" decoding="async" width="650" height="799" class="wp-image-37205" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-15.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-15.jpeg 650w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-15-244x300.jpeg 244w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-15-610x750.jpeg 610w" sizes="(max-width: 650px) 100vw, 650px" /> <img loading="lazy" decoding="async" width="422" height="422" class="wp-image-37206" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image.png" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image.png 422w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-150x150.png 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-300x300.png 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-45x45.png 45w" sizes="(max-width: 422px) 100vw, 422px" /></p>
<h2><strong>Elvis Presley</strong></h2>
<p><img loading="lazy" decoding="async" width="314" height="328" class="wp-image-37207" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-16.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-16.jpeg 314w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-16-287x300.jpeg 287w" sizes="(max-width: 314px) 100vw, 314px" /> <img loading="lazy" decoding="async" width="740" height="490" class="wp-image-37208" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-17.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-17.jpeg 740w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-17-300x199.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-17-610x404.jpeg 610w" sizes="(max-width: 740px) 100vw, 740px" /></p>
<p>King of Rock and Roll, Elvis Presley reported for duty with the US Army on March 24, 1958.</p>
<h2><strong>Nikita Khrushchev (1894-1971)</strong></h2>
<p>On March 27<sup>th</sup>, 1958, Nikita Khrushchev became Premier of the Soviet Union.</p>
<p><img loading="lazy" decoding="async" width="700" height="360" class="wp-image-37209" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-18.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-18.jpeg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-18-300x154.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-18-610x314.jpeg 610w" sizes="(max-width: 700px) 100vw, 700px" /></p>
<h2><strong>Van Cliburn (1934-2013)</strong></h2>
<p><strong><img loading="lazy" decoding="async" width="722" height="523" class="wp-image-37210" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-19.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-19.jpeg 722w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-19-300x217.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-19-610x442.jpeg 610w" sizes="(max-width: 722px) 100vw, 722px" /></strong></p>
<p>Van Cliburn won the International Tchaikovsky Competition for pianists in Moscow, breaking Cold War tensions.</p>
<h2><strong>Ricky Nelson (1940-1985)</strong></h2>
<p><img loading="lazy" decoding="async" width="204" height="248" class="wp-image-37211 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-1.png" />was an American rock and roll star, musician, and singer-songwriter. From age eight he starred alongside his family in the radio and television series <em>The Adventures of Ozzie and Harriet</em>.</p>
<p>In 1957 he began a long and successful career as a popular recording artist. As one of the top &#8220;teen idols&#8221; of the 1950s his fame led to a motion picture role co-starring alongside John Wayne and Dean Martin in Howard Hawks&#8217;s western feature film <em>Rio Bravo</em> (1959).</p>
<p>He placed 53 songs on the <em>Billboard</em> Hot 100 between 1957 and 1973 including &#8220;Poor Little Fool&#8221; in 1958, which holds the distinction of being the first #1 song on <em>Billboard</em> magazine&#8217;s then-newly created Hot 100 chart. He recorded 19 additional Top 10 hits and was inducted into the Rock and Roll Hall of Fame on January 21, 1987. </p>
<h2><strong>NORAD</strong></h2>
<p><img loading="lazy" decoding="async" width="347" height="317" class="wp-image-37212" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-2.png" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-2.png 347w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-2-300x274.png 300w" sizes="(max-width: 347px) 100vw, 347px" /></p>
<p>NORAD (North American Air Defense Command was established by the US, Canada for their mutual protection.</p>
<h2><strong>Charles de Gaulle (1890-1970)</strong></h2>
<p><img loading="lazy" decoding="async" width="220" height="269" class="wp-image-37213 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-20.jpeg" />Charles de Gualle was a French general and statesman. He was the leader of Free France (1940–1944) and the head of the Provisional Government of the French Republic (1944–1946). In 1958, he founded the Fifth Republic and was elected as the President of France, a position he held until his resignation in 1969. He was the dominant figure of France during the Cold War era and his memory continues to influence French politics.</p>
<p>Born in Lille, he graduated from Saint-Cyr in 1912. He was a decorated officer of the First World War, wounded several times, and later taken prisoner at Verdun. During the interwar period, he advocated mobile armored divisions. During the German invasion of May 1940, he led an armored division which counterattacked the invaders; he was then appointed Under-Secretary for War.</p>
<p>Refusing to accept his government&#8217;s armistice with Nazi Germany, de Gaulle exhorted the French population to resist occupation and to continue the fight in his Appeal of 18 June. He led a government in exile and the Free French Forces against the Axis. Despite frosty relations with Britain and especially the United States, he emerged as the undisputed leader of the French resistance. He became head of the Provisional Government of the French Republic in June 1944, the interim government of France following its Liberation. As early as 1944, de Gaulle introduced a dirigiste economic policy, which included substantial state-directed control over a capitalist economy which was followed by 30 years of unprecedented growth, known as Les Trente Glorieuses (&#8220;the glorious thirty&#8221;).</p>
<p>Frustrated by the return of petty partisanship in the new Fourth Republic, he resigned in early-1946 but continued to be politically active as founder of the Rassemblement du Peuple Français (RPF) (&#8220;Rally of the French People&#8221;) party. He retired in the early-1950s and wrote a book about his experience in the war titled <em>War Memoirs</em>, which quickly became a staple of modern French literature. When the Algerian War was ripping apart the unstable Fourth Republic, the National Assembly brought him back to power during the May 1958 crisis. He founded the Fifth Republic with a strong presidency, and he was elected to continue in that role. He managed to keep France together while taking steps to end the war, much to the anger of the Pieds-Noirs (settler population originating from European France) and the military; both previously had supported his return to power to maintain colonial rule. He granted independence to Algeria and progressively to other French colonies.</p>
<p>In the context of the Cold War, de Gaulle initiated his &#8220;politics of grandeur,&#8221; asserting that France as a major power should not rely on other countries, such as the United States, for its national security and prosperity. To this end, de Gaulle pursued a policy of &#8220;national independence&#8221; which led him to withdraw from NATO&#8217;s military integrated command and to launch an independent nuclear development program that made France the fourth nuclear power. He restored cordial Franco-German relations to create a European counterweight between the Anglo-American and Soviet spheres of influence through the signing of the Élysée Treaty on 22 January 1963. However, he opposed any development of a supranational Europe, favouring a Europe of sovereign nations. De Gaulle openly criticised the United States intervention in Vietnam and the &#8220;exorbitant privilege&#8221; of the US dollar. In his later years, his support for the slogan &#8220;Vive le Québec libre&#8221; (&#8220;Long live free Quebec!&#8221;) and his two vetoes of Britain&#8217;s entry into the European Economic Community generated considerable controversy.</p>
<p>Although reelected President in 1965, in May 1968 he appeared likely to lose power amid widespread protests by students and workers, but survived the crisis with backing from the army and won an election with an increased majority in the assembly. De Gaulle resigned in 1969 after losing a referendum in which he proposed more decentralization. He died a year later at his residence in Colombey-les-Deux-Églises, leaving his presidential memoirs unfinished.</p>
<h2>Martin Luther King Jr.</h2>
<p><img loading="lazy" decoding="async" width="800" height="600" class="wp-image-37214" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-3.png" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-3.png 800w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-3-300x225.png 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-3-768x576.png 768w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-3-610x458.png 610w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-3-510x382.png 510w" sizes="(max-width: 800px) 100vw, 800px" /></p>
<p>Martin Luther King Jr. was stabbed by a black woman Izola Curry, while signing copies of his new book Stride Toward Freedom at a Harlem department store.</p>
<h2><strong>Hope Diamond</strong></h2>
<p> <img loading="lazy" decoding="async" width="400" height="263" class="wp-image-37216 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-22.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-22.jpeg 400w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-22-300x197.jpeg 300w" sizes="(max-width: 400px) 100vw, 400px" />November 10, 1958, New York Jeweler Harry Winston donated the Hope Diamond to the Smithsonian Institution, which became one of the most popular and enduring exhibits at the National Museum of Natural History in Washington DC.</p>
<p><img loading="lazy" decoding="async" width="359" height="289" class="wp-image-37215 alignnone" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-21.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-21.jpeg 359w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-21-300x242.jpeg 300w" sizes="(max-width: 359px) 100vw, 359px" /></p>
<h2><strong>NASA</strong></h2>
<p><img loading="lazy" decoding="async" width="290" height="240" class="wp-image-37217 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-4.png" /></p>
<p>Nasa is an independent agency of the executive branch of the United States federal government responsible for the civilian space program, as well as aeronautics and aerospace research.</p>
<p>President Dwight D. Eisenhower established NASA in 1958 with a distinctly civilian (rather than military) orientation encouraging peaceful applications in space science. The National Aeronautics and Space Act was passed on July 29, 1958, disestablishing NASA&#8217;s predecessor, the National Advisory Committee for Aeronautics (NACA). The new agency became operational on October 1, 1958.</p>
<p>Since that time, most US space exploration efforts have been led by NASA, including the Apollo Moon landing missions, the Skylab space station, and later the Space Shuttle. Currently, NASA is supporting the International Space Station and is overseeing the development of the Orion Multi-Purpose Crew Vehicle, the Space Launch System and Commercial Crew vehicles. The agency is also responsible for the Launch Services Program (LSP) which provides oversight of launch operations and countdown management for unmanned NASA launches.</p>
<h2><strong>Gigi</strong></h2>
<p><img loading="lazy" decoding="async" width="215" height="333" class="wp-image-37218 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-23.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-23.jpeg 215w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-23-194x300.jpeg 194w" sizes="(max-width: 215px) 100vw, 215px" /></p>
<p>Gigi Is a 1958 American musical-romance film directed by Vincente Minnelli processed using MGM&#8217;s Metrocolor.</p>
<p>The screenplay by Alan Jay Lerner is based on the 1944 novella of the same name by Colette.</p>
<p>The film features songs with lyrics by Lerner and music by Frederick Loewe, arranged and conducted by André Previn.</p>
<p>Weary of the conventions of Parisian society, a rich playboy and a youthful courtesan-in-training enjoy a platonic friendship, but it may not stay platonic for long.</p>
