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	<title>Buddy Holly Archives - The History of Rock and Roll Radio Show</title>
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	<description>Rock and Rock podcast and radio show</description>
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		<title>Rock &#038; Roll Memorabilia &#8211; Autographs, Artifacts &#038; the Stories They Tell</title>
		<link>https://thehistoryofrockandroll.net/rock-roll-memorabilia-autographs-artifacts-the-stories-they-tell/</link>
		
		<dc:creator><![CDATA[Bwana]]></dc:creator>
		<pubDate>Thu, 18 Sep 2025 23:57:46 +0000</pubDate>
				<category><![CDATA[Radio Show]]></category>
		<category><![CDATA[20th Century Pop Culture]]></category>
		<category><![CDATA[Autographs]]></category>
		<category><![CDATA[Buddy Holly]]></category>
		<category><![CDATA[Collecting]]></category>
		<category><![CDATA[Elton John]]></category>
		<category><![CDATA[Elvis Presley]]></category>
		<category><![CDATA[Janis Joplin]]></category>
		<category><![CDATA[Jimi Hendrix]]></category>
		<category><![CDATA[Museum Quality]]></category>
		<category><![CDATA[Provenance]]></category>
		<category><![CDATA[Ricky Nelson]]></category>
		<category><![CDATA[Rock Memorabilia]]></category>
		<category><![CDATA[The Beach Boys]]></category>
		<category><![CDATA[the Beatles]]></category>
		<category><![CDATA[The Doors:]]></category>
		<category><![CDATA[The Monkees]]></category>
		<category><![CDATA[the Rolling Stones]]></category>
		<guid isPermaLink="false">http://2026.thehistoryofrockandroll.net/?p=66502</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/rock-roll-memorabilia-autographs-artifacts-the-stories-they-tell/">Rock &#038; Roll Memorabilia &#8211; Autographs, Artifacts &#038; the Stories They Tell</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="et_pb_section et_pb_section_0 et_pb_with_background et_section_regular" >
				
				
				
				
				
				
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				<div class="et_pb_text_inner"><h3>🎙️ Show Topic: <strong><span style="color: #fdcf58;">Rock &amp; Roll Memorabilia &#8211; Autographs, Artifacts &amp; the Stories They Tell</span></strong></h3>
<p>This Monday, September 22nd, 2025, we’re opening the vault on rock history, a tour through rare memorabilia and autographs from the artists who defined an era. 🎶🖊️</p>
<p>From stage-used treasures to press kits, posters, and signed pieces, we’ll spotlight collections featuring The Beatles, The Monkees, Elvis Presley, Buddy Holly, Elton John, Jimi Hendrix, The Rolling Stones, The Beach Boys, Ricky Nelson, The Doors, Janis Joplin, and more.</p>
<p>We’ll talk authenticity, provenance, and preservation, what makes an item museum-worthy, and the personal stories that turn a signature into living history.</p>
<p><strong>🕰️ Tune in for a show where every artifact has a backstory &#8211; part music lesson, part time machine.</strong></p>
<p><strong>📅 Mark your calendars:</strong> Monday, September 22nd, 2025. Step behind the glass and into the golden age.</p>
<p><strong>🎧 Don’t miss it!</strong> The stories, the music, the memories. Stream the new episode as soon as it drops.</p></div>
			</div><div class="et_pb_button_module_wrapper et_pb_button_0_wrapper et_pb_button_alignment_center et_pb_module ">
				<a class="et_pb_button et_pb_button_0 et_pb_bg_layout_light" href="#recording">Missed our latest show? No problems, you can listen to it here</a>
			</div><div id="Guests" class="et_pb_with_border et_pb_module et_pb_text et_pb_text_1 et_hover_enabled  et_pb_text_align_left et_pb_bg_layout_dark">
				
				
				
				
				<div class="et_pb_text_inner"><p><span style="text-decoration: underline;"><span style="color: #fdcf58 !important; text-decoration: underline;">Guest(s) for our show:</span></span></p>
<p><strong>Date:</strong><span style="color: #fdcf58!important;"><strong> Monday, September 22nd, 2025</strong></span></p>
<h3><strong><span class="guest-color" style="color: #fdcf58 !important;">📚 Tom Fontaine</span></strong></h3>
<p>A collector since 1963 (at age five!), Tom has spent over five decades building one of the largest individual archives of rock &amp; pop culture memorabilia in the world. His collection has been featured on CNN, PBS, BBC, and credited across film and major publications.</p>
<p>Tom’s book work showcases museum-quality artifacts and the personal stories behind them, spanning The Beatles, Elvis &amp; Sun Records, Buddy Holly, Jimi Hendrix, Jim Morrison, Elton John, Marilyn, James Dean, and far beyond.</p>
<p>On this episode, we’ll focus on Tom’s Beatles holdings and highlights from his volumes, including <em>Rare</em> and <em>The Beatles: Looking Back, The Final Trip, </em> and dig into how he sources, vets, and preserves historically significant pieces across music, movies, television, animation, politics, and sports.</p>
<p><a href="https://www.rarelifetimecollections.com/" target="_blank" rel="noopener">rarelifetimecollections.com</a></p>
<p style="text-align: center;"><img fetchpriority="high" decoding="async" class="wp-image-66520 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/09/tomfontaine2.jpg" alt="" width="600" height="567" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/09/tomfontaine2.jpg 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/09/tomfontaine2-480x454.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" /></p></div>
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				<a class="et_pb_button et_pb_button_1 et_pb_bg_layout_light" href="https://streamingv2.shoutcast.com/lynnradio" target="_blank" data-icon="">Broadcasting: Monday, September 22nd, 2025</a>
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				<div class="et_pb_text_inner">Rock &#038; Roll Memorabilia &#8211; Autographs, Artifacts &#038; the Stories They Tell</div>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="600" height="1200" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/09/il_570xN.1235873735_aed9.jpg" alt="rock n roll" title="British Rock" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/09/il_570xN.1235873735_aed9.jpg 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/09/il_570xN.1235873735_aed9-480x960.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-66522" /></span>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="600" height="635" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/09/BOOK-fontainebookcoverfront.jpg" alt="rock n roll" title="BOOK-fontainebookcoverfront" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/09/BOOK-fontainebookcoverfront.jpg 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/09/BOOK-fontainebookcoverfront-480x508.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-66521" /></span>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="600" height="598" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/09/beatlesfinaltripbookcoverfront.jpg" alt="rock n roll" title="psych" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/09/beatlesfinaltripbookcoverfront.jpg 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/09/beatlesfinaltripbookcoverfront-480x478.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-66469" /></span>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><span style="font-size: large; color: #999999;">Our latest recorded show </span></p></div>
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				<div class="et_pb_text_inner"><audio class="wp-audio-shortcode" id="audio-66502-1" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://thehistoryofrockandroll.net/radio/2025/Rock-n-Roll-Memorabilia-guest-Tom-Fontaine.mp3?_=1" /><a href="https://thehistoryofrockandroll.net/radio/2025/Rock-n-Roll-Memorabilia-guest-Tom-Fontaine.mp3">https://thehistoryofrockandroll.net/radio/2025/Rock-n-Roll-Memorabilia-guest-Tom-Fontaine.mp3</a></audio></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/rock-roll-memorabilia-autographs-artifacts-the-stories-they-tell/">Rock &#038; Roll Memorabilia &#8211; Autographs, Artifacts &#038; the Stories They Tell</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<item>
		<title>The Birth of Rock ’n Roll – 1955 to 1957</title>
		<link>https://thehistoryofrockandroll.net/the-birth-of-rock-n-roll-1955-to-1957/</link>
		
		<dc:creator><![CDATA[Bwana]]></dc:creator>
		<pubDate>Fri, 06 Jun 2025 14:19:32 +0000</pubDate>
				<category><![CDATA[Radio Show]]></category>
		<category><![CDATA[1950s Rock Podcast]]></category>
		<category><![CDATA[1955 Rock Music]]></category>
		<category><![CDATA[1956 Pop Culture]]></category>
		<category><![CDATA[1957 Oldies]]></category>
		<category><![CDATA[Alan Freed]]></category>
		<category><![CDATA[American Bandstand]]></category>
		<category><![CDATA[Birth of Rock n Roll]]></category>
		<category><![CDATA[Buddy Holly]]></category>
		<category><![CDATA[Chuck Berry’]]></category>
		<category><![CDATA[Dick Clark]]></category>
		<category><![CDATA[Doo Wop Hits]]></category>
		<category><![CDATA[Elvis Presley]]></category>
		<category><![CDATA[Everly Brothers]]></category>
		<category><![CDATA[History of Rock and Roll]]></category>
		<category><![CDATA[Jerry Lee Lewis]]></category>
		<category><![CDATA[Johnny Burnette]]></category>
		<category><![CDATA[Little Richard]]></category>
		<category><![CDATA[Meagan’s Rock Show]]></category>
		<category><![CDATA[Music History Podcast]]></category>
		<category><![CDATA[Rockabilly Legends]]></category>
		<guid isPermaLink="false">http://2026.thehistoryofrockandroll.net/?p=65466</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/the-birth-of-rock-n-roll-1955-to-1957/">The Birth of Rock ’n Roll – 1955 to 1957</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="et_pb_section et_pb_section_1 et_pb_with_background et_section_regular" >
				
				
				
				
				
				
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				<div class="et_pb_text_inner"><h3>🎙️ Show Topic: <strong>The Birth of Rock ’n Roll – 1955 to 1957</strong></h3>
<p>My latest podcast, recorded on Monday, June 9th, 2024, took a deep dive into the Birth of Rock and Roll. We explored the great music from the 1950s, focusing on the years 1955, 1956, and 1957, showcasing a mix of pop, rock, doo-wop, and rockabilly.</p>
<p>We also explored key cultural events from the time, including Alan Freed’s introduction of rock ‘n roll and Dick Clark’s hosting of American Bandstand, two moments that shaped the rock music landscape.</p>
<p>On the playlist, we featured iconic tracks from legends like Elvis Presley, Chuck Berry, Little Richard, Bo Diddley, Buddy Holly, Carl Perkins, Jerry Lee Lewis, Fats Domino, Ricky Nelson, The Everly Brothers, and many more.</p>
<p>It was a fantastic trip back to the roots of rock—filled with music that defined a generation and shaped the future of rock ‘n roll!</p>
<p><strong>🎧 Don’t miss it!</strong> Hit play the moment it’s live, and relive the sparks that lit the fire for everything that came after.</p>
<hr />
<p><em>No special guests this time: just wall-to-wall oldies magic curated by yours truly.</em></p></div>
			</div><div class="et_pb_button_module_wrapper et_pb_button_2_wrapper et_pb_button_alignment_center et_pb_module ">
				<a class="et_pb_button et_pb_button_2 et_pb_bg_layout_light" href="#recording">Missed our latest show? No problems, you can listen to it here</a>
			</div><div class="et_pb_button_module_wrapper et_pb_button_3_wrapper et_pb_button_alignment_center et_pb_module ">
				<a class="et_pb_button et_pb_button_3 et_pb_bg_layout_light" href="https://streamingv2.shoutcast.com/lynnradio" target="_blank" data-icon="">Broadcasting: Monday, June 9th, 2025</a>
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				<div class="et_pb_text_inner"><p>The Birth of Rock ’n Roll – 1955 to 1957</p></div>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="700" height="487" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/06/download.jpg" alt="The Beatles" title="Rock Music" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/06/download.jpg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/06/download-480x334.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" class="wp-image-65433" /></span>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="1000" height="977" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/06/Billboard-1955.jpg" alt="The Beatles" title="Billboard Top Rock&#039;n&#039;Roll Hits 1955" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/06/Billboard-1955.jpg 1000w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/06/Billboard-1955-980x957.jpg 980w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/06/Billboard-1955-480x469.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1000px, 100vw" class="wp-image-65436" /></span>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="200" height="195" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/06/Billboard_Top_RocknRoll_Hits_1956.jpg" alt="The Beatles" title="Billboard Top Rock&#039;n&#039;Roll Hits 1956" class="wp-image-65437" /></span>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="700" height="688" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/06/Billboard-1957.jpg" alt="The Beatles" title="Billboard Top Rock&#039;n&#039;Roll Hits 1957" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/06/Billboard-1957.jpg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/06/Billboard-1957-480x472.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" class="wp-image-65435" /></span>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><span style="font-size: large; color: #999999;">Our latest recorded show </span></p></div>
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				<div class="et_pb_text_inner"><audio class="wp-audio-shortcode" id="audio-65466-2" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://thehistoryofrockandroll.net/radio/2025/Birth-of-Rock-and-Roll-1955-1956-1957.mp3?_=2" /><a href="https://thehistoryofrockandroll.net/radio/2025/Birth-of-Rock-and-Roll-1955-1956-1957.mp3">https://thehistoryofrockandroll.net/radio/2025/Birth-of-Rock-and-Roll-1955-1956-1957.mp3</a></audio></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/the-birth-of-rock-n-roll-1955-to-1957/">The Birth of Rock ’n Roll – 1955 to 1957</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>Rock ‘n Roll Moments 🎸</title>
		<link>https://thehistoryofrockandroll.net/rock-n-roll-moments-%f0%9f%8e%b8/</link>
		
		<dc:creator><![CDATA[Bwana]]></dc:creator>
		<pubDate>Thu, 24 Apr 2025 18:30:03 +0000</pubDate>
				<category><![CDATA[Radio Show]]></category>
		<category><![CDATA[60s Music]]></category>
		<category><![CDATA[70s Rock]]></category>
		<category><![CDATA[Beach Boys]]></category>
		<category><![CDATA[Beach Boys Band]]></category>
		<category><![CDATA[Beatles Podcast]]></category>
		<category><![CDATA[Beatles Tribute]]></category>
		<category><![CDATA[Bee Gees]]></category>
		<category><![CDATA[Buddy Holly]]></category>
		<category><![CDATA[classic rock]]></category>
		<category><![CDATA[Fab Faux]]></category>
		<category><![CDATA[Harry Nilsson]]></category>
		<category><![CDATA[Jack Petruzzelli]]></category>
		<category><![CDATA[John Salaway]]></category>
		<category><![CDATA[Magical Mystery Camp]]></category>
		<category><![CDATA[Megan Paese]]></category>
		<category><![CDATA[Our House CSNY]]></category>
		<category><![CDATA[Rock n Roll Moments]]></category>
		<category><![CDATA[Scott Totten]]></category>
		<category><![CDATA[Steve Postell]]></category>
		<category><![CDATA[The History of Rock and Roll Podcast]]></category>
		<category><![CDATA[The Parker Fort Lauderdale]]></category>
		<guid isPermaLink="false">http://2026.thehistoryofrockandroll.net/?p=65032</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/rock-n-roll-moments-%f0%9f%8e%b8/">Rock ‘n Roll Moments 🎸</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="et_pb_section et_pb_section_2 et_pb_with_background et_section_regular" >
				
				
				
				
				
				
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				<div class="et_pb_text_inner"><h3>Show Topic: <strong>Rock ‘n Roll Moments 🎸</strong></h3>
<p>The last episode of my podcast aired on <strong>Monday, April 28th, 2025</strong>, was all about the iconic moments that made Rock and Roll such a timeless and powerful force.</p>
<p>We played music from the 50s, 60s, and 70s by artists you all love to hear, including the Beatles, Beach Boys, Crosby, Stills and Nash (and Young), James Taylor, Monkees, America, Badfinger, Wings, Denny Laine, Zombies, Peter and Gordon, and more.</p>
<p>We were also joined by four incredible guests: Jack Petruzzelli, Steve Postell, Scott Totten, and John Salawa, each bringing their own perspective and passion for the legacy of rock music.</p>
<p><strong>📆 </strong> This <strong>Rock ‘n Roll Moments episode</strong> was full of incredible stories, unforgettable tracks, and guests who helped shape modern music&#8217;s sound.</p>
<p>Be sure to tune in! 🎧</p></div>
			</div><div class="et_pb_button_module_wrapper et_pb_button_4_wrapper et_pb_button_alignment_center et_pb_module ">
				<a class="et_pb_button et_pb_button_4 et_pb_bg_layout_light" href="#recording">Missed our latest show? No problems, you can listen to it here</a>
			</div><div id="Guests" class="et_pb_with_border et_pb_module et_pb_text et_pb_text_13 et_hover_enabled  et_pb_text_align_left et_pb_bg_layout_dark">
				
				
				
				
				<div class="et_pb_text_inner"><p><span style="text-decoration: underline;"><span style="color: #fdcf58 !important; text-decoration: underline;">Guest(s) for our show:</span></span></p>
<p>Date:<span style="color: #fdcf58!important;"><strong> Monday, April 28th, 2025</strong></span></p>
<h3><strong><span class="guest-color" style="color: #fdcf58 !important;">1. 🎸 Jack Petruzzelli</span></strong></h3>
<p>Jack Petruzzelli is a celebrated performer, producer, and founding member of the world-renowned Beatles tribute band, The Fab Faux. He joins us to talk about the upcoming Beatles event <em>Magical Mystery Camp</em>, taking place June 24–27, 2025, in Big Indian, NY.</p>
<p><a href="https://jackpetruzzelli.com/" target="_blank" rel="noopener">https://jackpetruzzelli.com/</a><br /><a href="https://www.thefabfaux.com/home.html" target="_blank" rel="noopener">https://www.thefabfaux.com/home.html</a><br /><a href="https://www.magicalmysterycamp.com/" target="_blank" rel="noopener">https://www.magicalmysterycamp.com/</a></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-65037 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/jack_petruzzelli1.jpg" alt="" width="700" height="564" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/jack_petruzzelli1.jpg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/jack_petruzzelli1-480x387.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" /></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-65038 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/ground.jpg" alt="" width="700" height="393" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/ground.jpg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/ground-480x269.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" /></p>
<h3><strong><span class="guest-color" style="color: #fdcf58 !important;">2. 🎶 Steve Postell</span></strong></h3>
<p>Steve Postell is a Los Angeles-based singer-songwriter and guitarist with a rich career in rock, Broadway, and beyond. From collaborating with David Crosby to working with Jackson Browne and touring with Pure Prairie League, Steve’s list of credits is staggering. He’ll be promoting his upcoming show <em>Our House: The Music of CSNY</em> at The Parker in Fort Lauderdale on May 7th.</p>
<p><a href="https://stevepostell.com/" target="_blank" rel="noopener">https://stevepostell.com/</a></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-65040 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/A-1537788-1623684625-5954.jpg" alt="Steve Postell" width="600" height="600" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/A-1537788-1623684625-5954.jpg 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/A-1537788-1623684625-5954-480x480.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" /><br /><img loading="lazy" decoding="async" class="wp-image-65039 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/edp_OurHouse_955x500-ecb7b8f38e.jpg" alt="" width="700" height="366" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/edp_OurHouse_955x500-ecb7b8f38e.jpg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/edp_OurHouse_955x500-ecb7b8f38e-480x251.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" /></p>
<h3><strong><span class="guest-color" style="color: #fdcf58 !important;">3. 🏖️ Scott Totten</span></strong></h3>
<p>Scott Totten is a longtime member of The Beach Boys touring band and has shared the stage with legendary names like Glen Campbell, Micky Dolenz, and Tom Jones. He’s also performed in Broadway productions like <em>Les Misérables</em> and <em>The Who’s Tommy</em>. Scott joins us to talk about his journey and passion for classic rock performance.</p>
<p><a href="https://scotttotten.com/home" target="_blank" rel="noopener">https://scotttotten.com/home</a></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-65036 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/st-stage-shot.jpg" alt="Scott Totten" width="700" height="394" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/st-stage-shot.jpg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/st-stage-shot-480x270.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" /></p>
<h3><strong><span class="guest-color" style="color: #fdcf58 !important;">4. 🎤 John Salaway</span></strong></h3>
<p>Nashville-based singer-songwriter and multi-instrumentalist John Salaway has performed with everyone from Peter Frampton and Ben Folds to members of Wings and the Foo Fighters. His work fuses Beatles-inspired melodies with the southern sound of Music City. John will share stories from the stage and his creative journey.</p>
<p><a href="https://johnsalaway.com/" target="_blank" rel="noopener">https://johnsalaway.com/</a></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-65041 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/317832_standard_t1100.jpg" alt="John Salaway" width="700" height="466" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/317832_standard_t1100.jpg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/317832_standard_t1100-480x320.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" /></p></div>
			</div><div class="et_pb_button_module_wrapper et_pb_button_5_wrapper et_pb_button_alignment_center et_pb_module ">
				<a class="et_pb_button et_pb_button_5 et_pb_bg_layout_light" href="https://streamingv2.shoutcast.com/lynnradio" target="_blank" data-icon="">Broadcasting: Monday, April 28th, 2025</a>
			</div><div class="et_pb_with_border et_pb_module et_pb_text et_pb_text_14 et_animated  et_pb_text_align_center et_pb_bg_layout_dark">
				
