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	<title>Dion Archives - The History of Rock and Roll Radio Show</title>
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		<title>A Walk Down Memory Lane: Music of 1958-1959</title>
		<link>https://thehistoryofrockandroll.net/a-walk-down-memory-lane-music-of-1958-1959/</link>
		
		<dc:creator><![CDATA[Bwana]]></dc:creator>
		<pubDate>Mon, 19 Mar 2018 20:43:40 +0000</pubDate>
				<category><![CDATA[Rock and Roll]]></category>
		<category><![CDATA[At The Hop]]></category>
		<category><![CDATA[Buddy Holly]]></category>
		<category><![CDATA[Danny and the Juniors]]></category>
		<category><![CDATA[Dion]]></category>
		<category><![CDATA[Eddie Cochran]]></category>
		<category><![CDATA[Maybe Baby]]></category>
		<category><![CDATA[Smoke Gets In Your Eyes]]></category>
		<category><![CDATA[Summertimes Blues]]></category>
		<category><![CDATA[The Belmonts]]></category>
		<category><![CDATA[The Elegants]]></category>
		<category><![CDATA[The Everly Brothers]]></category>
		<category><![CDATA[The Kingston Trio]]></category>
		<category><![CDATA[The Platters]]></category>
		<category><![CDATA[The Silhouettes]]></category>
		<category><![CDATA[Tom Dooley]]></category>
		<guid isPermaLink="false">http://www.thehistoryofrockandroll.net/?p=37260</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/a-walk-down-memory-lane-music-of-1958-1959/">A Walk Down Memory Lane: Music of 1958-1959</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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				<div class="et_pb_text_inner"><h2><strong>Tom Dooley: The Kingston Trio</strong></h2>
<p><strong></strong></p>
<p> <img fetchpriority="high" decoding="async" width="422" height="604" class="wp-image-37262 alignright" src="../wp-content/uploads/2018/03/word-image-52.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-52.jpeg 422w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-52-210x300.jpeg 210w" sizes="(max-width: 422px) 100vw, 422px" />is a North Carolina folk song based on the 1866 murder of a woman named Laura Foster in Wilkes County, North Carolina, allegedly by Tom Dula.</p>
<p>The song is best known today because of a hit version recorded in 1958 by The Kingston Trio. This version was a multi-format hit, which reached #1 in <em>Billboard</em> and the <em>Billboard</em> R&amp;B listing, and appeared in the <em>Cashbox</em> Country Music Top 20.</p>
<p>It fits within the wider genre of Appalachian &#8220;sweetheart murder ballads&#8221;.</p>
<p>The song was selected as one of the American Songs of the Century by the Recording Industry Association of America (RIAA), the National Endowment for the Arts, and Scholastic Inc. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.</p>
<p>&nbsp;</p>
<p><img loading="lazy" decoding="async" width="640" height="640" class="wp-image-37261" src="../wp-content/uploads/2018/03/word-image-51.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-51.jpeg 640w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-51-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-51-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-51-610x610.jpeg 610w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-51-45x45.jpeg 45w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-51-500x500.jpeg 500w" sizes="(max-width: 640px) 100vw, 640px" /></p>
<h2><strong>All I Have to Do Is Dream: The Everly Brothers</strong></h2>
<p><strong></strong></p>
<p><img loading="lazy" decoding="async" width="220" height="219" class="wp-image-37263 alignright" src="../wp-content/uploads/2018/03/word-image-53.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-53.jpeg 220w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-53-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-53-45x45.jpeg 45w" sizes="(max-width: 220px) 100vw, 220px" />is a popular song made famous by the Everly Brothers, written by Boudleaux Bryant of the husband and wife songwriting team Felice and Boudleaux Bryant, and published in 1958. By far the best-known version was recorded by The Everly Brothers and released as a single in April 1958. It had been recorded by The Everly Brothers live in just two takes on March 6, 1958, and features Chet Atkins on guitar. It was the only single ever to be at No. 1 on all of <em>Billboard</em>&#8216; singles charts simultaneously, on June 2, 1958.</p>
<p>It first reached No. 1 on the &#8220;Most played by Jockeys&#8221; and &#8220;Top 100&#8221; charts on May 19, 1958, and remained there for five and three weeks, respectively; with the August 1958 introduction of the <em>Billboard</em> Hot 100 chart, the song ended the year at No. 2. &#8220;All I Have to Do Is Dream&#8221; also hit No.1 on the R&amp;B chart as well as becoming The Everly Brothers&#8217; third chart topper on the country chart. The Everly Brothers briefly returned to the Hot 100 in 1961 with this song. It entered the U.K. Singles Chart on May 23, 1958, reaching the No. 1 position on July 4 and remaining there for seven weeks (including one week as a joint No. 1 with Vic Damone&#8217;s &#8220;On the Street Where You Live&#8221;), spending 21 weeks on the chart.</p>
<h2><strong>Little Star: The Elegants</strong></h2>
<p><strong></strong></p>
<p><img loading="lazy" decoding="async" width="313" height="217" class="wp-image-37264 alignleft" src="../wp-content/uploads/2018/03/word-image-54.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-54.jpeg 313w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-54-300x208.jpeg 300w" sizes="(max-width: 313px) 100vw, 313px" />Littl4 is a song recorded by The Elegants. Members Vito Picone and Arthur Venosa co-wrote the lyrics.</p>
<p>The music was adapted from &#8220;Twinkle Twinkle Little Star.&#8221; When released as a single in 1958, it topped both the R&amp;B Best Sellers list and the <em>Billboard</em> Hot 100; however, it was the only song that ever charted for The Elegants.</p>
<p>Reportedly, the Elegants refused to pay payola to a prominent New York disc jockey, which inhibited air play of their follow up recordings.</p>
<h2><strong>Get A Job: The Silhouettes</strong></h2>
<p><strong></strong></p>
<p>is a song by the Silhouettes released in November 1957. It reached the number one spot on the <em>Billboard</em> pop and R&amp;B singles charts in February 1958.</p>
<p>When I was in the service in the early 1950s and didn&#8217;t come home and go to work, my mother said &#8216;get a job&#8217; and basically that&#8217;s where the song came from,&#8221; said tenor Richard Lewis, who wrote the lyrics. The four members of the group shared the credit, jointly creating the &#8220;sha na na&#8221; and &#8220;dip dip dip dip&#8221; hooks later imitated by other doo-wop groups.</p>
<p>The song was recorded at Robinson Recording Laboratories in Philadelphia in October 1957. Rollee McGill played the saxophone break, and the arranger was Howard Biggs. Intended as the B-side to &#8220;I Am Lonely&#8221;, &#8220;Get a Job&#8221; was initially released on Kae Williams&#8217; Junior label; Williams, who was also a Philadelphia disc-jockey, was the Silhouettes&#8217; manager. Doug Moody, an executive at Ember Records, acquired the rights to the song for that label where it was licensed for national distribution.</p>
<p>In early 1958, the Silhouettes performed &#8220;Get a Job&#8221; several times on <em>American Bandstand</em> and once on <em>The Dick Clark Show</em>, appearances that contributed to the song&#8217;s success by exposing it to a large audience. Ultimately the single sold more than a million copies</p>
<p><img loading="lazy" decoding="async" width="740" height="550" class="wp-image-37265" src="../wp-content/uploads/2018/03/word-image-55.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-55.jpeg 740w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-55-300x223.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-55-610x453.jpeg 610w" sizes="(max-width: 740px) 100vw, 740px" /></p>
<h2><strong>Maybe Baby: Buddy Holly and The Crickets</strong></h2>
<p><strong></strong></p>
<p><img loading="lazy" decoding="async" width="269" height="370" class="wp-image-37266 alignright" src="../wp-content/uploads/2018/03/word-image-56.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-56.jpeg 269w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-56-218x300.jpeg 218w" sizes="(max-width: 269px) 100vw, 269px" />is a rock-and-roll song written by Buddy Holly and the producer Norman Petty and recorded by Holly and the Crickets in 1957. The single, credited to the Crickets, was a Top 40 hit in the U.S., the UK, and Canada. &#8220;Maybe Baby&#8221;, originally recorded by Holly and the Crickets in 1957, reached number 17 on the US charts and number 4 on the UK charts; Holly toured in the UK that year (see Buddy Holly discography). The single also reached number 8 on the <em>Billboard</em> R&amp;B chart and number 9 on the Canadian charts. The rather simple lyrics are augmented by a twangy percussive accompaniment, characteristic of rockabilly, which is especially effective in the 8-bar instrumental introduction and the short conclusion.</p>
<p>&#8220;Maybe Baby&#8221; was recorded at Tinker Air Force Base in Midwest City, Oklahoma in the wee hours of September 29, 1957, while Buddy Holly and The Crickets were on a tour (and played that same night, at Oklahoma City Municipal Auditorium with the Show Of Stars &#8217;57. Jerry Allison from The Crickets personally remembers that the song, along with 3 others, was recorded there at Tinker Air Force Base. Graham Pugh, a Buddy Holly researcher from the Oklahoma City area, also has seen airplane tickets documenting the fact that Buddy Holly and The Crickets landed at Will Rogers World Airport in Oklahoma City on September 28, 1957.</p>
<h2><strong>Johnny B. Goode: Chuck Berry</strong></h2>
<p><strong></strong></p>
<p><strong><img loading="lazy" decoding="async" width="585" height="586" class="wp-image-37267" src="../wp-content/uploads/2018/03/word-image-57.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-57.jpeg 585w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-57-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-57-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-57-45x45.jpeg 45w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-57-500x500.jpeg 500w" sizes="(max-width: 585px) 100vw, 585px" /><img loading="lazy" decoding="async" width="701" height="549" class="wp-image-37268" src="../wp-content/uploads/2018/03/word-image-58.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-58.jpeg 701w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-58-300x235.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-58-610x478.jpeg 610w" sizes="(max-width: 701px) 100vw, 701px" /></strong></p>
<p>is a 1958 rock-and-roll song written and first recorded by Chuck Berry. The song was a major hit among both black and white audiences, peaking at number two on <em>Billboard</em> magazine&#8217;s Hot R&amp;B Sides chart and number eight on its Hot 100 chart.</p>
<p>&#8220;Johnny B. Goode&#8221; is considered one of the most recognizable songs in the history of popular music. Credited as &#8220;the first rock &amp; roll hit about rock &amp; roll stardom&#8221;, it has been recorded by many other artists and has received several honors and accolades. The song is also ranked seventh on <em>Rolling Stone</em>&#8216;s list of the &#8220;500 Greatest Songs of All Time&#8221;.</p>
<p>Written by Berry in 1955, the song is about an illiterate &#8220;country boy&#8221; from the New Orleans area, who plays a guitar &#8220;just like ringing a bell&#8221;, and who might one day have his &#8220;name in lights&#8221;. Berry acknowledged that the song is partly autobiographical and that the original lyrics referred to Johnny as a &#8220;colored boy&#8221;, but he changed it to &#8220;country boy&#8221; to ensure radio play. As well as suggesting that the guitar player is good, the title hints at autobiographic elements, because Berry was born at 2520 Goode Avenue, in St. Louis. The song was initially inspired by Johnnie Johnson, the regular piano player in Berry&#8217;s band, but developed into a song mainly about Berry himself. Johnson played on many other recordings by Berry, but Lafayette Leake played the piano on this song.</p>
<p>The opening guitar riff of &#8220;Johnny B. Goode&#8221; is essentially a note-for-note copy of the opening single-note solo on Louis Jordan&#8217;s &#8220;Ain&#8217;t That Just Like a Woman&#8221; (1946), played by guitarist Carl Hogan. Neither the guitar intro nor the solo are played at once. Berry played the introductory parts together with the rhythm guitar and later overdubbed the solo runs.</p>