<h2><strong>The Donna Reed Show</strong></h2>
<p>&nbsp;</p>
<p><img loading="lazy" decoding="async" width="365" height="273" class="wp-image-37219 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-24.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-24.jpeg 365w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-24-300x224.jpeg 300w" sizes="(max-width: 365px) 100vw, 365px" />The Donna Reed Show is an American sitcom starring Donna Reed as the middle-class housewife Donna Stone.</p>
<p>Carl Betz co-stars as her pediatrician husband Dr. Alex Stone, and Shelley Fabares and Paul Petersen as their teenage children, Mary and Jeff.</p>
<p>The show originally aired on ABC from September 24, 1958 to March 19, 1966. When Fabares left the show in 1963, Petersen&#8217;s younger sister, Patty Petersen, joined the cast as adopted daughter Trisha. Patty Petersen had first appeared in the episode, &#8220;A Way of Her Own&#8221;, on January 31, 1963. Janet Landgard was a series regular from 1963-1965 as Karen Holmby.</p>
<p>Bob Crane and Ann McCrea appeared in the last seasons as Dr. Dave Kelsey and his wife, Midge, friends of the Stones, and Darryl Richard became a near regular in thirty-two episodes as Smitty, Jeff&#8217;s best buddy. The show featured a variety of celebrity guests including Esther Williams as a famous dress designer, baseball superstars Don Drysdale and Willie Mays as themselves, teen heartthrob James Darren as a pop singer with the measles, canine superstar Lassie, and young Jay North of CBS&#8217;s <em>Dennis the Menace</em>.</p>
<p>T<img loading="lazy" decoding="async" width="435" height="269" class="wp-image-37220 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image.gif" />he series was created by William S. Roberts and developed by Reed and her then husband, producer Tony Owen. Episodes revolved around typical family problems of the period such as firing a clumsy housekeeper, throwing a retirement bash for a colleague, and finding quality time away from the children. Then-daring themes such as women&#8217;s rights and freedom of the press were occasionally explored.</p>
<p>The show had an uncertain start in the ratings and was almost cancelled, but fared better when it was moved from Wednesday to Thursday nights. In the show&#8217;s middle seasons, Fabares sang what became a #1 teen pop hit &#8220;Johnny Angel&#8221;, and Petersen had above average success with the song &#8220;My Dad&#8221;, also introduced during the course of the series.</p>
<p><em>The Donna Reed Show</em> was one of television&#8217;s top 25 shows in 1963-1964. Reed was repeatedly nominated for Emmy Awards between 1959 and 1962, and won a Golden Globe as Best Female TV Star in 1963. She eventually grew tired of the work-a-day grind involved in the program, and it was cancelled in 1966 after 275 episodes.</p>
<h2><strong>Vertigo</strong></h2>
<p><img loading="lazy" decoding="async" width="514" height="797" class="wp-image-37221" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-25.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-25.jpeg 514w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-25-193x300.jpeg 193w" sizes="(max-width: 514px) 100vw, 514px" /></p>
<p>is a 1958 American film noir psychological thriller film directed and produced by Alfred Hitchcock. The story was based on the 1954 novel <em>D&#8217;entre les morts</em> (<em>From Among the Dead</em>) by Boileau-Narcejac. The screenplay was written by Alec Coppel and Samuel A. Taylor.</p>
<p>The film stars James Stewart as former police detective John &#8220;Scottie&#8221; Ferguson. Scottie is forced into early retirement because an incident in the line of duty has caused him to develop acrophobia (an extreme fear of heights) and vertigo (a false sense of rotational movement). Scottie is hired by an acquaintance, Gavin Elster, as a private investigator to follow Gavin&#8217;s wife Madeleine (Kim Novak), who is behaving strangely.</p>
<p>The film was shot on location in San Francisco, California, and at Paramount Studios in Hollywood. It is the first film to use the dolly zoom, an in-camera effect that distorts perspective to create disorientation, to convey Scottie&#8217;s acrophobia. As a result of its use in this film, the effect is often referred to as &#8220;the <em>Vertigo</em> effect&#8221;.</p>
<h2><strong>The Rifleman</strong></h2>
<p>Was an American Western television program starring Chuck Connors as rancher Lucas McCain and Johnny Crawford as his son Mark McCain. It was set in the 1870s and 1880s in the fictional town of North Fork, New Mexico Territory. The show was filmed in black and white, in half-hour episodes. <em>The Rifleman</em> aired on ABC from September 30, 1958, to April 8, 1963, as a production of Four Star Television. It was one of the first prime time series on American television to show a widowed parent raising a child.</p>
<p>The program was titled to reflect McCain&#8217;s use of a Winchester rifle, customized to allow repeated firing by cycling its lever action. He demonstrated this technique in the opening credits of every episode, as well as a second modification that allowed him to cycle the action with one hand.</p>
<p><img loading="lazy" decoding="async" width="600" height="400" class="wp-image-37222" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-26.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-26.jpeg 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-26-300x200.jpeg 300w" sizes="(max-width: 600px) 100vw, 600px" /></p>
<h2><strong>The Everly Brothers</strong></h2>
<p><img loading="lazy" decoding="async" width="620" height="350" class="wp-image-37223" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-27.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-27.jpeg 620w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-27-300x169.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-27-610x344.jpeg 610w" sizes="(max-width: 620px) 100vw, 620px" /></p>
<p>were an American country-influenced rock and roll duo, known for steel-string acoustic guitar playing and close harmony singing. <strong>Isaac Donald &#8220;Don&#8221; Everly</strong> (born February 1, 1937) and <strong>Phillip &#8220;Phil&#8221; Everly</strong> (January 19, 1939 – January 3, 2014) were inducted to the Rock and Roll Hall of Fame in 1986 and the Country Music Hall of Fame in 2001.</p>
<p><strong>Family and education</strong></p>
<p>Don was born in Brownie, Muhlenberg County, Kentucky, in 1937, and Phil two years later in Chicago, Illinois. Their parents were Isaac Milford &#8220;Ike&#8221; Everly, Jr. (1908–1975), a guitar player, and Margaret Embry Everly. Actor James Best (born Jules Guy), also from Muhlenberg County, was the son of Ike&#8217;s sister. Margaret was 15 when she married Ike, who was 26. Ike worked in coal mines from age 14, but his father encouraged him to pursue his love of music. Ike and Margaret began singing together. The Everly brothers spent most of their childhood in Shenandoah, Iowa. They attended Longfellow Elementary School in Waterloo, Iowa, for a year, but then moved to Shenandoah in 1944, where they remained through early high school.</p>
<p>Ike Everly had a show on KMA and KFNF in Shenandoah in the mid-1940s, first with his wife and then with their sons. The brothers sang on the radio as &#8220;Little Donnie and Baby Boy Phil.&#8221; The family sang as the Everly Family. Ike, with guitarists Merle Travis, Mose Rager, and Kennedy Jones, was honored in 1992 by the construction of the Four Legends Fountain in Drakesboro, Kentucky.</p>
<p>The family moved to Knoxville, Tennessee, in 1953, where the brothers attended West High School. In 1955, the family moved to Madison, Tennessee, while the brothers moved to Nashville, Tennessee. Don had graduated from high school in 1955, and Phil attended Peabody Demonstration School in Nashville, from which he graduated in 1957. Both could now focus on recording.</p>
<p><strong>1950s</strong></p>
<p>While in Knoxville, the brothers caught the attention of family friend Chet Atkins, manager of RCA Victor&#8217;s studio in Nashville. The brothers became a duo and moved to Nashville. Despite affiliation with RCA, Atkins arranged for the Everly Brothers to record for Columbia Records in early 1956. Their &#8220;Keep a-Lovin&#8217; Me,&#8221; which Don wrote and composed, flopped, and they were dropped from the Columbia label.</p>
<p>Atkins introduced them to Wesley Rose, of Acuff-Rose music publishers. Rose told them he would get them a recording deal if they signed to Acuff-Rose as songwriters. They duly signed in late 1956, and in 1957 Rose introduced them to Archie Bleyer, who was looking for artists for his Cadence Records. The Everlys signed and made a recording in February 1957. &#8220;Bye Bye Love&#8221; had been rejected by 30 other acts. Their record reached No. 2 on the pop charts, behind Elvis Presley&#8217;s &#8220;(Let Me Be Your) Teddy Bear,&#8221; and No. 1 on the country and No. 5 on the R&amp;B charts. The song, by Felice and Boudleaux Bryant, became the Everly Brothers&#8217;s first million-seller.</p>
<p>Working with the Bryants, they had hits in the United States and the United Kingdom, the biggest being &#8220;Wake Up Little Susie,&#8221; &#8220;All I Have to Do Is Dream,&#8221; &#8220;Bird Dog,&#8221; and &#8220;Problems.&#8221; The Everlys, though they were largely interpretive artists, also succeeded as songwriters, especially with Don&#8217;s &#8220;(Till) I Kissed You,&#8221; which hit No. 4 on the United States pop charts.</p>
<p>The brothers toured with Buddy Holly in 1957 and 1958. According to Holly&#8217;s biographer Philip Norman, they were responsible for persuading Holly and the Crickets to change their outfits from Levi&#8217;s and T-shirts to the Everlys&#8217; Ivy League suits. Don said Holly wrote and composed &#8220;Wishing&#8221; for them. &#8220;We were all from the South,&#8221; Phil observed of their commonalities. &#8220;We&#8217;d started in country music.&#8221; Although some sources say Phil Everly was one of Holly&#8217;s pallbearers in February 1959, Phil said in 1986 that he attended the funeral and sat with Holly&#8217;s family, but was not a pallbearer. Don did not attend, saying, &#8220;I couldn&#8217;t go to the funeral. I couldn&#8217;t go anywhere. I just took to my bed.&#8221;</p>
<p><strong>1960s/1970s</strong></p>
<p>Ather successful Warner Brothers singles followed in the United States, such as &#8220;So Sad (To Watch Good Love Go Bad)&#8221; (1960, pop No. 7), &#8220;Walk Right Back&#8221; (1961, pop No. 7), &#8220;Crying in the Rain&#8221; (1962, pop No. 6), and &#8220;That&#8217;s Old Fashioned&#8221; (1962, pop No. 9, their last top 10 hit). From 1960 to 1962, Cadence Records released Everly Brothers singles from the vaults, including &#8220;When Will I Be Loved&#8221; (pop No. 8), written and composed by Phil, and &#8220;Like Strangers.&#8221;</p>
<p>In the UK, they had top 10 hits until 1965, including &#8220;Lucille&#8221;/&#8221;So Sad&#8221; (1960, No. 4), &#8220;Walk Right Back&#8221;/&#8221;Ebony Eyes&#8221; (1961, No. 1), &#8220;Temptation&#8221; (1961, No. 1), &#8220;Cryin&#8217; in the Rain&#8221; (1962, No. 6) and &#8220;The Price of Love&#8221; (1965, No. 2). They had 18 singles into the UK top 40 with Warner Brothers in the 1960s. By 1962, the brothers had earned $35 million from record sales.</p>
<p>In 1961, the brothers fell out with Wesley Rose during the recording of &#8220;Temptation.&#8221; Rose was reportedly upset that the Everlys were recording a song which he had not published and, hence, for which he would not receive any publishing royalties, and he made strenuous efforts to block the single&#8217;s release. The Everlys held firm to their position, and as a result, in the early 1960s, they were shut off from Acuff-Rose songwriters. These included Felice and Boudleaux Bryant, who had written and composed most of their hits, as well as Don and Phil Everly themselves, who were still contracted to Acuff-Rose as songwriters and had written several of their own hits. Nevertheless, from 1961 through early 1964, the Everlys recorded songs by other writers to avoid paying royalties to Acuff-Rose. They used the pseudonym &#8220;Jimmy Howard&#8221; as writer or arranger on two selections they wrote and recorded during this time — this ruse, however, was ultimately unsuccessful, as Acuff-Rose gained legal possession of the copyrights once the name substitution was discovered.</p>