				
				
				
				<div class="et_pb_text_inner"><p>Rock ‘n Roll Moments 🎸</p></div>
			</div><div id="podcast" class="et_pb_with_border et_pb_module et_pb_text et_pb_text_15 et_hover_enabled  et_pb_text_align_left et_pb_bg_layout_dark">
				
				
				
				
				<div class="et_pb_text_inner"><p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-61690 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2024/07/91pvMIIfWwS.jpg" alt="Rock n Roll" width="700" height="883" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2024/07/91pvMIIfWwS.jpg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2024/07/91pvMIIfWwS-480x605.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" /></p></div>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><span style="font-size: large; color: #999999;">Our latest recorded show </span></p></div>
			</div><div class="et_pb_module et_pb_text et_pb_text_18  et_pb_text_align_left et_pb_bg_layout_light">
				
				
				
				
				<div class="et_pb_text_inner"><div style="max-width: 100%; width: auto; height: null; position: relative; padding-top: 95px;"><iframe style="position: absolute; top: 0; left: 0; width: 100%; height: 100%;" src="https://adilo.bigcommand.com/watch/u4Eo6vQj ?minified=true" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe></div></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/rock-n-roll-moments-%f0%9f%8e%b8/">Rock ‘n Roll Moments 🎸</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>Classic Rock from the 50s, 60s &#038; 70s</title>
		<link>https://thehistoryofrockandroll.net/classic-rock-from-the-50s-60s-70s/</link>
		
		<dc:creator><![CDATA[Bwana]]></dc:creator>
		<pubDate>Tue, 08 Apr 2025 12:27:24 +0000</pubDate>
				<category><![CDATA[Radio Show]]></category>
		<category><![CDATA[50s Rock]]></category>
		<category><![CDATA[60s Rock]]></category>
		<category><![CDATA[70s Rock]]></category>
		<category><![CDATA[Beach Boys]]></category>
		<category><![CDATA[Beach Boys Tribute]]></category>
		<category><![CDATA[Beatles]]></category>
		<category><![CDATA[Bee Gees]]></category>
		<category><![CDATA[Brian Wilson]]></category>
		<category><![CDATA[Broadway Rock Musicians]]></category>
		<category><![CDATA[Buddy Holly]]></category>
		<category><![CDATA[California Sound]]></category>
		<category><![CDATA[classic rock]]></category>
		<category><![CDATA[David Leaf]]></category>
		<category><![CDATA[Harry Nilsson]]></category>
		<category><![CDATA[Mike Love]]></category>
		<category><![CDATA[Music Legends]]></category>
		<category><![CDATA[Rock and Roll Podcast]]></category>
		<category><![CDATA[Rock Music History]]></category>
		<category><![CDATA[Rock Podcast]]></category>
		<category><![CDATA[Scott Totten]]></category>
		<guid isPermaLink="false">http://2026.thehistoryofrockandroll.net/?p=64852</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/classic-rock-from-the-50s-60s-70s/">Classic Rock from the 50s, 60s &#038; 70s</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="et_pb_section et_pb_section_3 et_pb_with_background et_section_regular" >
				
				
				
				
				
				
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				<div class="et_pb_text_inner"><h3>Show Topic: <strong data-start="4" data-end="60">Classic Rock from the 50s, 60s &amp; 70s</strong></h3>
<p>This episode aired on Thursday, April 10th, 2025, is another exciting ride through the golden era of Rock &amp; Roll!</p>
<p>We play great tunes from the 50s, 60s, and 70s feature timeless artists like:</p>
<ul>
<li>The Beach Boys</li>
<li>Bee Gees</li>
<li>Beatles</li>
<li>Buddy Holly</li>
<li>Harry Nilsson.</li>
</ul>
<p>This episode also brings you a phenomenal guest with deep connections to the legends we’re celebrating.</p>
<p>His incredible insights and personal stories are sure to enrich the show for any music lover.</p>
<p style="padding-left: 40px;" data-start="283" data-end="463">🤗 <strong>David Leaf</strong></p>
<p data-start="465" data-end="585">😔 I had planned to have Scott Totten on this episode as well, but unfortunately, he was unable to join us due to an unforeseen circumstance and will be rescheduled. I apologize for any disappointment this may have caused.</p>
<p class="" data-start="465" data-end="585">🎧 <strong>Don’t miss this celebration of Beatles history and solo brilliance! Y</strong>ou won&#8217;t want to miss this nostalgic trip through Rock &amp; Roll history—plus incredible behind-the-scenes stories from two of the best in the business.</p></div>
			</div><div class="et_pb_button_module_wrapper et_pb_button_6_wrapper et_pb_button_alignment_center et_pb_module ">
				<a class="et_pb_button et_pb_button_6 et_pb_bg_layout_light" href="#recording">Missed our latest show? No problems, you can listen to it here</a>
			</div><div id="Guests" class="et_pb_with_border et_pb_module et_pb_text et_pb_text_20 et_hover_enabled  et_pb_text_align_left et_pb_bg_layout_dark">
				
				
				
				
				<div class="et_pb_text_inner"><p><span style="text-decoration: underline;"><span style="color: #fdcf58 !important; text-decoration: underline;">Guest(s) for our show:</span></span><strong>Date:</strong><span style="color: #fdcf58!important;"><strong> Thursday, April 10th, 2025</strong></span></p>
<h3><strong><span class="guest-color" style="color: #fdcf58 !important;">1. 📚 David Leaf</span></strong></h3>
<p>David Leaf is a celebrated writer, film director, and producer, best known for his long-time association with Brian Wilson and The Beach Boys.</p>
<p>He authored the influential 1978 biography <em>The Beach Boys and the California Myth</em> and wrote the first authorized biography of the Bee Gees.</p>
<p>He also produced the acclaimed documentary <em>Who Is Harry Nilsson (And Why Is Everybody Talkin&#8217; About Him)?</em> and directed <em>The U.S. vs. John Lennon</em>, among many other works that highlight his unmatched passion for music storytelling.</p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-64870 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/DavidLeaf_45d3d73d-d380-4a2b-9765-41f338b10750-prv.jpg" alt="" width="600" height="425" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/DavidLeaf_45d3d73d-d380-4a2b-9765-41f338b10750-prv.jpg 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/DavidLeaf_45d3d73d-d380-4a2b-9765-41f338b10750-prv-480x340.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" /></p>
<h3><strong><span class="guest-color" style="color: #fdcf58 !important;">2. 🎸 Scott Totten</span></strong></h3>
<p>Scott Totten is a talented musician and guitarist best known for his long-standing work with The Beach Boys, performing alongside Mike Love and Bruce Johnston.</p>
<p>His versatile career includes performances with legends like Tom Jones, Glen Campbell, Micky Dolenz, The Cowsills, and America.</p>
<p>Scott has also performed in Broadway productions and national tours of hit shows like <em>The Who&#8217;s Tommy</em>, <em>Les Misérables</em>, <em>Rent</em>, <em>Mamma Mia</em>, and <em>MJ</em>.</p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-64871 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/Scott-Totten-2.jpg" alt="" width="252" height="320" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/Scott-Totten-2.jpg 252w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/04/Scott-Totten-2-236x300.jpg 236w" sizes="(max-width: 252px) 100vw, 252px" /></p>
<p><a href="https://scotttotten.com/home" target="_blank" rel="noopener">https://scotttotten.com/home</a></p></div>
			</div><div class="et_pb_button_module_wrapper et_pb_button_7_wrapper et_pb_button_alignment_center et_pb_module ">
				<a class="et_pb_button et_pb_button_7 et_pb_bg_layout_light" href="https://streamingv2.shoutcast.com/lynnradio" target="_blank" data-icon="">Broadcasting: Thursday, April 10th, 2025</a>
			</div><div class="et_pb_with_border et_pb_module et_pb_text et_pb_text_21 et_animated  et_pb_text_align_center et_pb_bg_layout_dark">
				
				
				
				
				<div class="et_pb_text_inner"><p>Classic Rock from the 50s, 60s &amp; 70s</p></div>
			</div><div id="podcast" class="et_pb_with_border et_pb_module et_pb_text et_pb_text_22 et_hover_enabled  et_pb_text_align_left et_pb_bg_layout_dark">
				
				
				
				
				<div class="et_pb_text_inner"><p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-62850 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2024/10/16-1.jpg" alt="" width="275" height="235" /></p></div>
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				<div class="et_pb_text_inner"><p>[metaslider id=&#8221;64884&#8243;]</p></div>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><span style="font-size: large; color: #999999;">Our latest recorded show </span></p></div>
			</div><div class="et_pb_module et_pb_text et_pb_text_25  et_pb_text_align_left et_pb_bg_layout_light">
				
				
				
				
				<div class="et_pb_text_inner"><div style="max-width: 100%; width: auto; height: null; position: relative; padding-top: 95px;"><iframe style="position: absolute; top: 0; left: 0; width: 100%; height: 100%;" src="https://adilo.bigcommand.com/watch/__GGcjTe ?minified=true" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe></div></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/classic-rock-from-the-50s-60s-70s/">Classic Rock from the 50s, 60s &#038; 70s</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>A Walk Down Memory Lane: Music of 1958-1959</title>
		<link>https://thehistoryofrockandroll.net/a-walk-down-memory-lane-music-of-1958-1959/</link>
		
		<dc:creator><![CDATA[Bwana]]></dc:creator>
		<pubDate>Mon, 19 Mar 2018 20:43:40 +0000</pubDate>
				<category><![CDATA[Rock and Roll]]></category>
		<category><![CDATA[At The Hop]]></category>
		<category><![CDATA[Buddy Holly]]></category>
		<category><![CDATA[Danny and the Juniors]]></category>
		<category><![CDATA[Dion]]></category>
		<category><![CDATA[Eddie Cochran]]></category>
		<category><![CDATA[Maybe Baby]]></category>
		<category><![CDATA[Smoke Gets In Your Eyes]]></category>
		<category><![CDATA[Summertimes Blues]]></category>
		<category><![CDATA[The Belmonts]]></category>
		<category><![CDATA[The Elegants]]></category>
		<category><![CDATA[The Everly Brothers]]></category>
		<category><![CDATA[The Kingston Trio]]></category>
		<category><![CDATA[The Platters]]></category>
		<category><![CDATA[The Silhouettes]]></category>
		<category><![CDATA[Tom Dooley]]></category>
		<guid isPermaLink="false">http://www.thehistoryofrockandroll.net/?p=37260</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/a-walk-down-memory-lane-music-of-1958-1959/">A Walk Down Memory Lane: Music of 1958-1959</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="et_pb_section et_pb_section_4 et_section_regular" >
				
				
				
				
				