<p>Berry wrote four more songs involving the character Johnny B. Goode, &#8220;Bye Bye Johnny&#8221;, &#8220;Go Go Go&#8221;, &#8220;Johnny B. Blues&#8221; and &#8220;Lady B. Goode&#8221;; and titled an album, and the nearly 19-minute instrumental title track from it, as &#8220;Concerto in B. Goode&#8221;.</p>
<p><strong>Personnel</strong></p>
<ul>
<li>Chuck Berry – vocals, guitars</li>
<li>Lafayette Leake – piano</li>
<li>Willie Dixon – double bass</li>
<li>Fred Below – drums</li>
</ul>
<h2><strong>At The Hop: Danny and The Juniors</strong></h2>
<p><strong></strong></p>
<p><img loading="lazy" decoding="async" width="509" height="509" class="wp-image-37269" src="../wp-content/uploads/2018/03/word-image-59.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-59.jpeg 509w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-59-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-59-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-59-45x45.jpeg 45w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-59-500x500.jpeg 500w" sizes="(max-width: 509px) 100vw, 509px" /></p>
<p>is a rock and roll/doo-wop song written by Artie Singer, John Medora, and David White and originally released by Danny &amp; the Juniors. The song was released in the fall of 1957, and reached number one on the US charts on January 6, 1958, thus becoming one of the top-selling singles of 1958. &#8220;At the Hop&#8221; also hit number one on the R&amp;B Best Sellers list. Somewhat more surprisingly, the record reached #3 on the Music Vendor country charts. It was also a big hit elsewhere, which included the group enjoying a number 3 placing with the song on the UK charts. The song was written by White, Medora, and Singer in 1957, when Danny &amp; the Juniors were still called The Juvenairs. Initially called &#8220;Do the Bop&#8221;, the song was heard by Dick Clark, who suggested they change its name. After performing the song on Clark&#8217;s show <em>American Bandstand</em>, it gained popularity and went to the top of the US charts, remaining at number one for five weeks.</p>
<p>The song describes the scene at a record hop, particularly the dances being performed and the interaction with the disc jockey host.</p>
<h2><strong>Summertimes Blues: Eddie Cochran </strong></h2>
<p><strong></strong></p>
<p> <img loading="lazy" decoding="async" width="220" height="219" class="wp-image-37271 alignleft" src="../wp-content/uploads/2018/03/word-image-61.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-61.jpeg 220w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-61-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-61-45x45.jpeg 45w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-61-219x219.jpeg 219w" sizes="(max-width: 220px) 100vw, 220px" />is a song co-written and recorded by American rockabilly artist Eddie Cochran. It was written by Cochran and his manager Jerry Capehart. Originally a single B-side, it was released in August 1958 and peaked at number 8 on the <em>Billboard</em> Hot 100 on September 29, 1958 and number 18 on the UK Singles Chart.</p>
<p>It has been covered by many artists, including being a number-one hit for country music artist Alan Jackson, and scoring notable hits in versions by The Who, Blue Cheer and Brian Setzer, the latter of whom recorded his version for the 1987 film <em>La Bamba</em>, where he portrayed Cochran.</p>
<p>Jimi Hendrix performed it in concert. &#8220;Summertime Blues&#8221; was recorded on March 28, 1958 at Gold Star Recording Studios in Hollywood, California. Eddie Cochran sang both the vocal and bass vocal (the “work-a-late” portions, Cochran’s tribute to the Kingfish character from the ‘’Amos and Andy’’ television series), played all the guitar parts, and added the hand clapping with possibly Sharon Sheeley. Connie &#8216;Guybo&#8217; Smith played the electric bass and Earl Palmer drums.</p>
<p><img loading="lazy" decoding="async" class="wp-image-37270" src="../wp-content/uploads/2018/03/word-image-60.jpeg" width="462" height="587" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-60.jpeg 462w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-60-236x300.jpeg 236w" sizes="(max-width: 462px) 100vw, 462px" /></p>
<h2><strong>Smoke Gets In Your Eyes: The Platters</strong></h2>
<p><strong></strong></p>
<p>is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for their 1933 musical <em>Roberta</em>. The song was sung in the original Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray Sinatra, Frank Sinatra&#8217;s second cousin, on October 13, 1933. Niesen&#8217;s recording of the song was released by Victor, catalog# VE B 24454, with the B-side, &#8220;Jealousy&#8221;, featuring Isham Jones and his Orchestra.</p>
<p>Paul Whiteman had the first hit recording of the song on the record charts in 1934. The song was later reprised by Irene Dunne, who performed it in the original 1935 film adaptation of the musical, co-starring Fred Astaire, Ginger Rogers and Randolph Scott. The song was also included in the 1952 remake of <em>Roberta</em>, <em>Lovely to Look At</em>, in which it was performed by Kathryn Grayson, and was a chart hit in 1958 for The Platters.</p>
<p><img loading="lazy" decoding="async" width="500" height="500" class="wp-image-37272" src="../wp-content/uploads/2018/03/word-image-62.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-62.jpeg 500w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-62-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-62-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-62-45x45.jpeg 45w" sizes="(max-width: 500px) 100vw, 500px" /></p>
<p>Possibly the most well-known version of &#8220;Smoke Gets in Your Eyes&#8221; was recorded in 1958 by The Platters, for their album <em>Remember When?</em>. The group&#8217;s cover became a number one hit in the U.S. on the <em>Billboard</em> Hot 100 music chart. In 1959 the version went on to peak at number three on the Rhythm and Blues chart. The song spent 20 weeks on the UK charts, peaking at Number 1 for one week on 20 March of that same year. The Platters&#8217; producer, Buck Ram, reported that Harbach &#8220;congratulated Buck Ram and the Platters for reviving his song with taste.&#8221; Jerome Kern&#8217;s widow, on the other hand, disliked the recording so much she considered taking legal action to prevent its distribution.</p>
<h2><strong>Lipstick On Your Collar: Connie Francis</strong></h2>
<p><strong></strong></p>
<p> <img loading="lazy" decoding="async" width="220" height="207" class="wp-image-37274 alignright" src="../wp-content/uploads/2018/03/word-image-64.jpeg" />is a song written by Edna Lewis (lyrics) and George Goehring (music) which was a 1959 hit single for Connie Francis.</p>
<p>Francis recorded the song April 15 1959 in a session at Metropolitan Studio (NYC) produced and conducted by Ray Ellis. Veteran guitarist George Barnes contributed a solo to the track.</p>
<p>To provide a contrasting B-side for the upbeat track, a ballad from the same session: &#8220;Frankie&#8221;, was utilized. This Howard Greenfield/ Neil Sedaka composition was inspired by Frankie Avalon.</p>
<p><img loading="lazy" decoding="async" width="220" height="286" class="wp-image-37273 alignleft" src="../wp-content/uploads/2018/03/word-image-63.jpeg" />&#8220;Lipstick on Your Collar&#8221; became the first uptempo Connie Francis single to reach the US Top Ten, peaking at No. 5 on the <em>Billboard</em> Hot 100 in July 1959. That summer the track also reached No. 3 in the UK Singles Chart, and became Francis&#8217; first Top Ten hit in Australia at No. 4. It sold over one million copies in the US alone.</p>
<p>&#8220;Frankie&#8221; also became a Top Ten hit in the US with a #9 peak making the &#8220;Lipstick on Your Collar&#8221;/ &#8220;Frankie&#8221; single the most successful double-sided hit of Francis&#8217; career.</p>
<p>In a 1959 interview, Francis attributed her being the sole songstress then scoring rock and roll hits by saying: &#8220;Rock &#8216;n&#8217; roll is a masculine kind of music&#8221; with its mindset of &#8220;&#8216;Come on out baby we&#8217;re going to rock&#8217;..[best] suited for a man to sing&#8230;The mistake that many girl singers have made is trying to compete with the men [whereas] I&#8217;ve tried for the cute angle in lyrics, things like &#8216;Lipstick on Your Collar&#8217; and &#8216;Stupid Cupid&#8217;.</p>
<h2><strong>A Teenager in Love: Dion and The Belmonts</strong></h2>
<p><strong></strong></p>
<p><strong><img loading="lazy" decoding="async" width="360" height="310" class="wp-image-37276 alignright" src="../wp-content/uploads/2018/03/word-image-66.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-66.jpeg 360w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-66-300x258.jpeg 300w" sizes="(max-width: 360px) 100vw, 360px" /></strong>is a song written by Doc Pomus and partner Mort Shuman and was originally sung and released by Dion and the Belmonts in March 1959.</p>
<p>It reached #5 on the <em>Billboard</em> pop charts.</p>
<p>In May 1959, the song held three positions in the British Top 20, the other two versions being by Marty Wilde and Craig Douglas.</p>
<p>The song is considered one of the greatest songs in rock and roll history.</p>
<p><strong><img loading="lazy" decoding="async" width="513" height="513" class="wp-image-37275 aligncenter" src="../wp-content/uploads/2018/03/word-image-65.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-65.jpeg 513w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-65-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-65-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-65-45x45.jpeg 45w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-65-500x500.jpeg 500w" sizes="(max-width: 513px) 100vw, 513px" /></strong></p>
<h2><strong></strong></h2>
<h2><strong>La Bamba: Ritchie Valens</strong></h2>
<p><strong></strong></p>
<p><strong><img loading="lazy" decoding="async" width="395" height="395" class="wp-image-37277 alignleft" src="../wp-content/uploads/2018/03/word-image-67.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-67.jpeg 395w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-67-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-67-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-67-45x45.jpeg 45w" sizes="(max-width: 395px) 100vw, 395px" /></strong>The traditional song inspired Ritchie Valens&#8217; rock and roll version &#8220;La Bamba&#8221; in 1958. Valens&#8217; &#8220;La Bamba&#8221; infused the traditional tune with a rock drive, in part provided by session musicians Earl Palmer and Carol Kaye, making the song popular with a much wider record audience and earning it (and Valens) a place in rock history (he was inducted posthumously into the Rock &amp; Roll Hall of Fame in 2001).</p>
<p>The musicians on that session were Buddy Clark: string bass, Ernie Freeman: piano, Carol Kaye: acoustic rhythm guitar, Rene Hall: Danelectro guitar (six-string baritone guitar), Earl Palmer: drums and claves, Ritchie Valens: vocals, lead guitar.</p>
<p>The song features a simple verse-chorus form. Valens, who was proud of his Mexican heritage, was hesitant at first to merge &#8220;La Bamba&#8221; with rock and roll but then agreed. The song ranked No. 98 in VH1&#8217;s <em>100 Greatest Songs of Rock and Roll</em> in 1999, and No. 59 in VH1&#8217;s <em>100 Greatest Dance Songs</em> in 2000. Furthermore, Valens&#8217; recording of the song was inducted into the Latin Grammy Hall of Fame.</p>
<p>When the Los Lobos cover of Valens&#8217; version peaked at No. 1 on the <em>Billboard</em> Hot 100 chart in 1987, Valens was retroactively credited with writing a No. 1 single.</p>
<p>&nbsp;</p>
<h2><strong>Yakety Yak: The Coasters</strong></h2>
<p><strong></strong></p>
<p>is a song written, produced, and arranged by Jerry Leiber and Mike Stoller for The Coasters and released on Atlantic Records in 1958, spending seven weeks as #1 on the R&amp;B charts and a week as number one on the Top 100 pop list. This song was one of a string of singles released by The Coasters between 1957 and 1959 that dominated the charts, one of the biggest performing acts of the rock and roll era.</p>
<p>The song is a &#8220;playlet,&#8221; a word Stoller used for the glimpses into teenage life that characterized the songs Leiber and Stoller wrote and produced. The lyrics describe the listing of household chores to a kid, presumably a teenager, the teenager&#8217;s response (&#8220;yakety yak&#8221;) and the parents&#8217; retort (&#8220;don&#8217;t talk back&#8221;) — an experience very familiar to a middle-class teenager of the day. Leiber has said the Coasters portrayed &#8220;a white kid’s view of a black person’s conception of white society.&#8221; The serio-comic street-smart “playlets” etched out by the songwriters were sung by the Coasters with a sly clowning humor, while the saxophone of King Curtis filled in, in the up-tempo doo-wop style. The group was openly &#8220;theatrical&#8221; in style—they were not pretending to be expressing their own experience.</p>