<p>At this approximate time, the brothers also set up their own record label, Calliope Records, for solo projects. Using the pseudonym &#8220;Adrian Kimberly,&#8221; Don recorded a big-band instrumental version of Edward Elgar&#8217;s first &#8220;Pomp and Circumstance&#8221; March, which Neal Hefti arranged and which charted in the United States top 40 in mid-1961. Further instrumental singles credited to Kimberly followed, but none of those charted. Phil formed the Keestone Family Singers, which featured Glen Campbell and Carole King. Their lone single, &#8220;Melodrama,&#8221; failed to chart, and by the end of 1962, Calliope Records had gone out of business.</p>
<p>They never stopped working as a duo, but their last United States top 10 hit was 1962&#8217;s &#8220;That&#8217;s Old Fashioned (That&#8217;s The Way Love Should Be),&#8221; a song recorded but unreleased by the Chordettes and given to the brothers by their old mentor, Archie Bleyer.</p>
<p>Succeeding years saw the Everly Brothers sell fewer records in the United States. Their enlistments in the United States Marine Corps Reserve in October 1961 took them out of the spotlight. One of their few performances during their Marine service was on <em>The Ed Sullivan Show</em>, on February 18, 1962, when they performed &#8220;Jezebel&#8221; and &#8220;Crying in the Rain&#8221; while outfitted in their respective Marine Corps uniforms.</p>
<p>Following their discharges from active duty, the Everlys resumed their career, but with little success in the United States. Of their 27 singles on Warner Brothers from 1963 through 1970, only three made the Hot 100, and none peaked higher than No. 31. Album sales were also down. The Everlys&#8217; first two albums for Warner (in 1960 and 1961) peaked at No. 9 U.S., but after that, of a dozen more LPs for Warner Brothers, only one made the top 200–1965&#8217;s &#8220;Beat &amp; Soul,&#8221; which peaked at No. 141.</p>
<p>The brothers&#8217; dispute with Acuff-Rose lasted till 1964, whereupon they resumed writing and composing as well as working with the Bryant spouses. By then, however, both of the brothers were addicted to amphetamines. Don&#8217;s condition was worse; he was taking Ritalin, which led to deeper trouble. Don&#8217;s addiction lasted three years, until he was hospitalized for a nervous breakdown and to treat his addiction. (The mainstream media of that time did not report that either brother was addicted. When Don collapsed in England in mid-October 1962, reporters were told he had food poisoning; when the tabloids suggested he had taken an overdose of pills, his wife and his brother insisted he was suffering physical and nervous exhaustion. It was years later that the story came out.) Don&#8217;s poor health ended their British tour; he returned to the United States, leaving Phil to carry on, with Joey Page, their bass player, taking his place.</p>
<p>Though their U.S. stardom had begun to wane two years before the British Invasion in 1964, their appeal was still strong in Canada, the United Kingdom and Australia. The Everlys remained successful in the UK and Canada for most of the 1960s, reaching the top 40 in the United Kingdom through 1968 and the top 10 in Canada as late as 1967. The 1966 album <em>Two Yanks in England</em> was recorded in England with the Hollies, who also wrote and composed many of the album&#8217;s songs. The Everlys&#8217; final U.S. top 40 hit, &#8220;Bowling Green,&#8221; was released in 1967.</p>
<p>By the end of the 1960s, the brothers had returned to country rock, and their 1968 album, <em>Roots</em>, was hailed by some critics as &#8220;one of the finest early country-rock albums.&#8221; However, by the end of the 1960s, the Everly Brothers had ceased to be hitmakers in either North America or the United Kingdom, and in 1970, following an unsuccessful live album (<em>The Everly Brothers Show</em>), their contract with Warner Brothers lapsed after ten years. In 1970, they were the summer replacement hosts for Johnny Cash&#8217;s television show; their variety program, <em>Johnny Cash Presents the Everly Brothers</em>, was on ABC-TV and featured Linda Ronstadt and Stevie Wonder.</p>
<p>In 1970, Don released his first solo album, which was not a success. The brothers resumed performing in 1971, and with RCA Victor Records they issued two albums in 1972 and 1973. Lindsey Buckingham joined them in 1972 and toured with them. They said their final performance would be on July 14, 1973, at Knott&#8217;s Berry Farm, in California, but tensions between the two surfaced, and Don told a reporter he was tired of being an Everly Brother. During the show, Phil smashed his guitar and walked off while Don finished the show, ending their collaboration. The two would not rejoin forces musically for just over ten more years.</p>
<h2><strong>Fabian Forte<br />
 </strong></h2>
<p><strong><img loading="lazy" decoding="async" width="220" height="291" class="wp-image-37224 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-28.jpeg" /></strong></p>
<p>An American singer and actor.</p>
<p>Forte rose to national prominence after performing several times on <em>American Bandstand</em>.</p>
<p>He became a teen idol of the late 1950s and early 1960s. Eleven of his songs reached the <em>Billboard</em> Hot 100 listing.</p>
<p>Fabian Forte is the son of Josephine and Dominic Forte; his father was a Philadelphia police officer. He is the oldest of three brothers.</p>
<p><strong>Discovery</strong></p>
<p>Forte was discovered in 1957 by Bob Marcucci and Peter DeAngelis, owners of Chancellor Records. At the time, record producers were looking to the South Philadelphia neighborhoods in search of teenage talents with good looks.</p>
<p>Marcucci was a friend of Fabian&#8217;s next door neighbor. One day, Fabian&#8217;s father had a heart attack, and, while he was being taken away in an ambulance, Marcucci spotted Fabian. Fabian later recalled, &#8220;He kept staring at me and looking at me. I had a crew cut, but this was the day of Rick Nelson and Elvis. He comes up and says to me, &#8216;So if you&#8217;re ever interested in the rock and roll business&#8230; and hands me his card. I looked at the guy like he was out of his mind. I told him, &#8220;leave me alone. I&#8217;m worried about my dad&#8217;.&#8221;</p>
<p>When Fabian&#8217;s father returned from hospital he was unable to work, so when Marcucci persisted, Fabian and his family were amenable and he agreed to record a single. Frankie Avalon, also of South Philadelphia, suggested Forte as a possibility. &#8220;They gave me a pompadour and some clothes and those goddamned white bucks&#8221;, recalled Fabian, &#8220;and out I went.&#8221; &#8220;He was the right look and right for what we were going for&#8221;, wrote Marcucci later.</p>
<p><strong>Singing stardom</strong></p>
<p>Fabian was given an allowance from the record company of $30 a week. He also kept working part-time at a pharmacy as well as studying at South Philadelphia High School, while practicing his singing. Fabian later said &#8220;I didn&#8217;t know what I was doing, but I knew my goal, to try to make extra money. That meant a lot to our family. I rehearsed and rehearsed, and I really felt like a fish out of water. And we made a record. And it was horrible. Yet it got on he legendary Philadelphia rhythm and blues radio program] Georgie Woods. For some reason, Georgie Woods played it.&#8221;</p>
<p>The song was &#8220;Shivers&#8221;, which was a local hit in Chicago. This helped Fabian meet Dick Clark, who eventually put the young singer on <em>American Bandstand</em> where he sang &#8220;I&#8217;m in Love&#8221;. Fabian later admitted this song &#8220;was not very good either&#8221; but &#8220;the response – they told me – was overwhelming. I had no idea. All during that period, I was doing record hops. Not getting paid for it, but for the record company promotions. Just lip synching to my records. The response was really good.</p>
<p>Marcucci then gave Fabian a song written by Mort Shuman and Doc Pomus, &#8220;I&#8217;m a Man&#8221; (not the Bo Diddley hit), which Fabian later said he &#8220;liked a lot and was very comfortable with, was giving me more experience, but I still felt like a fish out of water.&#8221; The song made the top 40.</p>
<p>Marcucci heavily promoted Fabian&#8217;s next single, &#8220;Turn Me Loose&#8221;, using a series of advertisements saying &#8220;Fabian Is Coming&#8221;, then &#8220;Who is Fabian?&#8221; then finally &#8220;Fabian is Here&#8221;. It worked and &#8220;Turn Me Loose&#8221; went into the Top Ten, peaking at number 9. This was later followed by &#8220;Hound Dog Man&#8221;, (US #9; UK #46), and his biggest hit, &#8220;Tiger&#8221;, which reached #3 on the US charts. It sold over one million copies, and was awarded a gold disc by the RIAA. Other singles that charted included &#8220;String Along&#8221;, &#8220;About This Thing Called Love&#8221; and &#8220;This Friendly World&#8221;, which reached #12 on the US charts. At age 15, he won the Silver Award as &#8220;The Promising Male Vocalist of 1958.&#8221; His first album, <em>Hold That Tiger</em> reached the top 15 within two weeks.</p>
<h2><strong>Dion and The Belmonts</strong></h2>
<p><img loading="lazy" decoding="async" width="750" height="574" class="wp-image-37225" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-29.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-29.jpeg 750w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-29-300x230.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-29-610x467.jpeg 610w" sizes="(max-width: 750px) 100vw, 750px" /></p>
<p>were a leading American vocal group of the late 1950s. All of its members were from the Bronx, New York City. In late 1957 Dion DiMucci joined The Belmonts with singers Carlo Mastrangelo, Fred Mila he name the Belmonts was derived from the fact that two of the four singers lived on Belmont Avenue in the Bronx, and the other two lived near Belmont Avenue.</p>
<p>After unsuccessful singles on Mohawk Records in 1957 and then on Jubilee Records (&#8220;The Chosen Few&#8221; Dion &amp; the Timberlanes <em>not</em> the Belmonts), Dion was paired with The Belmonts. The group signed with Laurie Records in early 1958. The breakthrough came when their very first Laurie release, &#8220;I Wonder Why&#8221;, reached No. 22 on the Billboard Top 100 charts, and they appeared for the first time on the nationally televised American Bandstand show, hosted by Dick Clark. Dion said of the Belmonts, &#8220;I&#8217;d give &#8217;em sounds. I&#8217;d give &#8217;em parts and stuff. That&#8217;s what &#8216;I Wonder Why&#8217; was about. We kind of invented this percussive rhythmic sound. If you listen to that song, everybody was doing something different. It was totally amazing. When I listen to it today, often times I think, &#8216;Man, those kids are talented&#8217;.&#8221; Dion and the Belmonts were the sound of the city. Their roots were doo-wop groups like the Flamingos, the Five Satins, the Dells, acts who developed their sound in urban settings on street corners, mimicking instruments with their voices, even complex jazz arrangements.</p>
<p>They followed the hit with the ballads &#8220;No One Knows&#8221; (No. 19) and &#8220;Don’t Pity Me&#8221; (No. 40), which they also performed on Bandstand. This early success brought them their first major tour in late 1958, with the Coasters, Buddy Holly and Bobby Darin, followed by the historic and tragic Winter Dance Party tour featuring Holly, Ritchie Valens and the Big Bopper. On February 2, 1959, after playing the Surf Ballroom, Holly arranged to charter a plane. Dion decided he couldn&#8217;t afford the $36 cost to fly to the next venue. According to Dion, $36 was the same price his parents paid for monthly rent. He told Holly no. Shortly after midnight, on February 3rd 1959, the plane crashed near Clear Lake, Iowa, with Holly, Valens, The Big Bopper, and the pilot, Roger Peterson, all being killed. Bobby Vee, then an unknown artist, performed in Holly’s place at the very next concert. Later, Jimmy Clanton, Frankie Avalon, and Fabian were hired to finish the tour in place of the three deceased headliners. As of January 11, 2017 with the death of Holly&#8217;s tour guitarist Tommy Allsup, Dion is the lone surviving member of the original Winter Dance Party lineup (The lone surviving Belmont, Angelo D&#8217;Aleo, was not on the tour as he was in the Army at the time).</p>