				
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				<div class="et_pb_text_inner"><h2><strong>Tom Dooley: The Kingston Trio</strong></h2>
<p><strong></strong></p>
<p> <img loading="lazy" decoding="async" width="422" height="604" class="wp-image-37262 alignright" src="../wp-content/uploads/2018/03/word-image-52.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-52.jpeg 422w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-52-210x300.jpeg 210w" sizes="(max-width: 422px) 100vw, 422px" />is a North Carolina folk song based on the 1866 murder of a woman named Laura Foster in Wilkes County, North Carolina, allegedly by Tom Dula.</p>
<p>The song is best known today because of a hit version recorded in 1958 by The Kingston Trio. This version was a multi-format hit, which reached #1 in <em>Billboard</em> and the <em>Billboard</em> R&amp;B listing, and appeared in the <em>Cashbox</em> Country Music Top 20.</p>
<p>It fits within the wider genre of Appalachian &#8220;sweetheart murder ballads&#8221;.</p>
<p>The song was selected as one of the American Songs of the Century by the Recording Industry Association of America (RIAA), the National Endowment for the Arts, and Scholastic Inc. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.</p>
<p>&nbsp;</p>
<p><img loading="lazy" decoding="async" width="640" height="640" class="wp-image-37261" src="../wp-content/uploads/2018/03/word-image-51.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-51.jpeg 640w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-51-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-51-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-51-610x610.jpeg 610w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-51-45x45.jpeg 45w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-51-500x500.jpeg 500w" sizes="(max-width: 640px) 100vw, 640px" /></p>
<h2><strong>All I Have to Do Is Dream: The Everly Brothers</strong></h2>
<p><strong></strong></p>
<p><img loading="lazy" decoding="async" width="220" height="219" class="wp-image-37263 alignright" src="../wp-content/uploads/2018/03/word-image-53.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-53.jpeg 220w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-53-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-53-45x45.jpeg 45w" sizes="(max-width: 220px) 100vw, 220px" />is a popular song made famous by the Everly Brothers, written by Boudleaux Bryant of the husband and wife songwriting team Felice and Boudleaux Bryant, and published in 1958. By far the best-known version was recorded by The Everly Brothers and released as a single in April 1958. It had been recorded by The Everly Brothers live in just two takes on March 6, 1958, and features Chet Atkins on guitar. It was the only single ever to be at No. 1 on all of <em>Billboard</em>&#8216; singles charts simultaneously, on June 2, 1958.</p>
<p>It first reached No. 1 on the &#8220;Most played by Jockeys&#8221; and &#8220;Top 100&#8221; charts on May 19, 1958, and remained there for five and three weeks, respectively; with the August 1958 introduction of the <em>Billboard</em> Hot 100 chart, the song ended the year at No. 2. &#8220;All I Have to Do Is Dream&#8221; also hit No.1 on the R&amp;B chart as well as becoming The Everly Brothers&#8217; third chart topper on the country chart. The Everly Brothers briefly returned to the Hot 100 in 1961 with this song. It entered the U.K. Singles Chart on May 23, 1958, reaching the No. 1 position on July 4 and remaining there for seven weeks (including one week as a joint No. 1 with Vic Damone&#8217;s &#8220;On the Street Where You Live&#8221;), spending 21 weeks on the chart.</p>
<h2><strong>Little Star: The Elegants</strong></h2>
<p><strong></strong></p>
<p><img loading="lazy" decoding="async" width="313" height="217" class="wp-image-37264 alignleft" src="../wp-content/uploads/2018/03/word-image-54.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-54.jpeg 313w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-54-300x208.jpeg 300w" sizes="(max-width: 313px) 100vw, 313px" />Littl4 is a song recorded by The Elegants. Members Vito Picone and Arthur Venosa co-wrote the lyrics.</p>
<p>The music was adapted from &#8220;Twinkle Twinkle Little Star.&#8221; When released as a single in 1958, it topped both the R&amp;B Best Sellers list and the <em>Billboard</em> Hot 100; however, it was the only song that ever charted for The Elegants.</p>
<p>Reportedly, the Elegants refused to pay payola to a prominent New York disc jockey, which inhibited air play of their follow up recordings.</p>
<h2><strong>Get A Job: The Silhouettes</strong></h2>
<p><strong></strong></p>
<p>is a song by the Silhouettes released in November 1957. It reached the number one spot on the <em>Billboard</em> pop and R&amp;B singles charts in February 1958.</p>
<p>When I was in the service in the early 1950s and didn&#8217;t come home and go to work, my mother said &#8216;get a job&#8217; and basically that&#8217;s where the song came from,&#8221; said tenor Richard Lewis, who wrote the lyrics. The four members of the group shared the credit, jointly creating the &#8220;sha na na&#8221; and &#8220;dip dip dip dip&#8221; hooks later imitated by other doo-wop groups.</p>
<p>The song was recorded at Robinson Recording Laboratories in Philadelphia in October 1957. Rollee McGill played the saxophone break, and the arranger was Howard Biggs. Intended as the B-side to &#8220;I Am Lonely&#8221;, &#8220;Get a Job&#8221; was initially released on Kae Williams&#8217; Junior label; Williams, who was also a Philadelphia disc-jockey, was the Silhouettes&#8217; manager. Doug Moody, an executive at Ember Records, acquired the rights to the song for that label where it was licensed for national distribution.</p>
<p>In early 1958, the Silhouettes performed &#8220;Get a Job&#8221; several times on <em>American Bandstand</em> and once on <em>The Dick Clark Show</em>, appearances that contributed to the song&#8217;s success by exposing it to a large audience. Ultimately the single sold more than a million copies</p>
<p><img loading="lazy" decoding="async" width="740" height="550" class="wp-image-37265" src="../wp-content/uploads/2018/03/word-image-55.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-55.jpeg 740w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-55-300x223.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-55-610x453.jpeg 610w" sizes="(max-width: 740px) 100vw, 740px" /></p>
<h2><strong>Maybe Baby: Buddy Holly and The Crickets</strong></h2>
<p><strong></strong></p>
<p><img loading="lazy" decoding="async" width="269" height="370" class="wp-image-37266 alignright" src="../wp-content/uploads/2018/03/word-image-56.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-56.jpeg 269w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-56-218x300.jpeg 218w" sizes="(max-width: 269px) 100vw, 269px" />is a rock-and-roll song written by Buddy Holly and the producer Norman Petty and recorded by Holly and the Crickets in 1957. The single, credited to the Crickets, was a Top 40 hit in the U.S., the UK, and Canada. &#8220;Maybe Baby&#8221;, originally recorded by Holly and the Crickets in 1957, reached number 17 on the US charts and number 4 on the UK charts; Holly toured in the UK that year (see Buddy Holly discography). The single also reached number 8 on the <em>Billboard</em> R&amp;B chart and number 9 on the Canadian charts. The rather simple lyrics are augmented by a twangy percussive accompaniment, characteristic of rockabilly, which is especially effective in the 8-bar instrumental introduction and the short conclusion.</p>
<p>&#8220;Maybe Baby&#8221; was recorded at Tinker Air Force Base in Midwest City, Oklahoma in the wee hours of September 29, 1957, while Buddy Holly and The Crickets were on a tour (and played that same night, at Oklahoma City Municipal Auditorium with the Show Of Stars &#8217;57. Jerry Allison from The Crickets personally remembers that the song, along with 3 others, was recorded there at Tinker Air Force Base. Graham Pugh, a Buddy Holly researcher from the Oklahoma City area, also has seen airplane tickets documenting the fact that Buddy Holly and The Crickets landed at Will Rogers World Airport in Oklahoma City on September 28, 1957.</p>
<h2><strong>Johnny B. Goode: Chuck Berry</strong></h2>
<p><strong></strong></p>
<p><strong><img loading="lazy" decoding="async" width="585" height="586" class="wp-image-37267" src="../wp-content/uploads/2018/03/word-image-57.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-57.jpeg 585w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-57-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-57-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-57-45x45.jpeg 45w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-57-500x500.jpeg 500w" sizes="(max-width: 585px) 100vw, 585px" /><img loading="lazy" decoding="async" width="701" height="549" class="wp-image-37268" src="../wp-content/uploads/2018/03/word-image-58.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-58.jpeg 701w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-58-300x235.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-58-610x478.jpeg 610w" sizes="(max-width: 701px) 100vw, 701px" /></strong></p>
<p>is a 1958 rock-and-roll song written and first recorded by Chuck Berry. The song was a major hit among both black and white audiences, peaking at number two on <em>Billboard</em> magazine&#8217;s Hot R&amp;B Sides chart and number eight on its Hot 100 chart.</p>
<p>&#8220;Johnny B. Goode&#8221; is considered one of the most recognizable songs in the history of popular music. Credited as &#8220;the first rock &amp; roll hit about rock &amp; roll stardom&#8221;, it has been recorded by many other artists and has received several honors and accolades. The song is also ranked seventh on <em>Rolling Stone</em>&#8216;s list of the &#8220;500 Greatest Songs of All Time&#8221;.</p>
<p>Written by Berry in 1955, the song is about an illiterate &#8220;country boy&#8221; from the New Orleans area, who plays a guitar &#8220;just like ringing a bell&#8221;, and who might one day have his &#8220;name in lights&#8221;. Berry acknowledged that the song is partly autobiographical and that the original lyrics referred to Johnny as a &#8220;colored boy&#8221;, but he changed it to &#8220;country boy&#8221; to ensure radio play. As well as suggesting that the guitar player is good, the title hints at autobiographic elements, because Berry was born at 2520 Goode Avenue, in St. Louis. The song was initially inspired by Johnnie Johnson, the regular piano player in Berry&#8217;s band, but developed into a song mainly about Berry himself. Johnson played on many other recordings by Berry, but Lafayette Leake played the piano on this song.</p>
<p>The opening guitar riff of &#8220;Johnny B. Goode&#8221; is essentially a note-for-note copy of the opening single-note solo on Louis Jordan&#8217;s &#8220;Ain&#8217;t That Just Like a Woman&#8221; (1946), played by guitarist Carl Hogan. Neither the guitar intro nor the solo are played at once. Berry played the introductory parts together with the rhythm guitar and later overdubbed the solo runs.</p>
<p>Berry wrote four more songs involving the character Johnny B. Goode, &#8220;Bye Bye Johnny&#8221;, &#8220;Go Go Go&#8221;, &#8220;Johnny B. Blues&#8221; and &#8220;Lady B. Goode&#8221;; and titled an album, and the nearly 19-minute instrumental title track from it, as &#8220;Concerto in B. Goode&#8221;.</p>
<p><strong>Personnel</strong></p>
<ul>
<li>Chuck Berry – vocals, guitars</li>
<li>Lafayette Leake – piano</li>
<li>Willie Dixon – double bass</li>
<li>Fred Below – drums</li>
</ul>
<h2><strong>At The Hop: Danny and The Juniors</strong></h2>
<p><strong></strong></p>
<p><img loading="lazy" decoding="async" width="509" height="509" class="wp-image-37269" src="../wp-content/uploads/2018/03/word-image-59.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-59.jpeg 509w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-59-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-59-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-59-45x45.jpeg 45w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-59-500x500.jpeg 500w" sizes="(max-width: 509px) 100vw, 509px" /></p>
<p>is a rock and roll/doo-wop song written by Artie Singer, John Medora, and David White and originally released by Danny &amp; the Juniors. The song was released in the fall of 1957, and reached number one on the US charts on January 6, 1958, thus becoming one of the top-selling singles of 1958. &#8220;At the Hop&#8221; also hit number one on the R&amp;B Best Sellers list. Somewhat more surprisingly, the record reached #3 on the Music Vendor country charts. It was also a big hit elsewhere, which included the group enjoying a number 3 placing with the song on the UK charts. The song was written by White, Medora, and Singer in 1957, when Danny &amp; the Juniors were still called The Juvenairs. Initially called &#8220;Do the Bop&#8221;, the song was heard by Dick Clark, who suggested they change its name. After performing the song on Clark&#8217;s show <em>American Bandstand</em>, it gained popularity and went to the top of the US charts, remaining at number one for five weeks.</p>
<p>The song describes the scene at a record hop, particularly the dances being performed and the interaction with the disc jockey host.</p>
<h2><strong>Summertimes Blues: Eddie Cochran </strong></h2>
<p><strong></strong></p>
<p> <img loading="lazy" decoding="async" width="220" height="219" class="wp-image-37271 alignleft" src="../wp-content/uploads/2018/03/word-image-61.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-61.jpeg 220w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-61-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-61-45x45.jpeg 45w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-61-219x219.jpeg 219w" sizes="(max-width: 220px) 100vw, 220px" />is a song co-written and recorded by American rockabilly artist Eddie Cochran. It was written by Cochran and his manager Jerry Capehart. Originally a single B-side, it was released in August 1958 and peaked at number 8 on the <em>Billboard</em> Hot 100 on September 29, 1958 and number 18 on the UK Singles Chart.</p>
<p>It has been covered by many artists, including being a number-one hit for country music artist Alan Jackson, and scoring notable hits in versions by The Who, Blue Cheer and Brian Setzer, the latter of whom recorded his version for the 1987 film <em>La Bamba</em>, where he portrayed Cochran.</p>
<p>Jimi Hendrix performed it in concert. &#8220;Summertime Blues&#8221; was recorded on March 28, 1958 at Gold Star Recording Studios in Hollywood, California. Eddie Cochran sang both the vocal and bass vocal (the “work-a-late” portions, Cochran’s tribute to the Kingfish character from the ‘’Amos and Andy’’ television series), played all the guitar parts, and added the hand clapping with possibly Sharon Sheeley. Connie &#8216;Guybo&#8217; Smith played the electric bass and Earl Palmer drums.</p>
<p><img loading="lazy" decoding="async" class="wp-image-37270" src="../wp-content/uploads/2018/03/word-image-60.jpeg" width="462" height="587" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-60.jpeg 462w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-60-236x300.jpeg 236w" sizes="(max-width: 462px) 100vw, 462px" /></p>
<h2><strong>Smoke Gets In Your Eyes: The Platters</strong></h2>
<p><strong></strong></p>
<p>is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for their 1933 musical <em>Roberta</em>. The song was sung in the original Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray Sinatra, Frank Sinatra&#8217;s second cousin, on October 13, 1933. Niesen&#8217;s recording of the song was released by Victor, catalog# VE B 24454, with the B-side, &#8220;Jealousy&#8221;, featuring Isham Jones and his Orchestra.</p>
<p>Paul Whiteman had the first hit recording of the song on the record charts in 1934. The song was later reprised by Irene Dunne, who performed it in the original 1935 film adaptation of the musical, co-starring Fred Astaire, Ginger Rogers and Randolph Scott. The song was also included in the 1952 remake of <em>Roberta</em>, <em>Lovely to Look At</em>, in which it was performed by Kathryn Grayson, and was a chart hit in 1958 for The Platters.</p>
<p><img loading="lazy" decoding="async" width="500" height="500" class="wp-image-37272" src="../wp-content/uploads/2018/03/word-image-62.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-62.jpeg 500w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-62-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-62-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-62-45x45.jpeg 45w" sizes="(max-width: 500px) 100vw, 500px" /></p>
<p>Possibly the most well-known version of &#8220;Smoke Gets in Your Eyes&#8221; was recorded in 1958 by The Platters, for their album <em>Remember When?</em>. The group&#8217;s cover became a number one hit in the U.S. on the <em>Billboard</em> Hot 100 music chart. In 1959 the version went on to peak at number three on the Rhythm and Blues chart. The song spent 20 weeks on the UK charts, peaking at Number 1 for one week on 20 March of that same year. The Platters&#8217; producer, Buck Ram, reported that Harbach &#8220;congratulated Buck Ram and the Platters for reviving his song with taste.&#8221; Jerome Kern&#8217;s widow, on the other hand, disliked the recording so much she considered taking legal action to prevent its distribution.</p>
<h2><strong>Lipstick On Your Collar: Connie Francis</strong></h2>
<p><strong></strong></p>
<p> <img loading="lazy" decoding="async" width="220" height="207" class="wp-image-37274 alignright" src="../wp-content/uploads/2018/03/word-image-64.jpeg" />is a song written by Edna Lewis (lyrics) and George Goehring (music) which was a 1959 hit single for Connie Francis.</p>
<p>Francis recorded the song April 15 1959 in a session at Metropolitan Studio (NYC) produced and conducted by Ray Ellis. Veteran guitarist George Barnes contributed a solo to the track.</p>
<p>To provide a contrasting B-side for the upbeat track, a ballad from the same session: &#8220;Frankie&#8221;, was utilized. This Howard Greenfield/ Neil Sedaka composition was inspired by Frankie Avalon.</p>
<p><img loading="lazy" decoding="async" width="220" height="286" class="wp-image-37273 alignleft" src="../wp-content/uploads/2018/03/word-image-63.jpeg" />&#8220;Lipstick on Your Collar&#8221; became the first uptempo Connie Francis single to reach the US Top Ten, peaking at No. 5 on the <em>Billboard</em> Hot 100 in July 1959. That summer the track also reached No. 3 in the UK Singles Chart, and became Francis&#8217; first Top Ten hit in Australia at No. 4. It sold over one million copies in the US alone.</p>
<p>&#8220;Frankie&#8221; also became a Top Ten hit in the US with a #9 peak making the &#8220;Lipstick on Your Collar&#8221;/ &#8220;Frankie&#8221; single the most successful double-sided hit of Francis&#8217; career.</p>
<p>In a 1959 interview, Francis attributed her being the sole songstress then scoring rock and roll hits by saying: &#8220;Rock &#8216;n&#8217; roll is a masculine kind of music&#8221; with its mindset of &#8220;&#8216;Come on out baby we&#8217;re going to rock&#8217;..[best] suited for a man to sing&#8230;The mistake that many girl singers have made is trying to compete with the men [whereas] I&#8217;ve tried for the cute angle in lyrics, things like &#8216;Lipstick on Your Collar&#8217; and &#8216;Stupid Cupid&#8217;.</p>
<h2><strong>A Teenager in Love: Dion and The Belmonts</strong></h2>
<p><strong></strong></p>
<p><strong><img loading="lazy" decoding="async" width="360" height="310" class="wp-image-37276 alignright" src="../wp-content/uploads/2018/03/word-image-66.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-66.jpeg 360w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-66-300x258.jpeg 300w" sizes="(max-width: 360px) 100vw, 360px" /></strong>is a song written by Doc Pomus and partner Mort Shuman and was originally sung and released by Dion and the Belmonts in March 1959.</p>
<p>It reached #5 on the <em>Billboard</em> pop charts.</p>
<p>In May 1959, the song held three positions in the British Top 20, the other two versions being by Marty Wilde and Craig Douglas.</p>
<p>The song is considered one of the greatest songs in rock and roll history.</p>
<p><strong><img loading="lazy" decoding="async" width="513" height="513" class="wp-image-37275 aligncenter" src="../wp-content/uploads/2018/03/word-image-65.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-65.jpeg 513w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-65-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-65-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-65-45x45.jpeg 45w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-65-500x500.jpeg 500w" sizes="(max-width: 513px) 100vw, 513px" /></strong></p>
<h2><strong></strong></h2>
<h2><strong>La Bamba: Ritchie Valens</strong></h2>
<p><strong></strong></p>
<p><strong><img loading="lazy" decoding="async" width="395" height="395" class="wp-image-37277 alignleft" src="../wp-content/uploads/2018/03/word-image-67.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-67.jpeg 395w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-67-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-67-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-67-45x45.jpeg 45w" sizes="(max-width: 395px) 100vw, 395px" /></strong>The traditional song inspired Ritchie Valens&#8217; rock and roll version &#8220;La Bamba&#8221; in 1958. Valens&#8217; &#8220;La Bamba&#8221; infused the traditional tune with a rock drive, in part provided by session musicians Earl Palmer and Carol Kaye, making the song popular with a much wider record audience and earning it (and Valens) a place in rock history (he was inducted posthumously into the Rock &amp; Roll Hall of Fame in 2001).</p>
<p>The musicians on that session were Buddy Clark: string bass, Ernie Freeman: piano, Carol Kaye: acoustic rhythm guitar, Rene Hall: Danelectro guitar (six-string baritone guitar), Earl Palmer: drums and claves, Ritchie Valens: vocals, lead guitar.</p>
<p>The song features a simple verse-chorus form. Valens, who was proud of his Mexican heritage, was hesitant at first to merge &#8220;La Bamba&#8221; with rock and roll but then agreed. The song ranked No. 98 in VH1&#8217;s <em>100 Greatest Songs of Rock and Roll</em> in 1999, and No. 59 in VH1&#8217;s <em>100 Greatest Dance Songs</em> in 2000. Furthermore, Valens&#8217; recording of the song was inducted into the Latin Grammy Hall of Fame.</p>
<p>When the Los Lobos cover of Valens&#8217; version peaked at No. 1 on the <em>Billboard</em> Hot 100 chart in 1987, Valens was retroactively credited with writing a No. 1 single.</p>
<p>&nbsp;</p>
<h2><strong>Yakety Yak: The Coasters</strong></h2>
<p><strong></strong></p>
<p>is a song written, produced, and arranged by Jerry Leiber and Mike Stoller for The Coasters and released on Atlantic Records in 1958, spending seven weeks as #1 on the R&amp;B charts and a week as number one on the Top 100 pop list. This song was one of a string of singles released by The Coasters between 1957 and 1959 that dominated the charts, one of the biggest performing acts of the rock and roll era.</p>
<p>The song is a &#8220;playlet,&#8221; a word Stoller used for the glimpses into teenage life that characterized the songs Leiber and Stoller wrote and produced. The lyrics describe the listing of household chores to a kid, presumably a teenager, the teenager&#8217;s response (&#8220;yakety yak&#8221;) and the parents&#8217; retort (&#8220;don&#8217;t talk back&#8221;) — an experience very familiar to a middle-class teenager of the day. Leiber has said the Coasters portrayed &#8220;a white kid’s view of a black person’s conception of white society.&#8221; The serio-comic street-smart “playlets” etched out by the songwriters were sung by the Coasters with a sly clowning humor, while the saxophone of King Curtis filled in, in the up-tempo doo-wop style. The group was openly &#8220;theatrical&#8221; in style—they were not pretending to be expressing their own experience.</p>
<p>The threatened punishment for not taking out the garbage and sweeping the floor is, in the song&#8217;s humorous lyrics:</p>
<p><strong><img loading="lazy" decoding="async" width="513" height="516" class="wp-image-37278" src="../wp-content/uploads/2018/03/word-image-68.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-68.jpeg 513w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-68-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-68-298x300.jpeg 298w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-68-45x45.jpeg 45w" sizes="(max-width: 513px) 100vw, 513px" /></strong></p>
<h2><strong>Sweet Little Sixteen: Chuck Berry</strong></h2>
<p><img loading="lazy" decoding="async" width="300" height="297" class="wp-image-37279 alignright" src="../wp-content/uploads/2018/03/word-image-69.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-69.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-69-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-69-45x45.jpeg 45w" sizes="(max-width: 300px) 100vw, 300px" />is a rock and roll song written and first recorded by Chuck Berry, who released it as a single in January 1958. His performance of it at that year&#8217;s Newport Jazz Festival was included in the documentary film <em>Jazz on a Summer&#8217;s Day</em>. It reached number two on the Billboard Hot 100, Berry&#8217;s second-highest position ever on that chart (surpassed only by his suggestive hit &#8220;My Ding-A-Ling&#8221;, which reached number one in 1972).</p>
<p>&#8220;Sweet Little Sixteen&#8221; also reached number one on the R&amp;B Best Sellers chart. In the UK, it reached number 16 on the UK Official Charts. <em>Rolling Stone</em> magazine ranked the song number 272 on its list of the &#8220;500 Greatest Songs of All Time&#8221; in 2004.</p>
<h2><strong>Tequila: The Champs</strong></h2>
<p>is a 1958 Latin-flavored rock and roll instrumental recorded by the Champs. It is based on a Cuban mambo beat. The word &#8220;Tequila&#8221; is spoken three times throughout the tune. &#8220;Tequila&#8221; became a #1 hit on both the pop and R&amp;B charts at the time of its release and continues to be strongly referenced in pop culture to this day.</p>