<p>The threatened punishment for not taking out the garbage and sweeping the floor is, in the song&#8217;s humorous lyrics:</p>
<p><strong><img loading="lazy" decoding="async" width="513" height="516" class="wp-image-37278" src="../wp-content/uploads/2018/03/word-image-68.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-68.jpeg 513w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-68-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-68-298x300.jpeg 298w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-68-45x45.jpeg 45w" sizes="(max-width: 513px) 100vw, 513px" /></strong></p>
<h2><strong>Sweet Little Sixteen: Chuck Berry</strong></h2>
<p><img loading="lazy" decoding="async" width="300" height="297" class="wp-image-37279 alignright" src="../wp-content/uploads/2018/03/word-image-69.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-69.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-69-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-69-45x45.jpeg 45w" sizes="(max-width: 300px) 100vw, 300px" />is a rock and roll song written and first recorded by Chuck Berry, who released it as a single in January 1958. His performance of it at that year&#8217;s Newport Jazz Festival was included in the documentary film <em>Jazz on a Summer&#8217;s Day</em>. It reached number two on the Billboard Hot 100, Berry&#8217;s second-highest position ever on that chart (surpassed only by his suggestive hit &#8220;My Ding-A-Ling&#8221;, which reached number one in 1972).</p>
<p>&#8220;Sweet Little Sixteen&#8221; also reached number one on the R&amp;B Best Sellers chart. In the UK, it reached number 16 on the UK Official Charts. <em>Rolling Stone</em> magazine ranked the song number 272 on its list of the &#8220;500 Greatest Songs of All Time&#8221; in 2004.</p>
<h2><strong>Tequila: The Champs</strong></h2>
<p>is a 1958 Latin-flavored rock and roll instrumental recorded by the Champs. It is based on a Cuban mambo beat. The word &#8220;Tequila&#8221; is spoken three times throughout the tune. &#8220;Tequila&#8221; became a #1 hit on both the pop and R&amp;B charts at the time of its release and continues to be strongly referenced in pop culture to this day.</p>
<p><img loading="lazy" decoding="async" width="800" height="800" class="wp-image-37280" src="../wp-content/uploads/2018/03/word-image-70.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-70.jpeg 800w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-70-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-70-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-70-768x768.jpeg 768w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-70-610x610.jpeg 610w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-70-45x45.jpeg 45w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-70-500x500.jpeg 500w" sizes="(max-width: 800px) 100vw, 800px" /></p>
<p>n 1957, Gene Autry&#8217;s record label, Challenge Records, signed Dave Burgess (born 1934), a rockabilly singer-songwriter from California who often recorded under the name &#8220;Dave Dupree&#8221;. At the end of 1957, having produced no hits, Challenge Records looked to Burgess, who organized a recording session on December 23 in Hollywood. In the studio that day were Burgess on rhythm guitar, Cliff Hills on bass guitar, the Flores Trio (Danny Flores on saxophone and keyboards, Gene Alden on drums, and lead guitarist Buddy Bruce), and Huelyn Duvall contributing backing vocals. They gathered primarily to record &#8220;Train to Nowhere&#8221;, a song by Burgess, as well as &#8220;Night Beat&#8221; and &#8220;All Night Rock&#8221;.</p>
<p>The last tune recorded was &#8220;Tequila&#8221;, essentially just a jam by the Flores Trio. There were three takes, and Danny Flores, who wrote the song, was also the man who actually spoke the word &#8220;Tequila!&#8221;. Flores also played the trademark &#8220;dirty sax&#8221; solo. The song served as the B-side for &#8220;Train to Nowhere&#8221;, which was released by Challenge Records on January 15, 1958. Duvall recalls that the record initially found little success, but, after a DJ in Cleveland played the B-side, &#8220;Tequila&#8221; skyrocketed up the charts, reaching #1 on the Billboard chart on March 28, 1958.</p>
<p>Daniel Flores had written &#8220;Tequila&#8221;, but, because he was signed to another label, the tune was credited to &#8220;Chuck Rio&#8221;, a name he adopted for the stage. Those present for the December 23 session began recording together again on January 20, 1958, under the name the Champs; the group technically formed <em>after</em> recording &#8220;Tequila&#8221;. The tune has been noted to have a similar rhythm structure to Bo Diddley&#8217;s 1958 release &#8220;Dearest Darling&#8221;.</p>
<p>Challenge Records was founded in Los Angeles in 1957 by cowboy singer Gene Autry and former Columbia Records A&amp;R representative Joe Johnson. Autry&#8217;s involvement with the label was short lived as he sold his interest to the remaining partners in October 1958. The label&#8217;s first success came with instrumental group the Champs, who had their biggest hit in 1958 with &#8220;Tequila&#8221;. They also had a series of hits with pop singer Jerry Wallace (&#8220;Primrose Lane&#8221;) and country singer Wynn Stewart (&#8220;Wishful Thinking&#8221;). Other recording artists with the label included Jan and Dean, Gary Usher, the Knickerbockers, and singer-songwriter Jerry Fuller. The first Challenge label was blue with silver print, followed after the first half dozen releases by a short-lived light-blue label with red print, then a maroon-colored label with silver print. Finally, around late 1959, the company issued their singles on a green label with silver print.</p>
<p>The Champs recorded a sequel to &#8220;Tequila&#8221; entitled &#8220;Too Much Tequila&#8221;. Released as a maroon-label Challenge single, it reached #30 on the <em>Billboard</em> Hot 100.</p>
<h2><strong>Mack The Knife: Bobby Darin</strong></h2>
<p>a song composed by Kurt Weill with lyrics by Bertolt Brecht for their music drama <em>Die Dreigroschenoper</em>, or, as it is known in English, <em>The Threepenny Opera</em>. It premiered in Berlin in 1928 at the Theater am Schiffbauerdamm. The song has become a popular standard recorded by many artists, including a US and UK number one hit for Bobby Darin in 1959.</p>
<p>Mack the Knife&#8221; was introduced to the United States hit parade by Louis Armstrong in 1956, but the song is most closely associated with Bobby Darin, who recorded his version at Fulton Studios on West 40th Street, New York City, on December 19, 1958 (with Tom Dowd engineering the recording). Even though Darin was reluctant to release the song as a single, in 1959 it reached number one on the <em>Billboard</em> Hot 100 and number six on the Black Singles chart, and earned him a Grammy Award for Record of the Year. Dick Clark had advised Darin not to record the song because of the perception that, having come from an opera, it would not appeal to the rock and roll audience.</p>
<h2><strong>Battle of New Orleans: Johnny Horton</strong></h2>
<p><img loading="lazy" decoding="async" width="280" height="282" class="wp-image-37281 alignleft" src="../wp-content/uploads/2018/03/word-image-71.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-71.jpeg 280w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-71-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-71-45x45.jpeg 45w" sizes="(max-width: 280px) 100vw, 280px" />is a song written by Jimmy Driftwood. The song describes the War of 1812 Battle of New Orleans from the perspective of an American soldier; the song tells the tale of the battle with a light tone and provides a rather comical version of what actually happened at the battle.</p>
<p>It has been recorded by many artists, but the singer most often associated with this song is Johnny Horton.</p>
<p>His version scored number 1 on the <em>Billboard</em> Hot 100 in 1959 (see 1959 in music).</p>
<p><em>Billboard</em> ranked it as the No. 1 song for 1959, it was very popular with teenagers in the late 50&#8217;s/early 60&#8217;s in an era mostly dominated by rock and roll music.</p>
<p><img loading="lazy" decoding="async" width="220" height="220" class="wp-image-37282 alignright" src="../wp-content/uploads/2018/03/word-image-72.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-72.jpeg 220w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-72-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-72-45x45.jpeg 45w" sizes="(max-width: 220px) 100vw, 220px" />In <em>B</em><em>illboard</em> magazine&#8217;s rankings of the top songs in the first 50 years of the <em>Billboard</em> Hot 100 chart, &#8220;The Battle of New Orleans&#8221; was ranked as the 28th song overall and the number-one country music song to appear on the chart.</p>
<p>Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time</p>
<p>.<img loading="lazy" decoding="async" width="200" height="292" class="wp-image-37283" src="../wp-content/uploads/2018/03/word-image-73.jpeg" /></p>
<h2><strong>Poor Little Fool: Ricky Nelson</strong></h2>
<p><img loading="lazy" decoding="async" width="300" height="300" class="wp-image-37284 alignleft" src="../wp-content/uploads/2018/03/word-image-74.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-74.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-74-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-74-45x45.jpeg 45w" sizes="(max-width: 300px) 100vw, 300px" />is a rock and roll song written by Sharon Sheeley and first recorded by Ricky Nelson in 1958.</p>
<p>Sheeley wrote the song when she was fifteen years old. She had met Elvis Presley, and he encouraged her to write. It was based on her disappointment following a short-lived relationship with a member of a popular singing duo. Sheeley sought Ricky Nelson to record the tune. She drove to his house, and claimed her car had broken down. He came to her aid, and she sprang the song on him. Her version was at a much faster tempo than his recording.</p>
<p>The song was recorded by Ricky Nelson on April 17, 1958, and released on Imperial Records through its catalog number: 5528. It was the first number-one song on <em>Billboard</em> magazine&#8217;s then-new Hot 100 chart, replacing the magazine&#8217;s Jockeys and Top 100 charts. It spent two weeks at the number-one spot. It also reached the top ten on the <em>Billboard</em> Country and Rhythm and Blues charts. Following its success, Sheeley worked with Eddie Cochran.</p>
<p>&#8220;Poor Little Fool&#8221; became a radio hit when it was released as part of a four-song Extended Play 45 rpm disc which was excerpted from the artist&#8217;s second LP, <em>Ricky Nelson</em>. Responding to the buzz, Lew Chudd, the founder and head of Imperial Records, rushed out a single version (on both 45 and 78 rpm). Nelson objected, however, believing that the move would hurt sales of the EP. Under his contract with Imperial, the singer had approval rights for all picture-sleeve art and to express his displeasure with Chudd&#8217;s decision, he chose not to select a photograph for the &#8220;Poor Little Fool&#8221; single. As a result, &#8220;Poor Little Fool&#8221; was the only Ricky Nelson single released by Imperial to be issued in the United States without a photo in a plain label-cut-out sleeve</p>
<h2><strong>A Big Hunk o’ Love: Elvis Presley</strong></h2>
<p>is a song written by Aaron Schroeder and Sid Wyche, a.k.a. Sid Jaxon. The former is best known for writing the jazz standard &#8220;Alright, Okay, You Win&#8221;, whereas Aaron Schroeder co-wrote a whole bunch of hits from the rock`n`roll area, from &#8220;Fools Hall of Fame&#8221; (Pat Boone) to &#8220;Because They&#8217;re Young&#8221; (Duane Eddy). In an interview conducted by Jan-Erik Kjeseth, he also revealed that in fact he worked with his partner Wally Gold in order to improve a song submitted by another writer, and the end result was &#8220;It&#8217;s My Party&#8221;, a big hit for Lesley Gore. Schroeder and Gold tossed a coin as to whose name should go on the record, and Gold &#8220;won&#8221;. Other titles written by the duo include &#8220;It&#8217;s Now or Never&#8221; and &#8220;Good Luck Charm&#8221;; both of which &#8211; like &#8220;A Big Hunk o&#8217; Love&#8221; &#8211; were originally recorded by American rock and roll icon Elvis Presley. &#8220;A Big Hunk o&#8217; Love&#8221; was released as a single on June 23, 1959 by RCA Victor and later topped the <em>Billboard</em> Hot 100 for two weeks</p>
