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	<title>Bob Dylan Archives - The History of Rock and Roll Radio Show</title>
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	<description>Rock and Rock podcast and radio show</description>
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		<title>Rock Music History – The Biggest Moments That Happened in August</title>
		<link>https://thehistoryofrockandroll.net/rock-music-history-the-biggest-moments-that-happened-in-august/</link>
					<comments>https://thehistoryofrockandroll.net/rock-music-history-the-biggest-moments-that-happened-in-august/#respond</comments>
		
		<dc:creator><![CDATA[Bwana]]></dc:creator>
		<pubDate>Tue, 04 Aug 2026 12:36:19 +0000</pubDate>
				<category><![CDATA[Radio Show]]></category>
		<category><![CDATA[60s Music]]></category>
		<category><![CDATA[70s Music]]></category>
		<category><![CDATA[August in rock history]]></category>
		<category><![CDATA[Beatles]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[British Invasion]]></category>
		<category><![CDATA[classic hits]]></category>
		<category><![CDATA[classic rock]]></category>
		<category><![CDATA[Elvis Presley]]></category>
		<category><![CDATA[Jimi Hendrix]]></category>
		<category><![CDATA[Music History]]></category>
		<category><![CDATA[Rock Music History]]></category>
		<guid isPermaLink="false">https://thehistoryofrockandroll.net/?p=71090</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/rock-music-history-the-biggest-moments-that-happened-in-august/">Rock Music History – The Biggest Moments That Happened in August</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="et_pb_section et_pb_section_0 et_pb_with_background et_section_regular" >
				
				
				
				
				
				
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				<div class="et_pb_text_inner"><h3>Show Topic: Rock Music History – The Biggest Moments That Happened in August</h3>
<p>This Thursday, August 6th, 2026, we&#8217;re taking a journey through Rock Music History in the month of August, celebrating the unforgettable moments that helped shape the soundtrack of generations. From the birth of rock and roll in the 1950s through the musical revolutions of the 1960s and 1970s, we&#8217;ll revisit the songs, albums, chart-toppers, and landmark events that made August one of the most memorable months on the rock and roll calendar.</p>
<p>Throughout the program, we&#8217;ll feature classic recordings that were released during August, songs that climbed the charts, groundbreaking albums that changed popular music, and historic events that still resonate with fans today. Along the way we&#8217;ll hear music from many of rock&#8217;s biggest names, including The Beatles, Jimi Hendrix, Bob Dylan, Elvis Presley, The Doors, The Lovin&#8217; Spoonful, The Kinks, Pink Floyd, Creedence Clearwater Revival, Three Dog Night, Paul Simon, Michael Jackson, and many more whose music helped define the golden age of rock.</p>
<p>We&#8217;ll also revisit some of the month&#8217;s most significant milestones—from legendary concerts and music festivals to important anniversaries, historic recordings, and memorable chart achievements. August has witnessed countless defining moments in rock history, and this special edition brings many of those stories together while celebrating the artists whose music continues to inspire listeners around the world.</p>
<p>Whether you lived through these unforgettable years or you&#8217;re discovering the music for the first time, this episode is packed with timeless songs, fascinating stories, and historic moments that helped shape rock and roll. Mark your calendars and join us for this special trip through the history of music. Don&#8217;t miss it!</p>
<hr>
<p><span style="text-decoration: underline;"><span style="color:#fdcf58 !important; text-decoration: underline;">Guest(s) for our show:</span></span></p>
<p><strong>Date:</strong><span style="color:#fdcf58!important;"><strong> Thursday, August 6th, 2026</strong></span></p>
<p>No guest featured for this episode. This special broadcast is dedicated to celebrating the biggest moments in <span style="color:#fdcf58;">Rock Music History</span> that took place during the month of August.</p></div>
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				<a class="et_pb_button et_pb_button_0 et_pb_bg_layout_light" href="#recording">Missed our latest show? No problems, you can listen to it here</a>
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				<a class="et_pb_button et_pb_button_1 et_pb_bg_layout_light" href="https://streamingv2.shoutcast.com/lynnradio" target="_blank" data-icon="">Broadcasting:  Thursday, August 6th, 2026</a>
			</div><div class="et_pb_with_border et_pb_module et_pb_text et_pb_text_2 et_animated  et_pb_text_align_center et_pb_bg_layout_dark">
				
				
				
				
				<div class="et_pb_text_inner"><h3>Rock Music History – The Biggest Moments That Happened in August</h3></div>
			</div><div class="et_pb_module et_pb_image et_pb_image_0">
				
				
				
				
				<span class="et_pb_image_wrap "><img fetchpriority="high" decoding="async" width="600" height="600" src="https://thehistoryofrockandroll.net/wp-content/uploads/2026/08/Guitar.webp" alt="rock n roll" title="Guitar" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2026/08/Guitar.webp 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2026/08/Guitar-480x480.webp 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-71100" /></span>
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				<span class="et_pb_image_wrap "><img decoding="async" width="600" height="757" src="https://thehistoryofrockandroll.net/wp-content/uploads/2026/08/Thorr-Collage-Aug04-01.webp" alt="rock n roll" title="Guitar" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2026/08/Thorr-Collage-Aug04-01.webp 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2026/08/Thorr-Collage-Aug04-01-480x606.webp 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-71108" /></span>
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				<span class="et_pb_image_wrap "><img decoding="async" width="600" height="335" src="https://thehistoryofrockandroll.net/wp-content/uploads/2026/08/Thorr-Collage-Aug04-02.webp" alt="rock n roll" title="Guitar" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2026/08/Thorr-Collage-Aug04-02.webp 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2026/08/Thorr-Collage-Aug04-02-480x268.webp 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-71107" /></span>
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				<span class="et_pb_image_wrap "><img decoding="async" width="600" height="585" src="https://thehistoryofrockandroll.net/wp-content/uploads/2026/08/Thorr-Collage-Aug04-03.webp" alt="rock n roll" title="Guitar" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2026/08/Thorr-Collage-Aug04-03.webp 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2026/08/Thorr-Collage-Aug04-03-480x468.webp 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-71106" /></span>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><span style="font-size: large; color: #999999;">Our latest recorded show </span></p></div>
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				<div class="et_pb_text_inner"><p><audio class="wp-audio-shortcode" id="audio-71090-1" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://thehistoryofrockandroll.net/radio/2026/Rock-Music-History-in-August.mp3?_=1" /><a href="https://thehistoryofrockandroll.net/radio/2026/Rock-Music-History-in-August.mp3">https://thehistoryofrockandroll.net/radio/2026/Rock-Music-History-in-August.mp3</a></audio></p></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/rock-music-history-the-biggest-moments-that-happened-in-august/">Rock Music History – The Biggest Moments That Happened in August</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<item>
		<title>Columbia Records – The Soundtrack of Generations</title>
		<link>https://thehistoryofrockandroll.net/columbia-records-the-soundtrack-of-generations/</link>
		
		<dc:creator><![CDATA[Bwana]]></dc:creator>
		<pubDate>Fri, 12 Jun 2026 08:07:21 +0000</pubDate>
				<category><![CDATA[Radio Show]]></category>
		<category><![CDATA[Billy Joel]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[Bruce Springsteen]]></category>
		<category><![CDATA[classic rock]]></category>
		<category><![CDATA[Columbia artists]]></category>
		<category><![CDATA[Columbia Records]]></category>
		<category><![CDATA[Folk Rock]]></category>
		<category><![CDATA[Johnny Cash]]></category>
		<category><![CDATA[Music History]]></category>
		<category><![CDATA[record label history]]></category>
		<category><![CDATA[record labels]]></category>
		<category><![CDATA[Simon and Garfunkel]]></category>
		<guid isPermaLink="false">https://thehistoryofrockandroll.net/?p=70621</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/columbia-records-the-soundtrack-of-generations/">Columbia Records – The Soundtrack of Generations</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="et_pb_section et_pb_section_1 et_pb_with_background et_section_regular" >
				
				
				
				
				
				
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				<div class="et_pb_text_inner"><h3>Show Topic: Columbia Records – The Soundtrack of Generations</h3>
<p>This Monday, June 15th, 2026, we turn our attention to one of the most important names in music history—Columbia Records.</p>
<p>Founded in 1889, Columbia Records is the oldest surviving brand name in the recorded sound business and has played a vital role in shaping popular music for more than a century.</p>
<p>From the earliest days of recorded sound to the modern music era, Columbia has been home to some of the most influential artists ever to step into a recording studio.</p>
<p>Throughout its long and remarkable history, Columbia Records has released music across virtually every genre imaginable, including rock, pop, folk rock, country, jazz, soul, and adult contemporary.</p>
<p>The label helped launch and sustain the careers of artists whose recordings have sold millions of copies worldwide while influencing generations of musicians and fans.</p>
<p>This episode will feature music from an incredible roster of Columbia artists, including Bob Dylan, Simon &amp; Garfunkel, The Byrds, Paul Revere &amp; The Raiders, Gary Puckett &amp; The Union Gap, Dion, Billy Joel, Bruce Springsteen, Chicago, Aerosmith, Toto, Paul McCartney, Tony Bennett, Johnny Cash, Blood, Sweat &amp; Tears, The Buckinghams, Walter Egan, David Essex, Men at Work, Moby Grape, Billy Joe Royal, Barbra Streisand, and many others.</p>
<p>Together, these artists helped establish Columbia Records as one of the most respected and successful labels in the music industry.</p>
<p>From groundbreaking singer-songwriters and rock legends to country icons and chart-topping pop stars, Columbia Records has consistently been at the center of musical innovation and excellence. Join us as we celebrate the artists, songs, and legacy of this historic label.</p>
<p><strong>Mark your calendars</strong> for this fascinating journey through music history. <strong>Don’t miss it!</strong></p>
<p>No guest featured for this episode. This special broadcast is dedicated to celebrating the history, artists, and enduring legacy of <span style="color: #fdcf58;">Columbia Records</span>, the oldest surviving brand in the recorded music industry.</p></div>
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				<a class="et_pb_button et_pb_button_2 et_pb_bg_layout_light" href="#recording">Missed our latest show? No problems, you can listen to it here</a>
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				<a class="et_pb_button et_pb_button_3 et_pb_bg_layout_light" href="https://streamingv2.shoutcast.com/lynnradio" target="_blank" data-icon="">Broadcasting:  Monday, June 15th, 2026</a>
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				<div class="et_pb_text_inner"><h3>Columbia Records – The Soundtrack of Generations</h3></div>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="600" height="600" src="https://thehistoryofrockandroll.net/wp-content/uploads/2026/06/asset-columbialogo.webp" alt="rock n roll" title="asset-columbialogo" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2026/06/asset-columbialogo.webp 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2026/06/asset-columbialogo-480x480.webp 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-70650" /></span>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><span style="font-size: large; color: #999999;">Our latest recorded show </span></p></div>
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				<div class="et_pb_text_inner"><p><audio class="wp-audio-shortcode" id="audio-70621-2" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://thehistoryofrockandroll.net/radio/2026/Columbia-Records-2026.mp3?_=2" /><a href="https://thehistoryofrockandroll.net/radio/2026/Columbia-Records-2026.mp3">https://thehistoryofrockandroll.net/radio/2026/Columbia-Records-2026.mp3</a></audio></p></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/columbia-records-the-soundtrack-of-generations/">Columbia Records – The Soundtrack of Generations</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>Folk Rock Music Spotlight – Honoring Bob Dylan at 85</title>
		<link>https://thehistoryofrockandroll.net/folk-rock-music-spotlight-honoring-bob-dylan-at-85/</link>
		
		<dc:creator><![CDATA[Bwana]]></dc:creator>
		<pubDate>Tue, 26 May 2026 15:27:29 +0000</pubDate>
				<category><![CDATA[Radio Show]]></category>
		<category><![CDATA[60s Music]]></category>
		<category><![CDATA[70s Music]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[Bob Dylan tribute]]></category>
		<category><![CDATA[Classic Rock Podcast]]></category>
		<category><![CDATA[Folk Music]]></category>
		<category><![CDATA[Folk Rock]]></category>
		<category><![CDATA[Freewheelin Bob Dylan]]></category>
		<category><![CDATA[Like a Rolling Stone]]></category>
		<category><![CDATA[Music History]]></category>
		<category><![CDATA[protest songs]]></category>
		<category><![CDATA[Singer Songwriter]]></category>
		<guid isPermaLink="false">http://2026.thehistoryofrockandroll.net/?p=70064</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/folk-rock-music-spotlight-honoring-bob-dylan-at-85/">Folk Rock Music Spotlight – Honoring Bob Dylan at 85</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="et_pb_section et_pb_section_2 et_pb_with_background et_section_regular" >
				
				
				
				
				
				
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				<div class="et_pb_text_inner"><h3>Show Topic: Folk Rock Music Spotlight – Honoring Bob Dylan at 85</h3>
<p>This Thursday, May 28th, 2026, we’re taking a deep dive into the rich and influential world of folk rock music, celebrating artists from the 1960s and 70s whose songs blended storytelling, social commentary, poetry, and powerful melodies into one of music’s most enduring genres. From acoustic beginnings to electrified innovation, folk rock helped reshape popular music and inspired generations of artists on both sides of the Atlantic.</p>
<p>At the center of this special episode is a tribute to one of music’s most important and transformative figures—Bob Dylan, who turns 85 this week. Widely regarded as one of the greatest songwriters of all time, Dylan’s career helped redefine what popular music could achieve artistically, lyrically, and culturally. From his early folk recordings to his groundbreaking embrace of electric rock, his influence remains immeasurable.</p>
<p>We’ll revisit Dylan’s remarkable musical journey—from his move to New York City in 1961 and his early recordings, through landmark albums such as <em>The Freewheelin’ Bob Dylan</em>, <em>Bringing It All Back Home</em>, <em>Highway 61 Revisited</em>, and <em>Blonde on Blonde</em>. We’ll also explore the songs that became defining voices of their era, including “Blowin’ in the Wind,” “The Times They Are a-Changin’,” and “Like a Rolling Stone,” as well as his ventures into country, introspective songwriting, visual art, and his extraordinary decades-long touring career.</p>
<p>From folk roots and protest anthems to country influences and poetic rock experimentation, this episode celebrates the life, music, and enduring legacy of an artist whose work continues to shape music history. <strong>Mark your calendars</strong> for this special tribute to Bob Dylan and the world of folk rock. <strong>Don’t miss it!</strong></p>
<p>No guest featured for this episode. This special broadcast is dedicated to celebrating the life, music, and legacy of <span style="color:#fdcf58;">Bob Dylan</span> on his 85th birthday.</p></div>
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				<a class="et_pb_button et_pb_button_4 et_pb_bg_layout_light" href="#recording">Missed our latest show? No problems, you can listen to it here</a>
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				<a class="et_pb_button et_pb_button_5 et_pb_bg_layout_light" href="https://streamingv2.shoutcast.com/lynnradio" target="_blank" data-icon="">Broadcasting:  Thursday, May 28th, 2026</a>
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				<div class="et_pb_text_inner"><h3>Folk Rock Music Spotlight – Honoring Bob Dylan at 85</h3></div>
			</div><div class="et_pb_module et_pb_image et_pb_image_5">
				