<p><img loading="lazy" decoding="async" width="800" height="800" class="wp-image-37280" src="../wp-content/uploads/2018/03/word-image-70.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-70.jpeg 800w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-70-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-70-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-70-768x768.jpeg 768w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-70-610x610.jpeg 610w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-70-45x45.jpeg 45w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-70-500x500.jpeg 500w" sizes="(max-width: 800px) 100vw, 800px" /></p>
<p>n 1957, Gene Autry&#8217;s record label, Challenge Records, signed Dave Burgess (born 1934), a rockabilly singer-songwriter from California who often recorded under the name &#8220;Dave Dupree&#8221;. At the end of 1957, having produced no hits, Challenge Records looked to Burgess, who organized a recording session on December 23 in Hollywood. In the studio that day were Burgess on rhythm guitar, Cliff Hills on bass guitar, the Flores Trio (Danny Flores on saxophone and keyboards, Gene Alden on drums, and lead guitarist Buddy Bruce), and Huelyn Duvall contributing backing vocals. They gathered primarily to record &#8220;Train to Nowhere&#8221;, a song by Burgess, as well as &#8220;Night Beat&#8221; and &#8220;All Night Rock&#8221;.</p>
<p>The last tune recorded was &#8220;Tequila&#8221;, essentially just a jam by the Flores Trio. There were three takes, and Danny Flores, who wrote the song, was also the man who actually spoke the word &#8220;Tequila!&#8221;. Flores also played the trademark &#8220;dirty sax&#8221; solo. The song served as the B-side for &#8220;Train to Nowhere&#8221;, which was released by Challenge Records on January 15, 1958. Duvall recalls that the record initially found little success, but, after a DJ in Cleveland played the B-side, &#8220;Tequila&#8221; skyrocketed up the charts, reaching #1 on the Billboard chart on March 28, 1958.</p>
<p>Daniel Flores had written &#8220;Tequila&#8221;, but, because he was signed to another label, the tune was credited to &#8220;Chuck Rio&#8221;, a name he adopted for the stage. Those present for the December 23 session began recording together again on January 20, 1958, under the name the Champs; the group technically formed <em>after</em> recording &#8220;Tequila&#8221;. The tune has been noted to have a similar rhythm structure to Bo Diddley&#8217;s 1958 release &#8220;Dearest Darling&#8221;.</p>
<p>Challenge Records was founded in Los Angeles in 1957 by cowboy singer Gene Autry and former Columbia Records A&amp;R representative Joe Johnson. Autry&#8217;s involvement with the label was short lived as he sold his interest to the remaining partners in October 1958. The label&#8217;s first success came with instrumental group the Champs, who had their biggest hit in 1958 with &#8220;Tequila&#8221;. They also had a series of hits with pop singer Jerry Wallace (&#8220;Primrose Lane&#8221;) and country singer Wynn Stewart (&#8220;Wishful Thinking&#8221;). Other recording artists with the label included Jan and Dean, Gary Usher, the Knickerbockers, and singer-songwriter Jerry Fuller. The first Challenge label was blue with silver print, followed after the first half dozen releases by a short-lived light-blue label with red print, then a maroon-colored label with silver print. Finally, around late 1959, the company issued their singles on a green label with silver print.</p>
<p>The Champs recorded a sequel to &#8220;Tequila&#8221; entitled &#8220;Too Much Tequila&#8221;. Released as a maroon-label Challenge single, it reached #30 on the <em>Billboard</em> Hot 100.</p>
<h2><strong>Mack The Knife: Bobby Darin</strong></h2>
<p>a song composed by Kurt Weill with lyrics by Bertolt Brecht for their music drama <em>Die Dreigroschenoper</em>, or, as it is known in English, <em>The Threepenny Opera</em>. It premiered in Berlin in 1928 at the Theater am Schiffbauerdamm. The song has become a popular standard recorded by many artists, including a US and UK number one hit for Bobby Darin in 1959.</p>
<p>Mack the Knife&#8221; was introduced to the United States hit parade by Louis Armstrong in 1956, but the song is most closely associated with Bobby Darin, who recorded his version at Fulton Studios on West 40th Street, New York City, on December 19, 1958 (with Tom Dowd engineering the recording). Even though Darin was reluctant to release the song as a single, in 1959 it reached number one on the <em>Billboard</em> Hot 100 and number six on the Black Singles chart, and earned him a Grammy Award for Record of the Year. Dick Clark had advised Darin not to record the song because of the perception that, having come from an opera, it would not appeal to the rock and roll audience.</p>
<h2><strong>Battle of New Orleans: Johnny Horton</strong></h2>
<p><img loading="lazy" decoding="async" width="280" height="282" class="wp-image-37281 alignleft" src="../wp-content/uploads/2018/03/word-image-71.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-71.jpeg 280w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-71-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-71-45x45.jpeg 45w" sizes="(max-width: 280px) 100vw, 280px" />is a song written by Jimmy Driftwood. The song describes the War of 1812 Battle of New Orleans from the perspective of an American soldier; the song tells the tale of the battle with a light tone and provides a rather comical version of what actually happened at the battle.</p>
<p>It has been recorded by many artists, but the singer most often associated with this song is Johnny Horton.</p>
<p>His version scored number 1 on the <em>Billboard</em> Hot 100 in 1959 (see 1959 in music).</p>
<p><em>Billboard</em> ranked it as the No. 1 song for 1959, it was very popular with teenagers in the late 50&#8217;s/early 60&#8217;s in an era mostly dominated by rock and roll music.</p>
<p><img loading="lazy" decoding="async" width="220" height="220" class="wp-image-37282 alignright" src="../wp-content/uploads/2018/03/word-image-72.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-72.jpeg 220w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-72-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-72-45x45.jpeg 45w" sizes="(max-width: 220px) 100vw, 220px" />In <em>B</em><em>illboard</em> magazine&#8217;s rankings of the top songs in the first 50 years of the <em>Billboard</em> Hot 100 chart, &#8220;The Battle of New Orleans&#8221; was ranked as the 28th song overall and the number-one country music song to appear on the chart.</p>
<p>Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time</p>
<p>.<img loading="lazy" decoding="async" width="200" height="292" class="wp-image-37283" src="../wp-content/uploads/2018/03/word-image-73.jpeg" /></p>
<h2><strong>Poor Little Fool: Ricky Nelson</strong></h2>
<p><img loading="lazy" decoding="async" width="300" height="300" class="wp-image-37284 alignleft" src="../wp-content/uploads/2018/03/word-image-74.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-74.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-74-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-74-45x45.jpeg 45w" sizes="(max-width: 300px) 100vw, 300px" />is a rock and roll song written by Sharon Sheeley and first recorded by Ricky Nelson in 1958.</p>
<p>Sheeley wrote the song when she was fifteen years old. She had met Elvis Presley, and he encouraged her to write. It was based on her disappointment following a short-lived relationship with a member of a popular singing duo. Sheeley sought Ricky Nelson to record the tune. She drove to his house, and claimed her car had broken down. He came to her aid, and she sprang the song on him. Her version was at a much faster tempo than his recording.</p>
<p>The song was recorded by Ricky Nelson on April 17, 1958, and released on Imperial Records through its catalog number: 5528. It was the first number-one song on <em>Billboard</em> magazine&#8217;s then-new Hot 100 chart, replacing the magazine&#8217;s Jockeys and Top 100 charts. It spent two weeks at the number-one spot. It also reached the top ten on the <em>Billboard</em> Country and Rhythm and Blues charts. Following its success, Sheeley worked with Eddie Cochran.</p>
<p>&#8220;Poor Little Fool&#8221; became a radio hit when it was released as part of a four-song Extended Play 45 rpm disc which was excerpted from the artist&#8217;s second LP, <em>Ricky Nelson</em>. Responding to the buzz, Lew Chudd, the founder and head of Imperial Records, rushed out a single version (on both 45 and 78 rpm). Nelson objected, however, believing that the move would hurt sales of the EP. Under his contract with Imperial, the singer had approval rights for all picture-sleeve art and to express his displeasure with Chudd&#8217;s decision, he chose not to select a photograph for the &#8220;Poor Little Fool&#8221; single. As a result, &#8220;Poor Little Fool&#8221; was the only Ricky Nelson single released by Imperial to be issued in the United States without a photo in a plain label-cut-out sleeve</p>
<h2><strong>A Big Hunk o’ Love: Elvis Presley</strong></h2>
<p>is a song written by Aaron Schroeder and Sid Wyche, a.k.a. Sid Jaxon. The former is best known for writing the jazz standard &#8220;Alright, Okay, You Win&#8221;, whereas Aaron Schroeder co-wrote a whole bunch of hits from the rock`n`roll area, from &#8220;Fools Hall of Fame&#8221; (Pat Boone) to &#8220;Because They&#8217;re Young&#8221; (Duane Eddy). In an interview conducted by Jan-Erik Kjeseth, he also revealed that in fact he worked with his partner Wally Gold in order to improve a song submitted by another writer, and the end result was &#8220;It&#8217;s My Party&#8221;, a big hit for Lesley Gore. Schroeder and Gold tossed a coin as to whose name should go on the record, and Gold &#8220;won&#8221;. Other titles written by the duo include &#8220;It&#8217;s Now or Never&#8221; and &#8220;Good Luck Charm&#8221;; both of which &#8211; like &#8220;A Big Hunk o&#8217; Love&#8221; &#8211; were originally recorded by American rock and roll icon Elvis Presley. &#8220;A Big Hunk o&#8217; Love&#8221; was released as a single on June 23, 1959 by RCA Victor and later topped the <em>Billboard</em> Hot 100 for two weeks</p>
<p><img loading="lazy" decoding="async" width="640" height="640" class="wp-image-37285" src="../wp-content/uploads/2018/03/word-image-75.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-75.jpeg 640w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-75-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-75-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-75-610x610.jpeg 610w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-75-45x45.jpeg 45w" sizes="(max-width: 640px) 100vw, 640px" /></p>
<h2><strong>What I’d Say: Ray Charles</strong></h2>
<p><img loading="lazy" decoding="async" width="316" height="316" class="wp-image-37286 alignright" src="../wp-content/uploads/2018/03/word-image-76.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-76.jpeg 316w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-76-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-76-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-76-45x45.jpeg 45w" sizes="(max-width: 316px) 100vw, 316px" />is an American rhythm and blues song by Ray Charles, released in 1959. As a single divided into two parts, it was one of the first soul songs.</p>
<p>The composition was improvised one evening late in 1958 when Charles, his orchestra, and backup singers had played their entire set list at a show and still had time left; the response from many audiences was so enthusiastic that Charles announced to his producer that he was going to record it.</p>
<p>After his run of R&amp;B hits, this song finally broke Charles into mainstream pop music and itself sparked a new subgenre of R&amp;B titled soul, finally putting together all the elements that Charles had been creating since he recorded &#8220;I Got a Woman&#8221; in 1954. The gospel and rhumba influences combined with the sexual innuendo in the song made it not only widely popular but very controversial to both white and black audiences. It earned Ray Charles his first gold record and has been one of the most influential songs in R&amp;B and rock and roll history. For the rest of his career, Charles closed every concert with the song. It was added to the National Recording Registry in 2002 and ranked at number 10 in <em>Rolling Stone</em>&#8216;s &#8220;The 500 Greatest Songs of All Time&#8221;.</p>
<p>Ray Charles was 28 years old in 1958, with ten years of experience recording primarily rhythm and blues music for the Downbeat and Swingtime record labels, in a style similar to that of Nat King Cole and Charles Brown. Charles signed with Atlantic Records in 1954 where producers Ahmet Ertegun and Jerry Wexler encouraged him to broaden his repertoire. Wexler would later remember that Atlantic Records&#8217; success came not from the artists&#8217; experience, but the enthusiasm for the music: &#8220;We didn&#8217;t know shit about making records, but we were having fun&#8221;. Ertegun and Wexler found that a hands-off approach was the best way of encouraging Charles. Wexler later said, &#8220;I realized the best thing I could do with Ray was leave him alone</p>
<h2><strong>A Lover’s Question</strong></h2>
<p><img loading="lazy" decoding="async" width="426" height="550" class="wp-image-37287 alignleft" src="../wp-content/uploads/2018/03/word-image-77.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-77.jpeg 426w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-77-232x300.jpeg 232w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-77-400x516.jpeg 400w" sizes="(max-width: 426px) 100vw, 426px" />is a 1958 Pop, R&amp;B hit for Clyde McPhatter. The single was written by Brook Benton and Jimmy T. Williams and was Clyde McPhatter&#8217;s most successful Pop and R&amp;B release.</p>
<p>The bass singer is Noah Hopkins. &#8220;A Lover&#8217;s Question&#8221; made it to #6 on the <em>Billboard</em> Hot 100 and was #1 for one week on the R&amp;B chart. Country singer Del Reeves took the song to #14 on the Hot Country Singles chart in 1970.</p>
<p>The best-known version of the song is in mono. However, a stereo version was released on the LP <em>Atlantic History of Rhythm &amp; Blues, Vol. 4</em>, along with several other rare stereo versions of late 1950s Atlantic hits.</p>
<p> <img loading="lazy" decoding="async" width="729" height="723" class="wp-image-37288" src="../wp-content/uploads/2018/03/word-image-78.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-78.jpeg 729w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-78-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-78-300x298.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-78-610x605.jpeg 610w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-78-45x45.jpeg 45w" sizes="(max-width: 729px) 100vw, 729px" /></p>
<p>&nbsp;</p>
<h2><strong>I Only Have Eyes For You: The Flamingos</strong></h2>
<p><img loading="lazy" decoding="async" width="379" height="262" class="wp-image-37289 alignright" src="../wp-content/uploads/2018/03/word-image-79.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-79.jpeg 379w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-79-300x207.jpeg 300w" sizes="(max-width: 379px) 100vw, 379px" /> is a romantic love song by composer Harry Warren and lyricist Al Dubin, written for the film <em>Dames</em> (1934) where it was introduced by Dick Powell and Ruby Keeler.</p>
<p>The song is a jazz standard, and has been covered by numerous musicians. Successful recordings of the song have been made by Ben Selvin (in 1934), The Flamingos (in 1959), The Lettermen (in 1966) and Art Garfunkel (in 1975), among others.</p>
<p>This song was included on The Flamingos&#8217; debut album <em>Flamingo Serenade</em>. The version by the Flamingos features a prominent reverb effect, creating a dreamy ambience. This version peaked at number 11 on the US <em>Billboard</em> Hot 100 chart and #3 on the <em>Billboard</em> Hot R&amp;B/Hip-Hop Songs chart. It ranked as the 73rd biggest hit of 1959 by Billboard. <em>Rolling Stone</em> magazine ranked the Flamingos&#8217; version #157 on their list of the 500 Greatest Songs of All Time.</p>
<p><img loading="lazy" decoding="async" width="477" height="477" class="wp-image-37290 aligncenter" src="../wp-content/uploads/2018/03/word-image-80.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-80.jpeg 477w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-80-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-80-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-80-45x45.jpeg 45w" sizes="(max-width: 477px) 100vw, 477px" /></p>
<h2><strong>Venus: Frankie Avalon</strong></h2>
<p><img loading="lazy" decoding="async" width="300" height="300" class="wp-image-37291 alignleft" src="../wp-content/uploads/2018/03/word-image-81.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-81.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-81-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-81-45x45.jpeg 45w" sizes="(max-width: 300px) 100vw, 300px" />is a song written by Ed Marshall and Peter DeAngelis. The most successful and best-known recording of the track was done by Frankie Avalon and released in 1959 (see 1959 in music).</p>
<p><em>Venus</em> became Avalon&#8217;s first number-one hit on the <em>Billboard</em> Hot 100 chart, where it spent five weeks atop the survey.</p>
<p>The song also reached number ten on the R&amp;B chart. The song&#8217;s lyrics detail a man&#8217;s plea to Venus, the Roman goddess of love and beauty, to send him a girl to love and one who will love him as well. <em>Billboard</em> ranked it as the No. 4 song for 1959.</p>
<h2><strong>Sleep Walk: Santo and Johnny</strong></h2>
<p><img loading="lazy" decoding="async" width="312" height="312" class="wp-image-37292 alignright" src="../wp-content/uploads/2018/03/word-image-82.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-82.jpeg 312w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-82-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-82-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-82-45x45.jpeg 45w" sizes="(max-width: 312px) 100vw, 312px" />is an instrumental song written, recorded, and released in 1959 by brothers Santo &amp; Johnny Farina, with their uncle Mike Dee playing the drums. Prominently featuring steel guitar, the song was recorded at Trinity Music in Manhattan, New York City.</p>
<p>&#8220;Sleep Walk&#8221; entered <em>Billboard</em>&#8216;s Top 40 on August 17, 1959. It rose to the number 1 position for the last two weeks in September and remained in the Top 40 until November 9.</p>
<p>&#8220;Sleep Walk&#8221; also reached number 4 on the R&amp;B chart. It was the last instrumental to hit number one in the 1950s and earned Santo &amp; Johnny a gold record. In the UK it peaked at number 22 on the charts.</p>
<h2><strong>16 Candles: The Crests</strong></h2>
<p><img loading="lazy" decoding="async" width="326" height="306" class="wp-image-37293 alignleft" src="../wp-content/uploads/2018/03/word-image-83.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-83.jpeg 326w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-83-300x282.jpeg 300w" sizes="(max-width: 326px) 100vw, 326px" />is a 1958 song performed by The Crests and written by Luther Dixon and Allyson R. Khent.</p>
<p>The song peaked at number two on the Billboard Hot 100 charts and number four on the R&amp;B charts in 1959</p>
<p> <img loading="lazy" decoding="async" width="500" height="599" class="wp-image-37294" src="../wp-content/uploads/2018/03/word-image-84.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-84.jpeg 500w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-84-250x300.jpeg 250w" sizes="(max-width: 500px) 100vw, 500px" /></p>
<h2><strong>Kansa City: Wilbert Harrison</strong></h2>
<p> Is a rhythm and blues song written by Jerry Leiber and Mike Stoller in 1952. First recorded by Little Willie Littlefield the same year, the song later became a #1 hit when it was recorded by Wilbert Harrison in 1959. &#8220;Kansas City&#8221; became one of Leiber and Stoller&#8217;s &#8220;most recorded tunes, with more than three hundred versions,&#8221; with several appearing in the R&amp;B and pop record charts.</p>
<p><img loading="lazy" decoding="async" width="612" height="612" class="wp-image-37295" src="../wp-content/uploads/2018/03/word-image-85.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-85.jpeg 612w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-85-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-85-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-85-610x610.jpeg 610w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-85-45x45.jpeg 45w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-85-500x500.jpeg 500w" sizes="(max-width: 612px) 100vw, 612px" />In 1959, after several years of performing Littlefield&#8217;s &#8220;K. C. Loving&#8221;, Wilbert Harrison decided to record the song. In March 1959, just when the version of Little Richard was released on album, Harrison, with a trio including guitarist Wild Jimmy Spruill, recorded it in a New York studio for producer Bobby Robinson of Fury Records. &#8220;Kansas City&#8221; was released on a single by Fury, catalog number 1023, later that year.</p>
<p>Although the song&#8217;s arrangement varied little from Littlefield&#8217;s, it &#8220;struck such a solid shuffle groove that it was unforgettable&#8221;, with inspired rhythm and solo guitar work by Spruill. Harrison&#8217;s song was issued with Leiber and Stoller&#8217;s original name, &#8220;Kansas City&#8221;, but changed the refrain to &#8220;They got some crazy little women there, and I&#8217;m gonna get me one&#8221; and dropped one twelve-bar section.</p>
<p><img loading="lazy" decoding="async" width="530" height="530" class="wp-image-37296 aligncenter" src="../wp-content/uploads/2018/03/word-image-86.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-86.jpeg 530w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-86-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-86-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-86-45x45.jpeg 45w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-86-500x500.jpeg 500w" sizes="(max-width: 530px) 100vw, 530px" /></p>
<p>Shortly after the song&#8217;s release, several other versions appeared. <em>Billboard</em> magazine&#8217;s pop song pick of the week for March 30, 1959 listed five different releases of &#8220;Kansas City&#8221;: Harrison&#8217;s and versions by Hank Ballard and The Midnighters (King 5195), Rocky Olson (Chess 1723), Rockin&#8217; Ronald &amp; the Rebels (End 1043), and a reissue by Littlefield (Federal 12351). A week later, the magazine announced the single release of a version by Little Richard. Although Ballard&#8217;s and Richard&#8217;s versions both appeared in the lower reaches of the <em>Billboard</em> charts, Harrison&#8217;s was a runaway hit, reaching number one in both the R&amp;B and pop charts, where it remained for seven weeks, and became one of the top selling records of 1959. It was also the final No. 1 single in the US to be released on a 78 record.</p>
<h2><strong>Lonely Teardrops: Jackie Wilson</strong></h2>
<p><img loading="lazy" decoding="async" width="316" height="316" class="wp-image-37297 alignright" src="../wp-content/uploads/2018/03/word-image-87.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-87.jpeg 316w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-87-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-87-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/03/word-image-87-45x45.jpeg 45w" sizes="(max-width: 316px) 100vw, 316px" />is a song recorded and released as a single in 1958 by R&amp;B, Soul, and Rock n Roll singer Jackie Wilson on the Brunswick label. It is a 1999 Grammy Hall of Fame Inductee. The song became an across-the-board national Top 10 Pop smash (# 7),a # 1 hit on the R&amp;B charts, and is ranked #315 on <em>Rolling Stone</em> magazine&#8217;s list of The 500 Greatest Songs of All Time. It is ranked as the 57th biggest U.S. hit of 1959. &#8220;Lonely Teardrops&#8221; is also listed on the <em>Rock and Roll Hall of Fame&#8217;s</em> list of <em>&#8220;The 500 Songs that Shaped Rock and Roll&#8221;</em>. ritten by Berry Gordy Jr., Gwendolyn Gordy (Berry&#8217;s sister) and Roquel &#8220;Billy&#8221; Davis, going under the pseudonym Tyran Carlo, the single, alongside Wilson&#8217;s debuting five consecutive singles between 1957–58, turned Wilson into an R&amp;B superstar and influenced the later careers of Davis, who joined the staff of Chess Records while Gordy used the money from the song&#8217;s success to form Motown Records within a year. The song raced up to number one on the <em>Billboard</em> R&amp;B chart and became Wilson&#8217;s first top ten hit on the <em>Billboard</em> Hot 100, eventually peaking at number seven. It was originally intended by Gordy to be recorded as a ballad. After recording it, Wilson and Brunswick executives felt the song lacked something. It was then given to veteran Decca Records arranger Dick Jacobs who re-arranged it into the smash hit it became. The hit&#8217;s success helped land Wilson on <em>American Bandstand</em> and <em>The Ed Sullivan Show</em> performing to receptive audiences on the respective shows, as well as other shows such as <em>Shindig</em> and <em>Hullabaloo</em>.</p>
<p>This was the last song Jackie Wilson performed before his coma and later death, when he collapsed on-stage singing it while appearing as one of the feature acts in Dick Clark&#8217;s Good Ol&#8217; Rock and Roll Revue in 1975.</p></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/a-walk-down-memory-lane-music-of-1958-1959/">A Walk Down Memory Lane: Music of 1958-1959</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>The Ed Sullivan Show Pt 1</title>
		<link>https://thehistoryofrockandroll.net/the-ed-sullivan-show-pt-1/</link>
		