<p>In March 1959 Dion and the Belmonts’ next single, &#8220;A Teenager in Love&#8221;, broke the Top Ten, reaching No. 5 on the Billboard Hot 100 and No. 28 on the UK Singles Charts. Written by Doc Pomus and Mort Shuman, it&#8217;s considered one of the greatest songs in Rock and Roll history. It was followed by their first album, &#8220;Presenting Dion and the Belmonts&#8221;. Their biggest hit, &#8220;Where or When&#8221;, was released in November 1959, and reached No. 3 on the <em>Billboard</em> Hot 100 with the group making another national appearance on American Bandstand. The flip side, &#8220;That&#8217;s My Desire&#8221;, although never charting nationally, is as well known in many areas, especially New York City.</p>
<p>Other singles released for the group that year continued to chart Billboard, but were less successful. In early 1960, Dion checked into a hospital for heroin addiction, a problem he had since his mid-teens. At the height of the group&#8217;s success his drug dependency worsened. When, &#8220;Where or When&#8221;, peaked, he was in a hospital detoxifying. In addition, there were financial and musical differences between Dion and members of the Belmonts. &#8220;They wanted to get into their harmony thing, and I wanted to rock and roll,&#8221; said Dion. &#8220;The label wanted me doing standards. I got bored with it quickly. I said, I can&#8217;t do this. I gotta play my guitar. So we split up and I did &#8220;Runaround Sue&#8221;, &#8220;The Wanderer&#8221;, and &#8220;Ruby Baby&#8221;. In October 1960, DiMucci decided to quit for a solo career. Now simply known as &#8220;Dion&#8221;, his first major hit, &#8220;Lonely Teenager&#8221; was backed by a female chorus. He eventually chose to work with The Del-Satins, who backed him (uncredited) on all his early Laurie and Columbia Records hits, which, besides the three aforementioned hits Dion quoted, also included &#8220;Donna the Prima Donna&#8221; ,&#8221;Drip Drop&#8221; , &#8220;Lovers Who Wander&#8221; , and &#8220;Little Diane&#8221; . Later reissues of these songs would often be erroneously attributed to Dion and the Belmonts. The Belmonts also continued to release records on their own label, Sabina Records, but with less success, although songs like &#8220;Such a Long Way&#8221;, &#8220;Tell Me Why&#8221;, &#8220;I Need Someone&#8221;, &#8220;I Confess&#8221;, and &#8220;Come On Little Angel&#8221; all got significant radio play in the New York City area.</p>
<h2><strong>Bobby Darin (1936-1973)</strong></h2>
<p>was an American singer, songwriter, multi-instrumentalist, and actor in film and television. He performed jazz, pop, rock and roll, folk, swing, and country music.</p>
<p><img loading="lazy" decoding="async" width="358" height="445" class="wp-image-37226 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-30.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-30.jpeg 358w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-30-241x300.jpeg 241w" sizes="(max-width: 358px) 100vw, 358px" />He started his career as a songwriter for Connie Francis. He recorded his first million-selling single, &#8220;Splish Splash&#8221;, in 1958. This was followed by &#8220;Dream Lover&#8221;, &#8220;Mack the Knife&#8221;, and &#8220;Beyond the Sea&#8221;, which brought him worldwide fame. In 1962 he won a Golden Globe Award for his first film, <em>Come September</em>, co-starring his first wife, Sandra Dee.</p>
<p>During the 1960s he became more politically active and worked on Robert F. Kennedy&#8217;s Democratic presidential campaign. He was present on the night of June 4/5, 1968, at the Ambassador Hotel in Los Angeles at the time of Kennedy&#8217;s assassination. During the same year, he discovered he had been raised by his grandmother, not his mother, and that the girl he thought was his sister was actually his mother. These events deeply affected Darin and sent him into a long period of seclusion.</p>
<p>Although he made a successful comeback (in television) his health was beginning to fail, as he had always expected, following bouts of rheumatic fever in childhood. This knowledge of his vulnerability had always spurred him on to use his musical talent while still young. He died at the age of 37 following a heart operation in Los Angeles.</p>
<h2><strong>New Products</strong></h2>
<p>New products for the US consumer on television for the first time, including Cocoa Krispies, Cocoa Puffs, Sweet ‘n’ Low, and Tater Tots, also featured Jolly Green Giant.</p>
<p><img loading="lazy" decoding="async" width="746" height="543" class="wp-image-37227" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-31.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-31.jpeg 746w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-31-300x218.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-31-610x444.jpeg 610w" sizes="(max-width: 746px) 100vw, 746px" /> <img loading="lazy" decoding="async" width="701" height="351" class="wp-image-37228" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-5.png" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-5.png 701w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-5-300x150.png 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-5-610x305.png 610w" sizes="(max-width: 701px) 100vw, 701px" /></p>
<p>The post <a href="https://thehistoryofrockandroll.net/a-walk-down-memory-lane-1958-1959-part-1/">A Walk Down Memory Lane: 1958-1959 (Part 1)</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>The Counterculture</title>
		<link>https://thehistoryofrockandroll.net/the-counterculture/</link>
		
		<dc:creator><![CDATA[Meagan Paese]]></dc:creator>
		<pubDate>Sun, 26 Feb 2017 17:33:39 +0000</pubDate>
				<category><![CDATA[Blues]]></category>
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					<description><![CDATA[<p>1960s Counterculture Music Discover the stories that shaped rock &#38; roll Listen to the audio overview: Collector&#8217;s Note: If you enjoyed this audio deep-dive, we’ve curated the definitive British Invasion collection—including rare vinyl and the full ’10 Moments’ book—over at our Official Shop. The Ed Sullivan Show (Pt 1) &#124; The Ed Sullivan Show Pt [&#8230;]</p>
<p>The post <a href="https://thehistoryofrockandroll.net/the-counterculture/">The Counterculture</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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<h1>1960s Counterculture Music</h1>
<p><strong>Discover the stories that shaped rock &amp; roll</strong><br />
<em>Listen to the audio overview:</em></p>
<audio class="wp-audio-shortcode" id="audio-35147-1" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://thehistoryofrockandroll.net/podcast/How_Music_Fueled_the_Sixties_Revolution.mp3?_=1" /><a href="https://thehistoryofrockandroll.net/podcast/How_Music_Fueled_the_Sixties_Revolution.mp3">https://thehistoryofrockandroll.net/podcast/How_Music_Fueled_the_Sixties_Revolution.mp3</a></audio>
</div>
<div class="bi-monetization-mini"><strong>Collector&#8217;s Note:</strong> If you enjoyed this audio deep-dive, we’ve curated the definitive British Invasion collection—including rare vinyl and the full ’10 Moments’ book—over at our <a href="https://rockndroll.com" target="_blank" rel="noopener">Official Shop</a>.</div>
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<p><a href="https://www.thehistoryofrockandroll.net/the-ed-sullivan-show-pt-1/">The Ed Sullivan Show (Pt 1)</a> | <a href="https://www.thehistoryofrockandroll.net/the-ed-sullivan-show-pt-2/">The Ed Sullivan Show Pt 2</a></p>
<h2>The Counterculture Movement 1965-1971</h2>
<p><strong>The Counterculture</strong> refers to an anti-establishment cultural phenomenon that developed first in the United States and then spread throughout much of the Western world between the early 1960s and the mid-1970s, with New York City, and San Francisco being hotbeds of early countercultural activity.</p>
<p>The aggregate movement gained momentum as the American Civil Rights Movement continued to grow, and became revolutionary with the expansion of the US government’s extensive military intervention in Vietnam. As the 1960s progressed, widespread social tensions also developed concerning other issues, and tended to flow along generational lines regarding human sexuality, women’s rights, traditional modes of authority, experimentation with psychoactive drugs, and differing interpretations of the American Dream.</p>
<p>As the era unfolded, new cultural forms and a dynamic subculture which celebrated experimentation, modern incarnations of Bohemianism, and the rise of the hippie and other alternative lifestyles, emerged. This embracing of creativity is particularly notable in the works of British Invasion bands such as the Beatles, and filmmakers whose works became far less restricted by censorship. In addition to the trendsetting Beatles, many other creative artists, authors, and thinkers, within and across many disciplines, helped define the counterculture movement.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-35149" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/the-counter-culture-2.jpg" alt="" width="300" height="225" />Several factors distinguished the counterculture of the 1960s from the anti-authoritarian movements of previous eras. The post-World War II “baby boom” generated an unprecedented number of potentially disaffected young people as prospective participants in a rethinking of the direction of American and other democratic societies.</p>
<p>Post-war affluence allowed many of the counterculture generation to move beyond a focus on the provision of the material necessities of life that had preoccupied their Depression-era parents. The era was also notable in that a significant portion of the array of behaviors and “causes” within the larger movement were quickly assimilated within mainstream society, particularly in the US, even though counterculture participants numbered in the clear minority within their respective national populations.</p>
<p>The counterculture era essentially commenced in earnest with the assassination of John F. Kennedy in November 1963. It became absorbed into the popular culture with the termination of U.S. combat-military involvement in Southeast Asia and the end of the draft in 1973, and ultimately with the resignation of President Richard Nixon in August 1974.</p>
<p>Many key movements were born of, or were advanced within, the counterculture of the 1960s. Each movement is relevant to the larger era. The most important stand alone, irrespective of the larger counterculture. In the broadest sense, 1960s counterculture grew from a confluence of people, ideas, events, issues, circumstances, and technological developments which served as intellectual and social catalysts for exceptionally rapid change during the era.</p>
<h2>Free Speech Movement</h2>
<p><strong>Free Speech Movement</strong> was a student protest which took place during the 1964–65 academic year on the campus of the University of California, Berkeley under the informal leadership of students Mario Savio, Jack Weinberg, Michael Rossman, Brian Turner, Bettina Aptheker, Steve Weissman, Art Goldberg, Jackie Goldberg, and others.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-34378 alignright" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Free-Speech-Movement.jpg" sizes="(max-width: 378px) 100vw, 378px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2016/10/Free-Speech-Movement.jpg 378w, thehistoryofrockandroll.net/wp-content/uploads/2016/10/Free-Speech-Movement-300x168.jpg 300w" alt="Free Speech Movement" width="378" height="212" />In protests unprecedented in scope, students insisted that the university administration lift the ban of on-campus political activities and acknowledge the students’ right to free speech and academic freedom. Sol Stern, a former radical who took part in the Free Speech Movement, stated in a 2014 City Journal article that the group viewed the United States to be both racist and imperialistic and that the main intent after lifting Berkeley’s loyalty oath was to build on the legacy of C. Wright Mills and weaken the Cold War consensus by promoting the ideas of the Cuban Revolution.</p>
<h2>Civil Rights</h2>
<p><strong>Civil Rights</strong> encompasses social movements in the United States whose goals were to end racial segregation and discrimination against African Americans and to secure legal recognition and federal protection of the citizenship rights enumerated in the Constitution and federal law. This article covers the phase of the movement between 1954 and 1968, particularly in the South. The leadership was African American, and much of the political and financial support came from labor unions (led by Walter Reuther), major religious denominations, and prominent white Democratic Party politicians such as Hubert Humphrey and Lyndon B. Johnson and white Republican Party politicians such as Governor Nelson Rockefeller and Senator Everett Dirksen.</p>