<p><img loading="lazy" decoding="async" width="640" height="640" class="wp-image-37285" src="../wp-content/uploads/2018/03/word-image-75.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-75.jpeg 640w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-75-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-75-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-75-610x610.jpeg 610w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-75-45x45.jpeg 45w" sizes="(max-width: 640px) 100vw, 640px" /></p>
<h2><strong>What I’d Say: Ray Charles</strong></h2>
<p><img loading="lazy" decoding="async" width="316" height="316" class="wp-image-37286 alignright" src="../wp-content/uploads/2018/03/word-image-76.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-76.jpeg 316w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-76-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-76-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-76-45x45.jpeg 45w" sizes="(max-width: 316px) 100vw, 316px" />is an American rhythm and blues song by Ray Charles, released in 1959. As a single divided into two parts, it was one of the first soul songs.</p>
<p>The composition was improvised one evening late in 1958 when Charles, his orchestra, and backup singers had played their entire set list at a show and still had time left; the response from many audiences was so enthusiastic that Charles announced to his producer that he was going to record it.</p>
<p>After his run of R&amp;B hits, this song finally broke Charles into mainstream pop music and itself sparked a new subgenre of R&amp;B titled soul, finally putting together all the elements that Charles had been creating since he recorded &#8220;I Got a Woman&#8221; in 1954. The gospel and rhumba influences combined with the sexual innuendo in the song made it not only widely popular but very controversial to both white and black audiences. It earned Ray Charles his first gold record and has been one of the most influential songs in R&amp;B and rock and roll history. For the rest of his career, Charles closed every concert with the song. It was added to the National Recording Registry in 2002 and ranked at number 10 in <em>Rolling Stone</em>&#8216;s &#8220;The 500 Greatest Songs of All Time&#8221;.</p>
<p>Ray Charles was 28 years old in 1958, with ten years of experience recording primarily rhythm and blues music for the Downbeat and Swingtime record labels, in a style similar to that of Nat King Cole and Charles Brown. Charles signed with Atlantic Records in 1954 where producers Ahmet Ertegun and Jerry Wexler encouraged him to broaden his repertoire. Wexler would later remember that Atlantic Records&#8217; success came not from the artists&#8217; experience, but the enthusiasm for the music: &#8220;We didn&#8217;t know shit about making records, but we were having fun&#8221;. Ertegun and Wexler found that a hands-off approach was the best way of encouraging Charles. Wexler later said, &#8220;I realized the best thing I could do with Ray was leave him alone</p>
<h2><strong>A Lover’s Question</strong></h2>
<p><img loading="lazy" decoding="async" width="426" height="550" class="wp-image-37287 alignleft" src="../wp-content/uploads/2018/03/word-image-77.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-77.jpeg 426w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-77-232x300.jpeg 232w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-77-400x516.jpeg 400w" sizes="(max-width: 426px) 100vw, 426px" />is a 1958 Pop, R&amp;B hit for Clyde McPhatter. The single was written by Brook Benton and Jimmy T. Williams and was Clyde McPhatter&#8217;s most successful Pop and R&amp;B release.</p>
<p>The bass singer is Noah Hopkins. &#8220;A Lover&#8217;s Question&#8221; made it to #6 on the <em>Billboard</em> Hot 100 and was #1 for one week on the R&amp;B chart. Country singer Del Reeves took the song to #14 on the Hot Country Singles chart in 1970.</p>
<p>The best-known version of the song is in mono. However, a stereo version was released on the LP <em>Atlantic History of Rhythm &amp; Blues, Vol. 4</em>, along with several other rare stereo versions of late 1950s Atlantic hits.</p>
<p> <img loading="lazy" decoding="async" width="729" height="723" class="wp-image-37288" src="../wp-content/uploads/2018/03/word-image-78.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-78.jpeg 729w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-78-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-78-300x298.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-78-610x605.jpeg 610w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-78-45x45.jpeg 45w" sizes="(max-width: 729px) 100vw, 729px" /></p>
<p>&nbsp;</p>
<h2><strong>I Only Have Eyes For You: The Flamingos</strong></h2>
<p><img loading="lazy" decoding="async" width="379" height="262" class="wp-image-37289 alignright" src="../wp-content/uploads/2018/03/word-image-79.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-79.jpeg 379w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-79-300x207.jpeg 300w" sizes="(max-width: 379px) 100vw, 379px" /> is a romantic love song by composer Harry Warren and lyricist Al Dubin, written for the film <em>Dames</em> (1934) where it was introduced by Dick Powell and Ruby Keeler.</p>
<p>The song is a jazz standard, and has been covered by numerous musicians. Successful recordings of the song have been made by Ben Selvin (in 1934), The Flamingos (in 1959), The Lettermen (in 1966) and Art Garfunkel (in 1975), among others.</p>
<p>This song was included on The Flamingos&#8217; debut album <em>Flamingo Serenade</em>. The version by the Flamingos features a prominent reverb effect, creating a dreamy ambience. This version peaked at number 11 on the US <em>Billboard</em> Hot 100 chart and #3 on the <em>Billboard</em> Hot R&amp;B/Hip-Hop Songs chart. It ranked as the 73rd biggest hit of 1959 by Billboard. <em>Rolling Stone</em> magazine ranked the Flamingos&#8217; version #157 on their list of the 500 Greatest Songs of All Time.</p>
<p><img loading="lazy" decoding="async" width="477" height="477" class="wp-image-37290 aligncenter" src="../wp-content/uploads/2018/03/word-image-80.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-80.jpeg 477w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-80-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-80-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-80-45x45.jpeg 45w" sizes="(max-width: 477px) 100vw, 477px" /></p>
<h2><strong>Venus: Frankie Avalon</strong></h2>
<p><img loading="lazy" decoding="async" width="300" height="300" class="wp-image-37291 alignleft" src="../wp-content/uploads/2018/03/word-image-81.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-81.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-81-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-81-45x45.jpeg 45w" sizes="(max-width: 300px) 100vw, 300px" />is a song written by Ed Marshall and Peter DeAngelis. The most successful and best-known recording of the track was done by Frankie Avalon and released in 1959 (see 1959 in music).</p>
<p><em>Venus</em> became Avalon&#8217;s first number-one hit on the <em>Billboard</em> Hot 100 chart, where it spent five weeks atop the survey.</p>
<p>The song also reached number ten on the R&amp;B chart. The song&#8217;s lyrics detail a man&#8217;s plea to Venus, the Roman goddess of love and beauty, to send him a girl to love and one who will love him as well. <em>Billboard</em> ranked it as the No. 4 song for 1959.</p>
<h2><strong>Sleep Walk: Santo and Johnny</strong></h2>
<p><img loading="lazy" decoding="async" width="312" height="312" class="wp-image-37292 alignright" src="../wp-content/uploads/2018/03/word-image-82.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-82.jpeg 312w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-82-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-82-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-82-45x45.jpeg 45w" sizes="(max-width: 312px) 100vw, 312px" />is an instrumental song written, recorded, and released in 1959 by brothers Santo &amp; Johnny Farina, with their uncle Mike Dee playing the drums. Prominently featuring steel guitar, the song was recorded at Trinity Music in Manhattan, New York City.</p>
<p>&#8220;Sleep Walk&#8221; entered <em>Billboard</em>&#8216;s Top 40 on August 17, 1959. It rose to the number 1 position for the last two weeks in September and remained in the Top 40 until November 9.</p>
<p>&#8220;Sleep Walk&#8221; also reached number 4 on the R&amp;B chart. It was the last instrumental to hit number one in the 1950s and earned Santo &amp; Johnny a gold record. In the UK it peaked at number 22 on the charts.</p>
<h2><strong>16 Candles: The Crests</strong></h2>
<p><img loading="lazy" decoding="async" width="326" height="306" class="wp-image-37293 alignleft" src="../wp-content/uploads/2018/03/word-image-83.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-83.jpeg 326w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-83-300x282.jpeg 300w" sizes="(max-width: 326px) 100vw, 326px" />is a 1958 song performed by The Crests and written by Luther Dixon and Allyson R. Khent.</p>
<p>The song peaked at number two on the Billboard Hot 100 charts and number four on the R&amp;B charts in 1959</p>
<p> <img loading="lazy" decoding="async" width="500" height="599" class="wp-image-37294" src="../wp-content/uploads/2018/03/word-image-84.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-84.jpeg 500w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-84-250x300.jpeg 250w" sizes="(max-width: 500px) 100vw, 500px" /></p>
<h2><strong>Kansa City: Wilbert Harrison</strong></h2>
<p> Is a rhythm and blues song written by Jerry Leiber and Mike Stoller in 1952. First recorded by Little Willie Littlefield the same year, the song later became a #1 hit when it was recorded by Wilbert Harrison in 1959. &#8220;Kansas City&#8221; became one of Leiber and Stoller&#8217;s &#8220;most recorded tunes, with more than three hundred versions,&#8221; with several appearing in the R&amp;B and pop record charts.</p>
<p><img loading="lazy" decoding="async" width="612" height="612" class="wp-image-37295" src="../wp-content/uploads/2018/03/word-image-85.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-85.jpeg 612w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-85-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-85-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-85-610x610.jpeg 610w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-85-45x45.jpeg 45w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-85-500x500.jpeg 500w" sizes="(max-width: 612px) 100vw, 612px" />In 1959, after several years of performing Littlefield&#8217;s &#8220;K. C. Loving&#8221;, Wilbert Harrison decided to record the song. In March 1959, just when the version of Little Richard was released on album, Harrison, with a trio including guitarist Wild Jimmy Spruill, recorded it in a New York studio for producer Bobby Robinson of Fury Records. &#8220;Kansas City&#8221; was released on a single by Fury, catalog number 1023, later that year.</p>
<p>Although the song&#8217;s arrangement varied little from Littlefield&#8217;s, it &#8220;struck such a solid shuffle groove that it was unforgettable&#8221;, with inspired rhythm and solo guitar work by Spruill. Harrison&#8217;s song was issued with Leiber and Stoller&#8217;s original name, &#8220;Kansas City&#8221;, but changed the refrain to &#8220;They got some crazy little women there, and I&#8217;m gonna get me one&#8221; and dropped one twelve-bar section.</p>
<p><img loading="lazy" decoding="async" width="530" height="530" class="wp-image-37296 aligncenter" src="../wp-content/uploads/2018/03/word-image-86.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-86.jpeg 530w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-86-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-86-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-86-45x45.jpeg 45w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-86-500x500.jpeg 500w" sizes="(max-width: 530px) 100vw, 530px" /></p>
<p>Shortly after the song&#8217;s release, several other versions appeared. <em>Billboard</em> magazine&#8217;s pop song pick of the week for March 30, 1959 listed five different releases of &#8220;Kansas City&#8221;: Harrison&#8217;s and versions by Hank Ballard and The Midnighters (King 5195), Rocky Olson (Chess 1723), Rockin&#8217; Ronald &amp; the Rebels (End 1043), and a reissue by Littlefield (Federal 12351). A week later, the magazine announced the single release of a version by Little Richard. Although Ballard&#8217;s and Richard&#8217;s versions both appeared in the lower reaches of the <em>Billboard</em> charts, Harrison&#8217;s was a runaway hit, reaching number one in both the R&amp;B and pop charts, where it remained for seven weeks, and became one of the top selling records of 1959. It was also the final No. 1 single in the US to be released on a 78 record.</p>