				
				
				
				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="600" height="600" src="https://thehistoryofrockandroll.net/wp-content/uploads/2026/05/bd2eb-folk-rock.webp" alt="rock n roll" title="bd2eb-folk-rock" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2026/05/bd2eb-folk-rock.webp 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2026/05/bd2eb-folk-rock-480x480.webp 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-70079" /></span>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="600" height="400" src="https://thehistoryofrockandroll.net/wp-content/uploads/2026/05/Bob_with_Guitar_in_Studio.webp" alt="rock n roll" title="Bob_with_Guitar_in_Studio" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2026/05/Bob_with_Guitar_in_Studio.webp 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2026/05/Bob_with_Guitar_in_Studio-480x320.webp 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-70080" /></span>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="600" height="634" src="https://thehistoryofrockandroll.net/wp-content/uploads/2026/05/2dylan.webp" alt="rock n roll" title="2dylan" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2026/05/2dylan.webp 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2026/05/2dylan-480x507.webp 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-70077" /></span>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><span style="font-size: large; color: #999999;">Our latest recorded show </span></p></div>
			</div><div class="et_pb_module et_pb_text et_pb_text_17  et_pb_text_align_left et_pb_bg_layout_light">
				
				
				
				
				<div class="et_pb_text_inner"><p><audio class="wp-audio-shortcode" id="audio-70064-3" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://thehistoryofrockandroll.net/radio/2026/Folk-Rock-Bob-Dylan-85.mp3?_=3" /><a href="https://thehistoryofrockandroll.net/radio/2026/Folk-Rock-Bob-Dylan-85.mp3">https://thehistoryofrockandroll.net/radio/2026/Folk-Rock-Bob-Dylan-85.mp3</a></audio></p></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/folk-rock-music-spotlight-honoring-bob-dylan-at-85/">Folk Rock Music Spotlight – Honoring Bob Dylan at 85</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>Live Aid – 40 Years Later: The Day Rock Ruled the World</title>
		<link>https://thehistoryofrockandroll.net/remembering-brian-wilson-the-soul-of-the-beach-boys-2/</link>
		
		<dc:creator><![CDATA[Bwana]]></dc:creator>
		<pubDate>Fri, 04 Jul 2025 01:06:51 +0000</pubDate>
				<category><![CDATA[Radio Show]]></category>
		<category><![CDATA[1985 Music History]]></category>
		<category><![CDATA[Beach Boys]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[Bob Geldof]]></category>
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		<category><![CDATA[Eric Clapton]]></category>
		<category><![CDATA[Hall and Oates]]></category>
		<category><![CDATA[JFK Stadium]]></category>
		<category><![CDATA[Live Aid 40th Anniversary]]></category>
		<category><![CDATA[Meagan’s Rock Show]]></category>
		<category><![CDATA[Mick Jagger]]></category>
		<category><![CDATA[Midge Ure]]></category>
		<category><![CDATA[Music That Changed the World]]></category>
		<category><![CDATA[Paul McCartney Live Aid]]></category>
		<category><![CDATA[Phil Collins Concorde]]></category>
		<category><![CDATA[Queen Live Aid]]></category>
		<category><![CDATA[REO Speedwagon]]></category>
		<category><![CDATA[Rock and Roll Podcast]]></category>
		<category><![CDATA[Rock Benefit Concerts]]></category>
		<category><![CDATA[the Who]]></category>
		<category><![CDATA[Tina Turner]]></category>
		<category><![CDATA[Tom Petty and the Heartbreakers]]></category>
		<category><![CDATA[U2 Live Aid]]></category>
		<category><![CDATA[Wembley Stadium]]></category>
		<guid isPermaLink="false">http://2026.thehistoryofrockandroll.net/?p=65822</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/remembering-brian-wilson-the-soul-of-the-beach-boys-2/">Live Aid – 40 Years Later: The Day Rock Ruled the World</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
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				<div class="et_pb_text_inner"><h3>🎙️ Show Topic: <strong>Live Aid – 40 Years Later: The Day Rock Ruled the World</strong></h3>
<p>This Monday, July 7th, 2025 we’re firing up the time machine and turning the dial to <strong>July 13th, 1985</strong>, the day when rock &#8216;n&#8217; roll united the world in a single, thunderous heartbeat. That’s right, we’re celebrating the 40th anniversary of <strong>Live Aid</strong>, one of the most powerful moments in music history.</p>
<p>Live Aid wasn’t just a concert; it was a global call to action. With <strong>Bob Geldof</strong> and <strong>Midge Ure</strong> at the helm, two massive stages, <strong>Wembley Stadium in London</strong> and <strong>John F. Kennedy Stadium in Philadelphia</strong> became the epicenters of a worldwide musical movement to fight famine in Ethiopia. Over <strong>1.9 billion viewers across 150 countries</strong> watched live as rock royalty took the stage and changed history forever.</p>
<p>We’ll relive the unforgettable moments: <strong>Queen’s electrifying set, U2’s breakout performance, David Bowie’s soul-stirring vocals</strong>, and the awe of seeing <strong>Phil Collins perform on both sides of the Atlantic; on the same day</strong>.</p>
<p>From <strong>Elton John</strong> to <strong>The Who</strong>, <strong>Hall and Oates</strong> to <strong>Tom Petty</strong>, and everyone in between, the music never stopped—and neither did the impact.</p>
<p><strong>📅 Mark your calendars:</strong> This episode airs Monday, July 7th, 2025. Plug in your headphones, crank the volume, and get ready to relive the magic of a global rock revolution.</p>
<p><strong>🎧 Don’t miss it!</strong> Tune in and take the ride back to a day when music made history—and made a difference.</p>
<hr />
<p><em>This is a commemorative episode without special guest interviews. Just you, me, and a front-row seat to one of the most unforgettable moments in rock history.</em></p></div>
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				<a class="et_pb_button et_pb_button_6 et_pb_bg_layout_light" href="#recording">Missed our latest show? No problems, you can listen to it here</a>
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				<a class="et_pb_button et_pb_button_7 et_pb_bg_layout_light" href="https://streamingv2.shoutcast.com/lynnradio" target="_blank" data-icon="">Broadcasting: Monday, July 7th, 2025</a>
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				<div class="et_pb_text_inner">Live Aid – 40 Years Later: The Day Rock Ruled the World</div>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="528" height="709" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/07/live-aid-ukposter01.jpg" alt="The Beatles" title="live-aid-ukposter01" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/07/live-aid-ukposter01.jpg 528w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/07/live-aid-ukposter01-480x645.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 528px, 100vw" class="wp-image-65826" /></span>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="568" height="308" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/07/3655b5_9b06fc17ff8b45ec8560d42cfeef77fdmv2.jpg" alt="The Beatles" title="brian wilson" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/07/3655b5_9b06fc17ff8b45ec8560d42cfeef77fdmv2.jpg 568w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/07/3655b5_9b06fc17ff8b45ec8560d42cfeef77fdmv2-480x260.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 568px, 100vw" class="wp-image-65827" /></span>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><span style="font-size: large; color: #999999;">Our latest recorded show </span></p></div>
			</div><div class="et_pb_module et_pb_text et_pb_text_23  et_pb_text_align_left et_pb_bg_layout_light">
				
				
				
				
				<div class="et_pb_text_inner"><audio class="wp-audio-shortcode" id="audio-65822-4" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://thehistoryofrockandroll.net/radio/2025/Live-Aid-40th-Anniversary.mp3?_=4" /><a href="https://thehistoryofrockandroll.net/radio/2025/Live-Aid-40th-Anniversary.mp3">https://thehistoryofrockandroll.net/radio/2025/Live-Aid-40th-Anniversary.mp3</a></audio></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/remembering-brian-wilson-the-soul-of-the-beach-boys-2/">Live Aid – 40 Years Later: The Day Rock Ruled the World</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>Rock ’n’ Roll Oldies Moments – Voices of the Golden Era</title>
		<link>https://thehistoryofrockandroll.net/rock-n-roll-oldies-moments-voices-of-the-golden-era/</link>
		
		<dc:creator><![CDATA[Bwana]]></dc:creator>
		<pubDate>Tue, 27 May 2025 12:35:45 +0000</pubDate>
				<category><![CDATA[Radio Show]]></category>
		<category><![CDATA[50s Rock and Roll]]></category>
		<category><![CDATA[60s Folk Rock]]></category>
		<category><![CDATA[70s Piano Rock]]></category>
		<category><![CDATA[AM Radio Hits]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[Classic Rock Podcast]]></category>
		<category><![CDATA[Doo Wop Legends]]></category>
		<category><![CDATA[Dylan Goes Electric]]></category>
		<category><![CDATA[Elijah Wald]]></category>
		<category><![CDATA[History of Rock and Roll]]></category>
		<category><![CDATA[John Wood Film]]></category>
		<category><![CDATA[Just Like Romeo and Juliet]]></category>
		<category><![CDATA[Meagan’s Rock Show]]></category>
		<category><![CDATA[Michael Russo Singer]]></category>
		<category><![CDATA[Motown Memories]]></category>
		<category><![CDATA[Nicky Hopkins]]></category>
		<category><![CDATA[Rock Legends Interview]]></category>
		<category><![CDATA[Rock Music Storytelling]]></category>
		<category><![CDATA[Rock n Roll Oldies]]></category>
		<category><![CDATA[The Reflections]]></category>
		<category><![CDATA[The Session Man]]></category>
		<category><![CDATA[vinyl]]></category>
		<guid isPermaLink="false">http://2026.thehistoryofrockandroll.net/?p=65332</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/rock-n-roll-oldies-moments-voices-of-the-golden-era/">Rock ’n’ Roll Oldies Moments – Voices of the Golden Era</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div class="et_pb_section et_pb_section_4 et_pb_with_background et_section_regular" >
				
				
				
				
				
				
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				<div class="et_pb_text_inner"><h3>🎙️ Show Topic: <strong>Rock ’n’ Roll Oldies Moments – Voices of the Golden Era</strong></h3>
<p>My latest podcast, recorded on Thursday, May 29th, 2025, has now been uploaded!</p>
<p>In this episode of The History of Rock and Roll, I took you on a time-traveling jukebox journey back to the heart of rock ’n’ roll’s golden age!</p>
<p>We turned up the volume on unforgettable moments from the ’50s, ’60s, and ’70s, when doo-wop ruled the corner, jukeboxes lit up the night, and legends were born on vinyl and AM radio.</p>
<p>I was thrilled to be joined by three phenomenal guests: Michael Russo, the soulful voice of The Reflections; Elijah Wald, author of Dylan Goes Electric; and John Wood, the producer behind the powerful documentary on Nicky Hopkins, The Session Man.</p>
<p>These are voices that don’t just talk about music; they’ve lived it, chronicled it, and helped keep its spirit alive for future generations.<br />
Tune in and catch the rhythm of rock history!</p>
<p><strong>🎧 Don’t miss this one!</strong> Whether you’re a doo-wop diehard, a Dylan devotee, or a classic piano rock aficionado, there’s something in this show for every rock and roll heart.</div>
			</div><div class="et_pb_button_module_wrapper et_pb_button_8_wrapper et_pb_button_alignment_center et_pb_module ">
				<a class="et_pb_button et_pb_button_8 et_pb_bg_layout_light" href="#recording">Missed our latest show? No problems, you can listen to it here</a>
			</div><div id="Guests" class="et_pb_with_border et_pb_module et_pb_text et_pb_text_25 et_hover_enabled  et_pb_text_align_left et_pb_bg_layout_dark">
				
				
				
				
				<div class="et_pb_text_inner"><p><span style="text-decoration: underline;"><span style="color: #fdcf58 !important; text-decoration: underline;">Guest(s) for our show:</span></span></p>
<p><strong>Date:</strong><span style="color: #fdcf58!important;"><strong> Thursday, May 29th, 2025</strong></span></p>
<h3><strong><span class="guest-color" style="color: #fdcf58 !important;">1. 🎤 Michael Russo</span></strong></h3>
<p>Michael Russo is the lead singer of The Reflections, best known for their 1964 hit <em>(Just Like) Romeo and Juliet</em>.</p>
<p>A true lover of Oldies, Motown, and doo-wop, Michael has performed hits from legends like Paul Anka, Neil Sedaka, Jay and the Americans, The Stylistics, and more.</p>
<p>His voice is a smooth echo of rock’s most romantic era.</p>
<p><a href="https://www.michaelrussosinger.com/" target="_blank" rel="noopener">https://www.michaelrussosinger.com/</a></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-65345 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/Michael-Russo.jpg" alt="" width="602" height="600" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/Michael-Russo.jpg 602w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/Michael-Russo-480x478.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 602px, 100vw" /></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-65350 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/Reflections.jpg" alt="" width="700" height="523" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/Reflections.jpg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/Reflections-480x359.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" /></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-65341 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/Just_Like_Romeo_and_Juliet_-_The_Reflections.jpg" alt="" width="280" height="280" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/Just_Like_Romeo_and_Juliet_-_The_Reflections.jpg 280w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/Just_Like_Romeo_and_Juliet_-_The_Reflections-150x150.jpg 150w" sizes="(max-width: 280px) 100vw, 280px" /></p>
<h3><strong><span class="guest-color" style="color: #fdcf58 !important;">2. 📖 Elijah Wald</span></strong></h3>
<p>Elijah Wald is a folk blues guitarist, journalist, and respected cultural historian.</p>
<p>He joins us to talk about his book <em>Dylan Goes Electric</em>, which explores the seismic moment Bob Dylan shocked Newport in 1965 by plugging in. Elijah brings depth, insight, and a deep love for music history to every conversation.</p>
<p><a href="https://www.elijahwald.com/beatlespop.html" target="_blank" rel="noopener">https://www.elijahwald.com/beatlespop.html</a></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-65343 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/Elijah-Wald-at-Cafe-Wha-2025-photo-by-RI-Sutherland-Cohen.jpg" alt="" width="700" height="560" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/Elijah-Wald-at-Cafe-Wha-2025-photo-by-RI-Sutherland-Cohen.jpg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/Elijah-Wald-at-Cafe-Wha-2025-photo-by-RI-Sutherland-Cohen-480x384.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" /></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-65342 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/Dylan-Goes-Electric.jpg" alt="" width="700" height="964" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/Dylan-Goes-Electric.jpg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/Dylan-Goes-Electric-480x661.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" /></p>
<h3><strong><span class="guest-color" style="color: #fdcf58 !important;">3. 🎬 John Wood</span></strong></h3>
<p>John Wood is the producer behind <em>The Session Man</em>, a riveting documentary about Nicky Hopkins, one of the most influential and unsung piano players in rock and roll.</p>
<p>We’ll be discussing Hopkins’ iconic career and how his piano helped shape the sound of everyone from the Beatles to the Stones.</p>
<p><a href="https://thesessionmanfilm.com/" target="_blank" rel="noopener">https://thesessionmanfilm.com/</a></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-65346 size-full alignnone" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/MikeandJohn.jpg" alt="" width="700" height="808" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/MikeandJohn.jpg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/MikeandJohn-480x554.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" /></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-65349 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/The-Session-Man.jpg" alt="" width="700" height="994" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/The-Session-Man.jpg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/The-Session-Man-480x682.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" /></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-65347 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/Nicky-Hopkins.jpg" alt="" width="500" height="649" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/Nicky-Hopkins.jpg 500w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/Nicky-Hopkins-480x623.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 500px, 100vw" /></p></div>
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				<a class="et_pb_button et_pb_button_9 et_pb_bg_layout_light" href="https://streamingv2.shoutcast.com/lynnradio" target="_blank" data-icon="">Broadcasting: Thursday, May 29th, 2025</a>
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				<div class="et_pb_text_inner"><p>Rock ’n’ Roll Oldies Moments – Voices of the Golden Era</p></div>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="600" height="600" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/image1_1.jpg" alt="The Beatles" title="Rock and Roll" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/image1_1.jpg 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/05/image1_1-480x480.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-65344" /></span>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><span style="font-size: large; color: #999999;">Our latest recorded show </span></p></div>
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				<div class="et_pb_text_inner"><audio class="wp-audio-shortcode" id="audio-65332-5" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://thehistoryofrockandroll.net/radio/2025/Rock-Roll-Oldies-Moments-guests-Michael_Russo-Elijah_Wald-and-John_Wood.mp3?_=5" /><a href="https://thehistoryofrockandroll.net/radio/2025/Rock-Roll-Oldies-Moments-guests-Michael_Russo-Elijah_Wald-and-John_Wood.mp3">https://thehistoryofrockandroll.net/radio/2025/Rock-Roll-Oldies-Moments-guests-Michael_Russo-Elijah_Wald-and-John_Wood.mp3</a></audio></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/rock-n-roll-oldies-moments-voices-of-the-golden-era/">Rock ’n’ Roll Oldies Moments – Voices of the Golden Era</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>Rock and Pop Music</title>
		<link>https://thehistoryofrockandroll.net/rock-and-pop-music/</link>
		
