Patsy Cline was already a well-known country music singer when she recorded this hit. She picked it as a follow-up to her previous big hit “I Fall to Pieces”. “Crazy was released in late 1961 and immediately became another huge hit for Cline.

It also widened her audience base. It spent 21 weeks on the chart and eventually became one of her signature tunes. Cline’s version is No. 85 on Rolling Stone’s list of The 500 Greatest Songs of All Time. The song was written by Hugh Nelson, who met Cline’s husband, Charlie Dick, at Orchid Lounge on Nashville’s Music Row. Cline was not a fan of the song originally, but it eventually grew on her.

This song is by British group Climax which became a major North American hit in early 1972.

It spent three weeks at number three on the U.S. Billboard Hot 100 and hit number one on the Cash Box Top 100. It also reached number six on Canada’s RPM 100.

Lead vocals were provided by Sonny Geraci, who also sang lead on “Time Won’t Let Me” by his previous band, The Outsiders. “Precious and Few” had originally been released on Carousel Records earlier in 1971

This song written by Neil Sedaka and Howard Greenfield. It was first recorded by Sedaka himself in 1973 and was released as a single in France.

American pop duo Captain & Tennille covered the song in 1975, with instrumental backing by L.A. session musicians from the Wrecking Crew and had a worldwide hit with their version.

The song was covered by Ray Charles in 1962, featured on Charles’ Modern Sounds in Country and Western Music, and released as a single. Charles’ version reached number one on the Billboard Hot 100 in 1962, for five weeks.

This version went to number one on the U.S. R&B and Adult Contemporary charts. Billboard ranked it as the No. 2 song for 1962. Charles reached No. 1 in the UK Singles Chart in July 1962, staying for two weeks.

The Ray Charles version is noted for his saying the words before the last five lines of the song on the final chorus: “Sing the Song, Children”.

Choral backing was provided by The Randy Van Horne Singers. It was ranked No. 164 on Rolling Stone’s list of the 500 Greatest Songs of All Time and No. 49 on CMT’s “100 Greatest Songs in Country Music”.

The American rock group Chicago released this song on their album Chicago X. It was written and sung by bass guitar player Peter Cetera and released as a single on July 31, 1976. It is also the title of a compilation album released by Columbia Records (Columbia 38590) in 1983.

The single topped the US charts on October 23, 1976, and stayed there for two weeks, making it the first number one hit for the group as well as hitting number one on the Easy Listening charts. It also reached number one in the UK on November 13, 1976, maintaining the position for three weeks.

“If You Leave Me Now” was also Chicago’s biggest hit worldwide, topping the charts in other countries such as Australia. It won Grammy Awards for Best Arrangement Accompanying Vocalist(s) (strings) for arranger Jimmie Haskell and producer James William Guercio and Best Pop Vocal Performance by a Duo, Group or Chorus. It also received a nomination for Record of the Year. In addition, by August 1978 it had sold 1.4 million copies in the United States alone. It has been certified gold and platinum by the RIAA.

This single was recorded by the soul vocal group, The Chi-Lites and released on Brunswick Records in 1972. Included on the group’s 1972 album A Lonely Man, “Oh Girl” centers on a relationship on the verge of break-up.

The narrator, portrayed by the song’s author Eugene Record, expresses concern that the break-up may prove unbearable for him (“Oh girl/I’d be in trouble if you left me now/’Cause I don’t know where to look for love/I just don’t know how”), while knowing that staying will be no better (“I could save myself a lot of useless tears/Girl I’ve got to get away from here”; “Better be on my way, I can’t stay here”).

“Oh Girl” was the Chi-Lites’ first and only number-one single on the Billboard Hot 100, peaking at that position in May 1972 for one week. The single also reached the top position of the Billboard R&B Singles chart the following month, remaining in that position for two weeks.[1]Billboard ranked it as the No. 13 song for 1972. In addition, it reached number fourteen on the UK Singles Chart in July 1972.

This song was included on The Flamingos’ debut album Flamingo Serenade. The version by the Flamingos features a prominent reverb effect, creating a dreamy ambience.

This version peaked at #11 on the Billboard Hot 100 chart and #3 on the R&B charts. Rolling Stone magazine ranked the Flamingos’ version #157 on their list of the 500 Greatest Songs of All Time.

This pop ballad was originally recorded by American singer Elvis Presley and published by Gladys Music, Elvis Presley’s publishing company.

It was written by Hugo Peretti, Luigi Creatore and George David Weiss. It was featured in Elvis Presley’s 1961 film, Blue Hawaii.

This song had two versions. A Dunhill label and then a subsequent cover version. The Dunhill label went to number 2 on the Billboard Hot 100 in 1967. This version also reached number 2 on the UK Singles Chart. The lead singer on the Mamas & the Papas version was Michelle Phillips. It was the first time that Phillips was given the lead over Cass Elliot.

The song was also included on the group’s 1967 album The Mamas & The Papas Deliver.
The song feature overdubbed instruments that don’t appear on the album versions of the songs, Dedicated to the One I Love used the same mix for both single and album. However, there are differing versions of the song available.

The original single and album releases had a running time of 2:54, and featured a double-tracked lead vocal, as well as a prominent piano track. A shorter version of the song, which the band can be seen lip-synching to on various television shows in the sixties, has a running time of only 2:12, because it omits the only occurrence of the song’s verse, as well as the subsequent chorus, and instead goes straight into the instrumental bridge. In this mix the piano is less prominent and only one of Michelle Phillips’ vocal tracks is audible.

The song became Etta James’ signature song and was the third in a string of successful songs from her Argo Records debut album (Argo LP 4003, mono; LPS 4003, stereo) At Last!.

In April 1961, it became her second number 2 R&B hit single (Argo 5380) and crossed over to pop radio, reaching number 47 on the Billboard Hot 100. Despite its modest pop chart standing, the song is well-known and is still played regularly on oldies radio stations. The James version reached the top 40 in Cashbox and Music Vendor.

The B-side, “I Just Want to Make Love to You,” written by Willie Dixon, became a hit for Foghat in 1972, peaking at #83 on the Billboard Hot 100.

This love song written by Paul McCartney to his first wife Linda. The ballad was a number one single and the most successful track from the Paul McCartney and Wings 1973 album Red Rose Speedway.