<p><img loading="lazy" decoding="async" class="alignleft wp-image-34379 size-full" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Civil-Rights.jpg" sizes="(max-width: 308px) 100vw, 308px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2016/10/Civil-Rights.jpg 308w, thehistoryofrockandroll.net/wp-content/uploads/2016/10/Civil-Rights-300x202.jpg 300w" alt="Civil Rights" width="308" height="207" />The movement was characterized by major campaigns of civil resistance. Between 1955 and 1968, acts of nonviolent protest and civil disobedience produced crisis situations and productive dialogues between activists and government authorities. Federal, state, and local governments, businesses, and communities often had to respond immediately to these situations, which highlighted the inequities faced by African Americans. Forms of protest and/or civil disobedience included boycotts such as the successful Montgomery Bus Boycott (1955–56) in Alabama; “sit-ins” such as the influential Greensboro sit-ins (1960) in North Carolina; marches, such as the Selma to Montgomery marches (1965) in Alabama; and a wide range of other nonviolent activities.</p>
<p>This phase of the Civil Rights Movement witnessed the passage of several major pieces of federal legislation. The Civil Rights Act of 1964, expressly banned discrimination based on race, color, religion, sex, or national origin in employment practices and ended unequal application of voter registration requirements and racial segregation in schools, at the workplace, and by public accommodations. The Voting Rights Act of 1965 restored and protected voting rights for minorities. The Immigration and Nationality Services Act of 1965 removed racial and national barriers and opened the way for black immigrants from Africa and the Western Hemisphere. The Fair Housing Act of 1968 banned discrimination in the sale or rental of housing. African Americans re-entered politics in the South, and across the country young people were inspired to take action.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-35152" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/civil-rights-movement.jpg" sizes="(max-width: 308px) 100vw, 308px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/civil-rights-movement.jpg 308w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/civil-rights-movement-300x188.jpg 300w" alt="" width="308" height="193" />A wave of inner city riots in black communities from 1964 through 1970 undercut support from the white community. The emergence of the Black Power movement, which lasted from about 1966 to 1975, challenged the established black leadership for its cooperative attitude and its nonviolence, and instead demanded political and economic self-sufficiency.</p>
<p>Many popular representations of the movement are centered on the leadership and philosophy of Martin Luther King, Jr., who won the 1964 Nobel Peace Prize for his role in the movement. But, some scholars note that the movement was too diverse to be credited to one person, organization, or strategy.</p>
<h2>Swinging London</h2>
<p><strong>Swinging London</strong> is a catch-all term applied to the fashion and cultural scene that flourished in London in the 1960s. It consisted largely of music, discothèques, and mod fashion.</p>
<p><strong>Background</strong></p>
<p>Swinging London was a youth-oriented phenomenon that emphasized the new and modern. It was a period of optimism and hedonism and a cultural revolution. One catalyst was the recovery of the British economy after post-World War II austerity which lasted through much of the 1950s.</p>
<p>“Swinging London” was defined by Time magazine in its issue of 15 April 1966 and celebrated in the name of the pirate radio station, Swinging Radio England, that began shortly afterward. However, “swinging” in the sense of hip or fashionable had been used since the early 1960s, including by Norman Vaughan in his “swinging/dodgy” patter on Sunday Night at the London Palladium.</p>
<p>In 1965, Diana Vreeland, editor of Vogue magazine, said: “London is the most swinging city in the world at the moment.” Later that year, the American singer Roger Miller had a hit record with “England Swings”, which steps around the progressive youth culture (both musically and lyrically).</p>
<p>1967 saw the release of Peter Whitehead’s cult documentary film Tonite Lets All Make Love in London which accurately summed up both the culture of Swinging London through celebrity interviews, and the music with its accompanying soundtrack release featuring Pink Floyd.</p>
<p><strong>Music</strong></p>
<figure id="attachment_35154" class="wp-caption alignleft" aria-describedby="caption-attachment-35154"><img loading="lazy" decoding="async" class="wp-image-35154 size-full" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/swinging-london-music.jpg" width="255" height="187" /><figcaption id="caption-attachment-35154" class="wp-caption-text">The Kinks in 1967</figcaption></figure>
<p>Already heralded by Colin MacInnes’ 1959 novel Absolute Beginners, Swinging London was underway by the mid-1960s and included music by the Beatles, the Rolling Stones, the Kinks, the Who, the Small Faces, and other artists from what was known in the United States as the “British Invasion”.</p>
<p>Psychedelic rock from artists such as the Jimi Hendrix Experience, Pink Floyd, Cream, and Traffic grew significantly in popularity. This sort of music was heard in the United Kingdom over pirate radio stations such as Radio Caroline, Wonderful Radio London, and Swinging Radio England because the BBC did not allow this on their radio station.</p>
<p><strong>Fashion and symbols</strong></p>
<figure id="attachment_34380" class="wp-caption alignright" aria-describedby="caption-attachment-34380"><img loading="lazy" decoding="async" class="wp-image-34380 size-full" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Swinging-London.jpg" alt="Swinging London" width="280" height="186" /><figcaption id="caption-attachment-34380" class="wp-caption-text">Carnaby Street, circa 1968.</figcaption></figure>
<p>During the time of Swinging London, fashion and photography were featured in Queen magazine, which drew attention to fashion designer Mary Quant.</p>
<p>The model Jean Shrimpton was another icon and one of the world’s first supermodels. She was the world’s highest-paid and most photographed model during this time. Shrimpton was called “The Face of the ’60s”, in which she has been considered by many as “the symbol of Swinging London” and the “embodiment of the 1960s”.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-35155" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/swinging-london-fashion.jpg" sizes="(max-width: 232px) 100vw, 232px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/swinging-london-fashion.jpg 232w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/swinging-london-fashion-227x300.jpg 227w" alt="" width="232" height="306" />Other popular models of the era included Veruschka, Peggy Moffitt, and Penelope Tree. The model Twiggy has been called “the face of 1966” and “the Queen of Mod,” a label she shared with others, such as Cathy McGowan, who hosted the television rock show, Ready Steady Go! from 1964 to 1966.</p>
<p>Mod-related fashions such as the miniskirt stimulated fashionable shopping areas such as Carnaby Street and King’s Road, Chelsea. The fashion was a symbol of youth culture.</p>
<p>The British flag, the Union Jack, became a symbol, assisted by events such as England’s home victory in the 1966 World Cup. The Mini-Cooper car (launched in 1959) was used by a fleet of mini-cab taxis highlighted by advertising that covered their paintwork.</p>
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<h2>The Beatles</h2>
<p><strong>T</strong><img loading="lazy" decoding="async" class="wp-image-35157 size-full alignright" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-the-beatles.jpg" width="256" height="192" /><strong>he Beatles</strong> were an English rock band, formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, they became widely regarded as the foremost and most influential act of the rock era. Rooted in skiffle, beat, and 1950s rock and roll, the Beatles later experimented with several musical styles, ranging from pop ballads and Indian music to psychedelia and hard rock, often incorporating classical elements and unconventional recording techniques in innovative ways.</p>
<p>In the early 1960s, their enormous popularity first emerged as “Beatlemania”, but as the group’s music grew in sophistication, led by primary songwriters Lennon and McCartney, they came to be perceived as an embodiment of the ideals shared by the counterculture of the 1960s.</p>
<h2>Sgt Peppers</h2>
<p><strong>Sgt Peppers</strong> is the eighth studio album by the English rock band the Beatles. Released on 1 June 1967, it was an immediate commercial and critical success, spending 27 weeks at the top of the albums chart in the United Kingdom and 15 weeks at number one in the United States. Time magazine declared it “a historic departure in the progress of music” and the New Statesman praised its elevation of pop to the level of fine art. It won four Grammy Awards in 1968, including Album of the Year, the first rock LP to receive this honor.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-31808" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2016/07/1967-Beatles-Sgt-Peppers.jpg" sizes="(max-width: 230px) 100vw, 230px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2016/07/1967-Beatles-Sgt-Peppers.jpg 230w, thehistoryofrockandroll.net/wp-content/uploads/2016/07/1967-Beatles-Sgt-Peppers-45x45.jpg 45w" alt="" width="230" height="223" />In August 1966, the Beatles permanently retired from touring and began a three-month holiday from recording. During a return flight to London in November, Paul McCartney had an idea for a song involving an Edwardian era military band that would eventually form the impetus of the Sgt. Pepper concept. Sessions for what was to become the Beatles’ eighth studio album began on 24 November in Abbey Road Studio Two with two compositions inspired from their youth, “Strawberry Fields Forever” and “Penny Lane”, but after pressure from EMI, the songs were released as a double A-side single and were not included on the album.</p>
<p>In February 1967, after recording “Sgt. Pepper’s Lonely Hearts Club Band”, McCartney suggested that the Beatles should release an entire album that would represent a performance by the fictional Sgt. Pepper band. This alter ego group would give them the freedom to experiment musically. During the recording sessions, the band endeavored to improve upon the production quality of their prior releases. Knowing they would not have to perform the tracks live, they adopted an experimental approach to composition, writing songs such as “With a Little Help from My Friends”, “Lucy in the Sky with Diamonds” and “A Day in the Life”. Producer George Martin and engineer Geoff Emerick’s innovative recording of the album included the liberal application of sound shaping signal processing and the use of a 40-piece orchestra performing aleatoric crescendos. Recording was completed on 21 April 1967. The cover, depicting the band posing in front of a tableau of celebrities and historical figures, was designed by the British pop artists Peter Blake and Jann Haworth.</p>
<h2>British Invasion</h2>
<p><strong>British Invasion</strong> was a phenomenon that occurred in the mid-1960s when rock and pop music acts from the United Kingdom, as well as other aspects of British culture, became popular in the United States, and significant to the rising “counterculture” on both sides of the Atlantic. Pop and rock groups such as the Beatles, the Dave Clark Five, the Kinks, the Rolling Stones, Herman’s Hermits, the Animals, and the Who were at the forefront of the invasion.</p>
<p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-35159" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-british-invasion.jpg" sizes="(max-width: 589px) 100vw, 589px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-british-invasion.jpg 589w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-british-invasion-300x146.jpg 300w" alt="" width="589" height="287" /></p>
<h2>Vietnam War</h2>