		<dc:creator><![CDATA[Bwana]]></dc:creator>
		<pubDate>Mon, 13 Jan 2025 21:59:49 +0000</pubDate>
				<category><![CDATA[Radio Show]]></category>
		<category><![CDATA[1960s music]]></category>
		<category><![CDATA[60s Pop Culture]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[British Invasion]]></category>
		<category><![CDATA[Classic Rock Podcast]]></category>
		<category><![CDATA[Folk Rock]]></category>
		<category><![CDATA[Legendary Rock Bands]]></category>
		<category><![CDATA[Power Pop]]></category>
		<category><![CDATA[Psychedelic Rock]]></category>
		<category><![CDATA[Rock and Roll History]]></category>
		<category><![CDATA[Simon & Garfunkel]]></category>
		<category><![CDATA[Sunshine Pop]]></category>
		<category><![CDATA[The Beach Boys]]></category>
		<category><![CDATA[the Beatles]]></category>
		<category><![CDATA[the Rolling Stones]]></category>
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					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/rock-and-pop-music/">Rock and Pop Music</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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										<content:encoded><![CDATA[<div class="et_pb_section et_pb_section_5 et_pb_with_background et_section_regular" >
				
				
				
				
				
				
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				<div class="et_pb_text_inner"><p>My show, which aired on <strong>Thursday, January 16th, 2025</strong>, was an incredible journey into the vibrant world of <strong>Rock and Pop Music from the 1960s</strong>, exploring a decade that redefined modern music.</p>
<p>This episode featured a wide range of influential genres, including <strong>Rock, Pop, British Invasion, Sunshine Pop, Folk Rock, Power Pop, Psychedelic Rock</strong>, and more, each shaped by cultural shifts, artistic experimentation, and groundbreaking innovations.</p>
<p>We were joined by four fantastic guests who shared their unique perspectives on this pivotal era:</p>
<ul>
<li><strong>Keith Hopwood</strong>, who shared stories from his time with <strong>Herman’s Hermits</strong> and insights from his book <em>Hermits Tale</em>.</li>
<li><strong>Jim McCarty</strong>, who reminisced about his groundbreaking days with <strong>The Yardbirds</strong> and their innovative contributions to rock music.</li>
<li><strong>Jordan Cole</strong>, who provided a heartfelt look into the history and memorable moments of <strong>The Association</strong>, spotlighting the legacy of his father, Brian Cole.</li>
<li><strong>Richie Unterberger</strong>, whose extensive knowledge and books on <strong>The Beatles, The Who, Folk Rock, Velvet Underground</strong>, and more added depth to our exploration of the era.</li>
</ul>
<h3><strong>Defining Sounds of the 1960s</strong></h3>
<ul>
<li>
<p><strong>British Invasion</strong>: Led by <strong>The Beatles</strong>, <strong>The Rolling Stones</strong>, <strong>The Who</strong>, <strong>The Kinks</strong>, and <strong>The Animals</strong>, UK artists brought a fresh perspective to American charts, blending rhythm and blues with a distinct British edge. The British Invasion revolutionized not only music but also fashion, youth culture, and the future of rock.</p>
</li>
<li>
<p><strong>Sunshine Pop</strong>: Known for its lush harmonies and upbeat melodies, this genre embodied the carefree West Coast vibe. Groups like <strong>The Beach Boys</strong>, <strong>The Association</strong>, and <strong>The Mamas &amp; The Papas</strong> crafted timeless hits that captured the optimism of the era.</p>
</li>
<li>
<p><strong>Folk Rock</strong>: Combining folk’s storytelling with the electric instrumentation of rock, Folk Rock became a vehicle for social change. Artists like <strong>Bob Dylan</strong>, <strong>The Byrds</strong>, <strong>Simon &amp; Garfunkel</strong>, and <strong>Crosby, Stills &amp; Nash</strong> used their music to address societal issues and personal introspection.</p>
</li>
<li>
<p><strong>Power Pop</strong>: With catchy hooks and jangly guitars, Power Pop bridged the gap between rock and pop. Bands like <strong>The Hollies</strong>, <strong>Badfinger</strong>, and <strong>The Raspberries</strong> brought energy and charm to this melodic genre.</p>
</li>
<li>
<p><strong>Psychedelic Rock</strong>: Rooted in the counterculture movement, Psychedelic Rock experimented with surreal lyrics and mind-bending soundscapes. Bands like <strong>Jefferson Airplane</strong>, <strong>The Doors</strong>, <strong>Pink Floyd</strong>, and <strong>The Jimi Hendrix Experience</strong> pushed boundaries, creating immersive sonic experiences.</p>
</li>
</ul>
<p>This episode was a nostalgic and enlightening journey through one of the most influential decades in music history, made even better by the incredible contributions of our guests.</p>
<p>The recording is now available on our website—<strong>click the button below to listen and relive this amazing episode</strong>.</p>
<p>Don’t miss this deep dive into the sounds, stories, and legends of the 1960s!</p></div>
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				<a class="et_pb_button et_pb_button_10 et_pb_bg_layout_light" href="#recording">Missed our latest show? No problems, you can listen to it here</a>
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				<div class="et_pb_text_inner"><p><span style="text-decoration: underline;"><span style="color: #fdcf58; text-decoration: underline;">Guest(s) for our show:</span></span></p>
<p>Date:<span style="color: #fdcf58;"><strong> Thursday, January 16th, 2025</strong></span></p>
<p><span style="color: #fdcf58;"><b style="font-size: 16px; color: #fdcf58;"><strong>1) Keith Hopwood</strong></b></span></p>
<p><strong>Keith Hopwood</strong> is an English rock and pop musician, singer-songwriter, composer, and record producer, best known as the rhythm guitarist and backing vocalist for the iconic 1960s band <strong>Herman’s Hermits</strong>.</p>
<p>His work with the group contributed to their distinctive sound during the height of the British Invasion, producing memorable hits that continue to resonate with fans around the world.</p>
<p>In this feature, we&#8217;ll delve into Keith’s life with <strong>Herman’s Hermits</strong>, exploring the band’s influence on 60s pop culture and music.</p>
<p>We’ll also spotlight his <strong>new book, “A Hermits Tale,”</strong> where he offers an insider’s look at his experiences in the group, shedding light on the excitement and challenges of fame during one of the most transformative periods in rock history.</p>
<p>For more information, visit:<br /><a href="https://www.keithhopwood.com/" target="_blank" rel="noopener">Keith Hopwood’s Website</a></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-64130 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/68158c_a6e3b93d287a495798e24e604037886emv2.jpg" alt="Keith Hopwood" width="560" height="374" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/68158c_a6e3b93d287a495798e24e604037886emv2.jpg 560w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/68158c_a6e3b93d287a495798e24e604037886emv2-480x321.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 560px, 100vw" /></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-64125 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/Hermits-Tale-Cover.jpg" alt="Hermits Tale Cover by Keith Hopwood" width="500" height="745" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/Hermits-Tale-Cover.jpg 500w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/Hermits-Tale-Cover-480x715.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 500px, 100vw" /></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-64126 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/Hermans_Hermits_1968_US_television_concert_special.jpeg" alt="Herman's Hermits 1968_US_television_concert_special" width="959" height="716" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/Hermans_Hermits_1968_US_television_concert_special.jpeg 959w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/Hermans_Hermits_1968_US_television_concert_special-480x358.jpeg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 959px, 100vw" /></p>
<p><span style="color: #fdcf58;"><b style="font-size: 16px; color: #fdcf58;"><strong>2) Jim McCarty </strong></b></span></p>
<p><strong>Jim McCarty</strong> is an English musician renowned for his pivotal role as the drummer in both <strong>The Yardbirds</strong> and <strong>Renaissance</strong>.</p>
<p>He was instrumental in shaping The Yardbirds’ signature sound, which famously helped launch the careers of guitar legends like Eric Clapton, Jeff Beck, and Jimmy Page. His unique style and forward-thinking approach to rhythm laid the groundwork for much of the innovative rock music that followed.</p>
<p>We’ll be focusing on <strong>The Yardbirds</strong> and Jim’s upcoming appearances at <strong>Fest for Beatles Fans</strong> in Jersey City, where he’ll share stories and insights from his remarkable career spanning multiple decades in rock music.</p>
<p>For more information, visit:</p>
<ul>
<li><a href="https://www.jamesmccarty.com/" target="_blank" rel="noopener">Jim McCarty’s Website</a></li>
<li><a href="https://www.theyardbirds.com/" target="_blank" rel="noopener">The Yardbirds</a></li>
</ul>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-64122 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/tvd_yardbirds_mccarty_interview-2.jpg" alt="Jim McCarty" width="600" height="988" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/tvd_yardbirds_mccarty_interview-2.jpg 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/tvd_yardbirds_mccarty_interview-2-480x790.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" /></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-64121 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/Yardbirds-1024x753-1.jpg" alt="Yardbirds" width="700" height="515" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/Yardbirds-1024x753-1.jpg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/Yardbirds-1024x753-1-480x353.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" /></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-62526 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2024/10/The-Yardbirds-fence-hi-res-Arnie-Goodman.jpg" alt="" width="533" height="480" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2024/10/The-Yardbirds-fence-hi-res-Arnie-Goodman.jpg 533w, https://thehistoryofrockandroll.net/wp-content/uploads/2024/10/The-Yardbirds-fence-hi-res-Arnie-Goodman-480x432.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 533px, 100vw" /></p>
<p><span style="color: #fdcf58;"><b style="font-size: 16px; color: #fdcf58;"><strong>3) Jordan Cole</strong></b></span></p>
<p>We’re thrilled to welcome <strong>Jordan Cole</strong>, musician for <strong>The Association</strong> and son of <strong>Brian Cole</strong>, one of the original members of the legendary band.</p>
<p>Jordan carries on his father’s musical legacy, keeping the timeless sound of The Association alive for new generations.</p>
<p>In this episode, we’ll focus on <strong>Brian Cole’s contributions to The Association</strong>, the band’s defining moments, and their lasting impact on the 60s music scene.</p>
<p>Known for their rich harmonies and unforgettable hits like <em>Cherish</em>, <em>Windy</em>, and <em>Never My Love</em>, The Association became one of the most influential pop-rock groups of their time.</p>
<p>Jordan will share stories, insights, and personal reflections on his father’s role in shaping the band’s success and their continued influence in the music world today.</p>
<p>Learn more about <strong>The Association</strong> and their legacy at <a href="https://www.theassociationwebsite.com/index.html" target="_blank" rel="noopener">The Association’s Official Website</a>.</p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-64128 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/20241214_203133.jpg" alt="Jordan Cole" width="700" height="525" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/20241214_203133.jpg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/20241214_203133-480x360.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" /></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-58618 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2023/11/NEWS_304129995_AR_-1_NGFXYYYSMLUL.jpg" alt="" width="700" height="464" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2023/11/NEWS_304129995_AR_-1_NGFXYYYSMLUL.jpg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2023/11/NEWS_304129995_AR_-1_NGFXYYYSMLUL-480x318.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" /></p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-64139 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/Brian-and-Jordan-Cole.jpg" alt="Brian and Jordan Cole" width="500" height="409" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/Brian-and-Jordan-Cole.jpg 500w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/Brian-and-Jordan-Cole-480x393.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 500px, 100vw" /></p>
<p><span style="color: #fdcf58;"><b style="font-size: 16px; color: #fdcf58;"><strong>4) Richie Unterberger</strong></b></span></p>
<p>Joining us on this episode is <strong>Richie Unterberger</strong>, a renowned author and journalist from San Francisco whose work focuses on <strong>popular music, The Beatles, folk rock, The Who, The Velvet Underground</strong>, and more.</p>
<p>Known for his deep research and engaging storytelling, Richie has written extensively about rock history, uncovering both mainstream and lesser-known stories from the golden eras of music.</p>
<p>In this episode, we’ll explore Richie’s extensive catalog of books, including:</p>
<ul>
<li><strong>Unknown Legends of Rock &#8216;n&#8217; Roll</strong> – A deep dive into the careers of underrated and forgotten artists who played a pivotal role in shaping rock music.</li>
<li><strong>Turn! Turn! Turn!: The &#8217;60s Folk-Rock Revolution</strong> – An in-depth look at how folk music evolved into folk rock, highlighting its cultural impact.</li>
<li><strong>Eight Miles High: Folk-Rock&#8217;s Flight from Haight-Ashbury to Woodstock</strong> – A continuation of the folk-rock journey, tracing its transformation from the early 60s to the iconic Woodstock festival.</li>
<li><strong>The Unreleased Beatles: Music and Film</strong> – A fascinating exploration of <strong>rare, unreleased Beatles recordings and film projects</strong>, offering fresh insights into the Fab Four’s creative process.</li>
<li><strong>White Light/White Heat: The Velvet Underground Day-by-Day</strong> – A detailed chronicle of The Velvet Underground’s history, their groundbreaking influence, and their experimental approach to rock music.</li>
<li><strong>Won’t Get Fooled Again: The Who from Lifehouse to Quadrophenia</strong> – An in-depth analysis of <strong>The Who’s</strong> most ambitious period, exploring the <em>Lifehouse</em> project and the legendary <em>Quadrophenia</em> album.</li>
</ul>
<p>Richie’s expertise and passion for music history make this a must-listen episode for any rock enthusiast!</p>
<p>Learn more about his work at <a href="http://www.richieunterberger.com/" target="_blank" rel="noopener">Richie Unterberger’s Official Website</a>.</p>
<p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-64127 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/FEATURES_150629987_AR_0_QIMQVVGPTDHU.jpg" alt="Richie Unterberger" width="700" height="467" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/FEATURES_150629987_AR_0_QIMQVVGPTDHU.jpg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2025/01/FEATURES_150629987_AR_0_QIMQVVGPTDHU-480x320.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" /></p></div>
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				<a class="et_pb_button et_pb_button_11 et_pb_bg_layout_light" href="https://streamingv2.shoutcast.com/lynnradio" target="_blank" data-icon="">Broadcasting: Thursday, January 16th, 2025</a>
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				<div class="et_pb_text_inner"><p>Topic of the show: <strong>Rock and Pop Music</strong></p></div>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-62534 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2024/10/212690fe17ba9a8c7cfbf432d0eaac53.jpg" alt="" width="700" height="700" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2024/10/212690fe17ba9a8c7cfbf432d0eaac53.jpg 700w, https://thehistoryofrockandroll.net/wp-content/uploads/2024/10/212690fe17ba9a8c7cfbf432d0eaac53-480x480.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 700px, 100vw" /></p></div>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><span style="font-size: large; color: #999999;">Our latest recorded show </span></p></div>
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				<div class="et_pb_text_inner"><div style="max-width: 100%; width: auto; height: null; position: relative; padding-top: 95px;"><iframe style="position: absolute; top: 0; left: 0; width: 100%; height: 100%" allowtransparency="true"  loading='lazy' src="https://adilo.bigcommand.com/watch/vUTyRqx9 ?minified=true"  frameborder="0" allowfullscreen mozallowfullscreen webkitallowfullscreen oallowfullscreen msallowfullscreen scrolling="no"></iframe></div></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/rock-and-pop-music/">Rock and Pop Music</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>60th Anniversary of the year 1965</title>
		<link>https://thehistoryofrockandroll.net/60th-anniversary-of-the-year-1965/</link>
		