<h2><strong>Lonely Teardrops: Jackie Wilson</strong></h2>
<p><img loading="lazy" decoding="async" width="316" height="316" class="wp-image-37297 alignright" src="../wp-content/uploads/2018/03/word-image-87.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-87.jpeg 316w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-87-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-87-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-87-45x45.jpeg 45w" sizes="(max-width: 316px) 100vw, 316px" />is a song recorded and released as a single in 1958 by R&amp;B, Soul, and Rock n Roll singer Jackie Wilson on the Brunswick label. It is a 1999 Grammy Hall of Fame Inductee. The song became an across-the-board national Top 10 Pop smash (# 7),a # 1 hit on the R&amp;B charts, and is ranked #315 on <em>Rolling Stone</em> magazine&#8217;s list of The 500 Greatest Songs of All Time. It is ranked as the 57th biggest U.S. hit of 1959. &#8220;Lonely Teardrops&#8221; is also listed on the <em>Rock and Roll Hall of Fame&#8217;s</em> list of <em>&#8220;The 500 Songs that Shaped Rock and Roll&#8221;</em>. ritten by Berry Gordy Jr., Gwendolyn Gordy (Berry&#8217;s sister) and Roquel &#8220;Billy&#8221; Davis, going under the pseudonym Tyran Carlo, the single, alongside Wilson&#8217;s debuting five consecutive singles between 1957–58, turned Wilson into an R&amp;B superstar and influenced the later careers of Davis, who joined the staff of Chess Records while Gordy used the money from the song&#8217;s success to form Motown Records within a year. The song raced up to number one on the <em>Billboard</em> R&amp;B chart and became Wilson&#8217;s first top ten hit on the <em>Billboard</em> Hot 100, eventually peaking at number seven. It was originally intended by Gordy to be recorded as a ballad. After recording it, Wilson and Brunswick executives felt the song lacked something. It was then given to veteran Decca Records arranger Dick Jacobs who re-arranged it into the smash hit it became. The hit&#8217;s success helped land Wilson on <em>American Bandstand</em> and <em>The Ed Sullivan Show</em> performing to receptive audiences on the respective shows, as well as other shows such as <em>Shindig</em> and <em>Hullabaloo</em>.</p>
<p>This was the last song Jackie Wilson performed before his coma and later death, when he collapsed on-stage singing it while appearing as one of the feature acts in Dick Clark&#8217;s Good Ol&#8217; Rock and Roll Revue in 1975.</p></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/a-walk-down-memory-lane-music-of-1958-1959/">A Walk Down Memory Lane: Music of 1958-1959</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>The  Greatest Singers of All Time (Part 2)</title>
		<link>https://thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-2/</link>
		
		<dc:creator><![CDATA[Meagan Paese]]></dc:creator>
		<pubDate>Mon, 31 Oct 2016 16:00:49 +0000</pubDate>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Pop]]></category>
		<category><![CDATA[Rock and Roll]]></category>
		<category><![CDATA[Buddy Holly]]></category>
		<category><![CDATA[David Bowie]]></category>
		<category><![CDATA[Dion]]></category>
		<category><![CDATA[Elton John]]></category>
		<category><![CDATA[Etta James]]></category>
		<category><![CDATA[Frank Sinatra]]></category>
		<category><![CDATA[Frankie Valli]]></category>
		<category><![CDATA[George Jones]]></category>
		<category><![CDATA[Jackie Wilson]]></category>
		<category><![CDATA[James Taylor]]></category>
		<category><![CDATA[Johnny Cash]]></category>
		<category><![CDATA[Levon Helm]]></category>
		<category><![CDATA[Michael Jackson]]></category>
		<category><![CDATA[Mick Jagger]]></category>
		<category><![CDATA[Patsy Cline]]></category>
		<category><![CDATA[Robert Plant]]></category>
		<category><![CDATA[Roger Daltrey]]></category>
		<category><![CDATA[Ronnie Spector]]></category>
		<category><![CDATA[Roy Orbison]]></category>
		<category><![CDATA[Smokey Robinson]]></category>
		<guid isPermaLink="false">http://www.thehistoryofrockandroll.net/?p=34435</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-2/">The  Greatest Singers of All Time (Part 2)</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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										<content:encoded><![CDATA[<p><div class="et_pb_section et_pb_section_1 et_section_regular" >
				
				
				
				
				
				
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				<div class="et_pb_text_inner"><p style="text-align: center;"><a href="http://www.thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-1/">The Greatest Singers of all Times (Part 1)</a> | <a href="http://www.thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-2/">The Greatest Singers of all Times (Part 2)</a></p></div>
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				<div class="et_pb_text_inner"><h2>Mick Jagger</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Mick Jagger is an English singer, songwriter and actor, best known as the lead singer and a co-founder of the Rolling Stones.</strong> Jagger&#8217;s career has spanned over 50 years, and he has been described as &#8220;one of the most popular and influential frontmen in the history of Rock &amp; Roll&#8221;.</p>
<p><img loading="lazy" decoding="async" class="alignright wp-image-34436 size-full" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Mick-Jagger.jpg" alt="Greatest Singers of all Time Mick Jagger" width="229" height="321" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Mick-Jagger.jpg 229w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Mick-Jagger-214x300.jpg 214w" sizes="(max-width: 229px) 100vw, 229px" />Jagger&#8217;s distinctive voice and performance, along with Keith Richards&#8217; guitar style, have been the trademark of the Rolling Stones throughout the career of the band. Jagger gained press notoriety for his admitted drug use and romantic involvements, and was often portrayed as a counter-cultural figure.</p>
<p>In the late 1960s, Jagger began acting in films (starting with Performance and Ned Kelly), to mixed reception. In 1985, he released his first solo album, She&#8217;s the Boss. In early 2009, Jagger joined the electric super-group SuperHeavy.</p>
<p>In 1989 he was inducted into the Rock and Roll Hall of Fame, and in 2004 into the UK Music Hall of Fame with the Rolling Stones. In 2003, he was knighted for his services to popular music.</p></div>
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				<div class="et_pb_text_inner"><p><strong>Robert Plant is an English musician, singer, and songwriter best known as the lead singer and lyricist of the rock band Led Zeppelin.</strong></p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-34437" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Robert-Plant.jpg" alt="The Greatest Singers of all time Robert Plant " width="264" height="376" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Robert-Plant.jpg 264w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Robert-Plant-211x300.jpg 211w" sizes="(max-width: 264px) 100vw, 264px" />A powerful and wide vocal range (particularly evident in his high-pitched vocals) has given him a successful solo career spanning over 30 years.</p>
<p>Plant is regarded as one of the greatest singers in the history of rock and roll; he has influenced fellow rock singers such as Freddie Mercury, Axl Rose and Chris Cornell.</p>
<p>In 2006, Heavy Metal magazine Hit Parader named Plant the &#8220;Greatest Metal Vocalist of All Time&#8221;.</p>
<p>In 2009, Plant was voted &#8220;the greatest voice in rock&#8221; in a poll conducted by Planet Rock.</p>
<p>In 2008, Rolling Stone editors ranked him number 15 on their list of the 100 best singers of all time. In 2011, Rolling Stone readers ranked Plant the greatest of all lead singers.</p></div>
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				<div class="et_pb_text_inner"><p><strong>Roy Orbison was an American singer-songwriter and musician, known for his distinctive, impassioned voice, complex compositions and dark emotional ballads.</strong> The combination led many critics to describe his music as operatic, giving him the sobriquet &#8220;the Caruso of Rock&#8221;.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34438" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Roy-Orbison.jpg" alt="The Greatest Singers of all time Roy Orbison" width="396" height="288" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Roy-Orbison.jpg 396w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Roy-Orbison-300x218.jpg 300w" sizes="(max-width: 396px) 100vw, 396px" /></p>
<p>Between 1960 and 1964, 22 of his songs placed on the Billboard Top 40, including &#8220;Only the Lonely&#8221; (1960), &#8220;Crying&#8221; (1961), and &#8220;Oh, Pretty Woman&#8221; (1964).</p>
<p>Orbison grew up in Texas and began singing in a rockabilly and country and western band in high school. He was signed by Sun Records in 1956, but his greatest success came with Monument Records in the early 1960s.</p>
<p>His career stagnated in the 1970s, but was revived by several cover versions of his songs and the use of &#8220;In Dreams&#8221; in David Lynch&#8217;s film Blue Velvet (1986). In 1988, he was a member of the Traveling Wilburys supergroup, along with George Harrison, Bob Dylan, Tom Petty and Jeff Lynne. He recorded his last solo album, Mystery Girl, the same year but died of a heart attack shortly thereafter.</p>
<p>While most male rock and roll performers in the 1950s and 1960s projected a defiant masculinity, many of Orbison&#8217;s songs instead conveyed a quiet, almost desperate, vulnerability. His voice ranged from baritone to tenor, and music scholars have suggested that he had a three- or four-octave range. During performances, he was known for standing still and solitary, and for wearing black clothes and dark sunglasses, which lent an air of mystery to his persona.</p>
<p>His honors include inductions into the Rock and Roll Hall of Fame in 1987, the Nashville Songwriters Hall of Fame in the same year, and the Songwriters Hall of Fame in 1989. Rolling Stone placed him at number 37 on their list of the &#8220;Greatest Artists of All Time&#8221; and number 13 on their list of the &#8220;100 Greatest Singers of All Time&#8217;. In 2002, Billboard magazine listed Orbison at number 74 in the Top 600 recording artists.</p></div>
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				<div class="et_pb_text_inner"><h2>Michael Jackson</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Michael Jackson was an American singer, songwriter, record producer, dancer, actor and philanthropist.</strong> Called the &#8220;King of Pop&#8221;, his contributions to music, dance, and fashion along with his publicized personal life made him a global figure in popular culture for over four decades.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34440" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Michael-Jackson.jpg" alt="The Greatest Singers of all time Michael Jackson" width="400" height="300" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Michael-Jackson.jpg 400w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Michael-Jackson-300x225.jpg 300w" sizes="(max-width: 400px) 100vw, 400px" /></p>
<p>The eighth child of the Jackson family (one of whom died in infancy), Michael made his professional debut in 1964 with his elder brothers Jackie, Tito, Jermaine, and Marlon as a member of the Jackson 5. He began his solo career in 1971. In the early 1980s, Jackson became a dominant figure in popular music.</p>
<p>His music videos, including those of &#8220;Beat It&#8221;, &#8220;Billie Jean&#8221;, and &#8220;Thriller&#8221; from his 1982 album Thriller, are credited with breaking racial barriers and transforming the medium into an art form and promotional tool. The popularity of these videos helped bring the television channel MTV to fame. Jackson&#8217;s 1987 album Bad spawned the U.S. Billboard Hot 100 number-one singles &#8220;I Just Can&#8217;t Stop Loving You&#8221;, &#8220;Bad&#8221;, &#8220;The Way You Make Me Feel&#8221;, &#8220;Man in the Mirror&#8221;, and &#8220;Dirty Diana&#8221;, becoming the first album to have five number-one singles on the Billboard Hot 100. He continued to innovate with videos such as &#8220;Black or White&#8221; and &#8220;Scream&#8221; throughout the 1990s, and forged a reputation as a touring solo artist. Through stage and video performances, Jackson popularized a number of complicated dance techniques, such as the robot and the moonwalk, to which he gave the name. His distinctive sound and style has influenced numerous artists of various music genres.</p>