		<dc:creator><![CDATA[Meagan Paese]]></dc:creator>
		<pubDate>Fri, 17 Feb 2017 21:23:40 +0000</pubDate>
				<category><![CDATA[Country]]></category>
		<category><![CDATA[History]]></category>
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		<category><![CDATA[American television]]></category>
		<category><![CDATA[Buddy Holly]]></category>
		<category><![CDATA[Creedence Clearwater Revival]]></category>
		<category><![CDATA[Elvis Presley]]></category>
		<category><![CDATA[Herman's Hermits]]></category>
		<category><![CDATA[Rock n Roll Classics]]></category>
		<category><![CDATA[the Beatles]]></category>
		<category><![CDATA[The Doors:]]></category>
		<category><![CDATA[The Four Seasons]]></category>
		<category><![CDATA[the Rolling Stones]]></category>
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					<description><![CDATA[<p>Ed Sullivan Pt 1 Discover the stories that shaped rock &#38; roll The Ed Sullivan Show (Pt 1) &#124; The Ed Sullivan Show Pt 2 Rock n Roll Classics The Ed Sullivan Show aired from 1948 until 1971 and changed the landscape of American television. Sullivan’s stage was home to iconic performances by groundbreaking artists [&#8230;]</p>
<p>The post <a href="https://thehistoryofrockandroll.net/the-ed-sullivan-show-pt-1/">The Ed Sullivan Show Pt 1</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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<h1>Ed Sullivan Pt 1</h1>
<p><strong>Discover the stories that shaped rock &amp; roll</strong></p>
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<p><a href="http://www.thehistoryofrockandroll.net/the-ed-sullivan-show-pt-1/">The Ed Sullivan Show (Pt 1)</a> | <a href="http://www.thehistoryofrockandroll.net/the-ed-sullivan-show-pt-2/">The Ed Sullivan Show Pt 2</a></p>
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<h2>Rock n Roll Classics</h2>
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<p><strong>The Ed Sullivan Show</strong> aired from 1948 until 1971 and changed the landscape of American television. Sullivan’s stage was home to iconic performances by groundbreaking artists from rock ‘n’ roll, comedy, novelty, pop music, politics, sports, opera and more.</p>
<p>From 1948 until its cancellation in 1971, the show ran on CBS every Sunday night from 8–9 p.m. E.T., and is one of the few entertainment shows to have run in the same weekly time slot on the same network for more than two decades. (During its first season, it ran from 9 to 10 p.m. E.T.) Virtually every type of entertainment appeared on the show; opera singers, popular artists, songwriters, comedians, ballet dancers, dramatic actors performing monologs from plays, and circus acts were regularly featured. The format was essentially the same as vaudeville, and although vaudeville had died a generation earlier, Sullivan presented many ex-vaudevillians on his show.</p>
<p>Originally co-created and produced by Marlo Lewis, the show was first titled Toast of the Town, but was widely referred to as The Ed Sullivan Show for years before September 25, 1955, when that became its official name. In the show’s June 20, 1948 debut, Dean Martin and Jerry Lewis performed along with singer Monica Lewis and Broadway composers Richard Rodgers and Oscar Hammerstein II previewing the score to their then-new show South Pacific, which opened on Broadway in 1949.</p>
<p>From 1948 through 1962, the program’s primary sponsor was the Lincoln-Mercury Division of the Ford Motor Company; Sullivan read many commercials for Mercury vehicles live on the air during this period.</p>
<p>The Ed Sullivan Show was originally broadcast via live television from CBS-TV studio 51, the Maxine Elliott Theatre, at Broadway and 39th St. before moving to its permanent home at CBS-TV Studio 50 in New York City (1697 Broadway, at 53rd Street), which was renamed The Ed Sullivan Theater on the occasion of the program’s 20th anniversary in June 1968. The last original Sullivan show telecast (#1068) was on March 28, 1971, with guests Melanie, Joanna Simon, Danny Davis and the Nashville Brass, and Sandler and Young. Repeats were scheduled through June 6, 1971</p>
<p>The Ed Sullivan Show is especially known to the World War II and baby boomer generations for introducing acts and airing breakthrough performances by popular 1950s and 1960s musicians such as Elvis Presley, The Beatles, The Supremes, The Dave Clark Five, The Beach Boys, The Jackson 5, Janis Joplin, The Rolling Stones, The Mamas &amp; the Papas, The Lovin’ Spoonful, Herman’s Hermits, The Doors, and The Band. The Canadian comedy duo Wayne and Shuster appeared on the program 58 times, a record for any performer.</p>
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<h3>Elvis Presley</h3>
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<p>On September 9, 1956, Presley made his first appearance on The Ed Sullivan Show (after earlier appearances on shows hosted by the Dorsey Brothers, Milton Berle, and Steve Allen), even though Sullivan had previously vowed never to allow Presley on the show. According to biographer Michael David Harris, “Sullivan signed Presley when the host was having an intense Sunday-night rivalry with Steve Allen. Allen had the singer on July 1 and trounced Sullivan in the ratings. When asked to comment, the CBS star said that he wouldn’t consider presenting Presley before a family audience. Less than two weeks later he changed his mind and signed a contract. The newspapers asked him to explain his reversal. ‘What I said then was off the reports I’d heard. I hadn’t even seen the guy. Seeing the kinescopes, I don’t know what the fuss was all about. For instance, the business about rubbing the thighs. He rubbed one hand on his hip to dry off the perspiration from playing his guitar.’ ”<br />
Sullivan’s reaction to Presley’s performance on The Milton Berle Show was, “I don’t know why everybody picked on Presley, I thought the whole show was dirty and vulgar.”</p>
<p>Elvis mythology states that Sullivan censored Presley by only shooting him from the waist up. Sullivan may have helped create the myth when he told TV Guide, “as for his gyrations, the whole thing can be controlled with camera shots.” In truth, Presley’s whole body was shown in the first and second shows.</p>
<p>At the time, Presley was filming Love Me Tender, so Sullivan’s producer, Marlo Lewis, flew to Los Angeles to supervise the two segments telecast that night from CBS Television City in Hollywood. Sullivan, however, was not able to host his show in New York City because he was recovering from a near fatal automobile accident. Charles Laughton guest-hosted in Sullivan’s place. Laughton appeared in front of plaques with gold records and stated, “These gold records, four of them… are a tribute to the fact that four of his recordings have sold, each sold, more than a million copies. And this, by the way, is the first time in record-making history that a singer has hit such a mark in such a short time. … And now, away to Hollywood to meet Elvis Presley.”</p>
<p>However, according to Greil Marcus, Laughton was the main act of Sullivan’s show. “Presley was the headliner, and a Sullivan headliner normally opened the show, but Sullivan was burying him. Laughton had to make the moment invisible: to act as if nobody was actually waiting for anything. He did it instantly, with complete command, with the sort of television presence that some have and some—Steve Allen, or Ed Sullivan himself—don’t.”</p>
<p>Host Laughton introduced the singer from New York. Once on camera, Elvis cleared his throat and said, “Thank you, Mr. Laughton, ladies and gentlemen. Wow”, and wiped his brow. “This is probably the greatest honor I’ve ever had in my life. Ah. There’s not much I can say except, it really makes you feel good. We want to thank you from the bottom of our heart. And now …” “Don’t Be Cruel”, which was, after a short introduction by Elvis, followed by “Love Me Tender”. According to Elaine Dundy, Presley sang “Love Me Tender” “straight, subdued and tender … —a very different Elvis from the one on The Steve Allen Show three months before”.</p>
<p>When the camera returned to Laughton, he stated, “Well, well, well well well. Ladies and gentlemen, Elvis Presley. And Mr. Presley, if you are watching this in Hollywood, and I may address myself to you. It has been many a year since any young performer has captured such a wide, and, as we heard tonight, devoted audience.”</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-35083" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/Elvis-Presley-performing-Ready-Teddy.jpg" alt="" width="160" height="120" />Elvis’s second set in the show consisted of “Ready Teddy” and a short on-air comment to Sullivan, “Ah, Mr. Sullivan. We know that somewhere out there you are looking in, and, ah, all the boys and myself, and everybody out here, are looking forward to seeing you back on television.” Next, Elvis declared, “Friends, as a great philosopher once said, ‘You ain’t nothin’ but a Hound Dog …,’ ” as he launched into a short (1:07) version of the song.</p>
<p>According to Marcus, “For the first of his two appearances that night, as a performer, Elvis had come on dressed in grandma’s nightgown and nightcap.” Concerning the singer’s second set in the show, the author adds that there were “Elvis, Scotty Moore on guitar, Bill Black on stand-up bass, D. J. Fontana on drums, three Jordanaires on their feet, one at a piano. They were shown from behind; the camera pulled all the way back. They went into ‘Ready Teddy.’ It was Little Richard’s most thrilling record”, however, “there was no way Elvis was going to catch him, but he didn’t have to—the song is a wave and he rode it. Compared to moments on the Dorsey shows, on the Berle show, it was ice cream—Elvis’s face unthreatening, his legs as if in casts …” When “he sang Little Richard’s ‘Reddy Teddy’ and began to move and dance, the camera pulled in, so that the television audience saw him from the waist up only.”</p>
<p>Although Laughton was the main star and there were seven other acts on the show, Elvis was on camera for more than a quarter of the time allotted to all acts. The show was viewed by a record 60 million people which at the time was 82.6 percent of the television audience, and the largest single audience in television history. “In the New York Times”, however, “Jack Gould began his review indignantly: Elvis Presley had ‘injected movements of his tongue and indulged in wordless singing that were singularly distasteful.’ Overstimulating the physical impulses of the teenagers was ‘a gross national disservice.&#8217;”</p>
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<p><strong>Second and third appearances</strong></p>
<figure id="attachment_35085" class="wp-caption alignright" aria-describedby="caption-attachment-35085"><img loading="lazy" decoding="async" class="wp-image-35085 size-full" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/Elvis-Presley-Hound-Dog-October-28-1956.jpg" width="160" height="113" /><figcaption id="caption-attachment-35085" class="wp-caption-text">“Hound Dog”, October 28, 1956</figcaption></figure>
<p>Sullivan hosted a second appearance by Presley on October 28, 1956. Elvis performed “Don’t Be Cruel”, then “Love Me Tender”. Sullivan then addressed the audience as he stood beside Elvis, who began shaking his legs, eliciting screams from the audience. By the time Sullivan turned his head, Elvis was standing motionless. After Presley left the stage, Sullivan stated, “I can’t figure this darn thing out. You know. He just does this and everybody yells.” Elvis appeared a second time in the show and sang “Love Me”. Later on, he sang a nearly four-minute-long version of “Hound Dog” and was shown in full the entire song.</p>
<p>For the third and final appearance on January 6, 1957, Presley performed a medley of “Hound Dog”, “Love Me Tender”, and “Heartbreak Hotel”, followed by a full version of “Don’t Be Cruel”. For a second set later in the show he did “Too Much” and “When My Blue Moon Turns to Gold Again”. For his last set he sang “Peace in the Valley”. According to Sullivan’s co-producer Marlo Lewis, the rumor had it that “Elvis has been hanging a small soft-drink bottle from his groin underneath his pants, and when he wiggles his leg it looks as though his pecker reaches down to his knee!”</p>
<p>It was decided to shoot the singer only from the waist while he performed. Although much has been made of the fact that Elvis was shown only from the waist up, except for the short section of “Hound Dog”, all of the songs on this show were ballads. “Leaving behind the bland clothes he had worn on the first two shows”, Greil Marcus says, Elvis “stepped out in the outlandish costume of a pasha, if not a harem girl. From the make-up over his eyes, the hair falling in his face, the overwhelmingly sexual cast of his mouth, he was playing Rudolph Valentino in The Sheik, with all stops out. That he did so in front of the Jordanaires, who this night appeared as the four squarest-looking men on the planet, made the performance even more potent.”</p>
<p>Sullivan praised Elvis at the end of the show, saying “This is a real decent, fine boy. We’ve never had a pleasanter experience on our show with a big name than we’ve had with you…. You’re thoroughly all right” —a remark that could either be interpreted as a “ringing endorsement” that “legitimized the singer with an adult audience” or as “a somewhat hypocritical statement considering what the CBS censors had just done to his performance on that show.” Eyewitness Jerry Schilling writes, “The way Elvis looked out at us at that moment, I thought I could see a mix of hurt over the attacks he’d been subjected to in the press, and a deep pride in who he was and what he was doing.” (According to historian Tim Parrish, Presley’s manager, Colonel Parker, “had threatened to remove Elvis from the show if Sullivan did not apologize for telling the press that Elvis’s ‘gyrations’ were immoral.”)</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-35086" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/Ed-Sullivan-Show-Elvis-Presley.jpg" alt="" width="245" height="223" />Reflecting on the event in 1969, Presley claimed that Sullivan had expressed a very different opinion off-camera: “So they arranged to put me on television. At that particular time there was a lot of controversy—you didn’t see people moving—out in public. They were gettin’ it on in the back rooms, but you didn’t see it out in public too much.</p>
<p>So there was a lot of controversy … and I went to the Ed Sullivan Show. They photographed me from the waist up. And Sullivan’s standing over there saying, ‘Sumbitch.’ I said, ‘Thank you, Ed, thank you.’ I didn’t know what he was calling me, at the time.”</p>
<p>Years later, Sullivan “tried to sign the singer up again… He phoned Presley’s manager, Col. Tom Parker, and asked about a price.</p>
<p>Parker came up with a list of instructions and conditions and after hearing the demands Sullivan said, ‘Give Elvis my best—and my sympathy,’ and he hung up.”</p>
<p>The singer never again appeared in Sullivan’s show, although in February 1964 at the start of the first of three broadcasts featuring the Beatles (see below), Sullivan announced that a telegram had been received from Presley and Parker wishing the British group luck.</p>
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<h3>The Beatles</h3>
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<p><img loading="lazy" decoding="async" class="size-medium wp-image-35090 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Beatles.jpg" sizes="(max-width: 241px) 100vw, 241px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Beatles.jpg 241w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Beatles-150x150.jpg 150w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Beatles-45x45.jpg 45w" alt="" width="241" height="243" />The Beatles appeared on three consecutive Sundays in February 1964 to great anticipation and fanfare as “I Want to Hold Your Hand” had swiftly risen to No. 1 in the charts. Their first appearance on February 9 is considered a milestone in American pop culture and the beginning of the British Invasion in music. The broadcast drew an estimated 73 million viewers, at the time a record for US television. The Beatles followed Ed’s show opening intro, performing “All My Loving”; “Till There Was You”, which featured the names of the group members superimposed on closeup shots, including the famous “SORRY GIRLS, HE’S MARRIED” caption on John Lennon; and “She Loves You”. The act that followed Beatles in the broadcast was pre-recorded, rather than having someone perform live on stage amidst the pandemonium that occurred in the studio after the Beatles performed their first songs. The group returned later in the program to perform “I Saw Her Standing There” and “I Want to Hold Your Hand”.</p>
<p>The following week’s show was broadcast from Miami Beach where Muhammad Ali (then Cassius Clay) was in training for his first title bout with Sonny Liston. The occasion was used by both camps for publicity. On the evening of the television show (February 16) a crush of people nearly prevented the band from making it onstage. A wedge of policemen were needed and the band began playing “She Loves You” only seconds after reaching their instruments. They continued with “This Boy”, and “All My Loving” and returned later to close the show with “I Saw Her Standing There”, “From Me to You” and “I Want to Hold Your Hand”.</p>
<p>They were shown on tape February 23 (this appearance had been taped earlier in the day on February 9 before their first live appearance). They followed Ed’s intro with “Twist and Shout” and “Please Please Me” and closed the show once again with “I Want to Hold Your Hand”.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-35091" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Beatles2.jpg" alt="" width="298" height="229" />The Beatles appeared live for the final time on August 14, 1965. The show was broadcast September 12, 1965, and earned Sullivan a 60-percent share of the nighttime audience for one of the appearances. This time they followed three acts before coming out to perform “I Feel Fine”, “I’m Down”, and “Act Naturally” and then closed the show with “Ticket to Ride”, “Yesterday”, and “Help!” Although this was their final live appearance on the show, the group would, for several years, provide filmed promotional clips of songs to air exclusively on Sullivan’s program such as the 1966 and 1967 clips of “Paperback Writer”, “Rain”, “Penny Lane”, and “Strawberry Fields Forever”.</p>
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<p>The Supremes</p>
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<p><strong>The Supremes</strong> were a special act for The Ed Sullivan Show.</p>
<p><img loading="lazy" decoding="async" class="alignright size-medium wp-image-35093" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Supremes-300x233.jpg" sizes="(max-width: 300px) 100vw, 300px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Supremes-300x233.jpg 300w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Supremes.jpg 333w" alt="" width="300" height="233" />In addition to 14 appearances, they were a personal favorite of Sullivan, whom he affectionately called “The Girls”. Over the five years they performed on the program, the Supremes performed 15 of their hit singles, and numerous Broadway showtunes and other non-Motown songs. The group featuring the most popular lineup of Diana Ross, Mary Wilson, and Florence Ballard appeared 15 times from December 1964 through May 1967.</p>
<p>The group reappeared on the series in October 1967 as the newly rebilled “Diana Ross &amp; the Supremes”, with Ballard replacement Cindy Birdsong and Ross more prominently featured. The Supremes’ final appearance on the show, shortly before it ended, served as the platform to introduce America to Ross’s replacement, Jean Terrell, in March 1970.</p>
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<h3>The Rolling Stones</h3>
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<p>On October 25, 1964, just over eight months after The Beatles historic performance, <strong>The Rolling Stones</strong> made their first appearance on The Ed Sullivan Show. The bad boys of rock n roll were fresh of the release of their third album “12 X 5” and they knew there was no better way to promote it to an American audience.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-35095" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Rolling-Stones.jpg" sizes="(max-width: 349px) 100vw, 349px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Rolling-Stones.jpg 349w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Rolling-Stones-300x200.jpg 300w" alt="" width="349" height="233" />As Ed introduced the band to screaming fans the curtain rose to reveal The Rolling Stones taking their place on stage. The band kicked the night off with the Chuck Berry classic, “Around &amp; Around,” and a young, shaggy-haired Mick Jagger danced across the stage to the girls’ delight.</p>
<p>The screams lasted throughout the entire song, continuing even after it finished and the curtain had dropped. Ed attempted to introduce the next act, but the sustained shrieks muffled his attempts. He slowly grew impatient and had to tell the audience to be “Quiet!” multiple times.</p>
<p>The Rolling Stones came back to close that evening’s show with their hit, “Time Is on My Side.” Once again, Mick Jagger had to sing over the shrieks of the raucous and unruly crowd. The performance put Jagger’s charisma on full display.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-35096" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Rolling-Stones-2.jpg" sizes="(max-width: 313px) 100vw, 313px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Rolling-Stones-2.jpg 313w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Rolling-Stones-2-300x191.jpg 300w" alt="" width="313" height="199" />Although The Rolling Stone’s first performance on The Ed Sullivan Show was great for the band’s popularity as well as for CBS’s ratings, Sullivan was reticent to book them again. Following The Stones’ first performance, Ed supposedly declared, “I promise you they’ll never be back on our show. It took me 17 years to build this show and I’m not going to have it destroyed in a matter of weeks.” He had had enough of how worked up the crowds had become, and he thought the band was unkempt. When the Stones’ manager tried to change Sullivan’s mind he was sent a response from Ed reading, “We were deluged with mail protesting the untidy appearance—clothes and hair of your Rolling Stones. Before even discussing the possibility of a contract, I would like to learn from you, whether your young men have reformed in the matter of dress and shampoo.” Whatever was said in response to that note worked as The Rolling Stones were back on The Ed Sullivan Show stage several months later. All in all, The Rolling Stones went on to make 6 appearances on The Ed Sullivan Show.</p>
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<h3>Buddy Holly</h3>
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<p><strong>Buddy Holly and The Crickets</strong> first appeared on The Ed Sullivan Show on December 1st, 1957, fresh off the release of their debut album. The band consisted of Niki Sullivan (rhythm guitar), Joe Mauldin (stand-up bass), Jerry Allison (drums), and Buddy (lead guitar and vocals). They all wore bow-ties and sport coats, and Buddy wore his trademark horn-rimmed glasses. The foursome played “That’ll be the Day,” the first single off their album. Buddy was hard not to like, with his goofy charisma, innovative vocal style, and a very catchy tune. The result was pure gold: the track would reach #1 on the Billboard Hot 100 soon after their performance on the show.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-35098" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-Buddy-Holly.jpg" alt="" width="237" height="296" />That night they also played “Peggy Sue”, a song named for Jerry Allison’s girlfriend and future wife. That song shot up the charts to #3 on the Billboard Hot 100.</p>
<p>Holly’s tireless dedication in the studio led to the Crickets returning to Sullivan less than two months later, on January 26, 1958. A relaxed Holly let fly with “Oh, Boy!”, another single off The Chirpin’ Crickets, a catchy tune that subsequently reached #10 on the Billboard Hot 100.</p>
<p>On February 3, 1959, almost exactly a year after his last appearance on The Ed Sullivan Show, Buddy Holly’s plane crashed over Iowa. Only 22 years old, he was killed along with Ritchie Valens and “The Big Bopper.” Don McLean called it “The Day the Music Died” in his song “American Pie,” showing just how much Buddy meant to music.</p>
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<p>Herman’s Hermits</p>
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<p>The quintet from Manchester, England was made up of Peter Noone, Derek Leckenby, Keith Hopwood, Karl Green and Barry Whitwam. The group’s sound was styled similarly to the America surf rock they enjoyed listening to. Lead vocalist Peter Noone, who was only 15 years old when the group got together, took the nickname “Herman” after the character Sherman in the Rocky &amp; Bullwinkle cartoons. Following their first hugely successful 1964 release in the UK “I’m Into Something Good,” the young, clean-cut group went on to play a pivotal role in British Invasion.</p>
<p>After their song “Mrs. Brown, You’ve Got a Lovely Daughter” reached number one on the U.S. Billboard charts in the summer of 1965, Herman’s Hermits was set to appear on The Ed Sullivan Show. Noone recalls “They played us because we were British. But Ed Sullivan liked Herman’s Hermits which was very good for us. And he gave us great introductions, but he always got everybody’s name in the band wrong.”</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-35100" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-Herman’s-Hermits.jpg" sizes="(max-width: 316px) 100vw, 316px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-Herman’s-Hermits.jpg 316w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-Herman’s-Hermits-300x225.jpg 300w" alt="" width="316" height="237" />On June 6th 1965, Hermania, a younger rival to Beatlemania, infected The Ed Sullivan Show. It was evident in the screams of the studio audience as Ed Sullivan introduced the group. Herman’s Hermits opened with their hit, “Mrs. Brown, You’ve Got a Lovely Daughter” on a set that resembled an English street. Throughout the song a young, innocent looking Peter Noone made coy facial expressions and shot playful glances to the crowd. It was clear he knew what he was doing as he later stated, “On stage I make myself look as young as possible and then all the girls in the audience go ‘aahh, isn’t he nice’.” Noone got the desired effect as teenage girls screamed throughout the whole performance.</p>
<p>The band followed with the British music hall song “I’m Henry the Eighth, I Am,” and Sam Cooke’s “Wonderful World.” During the performance of “I’m Henry the Eighth, I Am,” Peter really exaggerated his Manchester accent for the American audience. Following that evening’s performance, the song really took off and by August it was number one.</p>
<p>Herman’s Hermits returned to The Ed Sullivan Show on June 19, 1966. During the commercial break before they took the stage, the teenage girls in the audience were screaming and getting all worked up. Ed jokingly remarked, “Oh to be young.” After the break, the boys, with matching suits and shaggy hairdos, performed “Isn’t That Just a Little Bit Better” and “Jezebel.” Peter Noone picked up right where he left off with his charming smirks and waves to the crowd. At the end of the second song, the lights cut out and there was a collective groan from the audience who had hoped the band would do one more song.</p>
<p>Herman’s Hermits returned to The Ed Sullivan Show one last time on September 18, 1966. They took the stage with each member dressed in different colored pinstripe suit. The suits worked perfectly with the bright and colorful set, which looked like something straight out of Swinging London. The band opened with their newest hit “Dandy,” with an upbeat Peter walking around the stage singing a few lines with each band mate. Then the lights faded out for “L’Autre Jour”, which Noone sang in French and English. Herman’s Hermits closed out their final Sullivan show with “My Reservation’s Been Confirmed” before taking a bow to the screams of their adoring fans.</p>
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<p><strong>The Doors</strong> were notorious for their appearance on the show. CBS network censors demanded that lead singer Jim Morrison change the lyrics to their hit single “Light My Fire” by altering the line, “Girl, we couldn’t get much higher”, before the band performed the song live on September 17, 1967. However, Morrison sang the original line, and on live television with no delay, CBS was powerless to stop it.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-35103" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Doors.jpg" sizes="(max-width: 354px) 100vw, 354px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Doors.jpg 354w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Doors-300x231.jpg 300w" alt="" width="354" height="272" /></p>
<p>They were never invited back to the show. According to Ray Manzarek, the band was told, “Mr. Sullivan liked you boys. He wanted you on six more times. … You’ll never do the Sullivan show again.” Morrison replied with glee, “Hey man, we just did the Sullivan show.” —at the time, an appearance was a hallmark of success. Manzarek has given differing accounts of what happened. He has said that the band only pretended to agree to change the line but also that Morrison was nervous and simply forgot to change the line. The performance and incident was re-enacted in the 1991 biographical film, The Doors.</p>
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<h3>The Four Seasons</h3>
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<p>The group, made up of Frankie Valli (vocals), Bob Gaudio (keyboard/vocals), Tommy DeVito (lead guitar/vocals), and Nick Massi (bass guitar/vocals), is the most successful white doo-wop group of all time. Selling over 175 million records worldwide, they recorded 5 Number Ones, 10 Top Ten and 15 Top 40 pop hits.</p>
<p>Originally known as The Four Lovers, the group landed their first major record deal with Vee Jay Records, a predominantly black record label. They had a minor hit with Otis Blackwell’s “Apple of my Eye”, which they performed on one of their two appearances on The Ed Sullivan Show in 1956.</p>
<p>In 1959, the group changed their name to The 4 Seasons, after a New Jersey bowling alley where they had failed an audition. Their luck began to change when they met lyricist and producer Bob Crewe. He and Gaudio started writing songs together, and they never looked back. In 1962, The 4 Seasons released their first album “Sherry &amp; 11 Others”.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-35105" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Four-Seasons.jpg" sizes="(max-width: 339px) 100vw, 339px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Four-Seasons.jpg 339w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Four-Seasons-300x204.jpg 300w" alt="" width="339" height="231" />With their first number one “Sherry,” The 4 Seasons proved they were not just a one-hit wonder by turning out “Big Girls Don’t Cry”— the song they performed on The Ed Sullivan Show on December 9th, 1962.</p>
<p>America instantly fell for Frankie Valli’s falsetto voice and the loveable boys from New Jersey.</p>
<p>“Big Girls Don’t Cry” skyrocketed to Number One and remained there for fourteen weeks. Following that success, they released “Walk Like a Man” just three months later.</p>
<p>This song was Number One for twelve weeks. The 4 Seasons, along with The Beach Boys, were one of the few American acts to withstand the British invasion that occurred in the 1960s when The Beatles crossed the pond.</p>
<p>They even managed to make the UK Top 40 charts nine times. As an established group, The 4 Seasons returned to The Ed Sullivan Show two additional times in 1966, performing “Let’s Hang On”, “Don’t Think Twice” and “I’ve Got You Under My Skin”.</p>
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<h3>Creedence Clearwater Revival</h3>
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<p>John Fogerty (guitar), Doug Clifford (drums) and Stu Cook (bass) all grew up together in El Cerrito, California and began playing music together while in junior high school. The three boys started out as an instrumental cover band and later, in the early 1960’s, joined up with John’s brother Tom (rhythm guitar, vocals) to play live shows around town. Signed to Fantasy Records, they released seven unsuccessful singles under the name of The Golliwogs. In 1967, they released their first single as Creedence Clearwater Revival, and things began to happen.</p>
<p>According to the band, the name Creedence Clearwater Revival was derived from Tom’s friend Creedence, a commercial for Olympia beer evoking the word “clear water” and the group’s revival after a two year layoff when John and Doug were called to military duty by the draft board in 1966. With this renewed commitment to making music, Creedence Clearwater Revival released their self-titled debut album in 1968. By this time, John was guitarist, singer, songwriter and producer. Inspired by artists such as Muddy Waters, Hank Williams, Chuck Berry and Elvis Presley, the album’s sound spoke to the group’s working class origins. The LP with was well received and the single, a remake of Dale Hawkins 1956 song, “Suzie Q” reached #11 on the Top 40 charts nationally.</p>
<p>With the group’s early success, Creedence Clearwater Revival hit the road to perform live shows throughout the country while also working on a follow-up album. These shows included music festivals, most famously Woodstock where they appeared with artists Janis Joplin, Jimi Hendrix, Santana Santana and The Who. Along with all these shows and as with any artist looking for national exposure, the band made sure to book themselves on The Ed Sullivan Show.</p>
<p>The group‘s first appearance was on March 9, 1969. While introducing Creedence Clearwater Revival, Ed Sullivan spoke to the group’s early success stating, “All the youngsters…have been asking for this group.” Having released their second album, Bayou Country, earlier that year the group opened with their hit single “Proud Mary,” a song about a Mississippi steamboat. John Fogerty actually started writing the song the morning he was discharged from the U.S Army. The hit was #2 on the Billboard charts and would later be covered by Ike and Tina Turner, as well as Elvis Presley.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-35107" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-Creedence-Clearwater-Revival.jpg" sizes="(max-width: 345px) 100vw, 345px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-Creedence-Clearwater-Revival.jpg 345w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-Creedence-Clearwater-Revival-300x219.jpg 300w" alt="" width="345" height="252" /></p>
<p>The band followed that song up with a rousing version of Little Richard’s “Good Golly Miss Molly” full of blistering guitar solos and Fogerty’s howling of the title line. With Fogerty’s twang, drummer Doug Clifford’s pink cowboy shirt and the band’s swamp rock sound, it felt like the group was straight out of Louisiana as opposed to Northern California. Following the two songs the group went up to shake Ed Sullivan’s hand and wave to the crowd. Always known for mispronouncing or forgetting names, Sullivan stuttered on John Fogerty’s name as the band walked offstage.</p>
<p>Sullivan wouldn’t have any problems pronouncing the band’s name when Creedence Clearwater Revival returned to The Ed Sullivan Show on November 16, 1969. That evening, the band performed two songs, “Fortunate Son” and “Down on the Corner,” off their newest album Willy and the Poor Boys. The performance of “Fortunate Son,” a song inspired by the draft for the Vietnam War and the providential lives of privileged children like David Eisenhower and Julie Nixon, was a sharp and poignant statement about the social and political climate of the past decade. The set, a rickety red wooden stage that looked like it had been pulled out of the Louisiana Bayou, was perfectly fitting for the band from working class origins. Following “Fortunate Son,” there was a paradoxical shift in mood as the band transitioned right into the rollicking good-time song “Down on the Corner.” While evoking strikingly different feelings, both songs had a great look and sound that night.</p>
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<h3>Ed Sullivan</h3>
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<p>The post <a href="https://thehistoryofrockandroll.net/the-ed-sullivan-show-pt-1/">The Ed Sullivan Show Pt 1</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>Legends of Guitars Pt 2</title>
		<link>https://thehistoryofrockandroll.net/legends-of-guitars-pt-2/</link>
		