		<dc:creator><![CDATA[Bwana]]></dc:creator>
		<pubDate>Tue, 31 Dec 2024 13:05:11 +0000</pubDate>
				<category><![CDATA[Radio Show]]></category>
		<category><![CDATA[1960s Music Podcast]]></category>
		<category><![CDATA[1965 Music]]></category>
		<category><![CDATA[60s Pop Culture]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[British Invasion]]></category>
		<category><![CDATA[British Invasion Music]]></category>
		<category><![CDATA[classic rock]]></category>
		<category><![CDATA[Folk Rock]]></category>
		<category><![CDATA[Rock and Roll History]]></category>
		<category><![CDATA[Soul Music]]></category>
		<category><![CDATA[The Beach Boys]]></category>
		<category><![CDATA[the Beatles]]></category>
		<category><![CDATA[The Byrds]]></category>
		<category><![CDATA[the Rolling Stones]]></category>
		<category><![CDATA[The Supremes]]></category>
		<guid isPermaLink="false">http://2026.thehistoryofrockandroll.net/?p=63939</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/60th-anniversary-of-the-year-1965/">60th Anniversary of the year 1965</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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				<div class="et_pb_text_inner"><p>My upcoming podcast, airing on <strong>Thursday, January 2nd, 2025</strong>, will celebrate the <strong>60th Anniversary of the year 1965</strong>, a pivotal moment in music and pop culture history.</p>
<p>We’ll feature incredible music from 1965 across genres like rock, pop, folk rock, soul, and the British Invasion.</p>
<p>Expect to hear timeless hits from legendary artists such as:</p>
<ul>
<li><strong>The Beatles</strong></li>
<li><strong>The Rolling Stones</strong></li>
<li><strong>The Who</strong></li>
<li><strong>The Kinks</strong></li>
<li><strong>Bob Dylan</strong></li>
<li><strong>The Supremes</strong></li>
<li><strong>Gary Lewis and the Playboys</strong></li>
<li><strong>The Righteous Brothers</strong></li>
<li><strong> Herman’s Hermits</strong></li>
<li><strong>The Byrds</strong></li>
<li><strong>The Beach Boys</strong></li>
<li><strong>The Temptations</strong></li>
<li><strong>Sonny and Cher</strong></li>
<li><strong>The Four Seasons</strong></li>
<li><strong>James Brown</strong></li>
<li><strong>Jay and the Americans</strong></li>
<li><strong>The Lovin’ Spoonful</strong></li>
<li> and many more.</li>
</ul>
<p>In addition to the music, we’ll dive into the events and pop culture that defined 1965, exploring the year’s influence on music, fashion, and societal trends.</p>
<p>Don’t miss this exciting exploration of one of the most influential years in music and pop culture! Be sure to <strong>mark your calendars</strong> so you can tune in as soon as the recording is uploaded.</p></div>
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				<a class="et_pb_button et_pb_button_12 et_pb_bg_layout_light" href="#recording">Missed our latest show? No problems, you can listen to it here</a>
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				<a class="et_pb_button et_pb_button_13 et_pb_bg_layout_light" href="https://streamingv2.shoutcast.com/lynnradio" target="_blank" data-icon="">Broadcasting: Thursday, January 2nd, 2025</a>
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				<div class="et_pb_text_inner"><p>Topic of the show: <strong>60th Anniversary of the year 1965</strong></p></div>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><img loading="lazy" decoding="async" class="wp-image-63894 aligncenter size-full" src="https://thehistoryofrockandroll.net/wp-content/uploads/2024/12/img-40852.jpg" alt="" width="650" height="400" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2024/12/img-40852.jpg 650w, https://thehistoryofrockandroll.net/wp-content/uploads/2024/12/img-40852-480x295.jpg 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 650px, 100vw" /></p></div>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><span style="font-size: large; color: #999999;">Our latest recorded show </span></p></div>
			</div><div class="et_pb_module et_pb_text et_pb_text_43  et_pb_text_align_left et_pb_bg_layout_light">
				
				
				
				
				<div class="et_pb_text_inner"><div style="max-width: 100%; width: auto; height: null; position: relative; padding-top: 95px;"><iframe style="position: absolute; top: 0; left: 0; width: 100%; height: 100%;" src="https://adilo.bigcommand.com/watch/OD97_fEr ?minified=true" frameborder="0" scrolling="no" allowfullscreen="allowfullscreen"></iframe></div></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/60th-anniversary-of-the-year-1965/">60th Anniversary of the year 1965</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>1962 55th Anniversary</title>
		<link>https://thehistoryofrockandroll.net/1962-55th-anniversary/</link>
		