<p><strong>Vietnam War</strong> The Vietnam War, and the protracted national divide between supporters and opponents of the war, were arguably the most important factors contributing to the rise of the larger counterculture movement.</p>
<p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-35161" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/the-vietnam-war.jpg" sizes="(max-width: 522px) 100vw, 522px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/the-vietnam-war.jpg 522w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/the-vietnam-war-300x189.jpg 300w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/the-vietnam-war-400x250.jpg 400w" alt="" width="522" height="328" /></p>
<p>The widely accepted assertion that anti-war opinion was held only among the young is a myth, but enormous war protests consisting of thousands of mostly younger people in every major US city, and elsewhere across the Western world, effectively united millions against the war, and against the war policy that prevailed under five US congresses and during two presidential administrations.</p>
<h2>Flower Power</h2>
<p><strong>Flower Power</strong> was a slogan used during the late 1960s and early 1970s as a symbol of passive resistance and non-violence ideology. It is rooted in the opposition movement to the Vietnam War. The expression was coined by the American beat poet Allen Ginsberg in 1965 as a means to transform war protests into peaceful affirmative spectacles. Hippies embraced the symbolism by dressing in clothing with embroidered flowers and vibrant colors, wearing flowers in their hair, and distributing flowers to the public, becoming known as flower children. The term later became generalized as a modern reference to the hippie movement and the so-called counterculture of drugs, psychedelic music, psychedelic art and social permissiveness.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-35163 aligncenter" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-flower-power.jpg" sizes="(max-width: 483px) 100vw, 483px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-flower-power.jpg 483w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-flower-power-300x225.jpg 300w" alt="" width="483" height="362" /></p>
<h2>Summer of Love</h2>
<p><img loading="lazy" decoding="async" class="size-full wp-image-34331 alignright" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2016/09/Flower-Power-Summer-of-Love.jpg" sizes="(max-width: 391px) 100vw, 391px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2016/09/Flower-Power-Summer-of-Love.jpg 391w, thehistoryofrockandroll.net/wp-content/uploads/2016/09/Flower-Power-Summer-of-Love-300x180.jpg 300w" alt="" width="391" height="235" /><strong>Summer of Love</strong> was a social phenomenon that occurred during the summer of 1967, when as many as 100,000 people, mostly young people sporting hippie fashions of dress and behavior, converged in San Francisco’s neighborhood Haight-Ashbury. Although hippies also gathered in many other places in the U.S., Canada and Europe, San Francisco was at that time the most publicized location for hippie fashions.</p>
<p>Hippies, sometimes called flower children, were an eclectic group. Many were suspicious of the government, rejected consumerist values, and generally opposed the Vietnam War. A few were interested in politics; others were concerned more with art (music, painting, poetry in particular) or religious and meditative practices.</p>
<h2>“San Francisco (Be Sure to Wear Flowers in Your Hair)”</h2>
<p><img loading="lazy" decoding="async" class="wp-image-35166 size-full aligncenter" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-san-francisco.jpg" sizes="(max-width: 509px) 100vw, 509px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-san-francisco.jpg 509w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-san-francisco-300x154.jpg 300w" width="509" height="261" /></p>
<p>Musician John Phillips of the band The Mamas &amp; the Papas wrote the song “San Francisco (Be Sure to Wear Flowers in Your Hair)” for his friend Scott McKenzie. It served to promote both the Monterey Pop Festival that Phillips was helping to organize and to popularize the flower children of San Francisco. Released on May 13, 1967, the song was an instant success. By the week ending July 1, 1967, it scored number four on the Billboard Hot 100 in the United States, where it remained for four consecutive weeks.Meanwhile, the song scored number one in the United Kingdom and much of Europe. The single is purported to have sold more than 7 million copies worldwide</p>
<h2>The Who</h2>
<p><strong>The Who</strong> are an English rock band that formed in 1964. Their classic line-up consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, selling over 100 million records worldwide and holding a reputation for their live shows and studio work.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-35168" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-the-who.jpg" sizes="(max-width: 350px) 100vw, 350px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-the-who.jpg 350w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-the-who-300x205.jpg 300w" alt="" width="350" height="239" />The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by destroying guitars and drums on stage. Their first single as the Who, “I Can’t Explain”, reached the UK top ten, followed by a string of singles including “My Generation”, “Substitute” and “Happy Jack”. In 1967, they performed at the Monterey Pop Festival and released the US top ten single “I Can See for Miles”, while touring extensively. The group’s fourth album, 1969’s rock opera Tommy, included the single “Pinball Wizard” and was a critical and commercial success.</p>
<p>Live appearances at Woodstock and the Isle of Wight Festival, along with the live album Live at Leeds, cemented their reputation as a respected rock act. With their success came increased pressure on lead songwriter and visionary Townshend, and the follow-up to Tommy, Lifehouse, was abandoned. Songs from the project made up 1971’s Who’s Next, which included the hit “Won’t Get Fooled Again”. The group released the album Quadrophenia in 1973 as a celebration of their mod roots, and oversaw the film adaptation of Tommy in 1975. They continued to tour to large audiences before semi-retiring from live performances at the end of 1976. The release of Who Are You in 1978 was overshadowed by the death of Moon shortly after.</p>
<h2>The Kinks</h2>
<p><strong>The Kinks</strong> were an English rock band formed in Muswell Hill, North London, in 1963 by brothers Dave and Ray Davies. They are regarded as one of the most important and influential rock groups of the era. The band emerged in 1964 during the height of British rhythm and blues and Merseybeat. They were briefly part of the British Invasion of the US until their touring ban in 1965.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-35170" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-the-kinks.jpg" sizes="(max-width: 350px) 100vw, 350px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-the-kinks.jpg 350w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-the-kinks-300x197.jpg 300w" alt="" width="350" height="230" />Their third single, the Ray Davies penned “You Really Got Me”, became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. Between the mid-1960s and early 1970s, the group released a string of hit singles; studio albums drew good reviews but sold less than compilations of their singles. They gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies’ observational writing style.</p>
<p>Albums such as Something Else (1967), The Kinks Are the Village Green Preservation Society (1968), Arthur (1969), Lola Versus Powerman (1970), along with their accompanying singles, are considered among the most influential recordings of the period.</p>
<h2>Jimi Hendrix</h2>
<p><strong>Jimi Hendrix</strong> was an American rock guitarist, singer, and songwriter. Although his mainstream career spanned only four years, he is widely regarded as one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as “arguably the greatest instrumentalist in the history of rock music”.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-34297 alignleft" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2016/09/Jimi-Hendrix.jpg" sizes="(max-width: 443px) 100vw, 443px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2016/09/Jimi-Hendrix.jpg 443w, thehistoryofrockandroll.net/wp-content/uploads/2016/09/Jimi-Hendrix-300x217.jpg 300w" alt="" width="443" height="320" />Born in Seattle, Washington, Hendrix began playing guitar at the age of 15. In 1961, he enlisted in the US Army and trained as a paratrooper in the 101st Airborne Division; he was granted an honorable discharge the following year. Soon afterward, he moved to Clarksville, Tennessee, and began playing gigs on the Chitlin’ Circuit, earning a place in the Isley Brothers’ backing band and later with Little Richard, with whom he continued to work through mid-1965.</p>
<p>He then played with Curtis Knight and the Squires before moving to England in late 1966 after being discovered by Linda Keith, who in turn interested bassist Chas Chandler of the Animals in becoming his first manager. Within months, Hendrix had earned three UK top ten hits with the Jimi Hendrix Experience: “Hey Joe”, “Purple Haze”, and “The Wind Cries Mary”.</p>
<p>He achieved fame in the US after his performance at the Monterey Pop Festival in 1967, and in 1968 his third and final studio album, Electric Ladyland, reached number one in the US; it was Hendrix’s most commercially successful release and his first and only number one album. The world’s highest-paid performer, he headlined the Woodstock Festival in 1969 and the Isle of Wight Festival in 1970 before his accidental death from barbiturate-related asphyxia on September 18, 1970, at the age of 27.</p>
<p>Hendrix was inspired musically by American rock and roll and electric blues. He favored overdriven amplifiers with high volume and gain, and was instrumental in utilizing the previously undesirable sounds caused by guitar amplifier feedback. He helped to popularize the use of a wah-wah pedal in mainstream rock, and was the first artist to use stereophonic phasing effects in music recordings. Holly George-Warren of Rolling Stone commented: “Hendrix pioneered the use of the instrument as an electronic sound source. Players before him had experimented with feedback and distortion, but Hendrix turned those effects and others into a controlled, fluid vocabulary every bit as personal as the blues with which he began.</p>
<h2>Janis Joplin</h2>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-35173" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-janis-joplin.jpg" sizes="(max-width: 232px) 100vw, 232px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-janis-joplin.jpg 232w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-janis-joplin-226x300.jpg 226w" alt="" width="232" height="308" /><strong>Janis Joplin</strong> was an American singer considered the premier female blues vocalist of the Sixties; her raw, powerful and uninhibited singing style, combined with her turbulent and emotional lifestyle, made her one of the biggest female stars in her lifetime. She died of a drug overdose in 1970, aged 27, after releasing three albums. A fourth album, Pearl, was released a little more than three months after her death, reaching number 1 on the charts.</p>
<p>Joplin rose to fame in 1967 during an appearance at Monterey Pop Festival, as the lead singer of the then little-known San Francisco psychedelic rock band Big Brother and the Holding Company. After releasing two albums with the band, she left Big Brother to continue as a solo artist with her own backing groups, first the Kozmic Blues Band and then the Full Tilt Boogie Band. She appeared at the Woodstock festival and the Festival Express train tour.</p>
<p>Five singles by Joplin went into the Billboard Top 100, including “Me and Bobby McGee”, which reached number 1 in March 1971. Her most popular songs include: “Piece of My Heart”; “Cry Baby”; “Down on Me”; “Ball ‘n’ Chain”; “Summertime”; and “Mercedes Benz”, the final song she recorded.</p>
<h2>Monterey Pop Festival</h2>
<p><strong>Monterey Pop Festival</strong> was a three-day concert event held June 16 to June 18, 1967 at the Monterey County Fairgrounds in Monterey, California. Crowd estimates for the festival have ranged from 25,000-90,000 people, who congregated in and around the festival grounds.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-34386" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Monetary-Pop-Festival.jpg" alt="" width="235" height="286" />The fairgrounds’ enclosed performance arena, where the music took place, had an approved festival capacity of 7,000, but it was estimated that 8,500 jammed into it for Saturday night’s show.</p>