<p>Thriller is the best-selling album of all time, with estimated sales of 65 million copies worldwide. Jackson&#8217;s other albums, including Off the Wall (1979), Bad (1987), Dangerous (1991), and HIStory (1995), also rank among the world&#8217;s best-selling albums. He is recognized as the Most Successful Entertainer of All Time by Guinness World Records.</p>
<p>Jackson is one of the few artists to have been inducted into the Rock and Roll Hall of Fame twice, and was also inducted into the Songwriters Hall of Fame and the Dance Hall of Fame as the only dancer from pop and rock music. His other achievements include multiple Guinness World Records, 13 Grammy Awards, the Grammy Legend Award, the Grammy Lifetime Achievement Award, 26 American Music Awards—more than any other artist—including the &#8220;Artist of the Century&#8221; and &#8220;Artist of the 1980s&#8221;, 13 number-one singles in the United States during his solo career,—more than any other male artist in the Hot 100 era—and estimated sales of over 350 million records worldwide.</p>
<p>Jackson has won hundreds of awards, making him the most awarded recording artist in the history of popular music. He became the first artist in history to have a top ten single in the Billboard Hot 100 in five different decades when &#8220;Love Never Felt So Good&#8221; reached number nine on May 21, 2014. Jackson traveled the world attending events honoring his humanitarianism, and, in 2000, the Guinness World Records recognized him for supporting 39 charities, more than any other entertainer.</p>
<p>Aspects of Jackson&#8217;s personal life, including his changing appearance, personal relationships, and behavior, generated controversy. In 1993, he was accused of child sexual abuse, but the civil case was settled out of court for an undisclosed amount and no formal charges were brought. In 2005, he was tried and acquitted of further child sexual abuse allegations and several other charges after the jury found him not guilty on all counts.</p>
<p>While preparing for his comeback concert series, This Is It, Jackson died of acute propofol and benzodiazepine intoxication on June 25, 2009, after suffering from cardiac arrest. The Los Angeles County Coroner ruled his death a homicide, and his personal physician, Conrad Murray, was convicted of involuntary manslaughter. Jackson&#8217;s death triggered a global outpouring of grief, and a live broadcast of his public memorial service was viewed around the world. Forbes ranks Jackson as the top-earning dead celebrity, with yearly earnings of $825 million in 2016, the highest ever recorded by the publication.</p></div>
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				<div class="et_pb_text_inner"><h2>David Bowie</h2></div>
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				<div class="et_pb_text_inner"><p><strong>David Bowie was an English singer, songwriter and actor.</strong> He was a figure in popular music for over five decades, regarded by critics and musicians as an innovator, particularly for his work in the 1970s.</p>
<p>His career was marked by reinvention and visual presentation, his music and stagecraft significantly influencing popular music. During his lifetime, his record sales, estimated at 140 million worldwide, made him one of the world&#8217;s best-selling music artists. In the UK, he was awarded nine platinum album certifications, eleven gold and eight silver, releasing eleven number-one albums. In the US, he received five platinum and seven gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-34441" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-David-Bowie.jpg" alt="greatest-singers-of-all-time-david-bowie" width="253" height="388" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-David-Bowie.jpg 253w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-David-Bowie-196x300.jpg 196w" sizes="(max-width: 253px) 100vw, 253px" />Born and raised in South London, Bowie developed an interest in music as a child, eventually studying art, music and design before embarking on a professional career as a musician in 1963. &#8220;Space Oddity&#8221; became his first top-five entry on the UK Singles Chart after its release in July 1969. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust.</p>
<p>The character was spearheaded by the success of his single &#8220;Starman&#8221; and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie&#8217;s style shifted radically towards a sound he characterised as &#8220;plastic soul&#8221;, initially alienating many of his UK devotees but garnering him his first major US crossover success with the number-one single &#8220;Fame&#8221; and the album Young Americans. In 1976, Bowie starred in the cult film The Man Who Fell to Earth and released Station to Station. The following year, he further confounded musical expectations with the electronic-inflected album Low (1977), the first of three collaborations with Brian Eno that would come to be known as the &#8220;Berlin Trilogy&#8221;. &#8220;Heroes&#8221; (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise.</p>
<p>After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single &#8220;Ashes to Ashes&#8221;, its parent album Scary Monsters (And Super Creeps), and &#8220;Under Pressure&#8221;, a 1981 collaboration with Queen. He then reached his commercial peak in 1983 with Let&#8217;s Dance, with its title track topping both UK and US charts.</p>
<p>Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. Bowie also continued acting; his roles included Major Celliers in Merry Christmas, Mr. Lawrence (1983), the Goblin King Jareth in Labyrinth (1986), Pontius Pilate in The Last Temptation of Christ (1988), and Nikola Tesla in The Prestige (2006), among other film and television appearances and cameos. He stopped concert touring after 2004 and his last live performance was at a charity event in 2006. In 2013, Bowie returned from a decade-long recording hiatus with the release of The Next Day. He remained musically active until he died of liver cancer two days after the release of his final album, Blackstar (2016).</p></div>
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				<div class="et_pb_text_inner"><h2>Roger Daltrey</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Roger Daltrey is an English singer and actor.</strong></p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-34442" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Roger-Daltrey.jpg" alt="The Greatest Singers of all time Roger Daltrey" width="239" height="303" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Roger-Daltrey.jpg 239w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Roger-Daltrey-237x300.jpg 237w" sizes="(max-width: 239px) 100vw, 239px" />In a music career spanning more than 50 years, Daltrey came to prominence in the mid-1960s as the founder and lead singer of the English rock band the Who, which released fourteen singles that entered the Top 10 charts in the United Kingdom during the 1960s, 1970s, and 1980s, including &#8220;I Can&#8217;t Explain&#8221;, &#8220;My Generation&#8221;, &#8220;Substitute&#8221;, &#8220;I&#8217;m a Boy&#8221;, &#8220;Happy Jack&#8221;, &#8220;Pictures of Lily&#8221;, &#8220;Pinball Wizard&#8221;, &#8220;Won&#8217;t Get Fooled Again&#8221;, and &#8220;You Better You Bet&#8221;.</p>
<p>Daltrey began his solo career in 1973, while still a member of the Who. Since then, he has released eight studio albums, five compilation albums, and one live album.</p>
<p>His solo hits include &#8220;Giving It All Away&#8221;, &#8220;Walking the Dog&#8221;, &#8220;Written on the Wind&#8221;, &#8220;Free Me&#8221;, &#8220;Without Your Love&#8221;, &#8220;Walking in My Sleep&#8221;, &#8220;After the Fire&#8221;, and &#8220;Under a Raging Moon&#8221;. In 2010, he was ranked as number 61 on Rolling Stone&#8217;s list of the 100 greatest singers of all time. Daltrey has been known as one of the most charismatic of rock&#8217;s frontmen and famed for his powerful voice and energetic stage presence.</p></div>
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				<div class="et_pb_text_inner"><h2>Etta James</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Etta James was an American singer</strong> who performed in various genres, including blues, R&amp;B, soul, rock and roll, jazz and gospel. Starting her career in 1954, she gained fame with hits such as &#8220;The Wallflower&#8221;, &#8220;At Last&#8221;, &#8220;Tell Mama&#8221;, &#8220;Something&#8217;s Got a Hold on Me&#8221;, and &#8220;I&#8217;d Rather Go Blind&#8221; (for which she wrote the lyrics).</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34444" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Etta-James.jpg" alt="Etta James" width="345" height="230" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Etta-James.jpg 345w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Etta-James-300x200.jpg 300w" sizes="(max-width: 345px) 100vw, 345px" /></p>
<p>She faced a number of personal problems, including drug addiction, before making a musical comeback in the late 1980s with the album Seven Year Itch.</p>
<p>James is regarded as having bridged the gap between rhythm and blues and rock and roll. She won six Grammy Awards and 17 Blues Music Awards. She was inducted into the Rock and Roll Hall of Fame in 1993, the Blues Hall of Fame in 2001, and the Grammy Hall of Fame in both 1999 and 2008. Rolling Stone magazine ranked James number 22 on its list of the 100 Greatest Singers of All Time and number 62 on its list of the 100 Greatest Artists.</p></div>
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				<div class="et_pb_text_inner"><h2>Johnny Cash</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Johnny Cash was an American singer-songwriter, guitarist, actor, and author. </strong>He was widely considered one of the most influential musicians of the 20th century and one of the best-selling music artists of all time, having sold more than 90 million records worldwide.</p>
<p>Although primarily remembered as a country music icon, his genre-spanning songs and sound embraced rock and roll, rockabilly, blues, folk, and gospel. This crossover appeal won Cash the rare honor of multiple inductions in the Country Music, Rock and Roll, and Gospel Music Halls of Fame.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34445" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Johnny-Cash.jpg" alt="The Greatest Singers of all time Johnny Cash" width="384" height="208" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Johnny-Cash.jpg 384w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Johnny-Cash-300x163.jpg 300w" sizes="(max-width: 384px) 100vw, 384px" /></p>
<p>Cash was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark look, which earned him the nickname &#8220;The Man in Black&#8221;. He traditionally began his concerts with the simple &#8220;Hello, I&#8217;m Johnny Cash&#8221;, followed by his signature &#8220;Folsom Prison Blues&#8221;.</p>
<p>Much of Cash&#8217;s music contained themes of sorrow, moral tribulation and redemption, especially in the later stages of his career. His best-known songs include &#8220;I Walk the Line&#8221;, &#8220;Folsom Prison Blues&#8221;, &#8220;Ring of Fire&#8221;, &#8220;Get Rhythm&#8221; and &#8220;Man in Black&#8221;. He also recorded humorous numbers like &#8220;One Piece at a Time&#8221; and &#8220;A Boy Named Sue&#8221;; a duet with his future wife, June Carter, called &#8220;Jackson&#8221; (followed by many further duets after their marriage); and railroad songs including &#8220;Hey, Porter&#8221;, &#8220;Orange Blossom Special&#8221; and &#8220;Rock Island Line&#8221;.</p>
<p>During the last stage of his career, Cash covered songs by several late 20th century rock artists, notably &#8220;Hurt&#8221; by Nine Inch Nails and &#8220;Personal Jesus&#8221; by Depeche Mode.</p></div>
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				<div class="et_pb_text_inner"><h2>Smokey Robinson</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Smokey Robinson is an American singer-songwriter, record producer, and former record executive.</strong></p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34446" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Smokey-Robinson.jpg" alt="The Greatest Singers of all time Smokey Robinson" width="273" height="324" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Smokey-Robinson.jpg 273w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Smokey-Robinson-253x300.jpg 253w" sizes="(max-width: 273px) 100vw, 273px" /></p>
<p>Robinson was the founder and front man of the Motown vocal group the Miracles, for which he also served as the group&#8217;s chief songwriter and producer. Robinson led the group from its 1955 origins as the Five Chimes until 1972 when he announced a retirement from the group to focus on his role as Motown&#8217;s vice president.</p></div>