		<dc:creator><![CDATA[Meagan Paese]]></dc:creator>
		<pubDate>Mon, 16 Oct 2017 00:34:27 +0000</pubDate>
				<category><![CDATA[Rock and Roll]]></category>
		<category><![CDATA[Beatles]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<guid isPermaLink="false">http://www.thehistoryofrockandroll.net/?p=36070</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/1962-55th-anniversary/">1962 55th Anniversary</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
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				<div class="et_pb_text_inner"><h2>John F Kennedy (1917-1963)</h2></div>
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				<div class="et_pb_text_inner"><p><strong>John F Kennedy (1917-1963)</strong> was an American statesman who served as the 35th President of the United States from January 1961 until his assassination in November 1963. Kennedy served at the height of the Cold War, and much of his presidency focused on managing relations with the Soviet Union. He was a member of the Democratic Party who represented Massachusetts in the United States House of Representatives and the United States Senate prior to becoming president.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-31062" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/07/John-F-Kennedy-weds.jpg" alt="" width="280" height="181" />Kennedy was born in Brookline, Massachusetts, to Joseph P. Kennedy, Sr. and Rose Kennedy. A scion of the Kennedy family, he graduated from Harvard University in 1940 before joining the United States Naval Reserve the following year. During World War II, Kennedy commanded a series of PT boats in the Pacific theater and earned the Navy and Marine Corps Medal for his service. After the war, Kennedy represented Massachusetts&#8217;s 11th congressional district in the United States House of Representatives from 1947 until 1953. He was subsequently elected to the U.S. Senate and served as the junior Senator from Massachusetts from 1953 until 1960. While serving in the Senate, he published Profiles in Courage, which won the Pulitzer Prize for Biography. In the 1960 presidential election, Kennedy narrowly defeated Republican opponent Richard Nixon, who was the incumbent Vice President.</p>
<p>Kennedy&#8217;s time in office was marked by high tensions with Communist states in the Cold War. He increased the number of American military advisers in South Vietnam by a factor of 18 over President Dwight D. Eisenhower. In April 1961, he authorized a failed joint-CIA attempt to overthrow the Cuban government of Fidel Castro in the Bay of Pigs Invasion.</p>
<p>He subsequently rejected plans by the Joint Chiefs of Staff to orchestrate false-flag attacks on American soil in order to gain public approval for a war against Cuba. In October 1962, U.S. spy planes discovered that Soviet missile bases had been deployed in Cuba; the resulting period of tensions, termed the Cuban Missile Crisis, nearly resulted in the breakout of a global thermonuclear conflict. Domestically, Kennedy presided over the establishment of the Peace Corps and supported the Civil Rights Movement, but he was largely unsuccessful in passing his New Frontier domestic policies. Kennedy continues to rank highly in historians&#8217; polls of U.S. presidents and with the general public. His average approval rating of 70% is the highest of any president in Gallup&#8217;s history of systematically measuring job approval.</p>
<p>On November 22, 1963, Kennedy was assassinated in Dallas, Texas. Lee Harvey Oswald was arrested for the crime, but he was never prosecuted due to his murder by Jack Ruby two days later. Pursuant to the Presidential Succession Act, Vice President Lyndon B. Johnson was sworn in as president later that day. The FBI and the Warren Commission officially concluded that Oswald was the lone assassin, but various groups believed that Kennedy was the victim of a conspiracy. After Kennedy&#8217;s death, many of his proposals were enacted, including the Civil Rights Act of 1964 and the Revenue Act of 1964.</p></div>
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				<div class="et_pb_text_inner"><h2>Jackie Kennedy / A Tour of the White house</h2></div>
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				<div class="et_pb_text_inner"><p>A Tour of the White house Was a television special featuring the First Lady of the United States, Jacqueline Kennedy on a tour of the recently renovated White House. It was broadcast on Valentine&#8217;s Day, February 14, 1962, on both CBS and NBC, and broadcast four days later on ABC.<br />
<img loading="lazy" decoding="async" class="alignleft size-full wp-image-36072" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/10/Jackie-Kennedy.jpg" alt="" width="263" height="197" />The program was the first ever First Lady televised tour of the White House, and has since been considered the first prime-time documentary specifically designed to appeal to a female audience.</p>
<p>The film showed Kennedy on a tour of the house with the CBS News correspondent Charles Collingwood. The filmed tour was the first glimpse the American public had had of the $2 million restoration of the White House that Kennedy had helped direct in the first year of her husband&#8217;s presidency</p></div>
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				<div class="et_pb_text_inner"><h2>The First Family</h2></div>
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				<div class="et_pb_text_inner"><p><strong>The First Family</strong> is a comedy album recorded on October 22, 1962, as a good-natured parody of President John F. Kennedy, both as Commander-in-Chief and as a member of a large, well-known political family.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-36074" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/10/The-First-Family.jpg" alt="" width="197" height="197" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/10/The-First-Family.jpg 197w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/10/The-First-Family-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/10/The-First-Family-45x45.jpg 45w" sizes="(max-width: 197px) 100vw, 197px" />Issued by Cadence Records, it was honored as the &#8220;largest and fastest selling record in the history of the record industry&#8221; selling at more than a million copies per week for the first six and one-half weeks in distribution, by January it had sold more than 7 million copies. Cadence president Archie Bleyer credited the album&#8217;s success to radio airplay. By time of the release of The First Family &#8211; Volume Two, the sequel, it had sold 7.5 million copies — unprecedented for any album at the time, let alone a comedy album.</p></div>
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				<div class="et_pb_text_inner"><h2>Project Mercury: Friendship 7, John Glenn</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Project Mercury: Friendship 7, John Glenn</strong> Was the third human spaceflight for the U.S. and part of Project Mercury. Conducted by NASA on February 20, 1962, the mission was piloted by astronaut John Glenn, who performed three orbits of the Earth, making him the first U.S. astronaut to orbit the Earth.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-36079" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/10/Project-Mercury-Friendship-7-John-Glenn.jpg" alt="" width="169" height="120" />After a long series of delays, Friendship 7 lifted off from Cape Canaveral Air Force Station on February 20, 1962. There were eleven delays during the countdown due to equipment malfunctions, improvements to equipment functioning properly and the weather. During Glenn&#8217;s first orbit, a failure of the automatic-control system was detected. This forced Glenn to operate in manual mode for the second and third orbits, and for re-entry. Later in the flight, telemetry indicated that the heat shield had loosened. If this reading were accurate, Glenn and his spacecraft would burn up on re-entry. After a lengthy discussion on how to deal with this problem, ground controllers decided that leaving the solid-fueled retrorocket pack in place might help keep the loose heat shield in place. They relayed these instructions to Glenn, but did not tell him that the heat shield was possibly loose; although confused at this order, he complied. Leaving the retrorocket pack on made large chunks of flaming debris fly past the window of his capsule during re-entry, which Glenn thought it might have been the heat shield. He told an interviewer, &#8220;Fortunately it was the rocket pack—or I wouldn&#8217;t be answering these questions.&#8221;[85] After the flight, it was determined that the heat shield was not loose, but rather that the sensor was faulty.</p>
<p>Friendship 7 safely splashed down 800 miles (1,290 km) southeast of Cape Canaveral after Glenn&#8217;s 4-hour, 55-minute flight.[65][b] He carried a note on the flight which read, &#8220;I am a stranger. I come in peace. Take me to your leader and there will be a massive reward for you in eternity&#8221; in several languages, in case he landed near southern Pacific Ocean islands.</p>
<p>The original procedure called for Glenn to exit through the top hatch, but he was uncomfortably warm and decided that egress through the side hatch would be faster. During the flight, he endured 7.8 G&#8217;s of acceleration and traveled 75,679 miles (121,794 km) at about 17,500 miles per hour (28,200 km/h). The flight took Glenn to a maximum altitude (apogee) of about 162 miles (261 km) and a minimum altitude of 100 miles (160 km) (perigee) at a speed of about 17,500 miles per hour (28,200 km/h). The flight made Glenn the first American to orbit the Earth,[88] the third American in space, and the fifth human in space.The mission, which Glenn called &#8220;best day of his life&#8221;, renewed U.S. confidence.[95] His flight occurred while the U.S. and the Soviet Union were embroiled in the Cold War and competing in the Space Race.</p>
<p>As the first American in orbit Glenn became a national hero, met President John F. Kennedy, and received a ticker-tape parade in New York City reminiscent of those honoring Charles Lindbergh and other dignitaries. He became &#8220;so valuable to the nation as an iconic figure&#8221;, according to NASA administrator Charles Bolden, that Kennedy would not &#8220;risk putting him back in space again.&#8221; Glenn&#8217;s fame and political potential were noted by the Kennedys, and he became a friend of the Kennedy family. On February 23, 1962, President Kennedy gave him the NASA Distinguished Service Medal.</p></div>
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				<div class="et_pb_text_inner"><h2>Bob Dylan</h2></div>
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				<div class="et_pb_text_inner"><p><strong><img loading="lazy" decoding="async" class="alignright size-full wp-image-36081" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/10/bob-Dylan-show-1962.jpg" alt="" width="152" height="152" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/10/bob-Dylan-show-1962.jpg 152w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/10/bob-Dylan-show-1962-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/10/bob-Dylan-show-1962-45x45.jpg 45w" sizes="(max-width: 152px) 100vw, 152px" />Bob Dylan</strong> is the debut studio album by American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records.</p>
<p>Produced by Columbia&#8217;s legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, &#8220;Talkin&#8217; New York&#8221; and &#8220;Song to Woody</p></div>
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				<div class="et_pb_text_inner"><h2>Seattle World’s Fair</h2></div>
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				<div class="et_pb_text_inner"><p><img loading="lazy" decoding="async" class="size-medium wp-image-36083 alignnone" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/10/Seatle-world-fair.jpg" alt="" width="164" height="227" /></p>
<p>April 10, Seattle World’s Fair opened in Seattle, Washington, Century 21 Exposition. Nearly 10 million people attended the fair. Featured a Space Needle and Alweg Monorail.</p></div>
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				<div class="et_pb_text_inner"><h2>Fallout Protection</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Fallout Protection: What To Know And Do About Nuclear Attack</strong> was an official United States federal government booklet released in December 1961 by the United States Department of Defense and the Office of Civil Defense. The first page of the book is a note from then-U.S. Secretary of Defense Robert McNamara explaining that the booklet is the result of the first task he was given when he assumed responsibility for the Federal Civil Defense Program in August 1961. The task, assigned by President John F. Kennedy, was to &#8220;give the American people the facts they need to know about the dangers of a thermonuclear attack and what they can do to protect themselves.</p>
<h3>Fallout Shelters</h3>
<p>Fallout Shelters is an enclosed space specially designed to protect occupants from radioactive debris or fallout resulting from a nuclear explosion. Many such shelters were constructed as civil defense measures during the Cold War.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-36085 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/10/Fallout-Protection.jpg" alt="" width="275" height="200" />During a nuclear explosion, matter vaporized in the resulting fireball is exposed to neutrons from the explosion, absorbs them, and becomes radioactive. When this material condenses in the rain, it forms dust and light sandy materials that resemble ground pumice. The fallout emits alpha and beta particles, as well as gamma rays.</p>
<p>Much of this highly radioactive material falls to earth, subjecting anything within the line of sight to radiation, becoming a significant hazard. A fallout shelter is designed to allow its occupants to minimize exposure to harmful fallout until radioactivity has decayed to a safer level.</p></div>
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				<div class="et_pb_text_inner"><h2>Marilyn Monroe dies</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Marilyn Monroe</strong> was found dead on August 5, 1962, at her 12305 Fifth Helena Drive home in Los Angeles of a barbiturate overdose. She was a major sex symbol and one of the most popular Hollywood stars during the 1950s and early 1960s. She was a top-billed actress for a decade, and her films grossed $200 million by 1962.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-36087" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/10/Marilyn-Monroe-show-1962.jpg" alt="" width="131" height="161" />At the time of her death, Monroe had suffered from mental illness and substance abuse for several years, and had not completed a film since The Misfits, released in 1961.</p>
<p>She had spent 1961 preoccupied with her various health problems, and in April 1962 had begun filming Something&#8217;s Got to Give for 20th Century Fox, but was fired in early June. The studio publicly blamed her for the production&#8217;s problems, and in the weeks preceding her death, Monroe attempted to repair her public image by giving several interviews to high-profile publications. She also began negotiations with Fox on being re-hired for Something&#8217;s Got to Give and for starring roles in other productions.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-36088" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/10/Marilyn-Monroe-Dies.jpg" alt="" width="126" height="159" />Monroe spent her last day, Saturday, August 4, at her home in Brentwood, accompanied by publicist Patricia Newcomb, housekeeper Eunice Murray, photographer Lawrence Schiller and psychiatrist Dr. Ralph Greenson at various times. At Greenson&#8217;s request, Murray stayed overnight to keep Monroe company. At approximately 3 a.m. the next day, she noticed that Monroe had locked herself in her bedroom and was unresponsive. Murray alerted Greenson, who arrived soon after and broke into the room, finding Monroe deceased. Her death was officially ruled a probable suicide by the Los Angeles County coroner&#8217;s office, based on precedents of her overdosing and being prone to mood swings and suicidal ideation. No evidence of crime was found, and accidental overdose was ruled out due to the large amount of barbiturates she had ingested. Her funeral was held on August 8 at the Westwood Village Memorial Park Cemetery, where she was interred at the Corridor of Memories.</p>
<p>Despite the coroner&#8217;s verdict, several conspiracy theories suggesting murder or accidental overdose have been proposed since the mid-1960s. Many of these involve President John F. Kennedy and his brother, Robert, as well as union leader Jimmy Hoffa and mob boss Sam Giancana. Due to prevalence of these theories in the media, the office of the Los Angeles County District Attorney reviewed the case in 1982, but found no evidence to support them and did not disagree with the findings of the original investigation.</p></div>
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				<div class="et_pb_text_inner"><h2>Escaped from Alcatraz</h2></div>
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				<div class="et_pb_text_inner"><p><strong>The June 1962 Alcatraz escape</strong> may have been the only successful escape from Alcatraz Federal Penitentiary in its history. Late on the night of June 11 or early morning of June 12, inmates Clarence Anglin, John Anglin, and Frank Morris tucked heads made out of soap wax resembling their own likenesses into their beds, broke out of the main prison building via an unused utility corridor, and departed Alcatraz Island aboard an improvised inflatable raft to an uncertain fate.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-36090" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/10/Escape-from-Alcatraz.jpg" alt="" width="228" height="128" />Hundreds of leads have been pursued by the FBI and local law enforcement officials in the ensuing years, but no conclusive evidence has ever surfaced favoring the success or failure of the attempt. Numerous theories of widely varying plausibility have been proposed by authorities, reporters, family members, and amateur enthusiasts. In 1979 the FBI officially concluded, on the basis of circumstantial evidence and a preponderance of expert opinion, that the men drowned in the frigid waters of San Francisco Bay before reaching the mainland. The U.S. Marshals Service case file remains open and active, however, and Morris and the Anglin brothers remain on its wanted list.</p>
<p><img loading="lazy" decoding="async" class="alignright size-medium wp-image-36091" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/10/Alcatraz-300x200.png" alt="" width="300" height="200" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/10/Alcatraz-300x200.png 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/10/Alcatraz.png 485w" sizes="(max-width: 300px) 100vw, 300px" />Recent experimental and computer-simulated evidence has suggested that the ultimate outcome of the attempt may have depended on the exact time of the men&#8217;s departure aboard the raft.</p>
<p>A 2015 documentary presented circumstantial evidence in support of a longstanding rumor that two of the men – the Anglin brothers – had survived and fled to Brazil; but a government expert concluded that the one piece of physical evidence, a 1975 photograph, did not support that conclusion.</p></div>
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				<div class="et_pb_text_inner"><h2>Rachel Carson: Silent Spring</h2></div>
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				<div class="et_pb_text_inner"> <img loading="lazy" decoding="async" class="alignnone size-full wp-image-36093" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/10/Rachel-Carson.jpg" alt="" width="309" height="206" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/10/Rachel-Carson.jpg 309w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/10/Rachel-Carson-300x200.jpg 300w" sizes="(max-width: 309px) 100vw, 309px" /> </div>
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				<div class="et_pb_text_inner"><h2>Telstar</h2></div>
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				<div class="et_pb_text_inner"><p><strong><img loading="lazy" decoding="async" class="alignright size-full wp-image-36095" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/10/Telsar.jpg" alt="" width="227" height="182" />Telstar</strong> is the name of various communications satellites. The first two Telstar satellites were experimental and nearly identical.</p>
<p>Telstar 1 launched on top of a Thor-Delta rocket on July 10, 1962. It successfully relayed through space the first television pictures, telephone calls, and telegraph images, and provided the first live transatlantic television feed.</p>
<p>Telstar 2 launched May 7, 1963. Telstar 1 and 2—though no longer functional—still orbit the Earth.</p></div>
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				<div class="et_pb_text_inner"><h2>Andy Warhol</h2></div>
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				<div class="et_pb_text_inner"><p>Introduced 32 paintings of Campbell’s soup cans at Ferus Gallery in West Hollywood, California, in Los Angeles. His works explore the relationship between artistic expression, celebrity culture, and advertising which flourished in the 1960s.</p>
<p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-36097" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/10/Campbells-Warhol.jpg" alt="" width="327" height="245" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/10/Campbells-Warhol.jpg 327w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/10/Campbells-Warhol-300x225.jpg 300w" sizes="(max-width: 327px) 100vw, 327px" /></p></div>
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				<div class="et_pb_text_inner"><h2>Beatles</h2></div>
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				<div class="et_pb_text_inner"><p>After the Beatles completed their second Hamburg residency, they enjoyed increasing popularity in Liverpool with the growing Merseybeat movement. However, they were also growing tired of the monotony of numerous appearances at the same clubs night after night. In November 1961, during one of the group&#8217;s frequent performances at The Cavern Club, they encountered Brian Epstein, a local record-store owner and music columnist. He later recalled: &#8220;I immediately liked what I heard. They were fresh, and they were honest, and they had what I thought was a sort of presence &#8230; [a] star quality.&#8221; Epstein courted the band over the next couple of months, and they appointed him as their manager in January 1962.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-36100" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/10/Beatles-show-1962-1.jpg" alt="" width="257" height="152" />Throughout early and mid-1962, Epstein sought to free the Beatles from their contractual obligations to Bert Kaempfert Productions. He eventually negotiated a one-month-early release from their contract in exchange for one last recording session in Hamburg. Tragedy greeted them on their return to Germany in April, when a distraught Kirchherr met them at the airport with news of Sutcliffe&#8217;s death the previous day from what would later be determined to have been a brain hemorrhage. Epstein began negotiations with record labels for a recording contract. In order to secure a UK record contract, Epstein negotiated an early end to the band&#8217;s contract with Polydor, in exchange for more recordings backing Tony Sheridan. After a New Year&#8217;s Day audition, Decca Records rejected the band with the comment &#8220;Guitar groups are on the way out, Mr. Epstein.&#8221; However, three months later, producer George Martin signed the Beatles to EMI&#8217;s Parlophone label.</p>
<p>Martin&#8217;s first recording session with the Beatles took place at EMI&#8217;s Abbey Road Studios in London on 6 June 1962. Martin immediately complained to Epstein about Best&#8217;s poor drumming and suggested they use a session drummer in his place.[38] Already contemplating Best&#8217;s dismissal, the Beatles replaced him in mid-August with Ringo Starr, who left Rory Storm and the Hurricanes to join them. A 4 September session at EMI yielded a recording of &#8220;Love Me Do&#8221; featuring Starr on drums, but a dissatisfied Martin hired drummer Andy White for the band&#8217;s third session a week later, which produced recordings of &#8220;Love Me Do&#8221;, &#8220;Please Please Me&#8221; and &#8220;P.S. I Love You&#8221;. Martin initially selected the Starr version of &#8220;Love Me Do&#8221; for the band&#8217;s first single, though subsequent re-pressings featured the White version, with Starr on tambourine. Released in early October, &#8220;Love Me Do&#8221; peaked at number seventeen on the Record Retailer chart. Their television debut came later that month with a live performance on the regional news programme People and Places. After Martin suggested rerecording &#8220;Please Please Me&#8221; at a faster tempo, a studio session in late November yielded that recording, of which Martin accurately predicted, &#8220;You&#8217;ve just made your first No.1.&#8221;</p>
<p>In December 1962, the Beatles concluded their fifth and final Hamburg residency. By 1963, they had agreed that all four band members would contribute vocals to their albums – including Starr, despite his restricted vocal range, to validate his standing in the group.[46] Lennon and McCartney had established a songwriting partnership, and as the band&#8217;s success grew, their dominant collaboration limited Harrison&#8217;s opportunities as a lead vocalist. Epstein, in an effort to maximise the Beatles&#8217; commercial potential, encouraged them to adopt a professional approach to performing. Lennon recalled him saying, &#8220;Look, if you really want to get in these bigger places, you&#8217;re going to have to change – stop eating on stage, stop swearing, stop smoking &#8230;&#8221; Lennon said: &#8220;We used to dress how we liked, on and off stage. He&#8217;d tell us that jeans were not particularly smart and could we possibly manage to wear proper trousers, but he didn&#8217;t want us suddenly looking square. He&#8217;d let us have our own sense of individuality.&#8221;</p></div>
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				<div class="et_pb_text_inner"><h2>James Meredith enrolls at University of Mississippi</h2></div>
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				<div class="et_pb_text_inner"><p><img loading="lazy" decoding="async" class="size-full wp-image-36103 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/10/James-Meredith-enrolls-at-University-of-Mississippi.jpg" alt="" width="293" height="196" /> The Ole Miss riot of 1962, or Battle of Oxford, was fought between Southern segregationist civilians and federal and state forces beginning the night of September 30, 1962; segregationists were protesting the enrollment of James Meredith, a black US military veteran, at the University of Mississippi (known affectionately as Ole Miss) at Oxford, Mississippi.</p>
<p>Two civilians were killed during the night, including a French journalist, and over 300 people were injured,including one third of the US Marshals deployed.</p></div>
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				<div class="et_pb_text_inner"><h2>Cuban Missile Crisis</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Cuban Missile Crisis</strong> was a 13-day (October 16–28, 1962) confrontation between the United States and the Soviet Union concerning American ballistic missile deployment in Italy and Turkey with consequent Soviet ballistic missile deployment in Cuba. The confrontation is often considered the closest the Cold War came to escalating into a full-scale nuclear war.</p>
<p>In response to the failed Bay of Pigs Invasion of 1961 and the presence of American Jupiter ballistic missiles in Italy and Turkey, Soviet leader Nikita Khrushchev decided to agree to Cuba&#8217;s request to place nuclear missiles on the island to deter a future invasion. An agreement was reached during a secret meeting between Khrushchev and Fidel Castro in July 1962 and construction of a number of missile launch facilities started later that summer.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-36105" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/10/Cuban-Missile-Crisis.jpg" alt="" width="338" height="284" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/10/Cuban-Missile-Crisis.jpg 338w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/10/Cuban-Missile-Crisis-300x252.jpg 300w" sizes="(max-width: 338px) 100vw, 338px" />The 1962 United States elections were under way, and the White House had denied charges that it was ignoring dangerous Soviet missiles 90 miles from Florida. The missile preparations were confirmed when an Air Force U-2 spy plane produced clear photographic evidence of medium-range (SS-4) and intermediate-range (R-14) ballistic missile facilities. The US established a military blockade to prevent further missiles from reaching Cuba; Oval Office tapes during the crisis revealed that Kennedy had also put the blockade in place as an attempt to provoke Soviet-backed forces in Berlin as well. It announced that they would not permit offensive weapons to be delivered to Cuba and demanded that the weapons already in Cuba be dismantled and returned to the Soviet Union.</p>
<p>After a long period of tense negotiations, an agreement was reached between US President John F. Kennedy and Khrushchev. Publicly, the Soviets would dismantle their offensive weapons in Cuba and return them to the Soviet Union, subject to United Nations verification, in exchange for a US public declaration and agreement to avoid invading Cuba again. Secretly, the United States also agreed that it would dismantle all U.S.-built Jupiter MRBMs, which had been deployed in Turkey against the Soviet Union; there has been debate on whether or not Italy was included in the agreement as well.</p>
<p>When all offensive missiles and Ilyushin Il-28 light bombers had been withdrawn from Cuba, the blockade was formally ended on November 21, 1962. The negotiations between the United States and the Soviet Union pointed out the necessity of a quick, clear, and direct communication line between Washington and Moscow. As a result, the Moscow–Washington hotline was established. A series of agreements reduced US-Soviet tensions for several years.</p></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/1962-55th-anniversary/">1962 55th Anniversary</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>The Counterculture</title>
		<link>https://thehistoryofrockandroll.net/the-counterculture/</link>
		