<p>Festival-goers who wanted to see the musical performances were required to have either an ‘all-festival’ ticket or a separate ticket for each of the five scheduled concert events they wanted to attend in the arena: Friday night, Saturday afternoon and night, and Sunday afternoon and night. Ticket prices varied by seating area, and ranged from $3 to $6.50 ($21–46, adjusted for inflation).</p>
<p>The festival is remembered for the first major American appearances by The Jimi Hendrix Experience, The Who and Ravi Shankar, the first large-scale public performance of Janis Joplin and the introduction of Otis Redding.</p>
<p>The Monterey Pop Festival embodied the theme of California as a focal point for the counterculture and is generally regarded as one of the beginnings of the “Summer of Love” in 1967; the first rock festival had been held just one week earlier at Mount Tamalpais in Marin County, the KFRC Fantasy Fair and Magic Mountain Music Festival. Because Monterey was widely promoted and heavily attended, featured historic performances, and was the subject of a popular theatrical documentary film, it became an inspiration and a template for future music festivals, including the Woodstock Festival two years later.</p>
<h2>The Mamas and the Papas</h2>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-34602" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2016/11/California-Dreamin’-The-Mamas-and-The-Papas.jpg" alt="" width="273" height="286" /><strong>The Mamas and the Papas</strong> was an American folk rock vocal group that recorded and performed from 1965 to 1968, reuniting briefly in 1971.</p>
<p>They released five studio albums and seventeen singles, six of which made the top ten, and sold close to 40 million records worldwide.</p>
<p>The group was composed of John Phillips (1935–2001), Denny Doherty (1940–2007), Cass Elliot (1941–1974), and Michelle Phillips née Gilliam (b. 1944).</p>
<p>Their sound was based on vocal harmonies arranged by John Phillips, the songwriter, musician, and leader of the group who adapted folk to the new beat style of the early sixties.</p>
<h2>Bob Dylan</h2>
<p><strong>Bob Dylan</strong> is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as “Blowin’ in the Wind” and “The Times They Are a-Changin&#8217;” became anthems for the American civil rights and anti-war movements. Leaving behind his initial base in the American folk music revival, his six-minute single “Like a Rolling Stone”, recorded in 1965, enlarged the range of popular music. Dylan’s mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-35176" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Bob-Dylan.jpg" sizes="(max-width: 222px) 100vw, 222px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Bob-Dylan.jpg 222w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Bob-Dylan-199x300.jpg 199w" alt="" width="222" height="335" />Dylan’s lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres.</p>
<p>His recording career, spanning more than 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing lineup of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.</p>
<h2>Cream</h2>
<p><strong>Cream</strong> were a 1960s British rock supergroup power trio consisting of bassist/singer Jack Bruce, drummer Ginger Baker, and guitarist/singer Eric Clapton. The group’s third album, Wheels of Fire (1968), was the world’s first platinum-selling double album.</p>
<p>The band is widely regarded as the world’s first successful supergroup. In their career, they sold more than 15 million copies of their albums worldwide. Their music included songs based on traditional blues such as “Crossroads” and “Spoonful”, and modern blues such as “Born Under a Bad Sign”, as well as more eccentric songs such as “Strange Brew”, “Tales of Brave Ulysses” and “Toad”.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-35178" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Cream.jpg" sizes="(max-width: 450px) 100vw, 450px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Cream.jpg 450w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Cream-300x202.jpg 300w" alt="" width="450" height="303" /></p>
<p>The band’s biggest hits are “I Feel Free” (UK, number 11), “Sunshine of Your Love” (US, number 5), “White Room” (US, number 6), “Crossroads” (US, number 28), and “Badge” (UK, number 18). The band made a significant impact on the popular music of the time, and, along with Jimi Hendrix and other notable guitarists and bands, popularized the use of the wah-wah pedal. They provided a heavy yet technically proficient musical theme that foreshadowed and influenced the emergence of British bands such as Led Zeppelin, The Jeff Beck Group, Deep Purple and Black Sabbath in the late 1960s and the early 1970s. The band’s live performances influenced progressive rock acts such as Rush. The band was inducted into the Rock and Roll Hall of Fame in 1993.</p>
<h2>Jefferson Airplane</h2>
<p><strong>Jefferson Airplane</strong> was a San Francisco, California-based band who pioneered the American counterculture movement as well as psychedelic rock. Formed in 1965, the group defined the San Francisco Sound and was the first from the Bay Area to achieve international commercial success.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-35180" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Jefferson-Airplane.jpg" sizes="(max-width: 566px) 100vw, 566px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Jefferson-Airplane.jpg 566w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Jefferson-Airplane-300x164.jpg 300w" alt="" width="566" height="310" /></p>
<p>They were headliners at the three most famous American rock festivals of the 1960s—Monterey (1967), Woodstock (1969) and Altamont (1969)—in addition to the first Isle of Wight Festival (1968) in England. Their 1967 break-out record Surrealistic Pillow ranks on the short list of most significant recordings of the “Summer of Love”. Two songs from that album, “Somebody to Love” and “White Rabbit”, are among Rolling Stone’s “500 Greatest Songs of All Time.”</p>
<h2>Peter Max</h2>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-35182" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Peter-Max.jpg" alt="" width="250" height="187" /><strong>Peter Max</strong> is an American artist known for using bright colors in his work. Max synthesized the “Summer of Love” into artworks from canvas to mugs and clocks and scarves and clothes and cruise-ships: a master of Pop Art he is the official portrait artist for the Statue of Liberty and welcome banners at the US Ports of Entry.</p>
<p>His work is an indispensable guide for cultural literacy of the 1960s, and his work commands a solid following worldwide and is consistently collected by the art world</p>
<h2>Bubblegum Pop</h2>
<p><strong>Bubblegum Pop</strong> a genre of pop music with an upbeat sound contrived and marketed to appeal to pre-teens and teenagers, that may be produced in an assembly-line process, driven by producers and often using unknown singers. Bubblegum’s classic period ran from 1967 to 1972. A second wave of bubblegum started two years later and ran until 1977 when disco took over and punk rock emerged.</p>
<p>The genre was predominantly a singles phenomenon rather than an album-oriented one. Also, because many acts were manufactured in the studio using session musicians, a large number of bubblegum songs were by one-hit wonders. Among the best-known acts of bubblegum’s golden era are 1910 Fruitgum Company, The Ohio Express and The Archies, an animated group which had the most successful bubblegum song with “Sugar, Sugar”, Billboard Magazine’s No. 1 single for 1969. Singer Tommy Roe, arguably, had the most bubblegum hits of any artist during this period, notably 1969’s “Dizzy”.</p>
<h2>The Band</h2>
<p><strong>The Band</strong> was a Canadian-American roots rock group, originally consisting of Rick Danko (bass guitar, double bass, fiddle, vocals), Levon Helm (drums, mandolin, guitar, vocals), Garth Hudson (keyboards, saxophones, trumpet), Richard Manuel (piano, drums, vocals) and Robbie Robertson (guitar, percussion, vocals).</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-35184" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-The-Band.jpg" sizes="(max-width: 423px) 100vw, 423px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-The-Band.jpg 423w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-The-Band-300x225.jpg 300w" alt="" width="423" height="317" /></p>
<p>In 1964, they separated from Hawkins, after which they toured and released a few singles as Levon and the Hawks and the Canadian Squires. The next year, Bob Dylan hired them for his U.S. tour in 1965 and world tour in 1966. Following the 1966 tour, the group moved with Dylan to Saugerties, New York, where they made the informal 1967 recordings that became The Basement Tapes, which forged the basis for their 1968 debut album, Music from Big Pink. Because they were always “the band” to various frontmen, Helm said the name “The Band” worked well when the group came into its own.The group began performing as the Band in 1968 and went on to release ten studio albums. Dylan continued to collaborate with the Band over the course of their career, including a joint 1974 tour.</p>
<p>The original configuration of the Band ended its touring career in 1976 with an elaborate live ballroom performance featuring numerous musical celebrities. This performance was immortalized in Martin Scorsese’s 1978 documentary The Last Waltz. The Band recommenced touring in 1983 without guitarist Robbie Robertson, who had found success with a solo career and as a Hollywood music producer.</p>
<h2>John Lennon</h2>
<p><img loading="lazy" decoding="async" class="alignleft wp-image-35186" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-John-Lennon.jpg" sizes="(max-width: 301px) 100vw, 301px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-John-Lennon.jpg 301w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-John-Lennon-236x300.jpg 236w" alt="" width="191" height="243" /><strong>John Lenno</strong><strong>n</strong> was an English singer and songwriter who co-founded the Beatles (1960-70), the most commercially successful band in the history of popular music. With fellow member Paul McCartney, he formed a celebrated songwriting partnership.</p>
<p>Born and raised in Liverpool, Lennon became involved in the skiffle craze as a teenager; his first band, the Quarrymen, evolved into the Beatles in 1960. When the group disbanded in 1960, Lennon embarked on a solo career that produced the albums John Lennon/Plastic Ono Band and Imagine, and songs such as “Give Peace a Chance”, “Working Class Hero”, and “Imagine”.</p>
<p>After his marriage to Yoko Ono in 1969, he changed his name to John Ono Lennon. Lennon disengaged himself from the music business in 1975 to raise his infant son Sean, but re-emerged with Ono in 1980 with the new album Double Fantasy. He was murdered three weeks after its release.</p>
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<h2>John F. Kennedy</h2>
<p><strong>John F. Kennedy</strong> was an American politician who served as the 35th President of the United States from January 1961 until his assassination in November 1963. The Cuban Missile Crisis, the Bay of Pigs Invasion, the Nuclear Test Ban Treaty, the establishment of the Peace Corps, developments in the Space Race, the building of the Berlin Wall, the Trade Expansion Act to lower tariffs, and the Civil Rights Movement all took place during his presidency.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-35187" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-John-F-Kennedy.jpg" sizes="(max-width: 409px) 100vw, 409px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-John-F-Kennedy.jpg 409w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-John-F-Kennedy-300x150.jpg 300w" alt="" width="409" height="204" /></p>
<p>Kennedy’s time in office was marked by high tensions with Communist states. He increased the number of American military advisers in South Vietnam by a factor of 18 over Eisenhower. In Cuba, a failed attempt was made at the Bay of Pigs to overthrow the country’s dictator Fidel Castro in April 1961. In October 1962, it was discovered Soviet ballistic missiles had been deployed in Cuba; the resulting period of unease, termed the Cuban Missile Crisis, is seen by many historians as the closest the human race has ever come to nuclear war between nuclear-armed belligerents.</p>