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				<div class="et_pb_text_inner"><h2>Jackie Wilson</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Jackie Wilson was an American soul singer-songwriter and performer.</strong></p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-34447" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Jackie-Wilson.jpg" alt="The Greatest Singers of all time Jackie Wilson" width="301" height="279" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Jackie-Wilson.jpg 301w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Jackie-Wilson-300x278.jpg 300w" sizes="(max-width: 301px) 100vw, 301px" />A tenor with a four octave vocal range, he was nicknamed &#8220;Mr. Excitement&#8221;, and was important in the transition of rhythm and blues into soul.</p>
<p>He was considered a master showman, and one of the most dynamic and influential singers and performers in R&amp;B and rock &#8216;n&#8217; roll history.</p>
<p>Gaining fame in his early years as a member of the R&amp;B vocal group Billy Ward and His Dominoes, he went solo in 1957 and recorded over 50 hit singles that spanned R&amp;B, pop, soul, doo-wop and easy listening.</p>
<p>This included 16 R&amp;B Top 10 hits, including six R&amp;B number ones. On the Billboard Hot 100, he scored 14 Top 20 Pop hits, six of which made it into the Pop Top 10. On September 29, 1975, while headlining a Dick Clark Oldies Concert, he collapsed on stage from what was later determined to be a massive heart attack, and subsequently slipped into a coma, slowly awakening over a period of 8 months.</p>
<p>He remained semi-comatose for the nine years until his death in 1984, at the age of 49. Wilson was an inspiration to Elvis Presley, Bruce Springsteen, James Brown and Michael Jackson to name a few. He was one of the most influential artists of his generation.</p></div>
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				<div class="et_pb_text_inner"><h2>Elton John</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Elton John is an English singer-songwriter</strong>, musician and composer. He has worked with lyricist Bernie Taupin as his songwriting partner since 1967; they have collaborated on more than 30 albums to date.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-34448" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Elton-John.jpg" alt="he Greatest Singers of all time Elton John" width="292" height="292" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Elton-John.jpg 292w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Elton-John-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Elton-John-45x45.jpg 45w" sizes="(max-width: 292px) 100vw, 292px" />In his five-decade career Elton John has sold more than 300 million records, making him one of the best-selling music artists in the world. He has more than fifty Top 40 hits, including seven consecutive No. 1 US albums, 58 Billboard Top 40 singles, 27 Top 10, four No. 2 and nine No. 1.</p>
<p>For 31 consecutive years (1970–2000) he had at least one song in the Billboard Hot 100. His tribute single, re-penned in dedication to the late Princess Diana, &#8220;Candle in the Wind 1997&#8221; sold over 33 million copies worldwide and is the best-selling single in the history of the UK and US singles charts. He has also composed music, produced records, and has occasionally acted in films.</p>
<p>John owned Watford Football Club from 1976 to 1987, and 1997 to 2002. He is an honorary Life President of the club, and in 2014 had a stand named after him at the club&#8217;s home stadium. Elton John was born Reginald Dwight in 1947, and raised in the Pinner area of London. He learned to play piano at an early age, and by 1962 had formed Bluesology. John met his songwriting partner, Bernie Taupin, in 1967, after they had both answered an advert for songwriters.</p>
<p>For two years they wrote songs for other artists, including Roger Cook and Lulu, and John also worked as a session musician for artists such as the Hollies and the Scaffold. In 1969 his debut album, Empty Sky, was released. In 1970 a single, &#8220;Your Song&#8221;, from his second album, Elton John, reached the top ten in the UK and the US, his first hit single.</p>
<p>He has received five Grammy Awards, five Brit Awards – winning two awards for Outstanding Contribution to Music and the first Brits Icon in 2013 for his &#8220;lasting impact on British culture&#8221;, an Academy Award, a Golden Globe Award, a Tony Award, a Disney Legends award, and the Kennedy Center Honors in 2004. In 2004, Rolling Stone ranked him Number 49 on its list of 100 influential musicians of the rock and roll era. In 2013, Billboard ranked him the most successful male solo artist on the Billboard Hot 100 Top All-Time Artists (third overall behind the Beatles and Madonna).</p>
<p>He was inducted into the Rock and Roll Hall of Fame in 1994, is an inductee into the Songwriters Hall of Fame, and is a fellow of the British Academy of Songwriters, Composers and Authors. Having been named a Order of the British Empire in 1996, John was made a Knight Bachelor by Elizabeth II for &#8220;services to music and charitable services&#8221; in 1998. John has performed at a number of royal events, such as the funeral of Princess Diana at Westminster Abbey in 1997, the Party at the Palace in 2002 and the Queen&#8217;s Diamond Jubilee Concert outside Buckingham Palace in 2012.</p></div>
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				<div class="et_pb_text_inner"><h2>George Jones</h2></div>
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				<div class="et_pb_text_inner"><p><strong>George Jones was an American musician</strong>, singer and songwriter who achieved international fame for his long list of hit records, including his most well known song &#8220;He Stopped Loving Her Today&#8221;, as well as his distinctive voice and phrasing.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34450" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-George-Jones.jpg" alt="The Greatest Singers of all time George Jones" width="381" height="290" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-George-Jones.jpg 381w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-George-Jones-300x228.jpg 300w" sizes="(max-width: 381px) 100vw, 381px" /></p>
<p>For the last 20 years of his life, Jones was frequently referred to as the greatest living country singer. Country music scholar Bill C. Malone writes, &#8220;For the two or three minutes consumed by a song, Jones immerses himself so completely in its lyrics, and in the mood it conveys, that the listener can scarcely avoid becoming similarly involved.&#8221; Waylon Jennings expressed a similar opinion in his song &#8220;It&#8217;s Alright&#8221;: &#8220;If we all could sound like we wanted to, we&#8217;d all sound like George Jones.&#8221; The shape of his nose and facial features earned Jones the nickname &#8220;The Possum.&#8221;</p>
<p>Born in Texas, Jones first heard country music when he was seven and was given a guitar at the age of nine. He married his first wife, Dorothy Bonvillion, in 1950, and was divorced in 1951. He served in the United States Marine Corps until his discharge in 1953.</p>
<p>He married Shirley Ann Corley in 1954. In 1959, Jones released a cover version of &#8220;White Lightning&#8221; by J. P. Richardson, which launched his career as a singer. His second marriage ended in divorce in 1968; he married fellow country music singer Tammy Wynette a year later. Many years of alcoholism caused his health to deteriorate severely and led to his missing many performances, earning him the nickname &#8220;No Show Jones.&#8221;</p>
<p>After his divorce from Wynette in 1975, Jones married his fourth wife, Nancy Sepulvado, in 1983 and became mostly sober. Jones died in 2013, aged 81, from hypoxic respiratory failure. During his career, Jones had more than 150 hits, both as a solo artist and in duets with other artists.</p></div>
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				<div class="et_pb_text_inner"><h2>Frank Sinatra</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Frank Sinatra was an American singer</strong>, actor, and producer who was one of the most popular and influential musical artists of the 20th century.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-34451" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Frank-Sinatra.jpg" alt="The Greatest Singers of all time Frank Sinatra" width="275" height="350" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Frank-Sinatra.jpg 275w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Frank-Sinatra-236x300.jpg 236w" sizes="(max-width: 275px) 100vw, 275px" />Sinatra&#8217;s music has been considered timeless by many. He is one of the best-selling music artists of all time, having sold more than 150 million records worldwide. Born in Hoboken, New Jersey, to Italian immigrants, he began his musical career in the swing era with Harry James and Tommy Dorsey.</p>
<p>He found success as a solo artist after being signed by Columbia Records in 1943, becoming the idol of the &#8220;bobby soxers&#8221;. He released his first album, The Voice of Frank Sinatra, in 1946. Sinatra&#8217;s professional career had stalled by the early 1950s, and he turned to Las Vegas, where he became one of its best known performers as part of the Rat Pack.</p>
<p>His career was reborn in 1953 with the success of From Here to Eternity and his subsequent Academy Award for Best Supporting Actor. He signed with Capitol Records and released several critically lauded albums, including In the Wee Small Hours (1955), Songs for Swingin&#8217; Lovers! (1956), Come Fly with Me (1958), Only the Lonely (1958) and Nice &#8216;n&#8217; Easy (1960).</p>
<p>Sinatra left Capitol in 1960 to start his own record label, Reprise Records, and released a string of successful albums. In 1965 he recorded the retrospective September of My Years, starred in the Emmy-winning television special Frank Sinatra: A Man and His Music, and scored hits with &#8220;Strangers in the Night&#8221; and &#8220;My Way&#8221;. After releasing Sinatra at the Sands, recorded at the Sands Hotel and Casino in Vegas with frequent collaborator Count Basie in early 1966, the following year he recorded one of his most famous collaborations with Tom Jobim, the album Francis Albert Sinatra &amp; Antonio Carlos Jobim.</p>
<p>It was followed by 1968&#8217;s collaboration with Duke Ellington. Sinatra retired for the first time in 1971, but came out of retirement two years later and recorded several albums and resumed performing at Caesars Palace. In 1980 he scored a Top 40 hit with &#8220;(Theme From) New York, New York&#8221;. Using his Las Vegas shows as a home base, he toured both within the United States and internationally until a short time before his death in 1998.</p>
<p>Sinatra forged a highly successful career as a film actor. After winning an Academy Award for From Here to Eternity, he starred in The Man with the Golden Arm (1955), and received critical acclaim for his performance in The Manchurian Candidate (1962). He appeared in various musicals such as On the Town (1949), Guys and Dolls (1955), High Society (1956), and Pal Joey (1957), and toward the end of his career he became associated with playing detectives, including the title character in Tony Rome (1967). On television, The Frank Sinatra Show began on ABC in 1950, and he continued to make appearances on television throughout the 1950s and 1960s. Sinatra was also heavily involved with politics from the mid-1940s, and actively campaigned for presidents such as Harry S. Truman, John F. Kennedy and Ronald Reagan, though before Kennedy&#8217;s death Sinatra&#8217;s alleged Mafia connections led to his being snubbed.</p>
<p>While Sinatra never formally learned how to read music, he had a fine, natural understanding of it, and he worked very hard from a young age to improve his abilities in all aspects of music. A perfectionist, renowned for his impeccable dress sense and cleanliness, he always insisted on recording live with his band. His bright blue eyes earned him the popular nickname &#8220;Ol&#8217; Blue Eyes&#8221;. Sinatra led a colorful personal life, and was often involved in turbulent affairs with women, such as with his second wife Ava Gardner. He went on to marry Mia Farrow in 1966 and Barbara Marx in 1976. Sinatra had several violent confrontations, usually with journalists he felt had crossed him, or work bosses with whom he had disagreements.</p>
<p>He was honored at the Kennedy Center Honors in 1983, was awarded the Presidential Medal of Freedom by Ronald Reagan in 1985, and the Congressional Gold Medal in 1997. Sinatra was also the recipient of eleven Grammy Awards, including the Grammy Trustees Award, Grammy Legend Award and the Grammy Lifetime Achievement Award. After his death, American music critic Robert Christgau called him &#8220;the greatest singer of the 20th century&#8221;, and he continues to be seen as an iconic figure.</p></div>