		<dc:creator><![CDATA[Meagan Paese]]></dc:creator>
		<pubDate>Sun, 26 Feb 2017 17:33:39 +0000</pubDate>
				<category><![CDATA[Blues]]></category>
		<category><![CDATA[Country]]></category>
		<category><![CDATA[Folk]]></category>
		<category><![CDATA[Folk Rock]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Pop]]></category>
		<category><![CDATA[Psychedelic Rock]]></category>
		<category><![CDATA[Rock and Roll]]></category>
		<category><![CDATA[Rockabilly]]></category>
		<category><![CDATA["San Francisco (Be Sure to Wear Flowers in Your Hair)"]]></category>
		<category><![CDATA[and Nash]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[British Invasion]]></category>
		<category><![CDATA[Bubblegum Pop]]></category>
		<category><![CDATA[Civil Right Movement]]></category>
		<category><![CDATA[Cream]]></category>
		<category><![CDATA[Crosby]]></category>
		<category><![CDATA[Flower Power]]></category>
		<category><![CDATA[Free Speech Movement]]></category>
		<category><![CDATA[Janis Joplin]]></category>
		<category><![CDATA[Jefferson Airplane]]></category>
		<category><![CDATA[Jimi Hendrix]]></category>
		<category><![CDATA[John Lennon]]></category>
		<category><![CDATA[Ken Kesey and the Merry Pranksters]]></category>
		<category><![CDATA[Kent State Shooting]]></category>
		<category><![CDATA[Lyndon B. Johnson]]></category>
		<category><![CDATA[Martin Luther King Jr.]]></category>
		<category><![CDATA[Monetary Pop Festival]]></category>
		<category><![CDATA[Peter Max]]></category>
		<category><![CDATA[Robert F. Kennedy]]></category>
		<category><![CDATA[Rolling Stones]]></category>
		<category><![CDATA[Sgt Peppers]]></category>
		<category><![CDATA[Stills]]></category>
		<category><![CDATA[Summer of Love]]></category>
		<category><![CDATA[The Band]]></category>
		<category><![CDATA[the Beatles]]></category>
		<category><![CDATA[The Byrds]]></category>
		<category><![CDATA[The Doors:]]></category>
		<category><![CDATA[the Kinks]]></category>
		<category><![CDATA[The Mamas and the Papas]]></category>
		<category><![CDATA[the Who]]></category>
		<category><![CDATA[Timothy Leary]]></category>
		<category><![CDATA[Vietnam War]]></category>
		<category><![CDATA[vinyl]]></category>
		<category><![CDATA[Woman’s Rights]]></category>
		<category><![CDATA[Woodstock]]></category>
		<guid isPermaLink="false">http://www.thehistoryofrockandroll.net/?p=35147</guid>