		<dc:creator><![CDATA[Meagan Paese]]></dc:creator>
		<pubDate>Sat, 28 Jan 2017 15:47:55 +0000</pubDate>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Pop]]></category>
		<category><![CDATA[Rock and Roll]]></category>
		<category><![CDATA[Buddy Holly]]></category>
		<category><![CDATA[Chet Atkins]]></category>
		<category><![CDATA[Dave Davies]]></category>
		<category><![CDATA[Eric Clapton]]></category>
		<category><![CDATA[Howlin’ Wolf]]></category>
		<category><![CDATA[Jeff Beck]]></category>
		<category><![CDATA[Les Paul]]></category>
		<category><![CDATA[T-Bone Walker]]></category>
		<guid isPermaLink="false">http://www.thehistoryofrockandroll.net/?p=34874</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/legends-of-guitars-pt-2/">Legends of Guitars Pt 2</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><div class="et_pb_section et_pb_section_5 et_section_regular" >
				
				
				
				
				
				
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				<div class="et_pb_text_inner"><p style="text-align: center;"><a href="http://www.thehistoryofrockandroll.net/legends-of-guitars-pt-1/">Legends of Guitars (Pt 1)</a> | <a href="http://www.thehistoryofrockandroll.net/legends-of-guitars-pt-2/">Legends of Guitars (Pt 2)</a> | <a href="http://www.thehistoryofrockandroll.net/legends-of-guitars-pt-3/">Legends of Guitars (Pt 3)</a></p></div>
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				<div class="et_pb_text_inner"><h2>Eric Clapton (1945- )</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Eric Clapton</strong> (1945- ) is an English rock and blues guitarist, singer, and songwriter. He is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist and separately as a member of the Yardbirds and Cream.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-34875" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/01/Eric-Clapton.jpg" alt="" width="219" height="328" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/Eric-Clapton.jpg 219w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/Eric-Clapton-200x300.jpg 200w" sizes="(max-width: 219px) 100vw, 219px" />Clapton has been referred to as one of the most important and influential guitarists of all time. Clapton ranked second in Rolling Stone magazine&#8217;s list of the &#8220;100 Greatest Guitarists of All Time&#8221;[2] and fourth in Gibson&#8217;s &#8220;Top 50 Guitarists of All Time&#8221;. He was also named number five in Time magazine&#8217;s list of &#8220;The 10 Best Electric Guitar Players&#8221; in 2009.</p>
<p>In the mid-1960s Clapton left the Yardbirds to play with John Mayall &amp; the Bluesbreakers. Immediately after leaving Mayall, Clapton formed the power trio Cream with drummer Ginger Baker and bassist Jack Bruce, in which Clapton played sustained blues improvisations and &#8220;arty, blues-based psychedelic pop&#8221;.</p>
<p>Furthermore, he formed blues rock band Blind Faith with Baker, Steve Winwood, and Ric Grech. For most of the 1970s Clapton&#8217;s output bore the influence of the mellow style of J. J. Cale and the reggae of Bob Marley. His version of Marley&#8217;s &#8220;I Shot the Sheriff&#8221; helped reggae reach a mass market. Two of his most popular recordings were &#8220;Layla&#8221;, recorded with Derek and the Dominos; and Robert Johnson&#8217;s &#8220;Crossroads&#8221;, recorded with Cream. Following the death of his son Conor in 1991, Clapton&#8217;s grief was expressed in the song &#8220;Tears in Heaven&#8221;, which was featured on his Unplugged album.</p></div>
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				<div class="et_pb_text_inner"><h2>Buddy Holly (1936-1959)</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Buddy Holly</strong> (1936-1959) was an American musician and singer-songwriter who was a central figure of mid-1950s rock and roll. Holly was born in Lubbock, Texas, to a musical family during the Great Depression; he learned to play guitar and to sing alongside his siblings. His style was influenced by gospel music, country music, and rhythm and blues acts, and he performed in Lubbock with his friends from high school. He made his first appearance on local television in 1952, and the following year he formed the group &#8220;Buddy and Bob&#8221; with his friend Bob Montgomery. In 1955, after opening for Elvis Presley, Holly decided to pursue a career in music. He opened for Presley three times that year; his band&#8217;s style shifted from country and western to entirely rock and roll. In October that year, when he opened for Bill Haley &amp; His Comets, Holly was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Decca Records.</p>
<p><img loading="lazy" decoding="async" class="alignright wp-image-34458 size-full" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Buddy-Holly.jpg" width="381" height="210" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Buddy-Holly.jpg 381w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Buddy-Holly-300x165.jpg 300w" sizes="(max-width: 381px) 100vw, 381px" />Holly&#8217;s recording sessions at Decca were produced by Owen Bradley. Unhappy with Bradley&#8217;s control in the studio and with the sound he achieved there, Holly went to producer Norman Petty in Clovis, New Mexico, and recorded a demo of &#8220;That&#8217;ll Be the Day&#8221;, among other songs. Petty became the band&#8217;s manager and sent the demo to Brunswick Records, which released it as a single credited to &#8220;The Crickets&#8221;, which became the name of Holly&#8217;s band. In September 1957, as the band toured, &#8220;That&#8217;ll Be the Day&#8221; topped the US &#8220;Best Sellers in Stores&#8221; chart and the UK Singles Chart. Its success was followed in October by another major hit, &#8220;Peggy Sue&#8221;.</p>
<p>The album Chirping Crickets, released in November 1957, reached number five on the UK Albums Chart. Holly made his second appearance on The Ed Sullivan Show in January 1958 and soon after, toured Australia and then the UK. In early 1959, Holly assembled a new band, consisting of future country music star Waylon Jennings (bass), famed session musician Tommy Allsup (guitar), and Carl Bunch (drums), and embarked on a tour of the midwestern U.S. After a show in Clear Lake, Iowa, Holly chartered an airplane to travel to his next show, in Moorhead, Minnesota. Soon after takeoff, the plane crashed, killing Holly, Ritchie Valens, The Big Bopper, and pilot Roger Peterson in a tragedy later eulogized by Don McLean as &#8220;The Day the Music Died&#8221;.</p>
<p>During his short career, Holly wrote, recorded, and produced his own material. He is often regarded as the artist who defined the traditional rock-and-roll lineup of two guitars, bass, and drums. Holly was a major influence on later popular music artists, including The Beatles, The Rolling Stones, Eric Clapton, and Elton John. He was among the first artists inducted into the Rock and Roll Hall of Fame, in 1986. Rolling Stone Magazine ranked him number 13 in its list of &#8220;100 Greatest Artists&#8221;.</p></div>
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				<div class="et_pb_text_inner"><h2>Chet Atkins (1924-2001)</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Chet Atkins</strong> (1924-2001) was an American musician, occasional vocalist, songwriter, and record producer, who along with Owen Bradley and Bob Ferguson, among others, created the country music style that came to be known as the Nashville sound, which expanded country music&#8217;s appeal to adult pop music fans. He was primarily known as a guitarist. He also played the mandolin, fiddle, banjo, and ukulele.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-34877 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/01/Chet-Atkins.jpg" alt="" width="234" height="287" />Atkins&#8217; signature picking style was inspired by Merle Travis. Other major guitar influences were Django Reinhardt, George Barnes, Les Paul, and, later, Jerry Reed. His distinctive picking style and musicianship brought him admirers inside and outside the country scene, both in the United States and abroad. Atkins spent most of his career at RCA Victor and produced records for the Browns, Hank Snow, Porter Wagoner, Norma Jean, Dolly Parton, Dottie West, Perry Como, Floyd Cramer, Elvis Presley, the Everly Brothers, Eddy Arnold, Don Gibson, Jim Reeves, Jerry Reed, Skeeter Davis, Waylon Jennings, and many others.</p>
<p>Among many honors, Atkins received 14 Grammy Awards and the Grammy Lifetime Achievement Award. He also received nine Country Music Association awards for Instrumentalist of the Year. He was inducted into the Rock &amp; Roll Hall of Fame, the Country Music Hall of Fame and Museum, and the Musicians Hall of Fame and Museum.</p></div>
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				<div class="et_pb_text_inner"><h2>Dave Davies (1947- )</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Dave Davies</strong> (1947- ) an English singer, songwriter and guitarist. He is best known as the lead guitarist and occasional lead singer for the English rock band The Kinks, which also featured his older brother Ray Davies.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-34881 aligncenter" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/01/Dave-Davies.jpg" alt="" width="306" height="306" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/Dave-Davies.jpg 306w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/Dave-Davies-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/Dave-Davies-300x300.jpg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/Dave-Davies-45x45.jpg 45w" sizes="(max-width: 306px) 100vw, 306px" /></p>
<p>In 2003, Davies was ranked 91st in Rolling Stone Magazine&#8217;s list of the &#8220;100 Greatest Guitarists of All Timef Fame and Museum.</p></div>
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				<div class="et_pb_text_inner"><h2>T-Bone Walker (1910-1975)</h2></div>
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				<div class="et_pb_text_inner"><p><strong>T-Bone Walker</strong> (1910-1975) was a critically acclaimed American blues guitarist, singer, songwriter and multi-instrumentalist, who was an influential pioneer and innovator of the jump blues and electric blues sound. In 2011, Rolling Stone magazine ranked him number 67 on its list of &#8220;The 100 Greatest Guitarists of All Time</p>
<p><img loading="lazy" decoding="async" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/01/T-Bone-Walker.jpg" alt="" width="341" height="422" class="alignnone size-full wp-image-34883" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/T-Bone-Walker.jpg 341w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/T-Bone-Walker-242x300.jpg 242w" sizes="(max-width: 341px) 100vw, 341px" /></p></div>
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				<div class="et_pb_text_inner"><h2>Les Paul (1915-2009)</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Les Paul</strong> (1915-2009) was an American jazz, country, and blues guitarist, songwriter, luthier, and inventor. He was one of the pioneers of the solid-body electric guitar, which made the sound of rock and roll possible. Paul taught himself how to play guitar and while he is mainly known for jazz and popular music, he had an early career in country music.</p>
<p><img loading="lazy" decoding="async" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/01/Les-Paul.jpg" alt="" width="240" height="301" class="alignright size-full wp-image-34885" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/Les-Paul.jpg 240w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/Les-Paul-239x300.jpg 239w" sizes="(max-width: 240px) 100vw, 240px" />He is credited with many recording innovations. Although he was not the first to use the technique, his early experiments with overdubbing (also known as sound on sound), delay effects such as tape delay, phasing effects and multitrack recording were among the first to attract widespread attention.</p>
<p>His innovative talents extended into his playing style, including licks, trills, chording sequences, fretting techniques and timing, which set him apart from his contemporaries and inspired many guitarists of the present day. He recorded with his wife Mary Ford in the 1950s, and they sold millions of records.</p>
<p>Among his many honors, Paul is one of a handful of artists with a permanent, stand-alone exhibit in the Rock and Roll Hall of Fame. He is prominently named by the music museum on its website as an &#8220;architect&#8221; and a &#8220;key inductee&#8221; along with Sam Phillips and Alan Freed. Les Paul is the only person to be included in both the Rock and Roll Hall of Fame and the National Inventors Hall of Fame.</p></div>
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				<div class="et_pb_text_inner"><h2>Jeff Beck (1944- )</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Jeff Beck</strong> (1944- ) is an English rock guitarist. He is one of the three noted guitarists to have played with The Yardbirds (the other two being Eric Clapton and Jimmy Page). Beck also formed The Jeff Beck Group and Beck, Bogert &#038; Appice.</p>
<p><img loading="lazy" decoding="async" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/01/Jeff-Beck.jpg" alt="" width="260" height="399" class="alignleft size-full wp-image-34887" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/Jeff-Beck.jpg 260w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/Jeff-Beck-195x300.jpg 195w" sizes="(max-width: 260px) 100vw, 260px" />Much of Beck&#8217;s recorded output has been instrumental, with a focus on innovative sound, and his releases have spanned genres ranging from blues-rock, hard rock, jazz fusion, and an additional blend of guitar-rock and electronica. Although he recorded two hit albums (in 1975 and 1976) as a solo act, Beck has not established or maintained the sustained commercial success of many of his contemporaries and bandmates.</p>
<p>Beck appears on albums by Mick Jagger, Tina Turner, Morrissey, Jon Bon Jovi, Malcolm McLaren, Kate Bush, Roger Waters, Donovan, Stevie Wonder, Les Paul, Zucchero, Cyndi Lauper, Brian May, Stanley Clarke, Screaming Lord Sutch, ZZ Top, and Toots and the Maytals.<br />
He was ranked fifth in Rolling Stone&#8217;s list of the &#8220;100 Greatest Guitarists of All Time&#8221; and the magazine, upon whose cover Beck has appeared three times, has described him as &#8220;one of the most influential lead guitarists in rock&#8221;. He is often called a &#8220;guitarist&#8217;s guitarist&#8221;. Beck has earned wide critical praise and received the Grammy Award for Best Rock Instrumental Performance six times and Best Pop Instrumental Performance once. In 2014 he received the British Academy&#8217;s Ivor Novello Award for Outstanding Contribution to British Music. Beck has been inducted into the Rock and Roll Hall of Fame twice: as a member of the Yardbirds (1992) and as a solo artist (2009).</p></div>
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				<div class="et_pb_text_inner"><h2>Howlin’ Wolf (1910-1976)</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Howlin’ Wolf</strong> (1910-1976) was a Chicago blues singer, guitarist, and harmonica player, originally from Mississippi. </p>
<p><img loading="lazy" decoding="async" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/01/Howlin’-Wolf.jpg" alt="" width="321" height="374" class="alignright size-full wp-image-34889" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/Howlin’-Wolf.jpg 321w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/Howlin’-Wolf-257x300.jpg 257w" sizes="(max-width: 321px) 100vw, 321px" />With a booming voice and looming physical presence, he is one of the best-known Chicago blues artists. Musician and critic Cub Koda noted, &#8220;no one could match Howlin&#8217; Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits.&#8221;</p>
<p>Producer Sam Phillips recalled, &#8220;When I heard Howlin&#8217; Wolf, I said, &#8216;This is for me. This is where the soul of man never dies'&#8221;. Several of his songs, including &#8220;Smokestack Lightnin'&#8221;, &#8220;Back Door Man&#8221;, &#8220;Killing Floor&#8221; and &#8220;Spoonful&#8221;, have become blues and blues rock standards. In 2004, Rolling Stone magazine ranked him number 51 on its list of the &#8220;100 Greatest Artists of All Time</p></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/legends-of-guitars-pt-2/">Legends of Guitars Pt 2</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>The  Greatest Singers of All Time (Part 2)</title>
		<link>https://thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-2/</link>
		