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				<div class="et_pb_text_inner"><h2>Frankie Valli</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Frankie Valli is an American popular singer</strong>, known as the frontman of The Four Seasons beginning in 1960. He is known for his unusually powerful falsetto voice.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34453" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Frankie-Valli.jpg" alt="Frankie Valli" width="294" height="165" /><br />
Valli scored 29 Top 40 hits with The Four Seasons, one Top 40 hit under The Four Seasons&#8217; alias &#8216;The Wonder Who?&#8217;, and nine Top 40 hits as a solo artist. As a member of The Four Seasons, Valli&#8217;s number-one hits included &#8220;Sherry&#8221; (1962), &#8220;Big Girls Don&#8217;t Cry&#8221; (1962), &#8220;Walk Like a Man&#8221; (1963), &#8220;Rag Doll&#8221; (1964) and &#8220;December, 1963 (Oh, What a Night)&#8221; (1975). Valli&#8217;s recording of the song &#8220;Can&#8217;t Take My Eyes Off You&#8221; reached number two in 1967. &#8220;You&#8217;re Ready Now&#8221;, a Valli solo recording from 1966, became a surprise hit in the UK as part of the Northern soul scene and hit number eleven on the British pop charts in December 1970.</p>
<p>As a solo artist, Valli scored number-one hits with the songs &#8220;My Eyes Adored You&#8221; (1974) and &#8220;Grease&#8221; (1978).</p></div>
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				<div class="et_pb_text_inner"><p><strong>Patsy Cline was an American country music singer</strong>. Part of the early 1960s Nashville sound, Cline successfully &#8220;crossed over&#8221; to pop music and was one of the most influential, successful and acclaimed vocalists of the 20th century. She died at the age of 30 in a multiple-fatality crash of the private plane of her manager, Randy Hughes.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-34454" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Patsy-Cline.gif" alt="Patsy Cline" width="312" height="312" />Cline was best known for her rich tone, emotionally expressive and bold contralto voice and her role as a country music industry pioneer.</p>
<p>Along with Kitty Wells, she helped pave the way for women as headline performers in the genre. Cline was cited as an inspiration by singers in several styles. Books, movies, documentaries, articles and stage plays document her life and career.</p>
<p>Her hits began in 1957 with Donn Hecht&#8217;s and Alan Block&#8217;s &#8220;Walkin&#8217; After Midnight&#8221;, Hank Cochran&#8217;s and Harlan Howard&#8217;s &#8220;I Fall to Pieces&#8221;, Hank Cochran&#8217;s &#8220;She&#8217;s Got You&#8221;, Willie Nelson&#8217;s &#8220;Crazy&#8221; and ended in 1963 with Don Gibson&#8217;s &#8220;Sweet Dreams&#8221;.</p>
<p>Millions of her records have sold since her death. She won awards and accolades, causing many to view her as an icon at the level of Jim Reeves, Johnny Cash and Elvis Presley. Ten years after her death, in 1973, she became the first female solo artist inducted to the Country Music Hall of Fame. In 1999, she was voted number 11 on VH1&#8217;s special, The 100 Greatest Women in Rock and Roll, by members and artists of the rock industry.</p>
<p>In 2002, country music artists and industry members voted her Number One on CMT&#8217;s The 40 Greatest Women of Country Music and ranked 46th in the &#8220;100 Greatest Singers of All Time&#8221; issue of Rolling Stone magazine. According to her 1973 Country Music Hall of Fame plaque, &#8220;Her heritage of timeless recordings is testimony to her artistic capacity&#8221;.</p></div>
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				<div class="et_pb_text_inner"><h2>Levon Helm</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Levon Helm was an American musician and actor</strong> who achieved fame as the drummer and regular lead vocalist for the Band.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34457" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Levon-Helm.jpg" alt="Levon Helm" width="374" height="249" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Levon-Helm.jpg 374w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Levon-Helm-300x200.jpg 300w" sizes="(max-width: 374px) 100vw, 374px" /></p>
<p>Helm was known for his deeply soulful, country-accented voice, multi-instrumental ability, and creative drumming style, highlighted on many of the Band&#8217;s recordings, such as &#8220;The Weight&#8221;, &#8220;Up on Cripple Creek&#8221;, and &#8220;The Night They Drove Old Dixie Down&#8221;.<br />
Helm also had a successful career as a film actor, appearing as Loretta Lynn&#8217;s father in Coal Miner&#8217;s Daughter, as Chuck Yeager&#8217;s friend and colleague Captain Jack Ridley in The Right Stuff, and as a Tennessee firearms expert in Shooter.</p></div>
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				<div class="et_pb_text_inner"><h2>Buddy Holly</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Buddy Holly was an American musician and singer-songwriter</strong> who was a central figure of mid-1950s rock and roll. Holly was born in Lubbock, Texas, to a musical family during the Great Depression; he learned to play guitar and to sing alongside his siblings.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34458" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Buddy-Holly.jpg" alt="Buddy Holly" width="381" height="210" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Buddy-Holly.jpg 381w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Buddy-Holly-300x165.jpg 300w" sizes="(max-width: 381px) 100vw, 381px" /></p>
<p>His style was influenced by gospel music, country music, and rhythm and blues acts, and he performed in Lubbock with his friends from high school. He made his first appearance on local television in 1952, and the following year he formed the group &#8220;Buddy and Bob&#8221; with his friend Bob Montgomery. In 1955, after opening for Elvis Presley, Holly decided to pursue a career in music. He opened for Presley three times that year; his band&#8217;s style shifted from country and western to entirely rock and roll. In October that year, when he opened for Bill Haley &amp; His Comets, Holly was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Decca Records.</p>
<p>Holly&#8217;s recording sessions at Decca were produced by Owen Bradley. Unhappy with Bradley&#8217;s control in the studio and with the sound he achieved there, Holly went to producer Norman Petty in Clovis, New Mexico, and recorded a demo of &#8220;That&#8217;ll Be the Day&#8221;, among other songs. Petty became the band&#8217;s manager and sent the demo to Brunswick Records, which released it as a single credited to &#8220;The Crickets&#8221;, which became the name of Holly&#8217;s band. In September 1957, as the band toured, &#8220;That&#8217;ll Be the Day&#8221; topped the US &#8220;Best Sellers in Stores&#8221; chart and the UK Singles Chart. Its success was followed in October by another major hit, &#8220;Peggy Sue&#8221;.</p>
<p>The album Chirping Crickets, released in November 1957, reached number five on the UK Albums Chart. Holly made his second appearance on The Ed Sullivan Show in January 1958 and soon after, toured Australia and then the UK. In early 1959, Holly assembled a new band, consisting of future country music star Waylon Jennings (bass), famed session musician Tommy Allsup (guitar), and Carl Bunch (drums), and embarked on a tour of the midwestern U.S. After a show in Clear Lake, Iowa, Holly chartered an airplane to travel to his next show, in Moorhead, Minnesota. Soon after takeoff, the plane crashed, killing Holly, Ritchie Valens, the Big Bopper, and the pilot, in a tragedy later eulogized by Don McLean as &#8220;The Day the Music Died&#8221;.</p>
<p>During his short career, Holly wrote, recorded, and produced his own material. He is often regarded as the artist who defined the traditional rock-and-roll lineup of two guitars, bass, and drums. Holly was a major influence on later popular music artists, including the Beatles, the Rolling Stones, Eric Clapton, and Elton John. He was among the first artists inducted into the Rock and Roll Hall of Fame, in 1986. Rolling Stone magazine ranked him number 13 in its list of &#8220;100 Greatest Artists&#8221;.</p></div>
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				<div class="et_pb_text_inner"><p><strong><img loading="lazy" decoding="async" class="alignleft size-thumbnail wp-image-34460" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Ronnie-Spector-150x150.jpg" alt="Ronnie Spector" width="150" height="150" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Ronnie-Spector-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Ronnie-Spector-249x250.jpg 249w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Ronnie-Spector-45x45.jpg 45w" sizes="(max-width: 150px) 100vw, 150px" />Ronnie Spector</strong> is an American singer.</p>
<p>Spector was lead singer of the R&amp;B/Pop vocal girl group, the Ronettes which had a string of hits during the early to mid–1960s.</p>
<p>Ronnie Spector has been called the original &#8220;bad girl of rock and roll&#8221;.</p></div>
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				<div class="et_pb_text_inner"><p><strong>James Taylor is an American singer-songwriter and guitarist.</strong></p>
<p>A five-time Grammy Award winner, he <img loading="lazy" decoding="async" class="alignright size-full wp-image-34461" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-James-Taylor.jpg" alt="James Taylor" width="238" height="289" />was inducted into the Rock and Roll Hall of Fame in 2000. He is one of the best-selling artists of all time, having sold more than 100 million records worldwide.</p>
<p>Taylor achieved his breakthrough in 1970 with the No. 3 single &#8220;Fire and Rain&#8221; and had his first No. 1 hit the following year with &#8220;You&#8217;ve Got a Friend&#8221;, a recording of Carole King&#8217;s classic song.</p>
<p>His 1976 Greatest Hits album was certified Diamond and has sold 12 million US copies. Following his 1977 album, JT, he has retained a large audience over the decades. Every album that he released from 1977 to 2007 sold over a million copies. His chart performance had a resurgence during the late 1990s and 2000s, when he recorded some of his most-awarded work (including Hourglass, October Road, and Covers). He achieved his first number one album in the US in 2015 with his recording Before This World</p></div>
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				<div class="et_pb_text_inner"><p><strong>Dion</strong> is an American singer-songwriter whose work has incorporated elements of doo-wop, rock and R&amp;B styles and, most recently, straight blues. He was one of the most popular American rock and roll performers of the pre-British Invasion era. He had more than a dozen Top 40 hits in the late 1950s and early 60s. He is best remembered for the 1961 singles &#8220;Runaround Sue&#8221; and &#8220;The Wanderer&#8221;, written with Ernie Maresca.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34462" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Dion.jpg" alt="Dion" width="360" height="310" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Dion.jpg 360w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Dion-300x258.jpg 300w" sizes="(max-width: 360px) 100vw, 360px" /><br />
Dion&#8217;s popularity waned in the mid-1960s, perhaps due to the public&#8217;s changing taste in pop music, and perhaps in part due to personal difficulties he had during this period. But toward the end of the decade, he shifted his style and produced songs with a more mature, contemplative feeling, such as &#8220;Abraham, Martin and John&#8221;. He became popular again in the late 1960s and into the mid-1970s, and he has continued making music ever since. Critics who had dismissed his early work, pegging him as merely a teen idol, praised his later work, and noted the influence he has had on other musicians.</p></div>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><a href="http://www.thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-1/">The Greatest Singers of all Times (Part 1)</a> | <a href="http://www.thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-2/">The Greatest Singers of all Times (Part 2)</a></p></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-2/">The  Greatest Singers of All Time (Part 2)</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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