					<description><![CDATA[<p>1960s Counterculture Music Discover the stories that shaped rock &#38; roll Listen to the audio overview: Collector&#8217;s Note: If you enjoyed this audio deep-dive, we’ve curated the definitive British Invasion collection—including rare vinyl and the full ’10 Moments’ book—over at our Official Shop. The Ed Sullivan Show (Pt 1) &#124; The Ed Sullivan Show Pt [&#8230;]</p>
<p>The post <a href="https://thehistoryofrockandroll.net/the-counterculture/">The Counterculture</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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										<content:encoded><![CDATA[<div class="bi-container">
<div class="bi-hero">
<h1>1960s Counterculture Music</h1>
<p><strong>Discover the stories that shaped rock &amp; roll</strong><br />
<em>Listen to the audio overview:</em></p>
<audio class="wp-audio-shortcode" id="audio-35147-6" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://thehistoryofrockandroll.net/podcast/How_Music_Fueled_the_Sixties_Revolution.mp3?_=6" /><a href="https://thehistoryofrockandroll.net/podcast/How_Music_Fueled_the_Sixties_Revolution.mp3">https://thehistoryofrockandroll.net/podcast/How_Music_Fueled_the_Sixties_Revolution.mp3</a></audio>
</div>
<div class="bi-monetization-mini"><strong>Collector&#8217;s Note:</strong> If you enjoyed this audio deep-dive, we’ve curated the definitive British Invasion collection—including rare vinyl and the full ’10 Moments’ book—over at our <a href="https://rockndroll.com" target="_blank" rel="noopener">Official Shop</a>.</div>
<div class="bi-content">
<div class="entry-content">
<div class="et-l et-l--post">
<p><a href="https://www.thehistoryofrockandroll.net/the-ed-sullivan-show-pt-1/">The Ed Sullivan Show (Pt 1)</a> | <a href="https://www.thehistoryofrockandroll.net/the-ed-sullivan-show-pt-2/">The Ed Sullivan Show Pt 2</a></p>
<h2>The Counterculture Movement 1965-1971</h2>
<p><strong>The Counterculture</strong> refers to an anti-establishment cultural phenomenon that developed first in the United States and then spread throughout much of the Western world between the early 1960s and the mid-1970s, with New York City, and San Francisco being hotbeds of early countercultural activity.</p>
<p>The aggregate movement gained momentum as the American Civil Rights Movement continued to grow, and became revolutionary with the expansion of the US government’s extensive military intervention in Vietnam. As the 1960s progressed, widespread social tensions also developed concerning other issues, and tended to flow along generational lines regarding human sexuality, women’s rights, traditional modes of authority, experimentation with psychoactive drugs, and differing interpretations of the American Dream.</p>
<p>As the era unfolded, new cultural forms and a dynamic subculture which celebrated experimentation, modern incarnations of Bohemianism, and the rise of the hippie and other alternative lifestyles, emerged. This embracing of creativity is particularly notable in the works of British Invasion bands such as the Beatles, and filmmakers whose works became far less restricted by censorship. In addition to the trendsetting Beatles, many other creative artists, authors, and thinkers, within and across many disciplines, helped define the counterculture movement.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-35149" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/the-counter-culture-2.jpg" alt="" width="300" height="225" />Several factors distinguished the counterculture of the 1960s from the anti-authoritarian movements of previous eras. The post-World War II “baby boom” generated an unprecedented number of potentially disaffected young people as prospective participants in a rethinking of the direction of American and other democratic societies.</p>
<p>Post-war affluence allowed many of the counterculture generation to move beyond a focus on the provision of the material necessities of life that had preoccupied their Depression-era parents. The era was also notable in that a significant portion of the array of behaviors and “causes” within the larger movement were quickly assimilated within mainstream society, particularly in the US, even though counterculture participants numbered in the clear minority within their respective national populations.</p>
<p>The counterculture era essentially commenced in earnest with the assassination of John F. Kennedy in November 1963. It became absorbed into the popular culture with the termination of U.S. combat-military involvement in Southeast Asia and the end of the draft in 1973, and ultimately with the resignation of President Richard Nixon in August 1974.</p>
<p>Many key movements were born of, or were advanced within, the counterculture of the 1960s. Each movement is relevant to the larger era. The most important stand alone, irrespective of the larger counterculture. In the broadest sense, 1960s counterculture grew from a confluence of people, ideas, events, issues, circumstances, and technological developments which served as intellectual and social catalysts for exceptionally rapid change during the era.</p>
<h2>Free Speech Movement</h2>
<p><strong>Free Speech Movement</strong> was a student protest which took place during the 1964–65 academic year on the campus of the University of California, Berkeley under the informal leadership of students Mario Savio, Jack Weinberg, Michael Rossman, Brian Turner, Bettina Aptheker, Steve Weissman, Art Goldberg, Jackie Goldberg, and others.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-34378 alignright" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Free-Speech-Movement.jpg" sizes="(max-width: 378px) 100vw, 378px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2016/10/Free-Speech-Movement.jpg 378w, thehistoryofrockandroll.net/wp-content/uploads/2016/10/Free-Speech-Movement-300x168.jpg 300w" alt="Free Speech Movement" width="378" height="212" />In protests unprecedented in scope, students insisted that the university administration lift the ban of on-campus political activities and acknowledge the students’ right to free speech and academic freedom. Sol Stern, a former radical who took part in the Free Speech Movement, stated in a 2014 City Journal article that the group viewed the United States to be both racist and imperialistic and that the main intent after lifting Berkeley’s loyalty oath was to build on the legacy of C. Wright Mills and weaken the Cold War consensus by promoting the ideas of the Cuban Revolution.</p>
<h2>Civil Rights</h2>
<p><strong>Civil Rights</strong> encompasses social movements in the United States whose goals were to end racial segregation and discrimination against African Americans and to secure legal recognition and federal protection of the citizenship rights enumerated in the Constitution and federal law. This article covers the phase of the movement between 1954 and 1968, particularly in the South. The leadership was African American, and much of the political and financial support came from labor unions (led by Walter Reuther), major religious denominations, and prominent white Democratic Party politicians such as Hubert Humphrey and Lyndon B. Johnson and white Republican Party politicians such as Governor Nelson Rockefeller and Senator Everett Dirksen.</p>
<p><img loading="lazy" decoding="async" class="alignleft wp-image-34379 size-full" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Civil-Rights.jpg" sizes="(max-width: 308px) 100vw, 308px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2016/10/Civil-Rights.jpg 308w, thehistoryofrockandroll.net/wp-content/uploads/2016/10/Civil-Rights-300x202.jpg 300w" alt="Civil Rights" width="308" height="207" />The movement was characterized by major campaigns of civil resistance. Between 1955 and 1968, acts of nonviolent protest and civil disobedience produced crisis situations and productive dialogues between activists and government authorities. Federal, state, and local governments, businesses, and communities often had to respond immediately to these situations, which highlighted the inequities faced by African Americans. Forms of protest and/or civil disobedience included boycotts such as the successful Montgomery Bus Boycott (1955–56) in Alabama; “sit-ins” such as the influential Greensboro sit-ins (1960) in North Carolina; marches, such as the Selma to Montgomery marches (1965) in Alabama; and a wide range of other nonviolent activities.</p>
<p>This phase of the Civil Rights Movement witnessed the passage of several major pieces of federal legislation. The Civil Rights Act of 1964, expressly banned discrimination based on race, color, religion, sex, or national origin in employment practices and ended unequal application of voter registration requirements and racial segregation in schools, at the workplace, and by public accommodations. The Voting Rights Act of 1965 restored and protected voting rights for minorities. The Immigration and Nationality Services Act of 1965 removed racial and national barriers and opened the way for black immigrants from Africa and the Western Hemisphere. The Fair Housing Act of 1968 banned discrimination in the sale or rental of housing. African Americans re-entered politics in the South, and across the country young people were inspired to take action.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-35152" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/civil-rights-movement.jpg" sizes="(max-width: 308px) 100vw, 308px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/civil-rights-movement.jpg 308w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/civil-rights-movement-300x188.jpg 300w" alt="" width="308" height="193" />A wave of inner city riots in black communities from 1964 through 1970 undercut support from the white community. The emergence of the Black Power movement, which lasted from about 1966 to 1975, challenged the established black leadership for its cooperative attitude and its nonviolence, and instead demanded political and economic self-sufficiency.</p>
<p>Many popular representations of the movement are centered on the leadership and philosophy of Martin Luther King, Jr., who won the 1964 Nobel Peace Prize for his role in the movement. But, some scholars note that the movement was too diverse to be credited to one person, organization, or strategy.</p>
<h2>Swinging London</h2>
<p><strong>Swinging London</strong> is a catch-all term applied to the fashion and cultural scene that flourished in London in the 1960s. It consisted largely of music, discothèques, and mod fashion.</p>
<p><strong>Background</strong></p>
<p>Swinging London was a youth-oriented phenomenon that emphasized the new and modern. It was a period of optimism and hedonism and a cultural revolution. One catalyst was the recovery of the British economy after post-World War II austerity which lasted through much of the 1950s.</p>
<p>“Swinging London” was defined by Time magazine in its issue of 15 April 1966 and celebrated in the name of the pirate radio station, Swinging Radio England, that began shortly afterward. However, “swinging” in the sense of hip or fashionable had been used since the early 1960s, including by Norman Vaughan in his “swinging/dodgy” patter on Sunday Night at the London Palladium.</p>
<p>In 1965, Diana Vreeland, editor of Vogue magazine, said: “London is the most swinging city in the world at the moment.” Later that year, the American singer Roger Miller had a hit record with “England Swings”, which steps around the progressive youth culture (both musically and lyrically).</p>
<p>1967 saw the release of Peter Whitehead’s cult documentary film Tonite Lets All Make Love in London which accurately summed up both the culture of Swinging London through celebrity interviews, and the music with its accompanying soundtrack release featuring Pink Floyd.</p>
<p><strong>Music</strong></p>
<figure id="attachment_35154" class="wp-caption alignleft" aria-describedby="caption-attachment-35154"><img loading="lazy" decoding="async" class="wp-image-35154 size-full" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/swinging-london-music.jpg" width="255" height="187" /><figcaption id="caption-attachment-35154" class="wp-caption-text">The Kinks in 1967</figcaption></figure>
<p>Already heralded by Colin MacInnes’ 1959 novel Absolute Beginners, Swinging London was underway by the mid-1960s and included music by the Beatles, the Rolling Stones, the Kinks, the Who, the Small Faces, and other artists from what was known in the United States as the “British Invasion”.</p>
<p>Psychedelic rock from artists such as the Jimi Hendrix Experience, Pink Floyd, Cream, and Traffic grew significantly in popularity. This sort of music was heard in the United Kingdom over pirate radio stations such as Radio Caroline, Wonderful Radio London, and Swinging Radio England because the BBC did not allow this on their radio station.</p>
<p><strong>Fashion and symbols</strong></p>
<figure id="attachment_34380" class="wp-caption alignright" aria-describedby="caption-attachment-34380"><img loading="lazy" decoding="async" class="wp-image-34380 size-full" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Swinging-London.jpg" alt="Swinging London" width="280" height="186" /><figcaption id="caption-attachment-34380" class="wp-caption-text">Carnaby Street, circa 1968.</figcaption></figure>
<p>During the time of Swinging London, fashion and photography were featured in Queen magazine, which drew attention to fashion designer Mary Quant.</p>
<p>The model Jean Shrimpton was another icon and one of the world’s first supermodels. She was the world’s highest-paid and most photographed model during this time. Shrimpton was called “The Face of the ’60s”, in which she has been considered by many as “the symbol of Swinging London” and the “embodiment of the 1960s”.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-35155" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/swinging-london-fashion.jpg" sizes="(max-width: 232px) 100vw, 232px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/swinging-london-fashion.jpg 232w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/swinging-london-fashion-227x300.jpg 227w" alt="" width="232" height="306" />Other popular models of the era included Veruschka, Peggy Moffitt, and Penelope Tree. The model Twiggy has been called “the face of 1966” and “the Queen of Mod,” a label she shared with others, such as Cathy McGowan, who hosted the television rock show, Ready Steady Go! from 1964 to 1966.</p>
<p>Mod-related fashions such as the miniskirt stimulated fashionable shopping areas such as Carnaby Street and King’s Road, Chelsea. The fashion was a symbol of youth culture.</p>
<p>The British flag, the Union Jack, became a symbol, assisted by events such as England’s home victory in the 1966 World Cup. The Mini-Cooper car (launched in 1959) was used by a fleet of mini-cab taxis highlighted by advertising that covered their paintwork.</p>
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<h2>The Beatles</h2>
<p><strong>T</strong><img loading="lazy" decoding="async" class="wp-image-35157 size-full alignright" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-the-beatles.jpg" width="256" height="192" /><strong>he Beatles</strong> were an English rock band, formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, they became widely regarded as the foremost and most influential act of the rock era. Rooted in skiffle, beat, and 1950s rock and roll, the Beatles later experimented with several musical styles, ranging from pop ballads and Indian music to psychedelia and hard rock, often incorporating classical elements and unconventional recording techniques in innovative ways.</p>
<p>In the early 1960s, their enormous popularity first emerged as “Beatlemania”, but as the group’s music grew in sophistication, led by primary songwriters Lennon and McCartney, they came to be perceived as an embodiment of the ideals shared by the counterculture of the 1960s.</p>
<h2>Sgt Peppers</h2>
<p><strong>Sgt Peppers</strong> is the eighth studio album by the English rock band the Beatles. Released on 1 June 1967, it was an immediate commercial and critical success, spending 27 weeks at the top of the albums chart in the United Kingdom and 15 weeks at number one in the United States. Time magazine declared it “a historic departure in the progress of music” and the New Statesman praised its elevation of pop to the level of fine art. It won four Grammy Awards in 1968, including Album of the Year, the first rock LP to receive this honor.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-31808" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2016/07/1967-Beatles-Sgt-Peppers.jpg" sizes="(max-width: 230px) 100vw, 230px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2016/07/1967-Beatles-Sgt-Peppers.jpg 230w, thehistoryofrockandroll.net/wp-content/uploads/2016/07/1967-Beatles-Sgt-Peppers-45x45.jpg 45w" alt="" width="230" height="223" />In August 1966, the Beatles permanently retired from touring and began a three-month holiday from recording. During a return flight to London in November, Paul McCartney had an idea for a song involving an Edwardian era military band that would eventually form the impetus of the Sgt. Pepper concept. Sessions for what was to become the Beatles’ eighth studio album began on 24 November in Abbey Road Studio Two with two compositions inspired from their youth, “Strawberry Fields Forever” and “Penny Lane”, but after pressure from EMI, the songs were released as a double A-side single and were not included on the album.</p>
<p>In February 1967, after recording “Sgt. Pepper’s Lonely Hearts Club Band”, McCartney suggested that the Beatles should release an entire album that would represent a performance by the fictional Sgt. Pepper band. This alter ego group would give them the freedom to experiment musically. During the recording sessions, the band endeavored to improve upon the production quality of their prior releases. Knowing they would not have to perform the tracks live, they adopted an experimental approach to composition, writing songs such as “With a Little Help from My Friends”, “Lucy in the Sky with Diamonds” and “A Day in the Life”. Producer George Martin and engineer Geoff Emerick’s innovative recording of the album included the liberal application of sound shaping signal processing and the use of a 40-piece orchestra performing aleatoric crescendos. Recording was completed on 21 April 1967. The cover, depicting the band posing in front of a tableau of celebrities and historical figures, was designed by the British pop artists Peter Blake and Jann Haworth.</p>
<h2>British Invasion</h2>
<p><strong>British Invasion</strong> was a phenomenon that occurred in the mid-1960s when rock and pop music acts from the United Kingdom, as well as other aspects of British culture, became popular in the United States, and significant to the rising “counterculture” on both sides of the Atlantic. Pop and rock groups such as the Beatles, the Dave Clark Five, the Kinks, the Rolling Stones, Herman’s Hermits, the Animals, and the Who were at the forefront of the invasion.</p>
<p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-35159" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-british-invasion.jpg" sizes="(max-width: 589px) 100vw, 589px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-british-invasion.jpg 589w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-british-invasion-300x146.jpg 300w" alt="" width="589" height="287" /></p>
<h2>Vietnam War</h2>
<p><strong>Vietnam War</strong> The Vietnam War, and the protracted national divide between supporters and opponents of the war, were arguably the most important factors contributing to the rise of the larger counterculture movement.</p>
<p><img loading="lazy" decoding="async" class="alignnone size-full wp-image-35161" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/the-vietnam-war.jpg" sizes="(max-width: 522px) 100vw, 522px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/the-vietnam-war.jpg 522w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/the-vietnam-war-300x189.jpg 300w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/the-vietnam-war-400x250.jpg 400w" alt="" width="522" height="328" /></p>
<p>The widely accepted assertion that anti-war opinion was held only among the young is a myth, but enormous war protests consisting of thousands of mostly younger people in every major US city, and elsewhere across the Western world, effectively united millions against the war, and against the war policy that prevailed under five US congresses and during two presidential administrations.</p>
<h2>Flower Power</h2>
<p><strong>Flower Power</strong> was a slogan used during the late 1960s and early 1970s as a symbol of passive resistance and non-violence ideology. It is rooted in the opposition movement to the Vietnam War. The expression was coined by the American beat poet Allen Ginsberg in 1965 as a means to transform war protests into peaceful affirmative spectacles. Hippies embraced the symbolism by dressing in clothing with embroidered flowers and vibrant colors, wearing flowers in their hair, and distributing flowers to the public, becoming known as flower children. The term later became generalized as a modern reference to the hippie movement and the so-called counterculture of drugs, psychedelic music, psychedelic art and social permissiveness.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-35163 aligncenter" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-flower-power.jpg" sizes="(max-width: 483px) 100vw, 483px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-flower-power.jpg 483w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-flower-power-300x225.jpg 300w" alt="" width="483" height="362" /></p>
<h2>Summer of Love</h2>
<p><img loading="lazy" decoding="async" class="size-full wp-image-34331 alignright" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2016/09/Flower-Power-Summer-of-Love.jpg" sizes="(max-width: 391px) 100vw, 391px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2016/09/Flower-Power-Summer-of-Love.jpg 391w, thehistoryofrockandroll.net/wp-content/uploads/2016/09/Flower-Power-Summer-of-Love-300x180.jpg 300w" alt="" width="391" height="235" /><strong>Summer of Love</strong> was a social phenomenon that occurred during the summer of 1967, when as many as 100,000 people, mostly young people sporting hippie fashions of dress and behavior, converged in San Francisco’s neighborhood Haight-Ashbury. Although hippies also gathered in many other places in the U.S., Canada and Europe, San Francisco was at that time the most publicized location for hippie fashions.</p>
<p>Hippies, sometimes called flower children, were an eclectic group. Many were suspicious of the government, rejected consumerist values, and generally opposed the Vietnam War. A few were interested in politics; others were concerned more with art (music, painting, poetry in particular) or religious and meditative practices.</p>
<h2>“San Francisco (Be Sure to Wear Flowers in Your Hair)”</h2>
<p><img loading="lazy" decoding="async" class="wp-image-35166 size-full aligncenter" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-san-francisco.jpg" sizes="(max-width: 509px) 100vw, 509px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-san-francisco.jpg 509w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-san-francisco-300x154.jpg 300w" width="509" height="261" /></p>