		<dc:creator><![CDATA[Meagan Paese]]></dc:creator>
		<pubDate>Mon, 31 Oct 2016 16:00:49 +0000</pubDate>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Pop]]></category>
		<category><![CDATA[Rock and Roll]]></category>
		<category><![CDATA[Buddy Holly]]></category>
		<category><![CDATA[David Bowie]]></category>
		<category><![CDATA[Dion]]></category>
		<category><![CDATA[Elton John]]></category>
		<category><![CDATA[Etta James]]></category>
		<category><![CDATA[Frank Sinatra]]></category>
		<category><![CDATA[Frankie Valli]]></category>
		<category><![CDATA[George Jones]]></category>
		<category><![CDATA[Jackie Wilson]]></category>
		<category><![CDATA[James Taylor]]></category>
		<category><![CDATA[Johnny Cash]]></category>
		<category><![CDATA[Levon Helm]]></category>
		<category><![CDATA[Michael Jackson]]></category>
		<category><![CDATA[Mick Jagger]]></category>
		<category><![CDATA[Patsy Cline]]></category>
		<category><![CDATA[Robert Plant]]></category>
		<category><![CDATA[Roger Daltrey]]></category>
		<category><![CDATA[Ronnie Spector]]></category>
		<category><![CDATA[Roy Orbison]]></category>
		<category><![CDATA[Smokey Robinson]]></category>
		<guid isPermaLink="false">http://www.thehistoryofrockandroll.net/?p=34435</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-2/">The  Greatest Singers of All Time (Part 2)</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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										<content:encoded><![CDATA[<p><div class="et_pb_section et_pb_section_14 et_section_regular" >
				
				
				
				
				