<h2>Lyndon B. Johnson</h2>
<p><img loading="lazy" decoding="async" class="alignright wp-image-35189" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/Lyndon-B-Johnson.jpg" sizes="(max-width: 266px) 100vw, 266px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/Lyndon-B-Johnson.jpg 266w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/Lyndon-B-Johnson-247x300.jpg 247w" alt="" width="210" height="255" /><strong>Lyndon B. Johnson</strong> was an American politician who served as the 36th President of the United States from 1963 to 1969, assuming the office after serving as the 37th Vice President of the United States under President John F. Kennedy.</p>
<p>He spent six years as Senate Majority Leader, two as Senate Minority Leader, and two as Senate Majority Whip.</p>
<p>Johnson ran for the Democratic nomination in the 1960 presidential election. Although unsuccessful, he was chosen by Senator John F. Kennedy of Massachusetts to be his running mate.</p>
<p>They went on to win a close election over Richard Nixon and Henry Cabot Lodge. Johnson was sworn in as Vice President on January 20, 1961.</p>
<p>Two years and ten months later, on November 22, 1963, Johnson succeeded Kennedy as President following the latter’s assassination.</p>
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<h2>Martin Luther King Jr.</h2>
<p><img loading="lazy" decoding="async" class="alignleft wp-image-35191" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/Martin-Luther-King-Jr.jpg" sizes="(max-width: 350px) 100vw, 350px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/Martin-Luther-King-Jr.jpg 350w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/Martin-Luther-King-Jr-300x228.jpg 300w" alt="" width="258" height="196" /><strong>Martin Luther King Jr.</strong> was an American Baptist minister and activist who was a leader in the African-American Civil Rights Movement.</p>
<p>He is best known for his role in the advancement of civil rights using nonviolent civil disobedience based on his Christian beliefs.</p>
<p>King became a civil rights activist early in his career. He led the 1955 Montgomery bus boycott and helped found the Southern Christian Leadership Conference (SCLC) in 1957, serving as its first president.</p>
<p>With the SCLC, King led an unsuccessful 1962 struggle against segregation in Albany, Georgia (the Albany Movement), and helped organize the 1963 nonviolent protests in Birmingham, Alabama.</p>
<h2>Robert F. Kennedy</h2>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-35193" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/Robert-F-Kennedy.jpg" sizes="(max-width: 350px) 100vw, 350px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/Robert-F-Kennedy.jpg 350w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/Robert-F-Kennedy-300x188.jpg 300w" alt="" width="350" height="219" /><strong>Robert F. Kennedy</strong> was an American politician from Massachusetts. He served as a senator for New York from 1965 until his assassination in 1968.</p>
<p>He was previously the 64th U.S. Attorney General from 1961 to 1964, serving under his older brother, President John F. Kennedy and his successor, President Lyndon B. Johnson.</p>
<p>An icon of modern American liberalism, and a member of the Democratic Party, Kennedy ran for its presidential nomination in the 1968 election.</p>
<p>Kennedy was the campaign manager for his brother John in the 1960 presidential election. He was appointed Attorney General after the successful election and served as the closest adviser to the president from 1961 to 1963. 4</p>
<p>His tenure is best known for its advocacy for the Civil Rights Movement, the crusade against organized crime and the Mafia, and involvement in U.S. foreign policy related to Cuba.</p>
<h2>Woman’s Rights</h2>
<p><strong>Feminism</strong></p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-35195" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/the-feminine-mystique.jpg" sizes="(max-width: 308px) 100vw, 308px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/the-feminine-mystique.jpg 308w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/the-feminine-mystique-300x210.jpg 300w" alt="" width="308" height="216" />The role of women as full-time homemakers in industrial society was challenged in 1963, when US feminist Betty Friedan published The Feminine Mystique, giving momentum to the women’s movement and influencing what many called Second-wave feminism.</p>
<p>Other activists, such as Gloria Steinem and Angela Davis, either organized, influenced, or educated many of a younger generation of women to endorse and expand feminist thought.</p>
<h2></h2>
<h2></h2>
<h2>The Doors</h2>
<p><img loading="lazy" decoding="async" class=" wp-image-35103 alignright" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Doors.jpg" sizes="(max-width: 354px) 100vw, 354px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Doors.jpg 354w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Doors-300x231.jpg 300w" alt="" width="251" height="193" /><strong>The Doors</strong> were an American rock band formed in 1965 in Los Angeles. Signing with Elektra Records in 1966, the Doors released eight albums between 1967 and 1971. All but one hit the Top 10 on the Billboard 200 and went platinum or better.</p>
<p>Their self-titled debut album (1967) was their first in a series of Top 10 albums in the United States, followed by Strange Days (also 1967), Waiting for the Sun (1968), and L.A. Woman (1971).</p>
<p>The band had three million-selling singles in the U.S. with “Light My Fire”, “Hello, I Love You” and “Touch Me”. According to the RIAA, they have sold 33 million certified units in the US and over 100 million records worldwide, making them one of the best-selling bands of all time.</p>
<h2></h2>
<h2>Woodstock</h2>
<p><strong>Woodstock</strong> was a music festival attracting an audience of over 400,000 people, scheduled over three days on a dairy farm in New York state from August 15 to 17, 1969, but which ran over four days to August 18, 1969. Billed as “An Aquarian Exposition: 3 Days of Peace &amp; Music”, it is widely regarded as a pivotal moment in popular music history.</p>
<p><img loading="lazy" decoding="async" class="wp-image-35197" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Woodstock.jpg" width="386" height="289" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Woodstock.jpg 386w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Woodstock-300x225.jpg 300w" sizes="(max-width: 386px) 100vw, 386px" /><br />
<img loading="lazy" decoding="async" class="wp-image-34387" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Woodstock.jpg" width="271" height="390" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Woodstock.jpg 271w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Woodstock-208x300.jpg 208w" sizes="(max-width: 271px) 100vw, 271px" /></p>
<h2>Kent State Shooting</h2>
<p><strong>Kent State Shooting</strong> involved the shooting of unarmed college students by the Ohio National Guard on Monday, May 4, 1970. The guardsmen fired 67 rounds over a period of 13 seconds, killing four students and wounding nine others. Hundreds of universities, colleges, and high schools closed throughout the United States due to a student strike of 4 million students.</p>
<h2>Rolling Stones</h2>
<p><strong>Rolling Stones</strong> are an English rock band formed in London in 1962.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-35200 alignnone" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/Kent-State-Shooting.jpg" sizes="(max-width: 350px) 100vw, 350px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/Kent-State-Shooting.jpg 350w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/Kent-State-Shooting-300x230.jpg 300w" alt="" width="350" height="268" />Identification with the youthful and rebellious counterculture of the 1960s, the group returned to its bluesy roots with Beggars Banquet (1968) which—along with its follow-ups, Let It Bleed (1969), Sticky Fingers (1971) and Exile on Main St (1972)—is generally considered to</p>
<p>be the band’s best work.</p>
<h2></h2>
<h2>Timothy Leary</h2>
<p><img loading="lazy" decoding="async" class="size-full wp-image-35096 alignnone" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Rolling-Stones-2.jpg" sizes="(max-width: 313px) 100vw, 313px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Rolling-Stones-2.jpg 313w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Rolling-Stones-2-300x191.jpg 300w" alt="" width="313" height="199" /></p>
<p><strong>T</strong><strong>imothy Leary</strong> was an American psychologist and writer known for advocating the exploration of the therapeutic potential of psychedelic drugs. Leary popularized catchphrases that promoted his philosophy, such as “turn on,tune in, drop out”, “set and setting”, and “think for yourself and question authority”.</p>
<h2>Ken Kesey and the Merry Pranksters</h2>
<p><img loading="lazy" decoding="async" class="size-full wp-image-35203 alignnone" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/Timothy-Leary.jpg" sizes="(max-width: 350px) 100vw, 350px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/Timothy-Leary.jpg 350w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/Timothy-Leary-300x225.jpg 300w" alt="" width="350" height="263" /></p>
<p><strong>Ken Kesey and his Merry Pranksters</strong> helped shape the character of the 1960s counterculture with their cross-country voyage in 1964 in a psychedelic school bus named “Furthur”. The Pranksters created a direct link between the 1950s Beat Generation and the 1960s psychedelic scene.</p>
<h3>Music and Revolution</h3>
<p>“The 60s were a leap in human consciousness&#8230; The Beatles, The Doors, Jimi Hendrix created revolution and evolution themes.” – Carlos Santana</p>
<p>The music of the 1960s moved towards an electric, psychedelic version of rock, largely thanks to Bob Dylan’s decision to play electric at the 1965 Newport Folk Festival. This sound was molded by artists like Pink Floyd, The Beach Boys, and The Velvet Underground.</p>
<h2>Anti-nuclear</h2>
<p>The application of nuclear technology, both as energy and war, has been controversial. In 1961, about 50,000 women brought together by Women Strike for Peace marched in 60 cities to demonstrate against nuclear weapons.</p>
<h2>Law Enforcement</h2>
<p>The confrontations between college students and law enforcement became one of the hallmarks of the era. Distrust of police was based not only on fear of police brutality during political protests, but also on generalized police corruption.</p>
<h2>Marijuana, LSD, and other recreational drugs</h2>
<p>During the 1960s, LSD users expanded into a subculture that extolled mystical symbolism and advocated its use as a method of raising consciousness. Gurus like Timothy Leary and musicians like the Grateful Dead and The Beatles attracted significant publicity for the movement.</p>
<h2>Crosby, Stills, and Nash</h2>
<p><strong>Crosby, Stills, and Nash</strong> were an American-British folk rock supergroup made up of David Crosby, Stephen Stills, and Graham Nash. They were noted for their intricate vocal harmonies and political activism.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-35212 alignnone" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/Crosby-Stills-and-Nash.jpg" alt="" width="314" height="228" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/02/Crosby-Stills-and-Nash.jpg 314w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/02/Crosby-Stills-and-Nash-300x218.jpg 300w" sizes="(max-width: 314px) 100vw, 314px" /></p>
<h2>The Byrds</h2>
<p><strong>The Byrds</strong> were an American rock band formed in Los Angeles in 1964. They pioneered the musical genre of folk rock, melding the influence of the Beatles with contemporary and traditional folk music.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-35214 alignnone" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Byrds.jpg" alt="" width="445" height="299" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Byrds.jpg 445w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Byrds-300x202.jpg 300w" sizes="(max-width: 445px) 100vw, 445px" /></p>
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<p>The post <a href="https://thehistoryofrockandroll.net/the-counterculture/">The Counterculture</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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