				
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				<div class="et_pb_text_inner"><p style="text-align: center;"><a href="http://www.thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-1/">The Greatest Singers of all Times (Part 1)</a> | <a href="http://www.thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-2/">The Greatest Singers of all Times (Part 2)</a></p></div>
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				<div class="et_pb_text_inner"><h2>Mick Jagger</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Mick Jagger is an English singer, songwriter and actor, best known as the lead singer and a co-founder of the Rolling Stones.</strong> Jagger&#8217;s career has spanned over 50 years, and he has been described as &#8220;one of the most popular and influential frontmen in the history of Rock &amp; Roll&#8221;.</p>
<p><img loading="lazy" decoding="async" class="alignright wp-image-34436 size-full" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Mick-Jagger.jpg" alt="Greatest Singers of all Time Mick Jagger" width="229" height="321" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Mick-Jagger.jpg 229w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Mick-Jagger-214x300.jpg 214w" sizes="(max-width: 229px) 100vw, 229px" />Jagger&#8217;s distinctive voice and performance, along with Keith Richards&#8217; guitar style, have been the trademark of the Rolling Stones throughout the career of the band. Jagger gained press notoriety for his admitted drug use and romantic involvements, and was often portrayed as a counter-cultural figure.</p>
<p>In the late 1960s, Jagger began acting in films (starting with Performance and Ned Kelly), to mixed reception. In 1985, he released his first solo album, She&#8217;s the Boss. In early 2009, Jagger joined the electric super-group SuperHeavy.</p>
<p>In 1989 he was inducted into the Rock and Roll Hall of Fame, and in 2004 into the UK Music Hall of Fame with the Rolling Stones. In 2003, he was knighted for his services to popular music.</p></div>
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				<div class="et_pb_text_inner"><p><strong>Robert Plant is an English musician, singer, and songwriter best known as the lead singer and lyricist of the rock band Led Zeppelin.</strong></p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-34437" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Robert-Plant.jpg" alt="The Greatest Singers of all time Robert Plant " width="264" height="376" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Robert-Plant.jpg 264w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Robert-Plant-211x300.jpg 211w" sizes="(max-width: 264px) 100vw, 264px" />A powerful and wide vocal range (particularly evident in his high-pitched vocals) has given him a successful solo career spanning over 30 years.</p>
<p>Plant is regarded as one of the greatest singers in the history of rock and roll; he has influenced fellow rock singers such as Freddie Mercury, Axl Rose and Chris Cornell.</p>
<p>In 2006, Heavy Metal magazine Hit Parader named Plant the &#8220;Greatest Metal Vocalist of All Time&#8221;.</p>
<p>In 2009, Plant was voted &#8220;the greatest voice in rock&#8221; in a poll conducted by Planet Rock.</p>
<p>In 2008, Rolling Stone editors ranked him number 15 on their list of the 100 best singers of all time. In 2011, Rolling Stone readers ranked Plant the greatest of all lead singers.</p></div>
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				<div class="et_pb_text_inner"><h2>Roy Orbison</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Roy Orbison was an American singer-songwriter and musician, known for his distinctive, impassioned voice, complex compositions and dark emotional ballads.</strong> The combination led many critics to describe his music as operatic, giving him the sobriquet &#8220;the Caruso of Rock&#8221;.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34438" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Roy-Orbison.jpg" alt="The Greatest Singers of all time Roy Orbison" width="396" height="288" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Roy-Orbison.jpg 396w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Roy-Orbison-300x218.jpg 300w" sizes="(max-width: 396px) 100vw, 396px" /></p>
<p>Between 1960 and 1964, 22 of his songs placed on the Billboard Top 40, including &#8220;Only the Lonely&#8221; (1960), &#8220;Crying&#8221; (1961), and &#8220;Oh, Pretty Woman&#8221; (1964).</p>
<p>Orbison grew up in Texas and began singing in a rockabilly and country and western band in high school. He was signed by Sun Records in 1956, but his greatest success came with Monument Records in the early 1960s.</p>
<p>His career stagnated in the 1970s, but was revived by several cover versions of his songs and the use of &#8220;In Dreams&#8221; in David Lynch&#8217;s film Blue Velvet (1986). In 1988, he was a member of the Traveling Wilburys supergroup, along with George Harrison, Bob Dylan, Tom Petty and Jeff Lynne. He recorded his last solo album, Mystery Girl, the same year but died of a heart attack shortly thereafter.</p>
<p>While most male rock and roll performers in the 1950s and 1960s projected a defiant masculinity, many of Orbison&#8217;s songs instead conveyed a quiet, almost desperate, vulnerability. His voice ranged from baritone to tenor, and music scholars have suggested that he had a three- or four-octave range. During performances, he was known for standing still and solitary, and for wearing black clothes and dark sunglasses, which lent an air of mystery to his persona.</p>
<p>His honors include inductions into the Rock and Roll Hall of Fame in 1987, the Nashville Songwriters Hall of Fame in the same year, and the Songwriters Hall of Fame in 1989. Rolling Stone placed him at number 37 on their list of the &#8220;Greatest Artists of All Time&#8221; and number 13 on their list of the &#8220;100 Greatest Singers of All Time&#8217;. In 2002, Billboard magazine listed Orbison at number 74 in the Top 600 recording artists.</p></div>
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				<div class="et_pb_text_inner"><h2>Michael Jackson</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Michael Jackson was an American singer, songwriter, record producer, dancer, actor and philanthropist.</strong> Called the &#8220;King of Pop&#8221;, his contributions to music, dance, and fashion along with his publicized personal life made him a global figure in popular culture for over four decades.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34440" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Michael-Jackson.jpg" alt="The Greatest Singers of all time Michael Jackson" width="400" height="300" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Michael-Jackson.jpg 400w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Michael-Jackson-300x225.jpg 300w" sizes="(max-width: 400px) 100vw, 400px" /></p>
<p>The eighth child of the Jackson family (one of whom died in infancy), Michael made his professional debut in 1964 with his elder brothers Jackie, Tito, Jermaine, and Marlon as a member of the Jackson 5. He began his solo career in 1971. In the early 1980s, Jackson became a dominant figure in popular music.</p>
<p>His music videos, including those of &#8220;Beat It&#8221;, &#8220;Billie Jean&#8221;, and &#8220;Thriller&#8221; from his 1982 album Thriller, are credited with breaking racial barriers and transforming the medium into an art form and promotional tool. The popularity of these videos helped bring the television channel MTV to fame. Jackson&#8217;s 1987 album Bad spawned the U.S. Billboard Hot 100 number-one singles &#8220;I Just Can&#8217;t Stop Loving You&#8221;, &#8220;Bad&#8221;, &#8220;The Way You Make Me Feel&#8221;, &#8220;Man in the Mirror&#8221;, and &#8220;Dirty Diana&#8221;, becoming the first album to have five number-one singles on the Billboard Hot 100. He continued to innovate with videos such as &#8220;Black or White&#8221; and &#8220;Scream&#8221; throughout the 1990s, and forged a reputation as a touring solo artist. Through stage and video performances, Jackson popularized a number of complicated dance techniques, such as the robot and the moonwalk, to which he gave the name. His distinctive sound and style has influenced numerous artists of various music genres.</p>
<p>Thriller is the best-selling album of all time, with estimated sales of 65 million copies worldwide. Jackson&#8217;s other albums, including Off the Wall (1979), Bad (1987), Dangerous (1991), and HIStory (1995), also rank among the world&#8217;s best-selling albums. He is recognized as the Most Successful Entertainer of All Time by Guinness World Records.</p>
<p>Jackson is one of the few artists to have been inducted into the Rock and Roll Hall of Fame twice, and was also inducted into the Songwriters Hall of Fame and the Dance Hall of Fame as the only dancer from pop and rock music. His other achievements include multiple Guinness World Records, 13 Grammy Awards, the Grammy Legend Award, the Grammy Lifetime Achievement Award, 26 American Music Awards—more than any other artist—including the &#8220;Artist of the Century&#8221; and &#8220;Artist of the 1980s&#8221;, 13 number-one singles in the United States during his solo career,—more than any other male artist in the Hot 100 era—and estimated sales of over 350 million records worldwide.</p>
<p>Jackson has won hundreds of awards, making him the most awarded recording artist in the history of popular music. He became the first artist in history to have a top ten single in the Billboard Hot 100 in five different decades when &#8220;Love Never Felt So Good&#8221; reached number nine on May 21, 2014. Jackson traveled the world attending events honoring his humanitarianism, and, in 2000, the Guinness World Records recognized him for supporting 39 charities, more than any other entertainer.</p>
<p>Aspects of Jackson&#8217;s personal life, including his changing appearance, personal relationships, and behavior, generated controversy. In 1993, he was accused of child sexual abuse, but the civil case was settled out of court for an undisclosed amount and no formal charges were brought. In 2005, he was tried and acquitted of further child sexual abuse allegations and several other charges after the jury found him not guilty on all counts.</p>
<p>While preparing for his comeback concert series, This Is It, Jackson died of acute propofol and benzodiazepine intoxication on June 25, 2009, after suffering from cardiac arrest. The Los Angeles County Coroner ruled his death a homicide, and his personal physician, Conrad Murray, was convicted of involuntary manslaughter. Jackson&#8217;s death triggered a global outpouring of grief, and a live broadcast of his public memorial service was viewed around the world. Forbes ranks Jackson as the top-earning dead celebrity, with yearly earnings of $825 million in 2016, the highest ever recorded by the publication.</p></div>
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				<div class="et_pb_text_inner"><h2>David Bowie</h2></div>
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				<div class="et_pb_text_inner"><p><strong>David Bowie was an English singer, songwriter and actor.</strong> He was a figure in popular music for over five decades, regarded by critics and musicians as an innovator, particularly for his work in the 1970s.</p>
<p>His career was marked by reinvention and visual presentation, his music and stagecraft significantly influencing popular music. During his lifetime, his record sales, estimated at 140 million worldwide, made him one of the world&#8217;s best-selling music artists. In the UK, he was awarded nine platinum album certifications, eleven gold and eight silver, releasing eleven number-one albums. In the US, he received five platinum and seven gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-34441" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-David-Bowie.jpg" alt="greatest-singers-of-all-time-david-bowie" width="253" height="388" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-David-Bowie.jpg 253w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-David-Bowie-196x300.jpg 196w" sizes="(max-width: 253px) 100vw, 253px" />Born and raised in South London, Bowie developed an interest in music as a child, eventually studying art, music and design before embarking on a professional career as a musician in 1963. &#8220;Space Oddity&#8221; became his first top-five entry on the UK Singles Chart after its release in July 1969. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust.</p>
<p>The character was spearheaded by the success of his single &#8220;Starman&#8221; and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie&#8217;s style shifted radically towards a sound he characterised as &#8220;plastic soul&#8221;, initially alienating many of his UK devotees but garnering him his first major US crossover success with the number-one single &#8220;Fame&#8221; and the album Young Americans. In 1976, Bowie starred in the cult film The Man Who Fell to Earth and released Station to Station. The following year, he further confounded musical expectations with the electronic-inflected album Low (1977), the first of three collaborations with Brian Eno that would come to be known as the &#8220;Berlin Trilogy&#8221;. &#8220;Heroes&#8221; (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise.</p>
<p>After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single &#8220;Ashes to Ashes&#8221;, its parent album Scary Monsters (And Super Creeps), and &#8220;Under Pressure&#8221;, a 1981 collaboration with Queen. He then reached his commercial peak in 1983 with Let&#8217;s Dance, with its title track topping both UK and US charts.</p>
<p>Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. Bowie also continued acting; his roles included Major Celliers in Merry Christmas, Mr. Lawrence (1983), the Goblin King Jareth in Labyrinth (1986), Pontius Pilate in The Last Temptation of Christ (1988), and Nikola Tesla in The Prestige (2006), among other film and television appearances and cameos. He stopped concert touring after 2004 and his last live performance was at a charity event in 2006. In 2013, Bowie returned from a decade-long recording hiatus with the release of The Next Day. He remained musically active until he died of liver cancer two days after the release of his final album, Blackstar (2016).</p></div>
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				<div class="et_pb_text_inner"><h2>Roger Daltrey</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Roger Daltrey is an English singer and actor.</strong></p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-34442" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Roger-Daltrey.jpg" alt="The Greatest Singers of all time Roger Daltrey" width="239" height="303" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Roger-Daltrey.jpg 239w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Roger-Daltrey-237x300.jpg 237w" sizes="(max-width: 239px) 100vw, 239px" />In a music career spanning more than 50 years, Daltrey came to prominence in the mid-1960s as the founder and lead singer of the English rock band the Who, which released fourteen singles that entered the Top 10 charts in the United Kingdom during the 1960s, 1970s, and 1980s, including &#8220;I Can&#8217;t Explain&#8221;, &#8220;My Generation&#8221;, &#8220;Substitute&#8221;, &#8220;I&#8217;m a Boy&#8221;, &#8220;Happy Jack&#8221;, &#8220;Pictures of Lily&#8221;, &#8220;Pinball Wizard&#8221;, &#8220;Won&#8217;t Get Fooled Again&#8221;, and &#8220;You Better You Bet&#8221;.</p>
<p>Daltrey began his solo career in 1973, while still a member of the Who. Since then, he has released eight studio albums, five compilation albums, and one live album.</p>
<p>His solo hits include &#8220;Giving It All Away&#8221;, &#8220;Walking the Dog&#8221;, &#8220;Written on the Wind&#8221;, &#8220;Free Me&#8221;, &#8220;Without Your Love&#8221;, &#8220;Walking in My Sleep&#8221;, &#8220;After the Fire&#8221;, and &#8220;Under a Raging Moon&#8221;. In 2010, he was ranked as number 61 on Rolling Stone&#8217;s list of the 100 greatest singers of all time. Daltrey has been known as one of the most charismatic of rock&#8217;s frontmen and famed for his powerful voice and energetic stage presence.</p></div>
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				<div class="et_pb_text_inner"><h2>Etta James</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Etta James was an American singer</strong> who performed in various genres, including blues, R&amp;B, soul, rock and roll, jazz and gospel. Starting her career in 1954, she gained fame with hits such as &#8220;The Wallflower&#8221;, &#8220;At Last&#8221;, &#8220;Tell Mama&#8221;, &#8220;Something&#8217;s Got a Hold on Me&#8221;, and &#8220;I&#8217;d Rather Go Blind&#8221; (for which she wrote the lyrics).</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34444" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Etta-James.jpg" alt="Etta James" width="345" height="230" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Etta-James.jpg 345w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Etta-James-300x200.jpg 300w" sizes="(max-width: 345px) 100vw, 345px" /></p>
<p>She faced a number of personal problems, including drug addiction, before making a musical comeback in the late 1980s with the album Seven Year Itch.</p>
<p>James is regarded as having bridged the gap between rhythm and blues and rock and roll. She won six Grammy Awards and 17 Blues Music Awards. She was inducted into the Rock and Roll Hall of Fame in 1993, the Blues Hall of Fame in 2001, and the Grammy Hall of Fame in both 1999 and 2008. Rolling Stone magazine ranked James number 22 on its list of the 100 Greatest Singers of All Time and number 62 on its list of the 100 Greatest Artists.</p></div>
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				<div class="et_pb_text_inner"><h2>Johnny Cash</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Johnny Cash was an American singer-songwriter, guitarist, actor, and author. </strong>He was widely considered one of the most influential musicians of the 20th century and one of the best-selling music artists of all time, having sold more than 90 million records worldwide.</p>
<p>Although primarily remembered as a country music icon, his genre-spanning songs and sound embraced rock and roll, rockabilly, blues, folk, and gospel. This crossover appeal won Cash the rare honor of multiple inductions in the Country Music, Rock and Roll, and Gospel Music Halls of Fame.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34445" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Johnny-Cash.jpg" alt="The Greatest Singers of all time Johnny Cash" width="384" height="208" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Johnny-Cash.jpg 384w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Johnny-Cash-300x163.jpg 300w" sizes="(max-width: 384px) 100vw, 384px" /></p>
<p>Cash was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark look, which earned him the nickname &#8220;The Man in Black&#8221;. He traditionally began his concerts with the simple &#8220;Hello, I&#8217;m Johnny Cash&#8221;, followed by his signature &#8220;Folsom Prison Blues&#8221;.</p>
<p>Much of Cash&#8217;s music contained themes of sorrow, moral tribulation and redemption, especially in the later stages of his career. His best-known songs include &#8220;I Walk the Line&#8221;, &#8220;Folsom Prison Blues&#8221;, &#8220;Ring of Fire&#8221;, &#8220;Get Rhythm&#8221; and &#8220;Man in Black&#8221;. He also recorded humorous numbers like &#8220;One Piece at a Time&#8221; and &#8220;A Boy Named Sue&#8221;; a duet with his future wife, June Carter, called &#8220;Jackson&#8221; (followed by many further duets after their marriage); and railroad songs including &#8220;Hey, Porter&#8221;, &#8220;Orange Blossom Special&#8221; and &#8220;Rock Island Line&#8221;.</p>
<p>During the last stage of his career, Cash covered songs by several late 20th century rock artists, notably &#8220;Hurt&#8221; by Nine Inch Nails and &#8220;Personal Jesus&#8221; by Depeche Mode.</p></div>
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				<div class="et_pb_text_inner"><h2>Smokey Robinson</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Smokey Robinson is an American singer-songwriter, record producer, and former record executive.</strong></p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34446" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Smokey-Robinson.jpg" alt="The Greatest Singers of all time Smokey Robinson" width="273" height="324" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Smokey-Robinson.jpg 273w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Smokey-Robinson-253x300.jpg 253w" sizes="(max-width: 273px) 100vw, 273px" /></p>
<p>Robinson was the founder and front man of the Motown vocal group the Miracles, for which he also served as the group&#8217;s chief songwriter and producer. Robinson led the group from its 1955 origins as the Five Chimes until 1972 when he announced a retirement from the group to focus on his role as Motown&#8217;s vice president.</p></div>
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				<div class="et_pb_text_inner"><h2>Jackie Wilson</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Jackie Wilson was an American soul singer-songwriter and performer.</strong></p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-34447" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Jackie-Wilson.jpg" alt="The Greatest Singers of all time Jackie Wilson" width="301" height="279" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Jackie-Wilson.jpg 301w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Jackie-Wilson-300x278.jpg 300w" sizes="(max-width: 301px) 100vw, 301px" />A tenor with a four octave vocal range, he was nicknamed &#8220;Mr. Excitement&#8221;, and was important in the transition of rhythm and blues into soul.</p>
<p>He was considered a master showman, and one of the most dynamic and influential singers and performers in R&amp;B and rock &#8216;n&#8217; roll history.</p>
<p>Gaining fame in his early years as a member of the R&amp;B vocal group Billy Ward and His Dominoes, he went solo in 1957 and recorded over 50 hit singles that spanned R&amp;B, pop, soul, doo-wop and easy listening.</p>
<p>This included 16 R&amp;B Top 10 hits, including six R&amp;B number ones. On the Billboard Hot 100, he scored 14 Top 20 Pop hits, six of which made it into the Pop Top 10. On September 29, 1975, while headlining a Dick Clark Oldies Concert, he collapsed on stage from what was later determined to be a massive heart attack, and subsequently slipped into a coma, slowly awakening over a period of 8 months.</p>
<p>He remained semi-comatose for the nine years until his death in 1984, at the age of 49. Wilson was an inspiration to Elvis Presley, Bruce Springsteen, James Brown and Michael Jackson to name a few. He was one of the most influential artists of his generation.</p></div>
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				<div class="et_pb_text_inner"><h2>Elton John</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Elton John is an English singer-songwriter</strong>, musician and composer. He has worked with lyricist Bernie Taupin as his songwriting partner since 1967; they have collaborated on more than 30 albums to date.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-34448" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Elton-John.jpg" alt="he Greatest Singers of all time Elton John" width="292" height="292" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Elton-John.jpg 292w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Elton-John-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Elton-John-45x45.jpg 45w" sizes="(max-width: 292px) 100vw, 292px" />In his five-decade career Elton John has sold more than 300 million records, making him one of the best-selling music artists in the world. He has more than fifty Top 40 hits, including seven consecutive No. 1 US albums, 58 Billboard Top 40 singles, 27 Top 10, four No. 2 and nine No. 1.</p>
<p>For 31 consecutive years (1970–2000) he had at least one song in the Billboard Hot 100. His tribute single, re-penned in dedication to the late Princess Diana, &#8220;Candle in the Wind 1997&#8221; sold over 33 million copies worldwide and is the best-selling single in the history of the UK and US singles charts. He has also composed music, produced records, and has occasionally acted in films.</p>
<p>John owned Watford Football Club from 1976 to 1987, and 1997 to 2002. He is an honorary Life President of the club, and in 2014 had a stand named after him at the club&#8217;s home stadium. Elton John was born Reginald Dwight in 1947, and raised in the Pinner area of London. He learned to play piano at an early age, and by 1962 had formed Bluesology. John met his songwriting partner, Bernie Taupin, in 1967, after they had both answered an advert for songwriters.</p>
<p>For two years they wrote songs for other artists, including Roger Cook and Lulu, and John also worked as a session musician for artists such as the Hollies and the Scaffold. In 1969 his debut album, Empty Sky, was released. In 1970 a single, &#8220;Your Song&#8221;, from his second album, Elton John, reached the top ten in the UK and the US, his first hit single.</p>
<p>He has received five Grammy Awards, five Brit Awards – winning two awards for Outstanding Contribution to Music and the first Brits Icon in 2013 for his &#8220;lasting impact on British culture&#8221;, an Academy Award, a Golden Globe Award, a Tony Award, a Disney Legends award, and the Kennedy Center Honors in 2004. In 2004, Rolling Stone ranked him Number 49 on its list of 100 influential musicians of the rock and roll era. In 2013, Billboard ranked him the most successful male solo artist on the Billboard Hot 100 Top All-Time Artists (third overall behind the Beatles and Madonna).</p>
<p>He was inducted into the Rock and Roll Hall of Fame in 1994, is an inductee into the Songwriters Hall of Fame, and is a fellow of the British Academy of Songwriters, Composers and Authors. Having been named a Order of the British Empire in 1996, John was made a Knight Bachelor by Elizabeth II for &#8220;services to music and charitable services&#8221; in 1998. John has performed at a number of royal events, such as the funeral of Princess Diana at Westminster Abbey in 1997, the Party at the Palace in 2002 and the Queen&#8217;s Diamond Jubilee Concert outside Buckingham Palace in 2012.</p></div>
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				<div class="et_pb_text_inner"><h2>George Jones</h2></div>
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				<div class="et_pb_text_inner"><p><strong>George Jones was an American musician</strong>, singer and songwriter who achieved international fame for his long list of hit records, including his most well known song &#8220;He Stopped Loving Her Today&#8221;, as well as his distinctive voice and phrasing.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34450" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-George-Jones.jpg" alt="The Greatest Singers of all time George Jones" width="381" height="290" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-George-Jones.jpg 381w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-George-Jones-300x228.jpg 300w" sizes="(max-width: 381px) 100vw, 381px" /></p>
<p>For the last 20 years of his life, Jones was frequently referred to as the greatest living country singer. Country music scholar Bill C. Malone writes, &#8220;For the two or three minutes consumed by a song, Jones immerses himself so completely in its lyrics, and in the mood it conveys, that the listener can scarcely avoid becoming similarly involved.&#8221; Waylon Jennings expressed a similar opinion in his song &#8220;It&#8217;s Alright&#8221;: &#8220;If we all could sound like we wanted to, we&#8217;d all sound like George Jones.&#8221; The shape of his nose and facial features earned Jones the nickname &#8220;The Possum.&#8221;</p>
<p>Born in Texas, Jones first heard country music when he was seven and was given a guitar at the age of nine. He married his first wife, Dorothy Bonvillion, in 1950, and was divorced in 1951. He served in the United States Marine Corps until his discharge in 1953.</p>
<p>He married Shirley Ann Corley in 1954. In 1959, Jones released a cover version of &#8220;White Lightning&#8221; by J. P. Richardson, which launched his career as a singer. His second marriage ended in divorce in 1968; he married fellow country music singer Tammy Wynette a year later. Many years of alcoholism caused his health to deteriorate severely and led to his missing many performances, earning him the nickname &#8220;No Show Jones.&#8221;</p>
<p>After his divorce from Wynette in 1975, Jones married his fourth wife, Nancy Sepulvado, in 1983 and became mostly sober. Jones died in 2013, aged 81, from hypoxic respiratory failure. During his career, Jones had more than 150 hits, both as a solo artist and in duets with other artists.</p></div>
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				<div class="et_pb_text_inner"><h2>Frank Sinatra</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Frank Sinatra was an American singer</strong>, actor, and producer who was one of the most popular and influential musical artists of the 20th century.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-34451" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Frank-Sinatra.jpg" alt="The Greatest Singers of all time Frank Sinatra" width="275" height="350" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Frank-Sinatra.jpg 275w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Frank-Sinatra-236x300.jpg 236w" sizes="(max-width: 275px) 100vw, 275px" />Sinatra&#8217;s music has been considered timeless by many. He is one of the best-selling music artists of all time, having sold more than 150 million records worldwide. Born in Hoboken, New Jersey, to Italian immigrants, he began his musical career in the swing era with Harry James and Tommy Dorsey.</p>
<p>He found success as a solo artist after being signed by Columbia Records in 1943, becoming the idol of the &#8220;bobby soxers&#8221;. He released his first album, The Voice of Frank Sinatra, in 1946. Sinatra&#8217;s professional career had stalled by the early 1950s, and he turned to Las Vegas, where he became one of its best known performers as part of the Rat Pack.</p>
<p>His career was reborn in 1953 with the success of From Here to Eternity and his subsequent Academy Award for Best Supporting Actor. He signed with Capitol Records and released several critically lauded albums, including In the Wee Small Hours (1955), Songs for Swingin&#8217; Lovers! (1956), Come Fly with Me (1958), Only the Lonely (1958) and Nice &#8216;n&#8217; Easy (1960).</p>
<p>Sinatra left Capitol in 1960 to start his own record label, Reprise Records, and released a string of successful albums. In 1965 he recorded the retrospective September of My Years, starred in the Emmy-winning television special Frank Sinatra: A Man and His Music, and scored hits with &#8220;Strangers in the Night&#8221; and &#8220;My Way&#8221;. After releasing Sinatra at the Sands, recorded at the Sands Hotel and Casino in Vegas with frequent collaborator Count Basie in early 1966, the following year he recorded one of his most famous collaborations with Tom Jobim, the album Francis Albert Sinatra &amp; Antonio Carlos Jobim.</p>
<p>It was followed by 1968&#8217;s collaboration with Duke Ellington. Sinatra retired for the first time in 1971, but came out of retirement two years later and recorded several albums and resumed performing at Caesars Palace. In 1980 he scored a Top 40 hit with &#8220;(Theme From) New York, New York&#8221;. Using his Las Vegas shows as a home base, he toured both within the United States and internationally until a short time before his death in 1998.</p>
<p>Sinatra forged a highly successful career as a film actor. After winning an Academy Award for From Here to Eternity, he starred in The Man with the Golden Arm (1955), and received critical acclaim for his performance in The Manchurian Candidate (1962). He appeared in various musicals such as On the Town (1949), Guys and Dolls (1955), High Society (1956), and Pal Joey (1957), and toward the end of his career he became associated with playing detectives, including the title character in Tony Rome (1967). On television, The Frank Sinatra Show began on ABC in 1950, and he continued to make appearances on television throughout the 1950s and 1960s. Sinatra was also heavily involved with politics from the mid-1940s, and actively campaigned for presidents such as Harry S. Truman, John F. Kennedy and Ronald Reagan, though before Kennedy&#8217;s death Sinatra&#8217;s alleged Mafia connections led to his being snubbed.</p>
<p>While Sinatra never formally learned how to read music, he had a fine, natural understanding of it, and he worked very hard from a young age to improve his abilities in all aspects of music. A perfectionist, renowned for his impeccable dress sense and cleanliness, he always insisted on recording live with his band. His bright blue eyes earned him the popular nickname &#8220;Ol&#8217; Blue Eyes&#8221;. Sinatra led a colorful personal life, and was often involved in turbulent affairs with women, such as with his second wife Ava Gardner. He went on to marry Mia Farrow in 1966 and Barbara Marx in 1976. Sinatra had several violent confrontations, usually with journalists he felt had crossed him, or work bosses with whom he had disagreements.</p>
<p>He was honored at the Kennedy Center Honors in 1983, was awarded the Presidential Medal of Freedom by Ronald Reagan in 1985, and the Congressional Gold Medal in 1997. Sinatra was also the recipient of eleven Grammy Awards, including the Grammy Trustees Award, Grammy Legend Award and the Grammy Lifetime Achievement Award. After his death, American music critic Robert Christgau called him &#8220;the greatest singer of the 20th century&#8221;, and he continues to be seen as an iconic figure.</p></div>
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				<div class="et_pb_text_inner"><h2>Frankie Valli</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Frankie Valli is an American popular singer</strong>, known as the frontman of The Four Seasons beginning in 1960. He is known for his unusually powerful falsetto voice.</p>
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Valli scored 29 Top 40 hits with The Four Seasons, one Top 40 hit under The Four Seasons&#8217; alias &#8216;The Wonder Who?&#8217;, and nine Top 40 hits as a solo artist. As a member of The Four Seasons, Valli&#8217;s number-one hits included &#8220;Sherry&#8221; (1962), &#8220;Big Girls Don&#8217;t Cry&#8221; (1962), &#8220;Walk Like a Man&#8221; (1963), &#8220;Rag Doll&#8221; (1964) and &#8220;December, 1963 (Oh, What a Night)&#8221; (1975). Valli&#8217;s recording of the song &#8220;Can&#8217;t Take My Eyes Off You&#8221; reached number two in 1967. &#8220;You&#8217;re Ready Now&#8221;, a Valli solo recording from 1966, became a surprise hit in the UK as part of the Northern soul scene and hit number eleven on the British pop charts in December 1970.</p>
<p>As a solo artist, Valli scored number-one hits with the songs &#8220;My Eyes Adored You&#8221; (1974) and &#8220;Grease&#8221; (1978).</p></div>
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				<div class="et_pb_text_inner"><h2>Patsy Cline</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Patsy Cline was an American country music singer</strong>. Part of the early 1960s Nashville sound, Cline successfully &#8220;crossed over&#8221; to pop music and was one of the most influential, successful and acclaimed vocalists of the 20th century. She died at the age of 30 in a multiple-fatality crash of the private plane of her manager, Randy Hughes.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-34454" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Patsy-Cline.gif" alt="Patsy Cline" width="312" height="312" />Cline was best known for her rich tone, emotionally expressive and bold contralto voice and her role as a country music industry pioneer.</p>
<p>Along with Kitty Wells, she helped pave the way for women as headline performers in the genre. Cline was cited as an inspiration by singers in several styles. Books, movies, documentaries, articles and stage plays document her life and career.</p>
<p>Her hits began in 1957 with Donn Hecht&#8217;s and Alan Block&#8217;s &#8220;Walkin&#8217; After Midnight&#8221;, Hank Cochran&#8217;s and Harlan Howard&#8217;s &#8220;I Fall to Pieces&#8221;, Hank Cochran&#8217;s &#8220;She&#8217;s Got You&#8221;, Willie Nelson&#8217;s &#8220;Crazy&#8221; and ended in 1963 with Don Gibson&#8217;s &#8220;Sweet Dreams&#8221;.</p>
<p>Millions of her records have sold since her death. She won awards and accolades, causing many to view her as an icon at the level of Jim Reeves, Johnny Cash and Elvis Presley. Ten years after her death, in 1973, she became the first female solo artist inducted to the Country Music Hall of Fame. In 1999, she was voted number 11 on VH1&#8217;s special, The 100 Greatest Women in Rock and Roll, by members and artists of the rock industry.</p>
<p>In 2002, country music artists and industry members voted her Number One on CMT&#8217;s The 40 Greatest Women of Country Music and ranked 46th in the &#8220;100 Greatest Singers of All Time&#8221; issue of Rolling Stone magazine. According to her 1973 Country Music Hall of Fame plaque, &#8220;Her heritage of timeless recordings is testimony to her artistic capacity&#8221;.</p></div>
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				<div class="et_pb_text_inner"><h2>Levon Helm</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Levon Helm was an American musician and actor</strong> who achieved fame as the drummer and regular lead vocalist for the Band.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34457" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Levon-Helm.jpg" alt="Levon Helm" width="374" height="249" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Levon-Helm.jpg 374w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Levon-Helm-300x200.jpg 300w" sizes="(max-width: 374px) 100vw, 374px" /></p>
<p>Helm was known for his deeply soulful, country-accented voice, multi-instrumental ability, and creative drumming style, highlighted on many of the Band&#8217;s recordings, such as &#8220;The Weight&#8221;, &#8220;Up on Cripple Creek&#8221;, and &#8220;The Night They Drove Old Dixie Down&#8221;.<br />
Helm also had a successful career as a film actor, appearing as Loretta Lynn&#8217;s father in Coal Miner&#8217;s Daughter, as Chuck Yeager&#8217;s friend and colleague Captain Jack Ridley in The Right Stuff, and as a Tennessee firearms expert in Shooter.</p></div>
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				<div class="et_pb_text_inner"><h2>Buddy Holly</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Buddy Holly was an American musician and singer-songwriter</strong> who was a central figure of mid-1950s rock and roll. Holly was born in Lubbock, Texas, to a musical family during the Great Depression; he learned to play guitar and to sing alongside his siblings.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34458" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Buddy-Holly.jpg" alt="Buddy Holly" width="381" height="210" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Buddy-Holly.jpg 381w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Buddy-Holly-300x165.jpg 300w" sizes="(max-width: 381px) 100vw, 381px" /></p>
<p>His style was influenced by gospel music, country music, and rhythm and blues acts, and he performed in Lubbock with his friends from high school. He made his first appearance on local television in 1952, and the following year he formed the group &#8220;Buddy and Bob&#8221; with his friend Bob Montgomery. In 1955, after opening for Elvis Presley, Holly decided to pursue a career in music. He opened for Presley three times that year; his band&#8217;s style shifted from country and western to entirely rock and roll. In October that year, when he opened for Bill Haley &amp; His Comets, Holly was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Decca Records.</p>
<p>Holly&#8217;s recording sessions at Decca were produced by Owen Bradley. Unhappy with Bradley&#8217;s control in the studio and with the sound he achieved there, Holly went to producer Norman Petty in Clovis, New Mexico, and recorded a demo of &#8220;That&#8217;ll Be the Day&#8221;, among other songs. Petty became the band&#8217;s manager and sent the demo to Brunswick Records, which released it as a single credited to &#8220;The Crickets&#8221;, which became the name of Holly&#8217;s band. In September 1957, as the band toured, &#8220;That&#8217;ll Be the Day&#8221; topped the US &#8220;Best Sellers in Stores&#8221; chart and the UK Singles Chart. Its success was followed in October by another major hit, &#8220;Peggy Sue&#8221;.</p>
<p>The album Chirping Crickets, released in November 1957, reached number five on the UK Albums Chart. Holly made his second appearance on The Ed Sullivan Show in January 1958 and soon after, toured Australia and then the UK. In early 1959, Holly assembled a new band, consisting of future country music star Waylon Jennings (bass), famed session musician Tommy Allsup (guitar), and Carl Bunch (drums), and embarked on a tour of the midwestern U.S. After a show in Clear Lake, Iowa, Holly chartered an airplane to travel to his next show, in Moorhead, Minnesota. Soon after takeoff, the plane crashed, killing Holly, Ritchie Valens, the Big Bopper, and the pilot, in a tragedy later eulogized by Don McLean as &#8220;The Day the Music Died&#8221;.</p>
<p>During his short career, Holly wrote, recorded, and produced his own material. He is often regarded as the artist who defined the traditional rock-and-roll lineup of two guitars, bass, and drums. Holly was a major influence on later popular music artists, including the Beatles, the Rolling Stones, Eric Clapton, and Elton John. He was among the first artists inducted into the Rock and Roll Hall of Fame, in 1986. Rolling Stone magazine ranked him number 13 in its list of &#8220;100 Greatest Artists&#8221;.</p></div>
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				<div class="et_pb_text_inner"><p><strong><img loading="lazy" decoding="async" class="alignleft size-thumbnail wp-image-34460" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Ronnie-Spector-150x150.jpg" alt="Ronnie Spector" width="150" height="150" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Ronnie-Spector-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Ronnie-Spector-249x250.jpg 249w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Ronnie-Spector-45x45.jpg 45w" sizes="(max-width: 150px) 100vw, 150px" />Ronnie Spector</strong> is an American singer.</p>
<p>Spector was lead singer of the R&amp;B/Pop vocal girl group, the Ronettes which had a string of hits during the early to mid–1960s.</p>
<p>Ronnie Spector has been called the original &#8220;bad girl of rock and roll&#8221;.</p></div>
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				<div class="et_pb_text_inner"><p><strong>James Taylor is an American singer-songwriter and guitarist.</strong></p>
<p>A five-time Grammy Award winner, he <img loading="lazy" decoding="async" class="alignright size-full wp-image-34461" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-James-Taylor.jpg" alt="James Taylor" width="238" height="289" />was inducted into the Rock and Roll Hall of Fame in 2000. He is one of the best-selling artists of all time, having sold more than 100 million records worldwide.</p>
<p>Taylor achieved his breakthrough in 1970 with the No. 3 single &#8220;Fire and Rain&#8221; and had his first No. 1 hit the following year with &#8220;You&#8217;ve Got a Friend&#8221;, a recording of Carole King&#8217;s classic song.</p>
<p>His 1976 Greatest Hits album was certified Diamond and has sold 12 million US copies. Following his 1977 album, JT, he has retained a large audience over the decades. Every album that he released from 1977 to 2007 sold over a million copies. His chart performance had a resurgence during the late 1990s and 2000s, when he recorded some of his most-awarded work (including Hourglass, October Road, and Covers). He achieved his first number one album in the US in 2015 with his recording Before This World</p></div>
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				<div class="et_pb_text_inner"><p><strong>Dion</strong> is an American singer-songwriter whose work has incorporated elements of doo-wop, rock and R&amp;B styles and, most recently, straight blues. He was one of the most popular American rock and roll performers of the pre-British Invasion era. He had more than a dozen Top 40 hits in the late 1950s and early 60s. He is best remembered for the 1961 singles &#8220;Runaround Sue&#8221; and &#8220;The Wanderer&#8221;, written with Ernie Maresca.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34462" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Dion.jpg" alt="Dion" width="360" height="310" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Dion.jpg 360w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Dion-300x258.jpg 300w" sizes="(max-width: 360px) 100vw, 360px" /><br />
Dion&#8217;s popularity waned in the mid-1960s, perhaps due to the public&#8217;s changing taste in pop music, and perhaps in part due to personal difficulties he had during this period. But toward the end of the decade, he shifted his style and produced songs with a more mature, contemplative feeling, such as &#8220;Abraham, Martin and John&#8221;. He became popular again in the late 1960s and into the mid-1970s, and he has continued making music ever since. Critics who had dismissed his early work, pegging him as merely a teen idol, praised his later work, and noted the influence he has had on other musicians.</p></div>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><a href="http://www.thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-1/">The Greatest Singers of all Times (Part 1)</a> | <a href="http://www.thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-2/">The Greatest Singers of all Times (Part 2)</a></p></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-2/">The  Greatest Singers of All Time (Part 2)</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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