<p>Musician John Phillips of the band The Mamas &amp; the Papas wrote the song “San Francisco (Be Sure to Wear Flowers in Your Hair)” for his friend Scott McKenzie. It served to promote both the Monterey Pop Festival that Phillips was helping to organize and to popularize the flower children of San Francisco. Released on May 13, 1967, the song was an instant success. By the week ending July 1, 1967, it scored number four on the Billboard Hot 100 in the United States, where it remained for four consecutive weeks.Meanwhile, the song scored number one in the United Kingdom and much of Europe. The single is purported to have sold more than 7 million copies worldwide</p>
<h2>The Who</h2>
<p><strong>The Who</strong> are an English rock band that formed in 1964. Their classic line-up consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, selling over 100 million records worldwide and holding a reputation for their live shows and studio work.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-35168" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-the-who.jpg" sizes="(max-width: 350px) 100vw, 350px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-the-who.jpg 350w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-the-who-300x205.jpg 300w" alt="" width="350" height="239" />The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by destroying guitars and drums on stage. Their first single as the Who, “I Can’t Explain”, reached the UK top ten, followed by a string of singles including “My Generation”, “Substitute” and “Happy Jack”. In 1967, they performed at the Monterey Pop Festival and released the US top ten single “I Can See for Miles”, while touring extensively. The group’s fourth album, 1969’s rock opera Tommy, included the single “Pinball Wizard” and was a critical and commercial success.</p>
<p>Live appearances at Woodstock and the Isle of Wight Festival, along with the live album Live at Leeds, cemented their reputation as a respected rock act. With their success came increased pressure on lead songwriter and visionary Townshend, and the follow-up to Tommy, Lifehouse, was abandoned. Songs from the project made up 1971’s Who’s Next, which included the hit “Won’t Get Fooled Again”. The group released the album Quadrophenia in 1973 as a celebration of their mod roots, and oversaw the film adaptation of Tommy in 1975. They continued to tour to large audiences before semi-retiring from live performances at the end of 1976. The release of Who Are You in 1978 was overshadowed by the death of Moon shortly after.</p>
<h2>The Kinks</h2>
<p><strong>The Kinks</strong> were an English rock band formed in Muswell Hill, North London, in 1963 by brothers Dave and Ray Davies. They are regarded as one of the most important and influential rock groups of the era. The band emerged in 1964 during the height of British rhythm and blues and Merseybeat. They were briefly part of the British Invasion of the US until their touring ban in 1965.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-35170" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-the-kinks.jpg" sizes="(max-width: 350px) 100vw, 350px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-the-kinks.jpg 350w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-the-kinks-300x197.jpg 300w" alt="" width="350" height="230" />Their third single, the Ray Davies penned “You Really Got Me”, became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. Between the mid-1960s and early 1970s, the group released a string of hit singles; studio albums drew good reviews but sold less than compilations of their singles. They gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies’ observational writing style.</p>
<p>Albums such as Something Else (1967), The Kinks Are the Village Green Preservation Society (1968), Arthur (1969), Lola Versus Powerman (1970), along with their accompanying singles, are considered among the most influential recordings of the period.</p>
<h2>Jimi Hendrix</h2>
<p><strong>Jimi Hendrix</strong> was an American rock guitarist, singer, and songwriter. Although his mainstream career spanned only four years, he is widely regarded as one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as “arguably the greatest instrumentalist in the history of rock music”.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-34297 alignleft" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2016/09/Jimi-Hendrix.jpg" sizes="(max-width: 443px) 100vw, 443px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2016/09/Jimi-Hendrix.jpg 443w, thehistoryofrockandroll.net/wp-content/uploads/2016/09/Jimi-Hendrix-300x217.jpg 300w" alt="" width="443" height="320" />Born in Seattle, Washington, Hendrix began playing guitar at the age of 15. In 1961, he enlisted in the US Army and trained as a paratrooper in the 101st Airborne Division; he was granted an honorable discharge the following year. Soon afterward, he moved to Clarksville, Tennessee, and began playing gigs on the Chitlin’ Circuit, earning a place in the Isley Brothers’ backing band and later with Little Richard, with whom he continued to work through mid-1965.</p>
<p>He then played with Curtis Knight and the Squires before moving to England in late 1966 after being discovered by Linda Keith, who in turn interested bassist Chas Chandler of the Animals in becoming his first manager. Within months, Hendrix had earned three UK top ten hits with the Jimi Hendrix Experience: “Hey Joe”, “Purple Haze”, and “The Wind Cries Mary”.</p>
<p>He achieved fame in the US after his performance at the Monterey Pop Festival in 1967, and in 1968 his third and final studio album, Electric Ladyland, reached number one in the US; it was Hendrix’s most commercially successful release and his first and only number one album. The world’s highest-paid performer, he headlined the Woodstock Festival in 1969 and the Isle of Wight Festival in 1970 before his accidental death from barbiturate-related asphyxia on September 18, 1970, at the age of 27.</p>
<p>Hendrix was inspired musically by American rock and roll and electric blues. He favored overdriven amplifiers with high volume and gain, and was instrumental in utilizing the previously undesirable sounds caused by guitar amplifier feedback. He helped to popularize the use of a wah-wah pedal in mainstream rock, and was the first artist to use stereophonic phasing effects in music recordings. Holly George-Warren of Rolling Stone commented: “Hendrix pioneered the use of the instrument as an electronic sound source. Players before him had experimented with feedback and distortion, but Hendrix turned those effects and others into a controlled, fluid vocabulary every bit as personal as the blues with which he began.</p>
<h2>Janis Joplin</h2>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-35173" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-janis-joplin.jpg" sizes="(max-width: 232px) 100vw, 232px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-janis-joplin.jpg 232w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-janis-joplin-226x300.jpg 226w" alt="" width="232" height="308" /><strong>Janis Joplin</strong> was an American singer considered the premier female blues vocalist of the Sixties; her raw, powerful and uninhibited singing style, combined with her turbulent and emotional lifestyle, made her one of the biggest female stars in her lifetime. She died of a drug overdose in 1970, aged 27, after releasing three albums. A fourth album, Pearl, was released a little more than three months after her death, reaching number 1 on the charts.</p>
<p>Joplin rose to fame in 1967 during an appearance at Monterey Pop Festival, as the lead singer of the then little-known San Francisco psychedelic rock band Big Brother and the Holding Company. After releasing two albums with the band, she left Big Brother to continue as a solo artist with her own backing groups, first the Kozmic Blues Band and then the Full Tilt Boogie Band. She appeared at the Woodstock festival and the Festival Express train tour.</p>
<p>Five singles by Joplin went into the Billboard Top 100, including “Me and Bobby McGee”, which reached number 1 in March 1971. Her most popular songs include: “Piece of My Heart”; “Cry Baby”; “Down on Me”; “Ball ‘n’ Chain”; “Summertime”; and “Mercedes Benz”, the final song she recorded.</p>
<h2>Monterey Pop Festival</h2>
<p><strong>Monterey Pop Festival</strong> was a three-day concert event held June 16 to June 18, 1967 at the Monterey County Fairgrounds in Monterey, California. Crowd estimates for the festival have ranged from 25,000-90,000 people, who congregated in and around the festival grounds.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-34386" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Monetary-Pop-Festival.jpg" alt="" width="235" height="286" />The fairgrounds’ enclosed performance arena, where the music took place, had an approved festival capacity of 7,000, but it was estimated that 8,500 jammed into it for Saturday night’s show.</p>
<p>Festival-goers who wanted to see the musical performances were required to have either an ‘all-festival’ ticket or a separate ticket for each of the five scheduled concert events they wanted to attend in the arena: Friday night, Saturday afternoon and night, and Sunday afternoon and night. Ticket prices varied by seating area, and ranged from $3 to $6.50 ($21–46, adjusted for inflation).</p>
<p>The festival is remembered for the first major American appearances by The Jimi Hendrix Experience, The Who and Ravi Shankar, the first large-scale public performance of Janis Joplin and the introduction of Otis Redding.</p>
<p>The Monterey Pop Festival embodied the theme of California as a focal point for the counterculture and is generally regarded as one of the beginnings of the “Summer of Love” in 1967; the first rock festival had been held just one week earlier at Mount Tamalpais in Marin County, the KFRC Fantasy Fair and Magic Mountain Music Festival. Because Monterey was widely promoted and heavily attended, featured historic performances, and was the subject of a popular theatrical documentary film, it became an inspiration and a template for future music festivals, including the Woodstock Festival two years later.</p>
<h2>The Mamas and the Papas</h2>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-34602" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2016/11/California-Dreamin’-The-Mamas-and-The-Papas.jpg" alt="" width="273" height="286" /><strong>The Mamas and the Papas</strong> was an American folk rock vocal group that recorded and performed from 1965 to 1968, reuniting briefly in 1971.</p>
<p>They released five studio albums and seventeen singles, six of which made the top ten, and sold close to 40 million records worldwide.</p>
<p>The group was composed of John Phillips (1935–2001), Denny Doherty (1940–2007), Cass Elliot (1941–1974), and Michelle Phillips née Gilliam (b. 1944).</p>
<p>Their sound was based on vocal harmonies arranged by John Phillips, the songwriter, musician, and leader of the group who adapted folk to the new beat style of the early sixties.</p>
<h2>Bob Dylan</h2>
<p><strong>Bob Dylan</strong> is an American singer-songwriter, artist and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest, although Dylan repudiated suggestions from journalists that he was a spokesman for his generation. Nevertheless, early songs such as “Blowin’ in the Wind” and “The Times They Are a-Changin&#8217;” became anthems for the American civil rights and anti-war movements. Leaving behind his initial base in the American folk music revival, his six-minute single “Like a Rolling Stone”, recorded in 1965, enlarged the range of popular music. Dylan’s mid-1960s recordings, backed by rock musicians, reached the top end of the United States music charts while also attracting denunciation and criticism from others in the folk movement.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-35176" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Bob-Dylan.jpg" sizes="(max-width: 222px) 100vw, 222px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Bob-Dylan.jpg 222w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Bob-Dylan-199x300.jpg 199w" alt="" width="222" height="335" />Dylan’s lyrics have incorporated various political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres.</p>
<p>His recording career, spanning more than 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica. Backed by a changing lineup of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.</p>
<h2>Cream</h2>
<p><strong>Cream</strong> were a 1960s British rock supergroup power trio consisting of bassist/singer Jack Bruce, drummer Ginger Baker, and guitarist/singer Eric Clapton. The group’s third album, Wheels of Fire (1968), was the world’s first platinum-selling double album.</p>
<p>The band is widely regarded as the world’s first successful supergroup. In their career, they sold more than 15 million copies of their albums worldwide. Their music included songs based on traditional blues such as “Crossroads” and “Spoonful”, and modern blues such as “Born Under a Bad Sign”, as well as more eccentric songs such as “Strange Brew”, “Tales of Brave Ulysses” and “Toad”.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-35178" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Cream.jpg" sizes="(max-width: 450px) 100vw, 450px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Cream.jpg 450w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Cream-300x202.jpg 300w" alt="" width="450" height="303" /></p>
<p>The band’s biggest hits are “I Feel Free” (UK, number 11), “Sunshine of Your Love” (US, number 5), “White Room” (US, number 6), “Crossroads” (US, number 28), and “Badge” (UK, number 18). The band made a significant impact on the popular music of the time, and, along with Jimi Hendrix and other notable guitarists and bands, popularized the use of the wah-wah pedal. They provided a heavy yet technically proficient musical theme that foreshadowed and influenced the emergence of British bands such as Led Zeppelin, The Jeff Beck Group, Deep Purple and Black Sabbath in the late 1960s and the early 1970s. The band’s live performances influenced progressive rock acts such as Rush. The band was inducted into the Rock and Roll Hall of Fame in 1993.</p>
<h2>Jefferson Airplane</h2>
<p><strong>Jefferson Airplane</strong> was a San Francisco, California-based band who pioneered the American counterculture movement as well as psychedelic rock. Formed in 1965, the group defined the San Francisco Sound and was the first from the Bay Area to achieve international commercial success.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-35180" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Jefferson-Airplane.jpg" sizes="(max-width: 566px) 100vw, 566px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Jefferson-Airplane.jpg 566w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Jefferson-Airplane-300x164.jpg 300w" alt="" width="566" height="310" /></p>
<p>They were headliners at the three most famous American rock festivals of the 1960s—Monterey (1967), Woodstock (1969) and Altamont (1969)—in addition to the first Isle of Wight Festival (1968) in England. Their 1967 break-out record Surrealistic Pillow ranks on the short list of most significant recordings of the “Summer of Love”. Two songs from that album, “Somebody to Love” and “White Rabbit”, are among Rolling Stone’s “500 Greatest Songs of All Time.”</p>
<h2>Peter Max</h2>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-35182" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Peter-Max.jpg" alt="" width="250" height="187" /><strong>Peter Max</strong> is an American artist known for using bright colors in his work. Max synthesized the “Summer of Love” into artworks from canvas to mugs and clocks and scarves and clothes and cruise-ships: a master of Pop Art he is the official portrait artist for the Statue of Liberty and welcome banners at the US Ports of Entry.</p>
<p>His work is an indispensable guide for cultural literacy of the 1960s, and his work commands a solid following worldwide and is consistently collected by the art world</p>
<h2>Bubblegum Pop</h2>
<p><strong>Bubblegum Pop</strong> a genre of pop music with an upbeat sound contrived and marketed to appeal to pre-teens and teenagers, that may be produced in an assembly-line process, driven by producers and often using unknown singers. Bubblegum’s classic period ran from 1967 to 1972. A second wave of bubblegum started two years later and ran until 1977 when disco took over and punk rock emerged.</p>
<p>The genre was predominantly a singles phenomenon rather than an album-oriented one. Also, because many acts were manufactured in the studio using session musicians, a large number of bubblegum songs were by one-hit wonders. Among the best-known acts of bubblegum’s golden era are 1910 Fruitgum Company, The Ohio Express and The Archies, an animated group which had the most successful bubblegum song with “Sugar, Sugar”, Billboard Magazine’s No. 1 single for 1969. Singer Tommy Roe, arguably, had the most bubblegum hits of any artist during this period, notably 1969’s “Dizzy”.</p>
<h2>The Band</h2>
<p><strong>The Band</strong> was a Canadian-American roots rock group, originally consisting of Rick Danko (bass guitar, double bass, fiddle, vocals), Levon Helm (drums, mandolin, guitar, vocals), Garth Hudson (keyboards, saxophones, trumpet), Richard Manuel (piano, drums, vocals) and Robbie Robertson (guitar, percussion, vocals).</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-35184" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-The-Band.jpg" sizes="(max-width: 423px) 100vw, 423px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-The-Band.jpg 423w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-The-Band-300x225.jpg 300w" alt="" width="423" height="317" /></p>
<p>In 1964, they separated from Hawkins, after which they toured and released a few singles as Levon and the Hawks and the Canadian Squires. The next year, Bob Dylan hired them for his U.S. tour in 1965 and world tour in 1966. Following the 1966 tour, the group moved with Dylan to Saugerties, New York, where they made the informal 1967 recordings that became The Basement Tapes, which forged the basis for their 1968 debut album, Music from Big Pink. Because they were always “the band” to various frontmen, Helm said the name “The Band” worked well when the group came into its own.The group began performing as the Band in 1968 and went on to release ten studio albums. Dylan continued to collaborate with the Band over the course of their career, including a joint 1974 tour.</p>
<p>The original configuration of the Band ended its touring career in 1976 with an elaborate live ballroom performance featuring numerous musical celebrities. This performance was immortalized in Martin Scorsese’s 1978 documentary The Last Waltz. The Band recommenced touring in 1983 without guitarist Robbie Robertson, who had found success with a solo career and as a Hollywood music producer.</p>
<h2>John Lennon</h2>
<p><img loading="lazy" decoding="async" class="alignleft wp-image-35186" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-John-Lennon.jpg" sizes="(max-width: 301px) 100vw, 301px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-John-Lennon.jpg 301w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-John-Lennon-236x300.jpg 236w" alt="" width="191" height="243" /><strong>John Lenno</strong><strong>n</strong> was an English singer and songwriter who co-founded the Beatles (1960-70), the most commercially successful band in the history of popular music. With fellow member Paul McCartney, he formed a celebrated songwriting partnership.</p>
<p>Born and raised in Liverpool, Lennon became involved in the skiffle craze as a teenager; his first band, the Quarrymen, evolved into the Beatles in 1960. When the group disbanded in 1960, Lennon embarked on a solo career that produced the albums John Lennon/Plastic Ono Band and Imagine, and songs such as “Give Peace a Chance”, “Working Class Hero”, and “Imagine”.</p>
<p>After his marriage to Yoko Ono in 1969, he changed his name to John Ono Lennon. Lennon disengaged himself from the music business in 1975 to raise his infant son Sean, but re-emerged with Ono in 1980 with the new album Double Fantasy. He was murdered three weeks after its release.</p>
<h2></h2>
<h2>John F. Kennedy</h2>
<p><strong>John F. Kennedy</strong> was an American politician who served as the 35th President of the United States from January 1961 until his assassination in November 1963. The Cuban Missile Crisis, the Bay of Pigs Invasion, the Nuclear Test Ban Treaty, the establishment of the Peace Corps, developments in the Space Race, the building of the Berlin Wall, the Trade Expansion Act to lower tariffs, and the Civil Rights Movement all took place during his presidency.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-35187" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-John-F-Kennedy.jpg" sizes="(max-width: 409px) 100vw, 409px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-John-F-Kennedy.jpg 409w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-John-F-Kennedy-300x150.jpg 300w" alt="" width="409" height="204" /></p>
<p>Kennedy’s time in office was marked by high tensions with Communist states. He increased the number of American military advisers in South Vietnam by a factor of 18 over Eisenhower. In Cuba, a failed attempt was made at the Bay of Pigs to overthrow the country’s dictator Fidel Castro in April 1961. In October 1962, it was discovered Soviet ballistic missiles had been deployed in Cuba; the resulting period of unease, termed the Cuban Missile Crisis, is seen by many historians as the closest the human race has ever come to nuclear war between nuclear-armed belligerents.</p>
<h2>Lyndon B. Johnson</h2>
<p><img loading="lazy" decoding="async" class="alignright wp-image-35189" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/Lyndon-B-Johnson.jpg" sizes="(max-width: 266px) 100vw, 266px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/Lyndon-B-Johnson.jpg 266w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/Lyndon-B-Johnson-247x300.jpg 247w" alt="" width="210" height="255" /><strong>Lyndon B. Johnson</strong> was an American politician who served as the 36th President of the United States from 1963 to 1969, assuming the office after serving as the 37th Vice President of the United States under President John F. Kennedy.</p>
<p>He spent six years as Senate Majority Leader, two as Senate Minority Leader, and two as Senate Majority Whip.</p>
<p>Johnson ran for the Democratic nomination in the 1960 presidential election. Although unsuccessful, he was chosen by Senator John F. Kennedy of Massachusetts to be his running mate.</p>
<p>They went on to win a close election over Richard Nixon and Henry Cabot Lodge. Johnson was sworn in as Vice President on January 20, 1961.</p>
<p>Two years and ten months later, on November 22, 1963, Johnson succeeded Kennedy as President following the latter’s assassination.</p>
<h2></h2>
<h2>Martin Luther King Jr.</h2>
<p><img loading="lazy" decoding="async" class="alignleft wp-image-35191" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/Martin-Luther-King-Jr.jpg" sizes="(max-width: 350px) 100vw, 350px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/Martin-Luther-King-Jr.jpg 350w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/Martin-Luther-King-Jr-300x228.jpg 300w" alt="" width="258" height="196" /><strong>Martin Luther King Jr.</strong> was an American Baptist minister and activist who was a leader in the African-American Civil Rights Movement.</p>
<p>He is best known for his role in the advancement of civil rights using nonviolent civil disobedience based on his Christian beliefs.</p>
<p>King became a civil rights activist early in his career. He led the 1955 Montgomery bus boycott and helped found the Southern Christian Leadership Conference (SCLC) in 1957, serving as its first president.</p>
<p>With the SCLC, King led an unsuccessful 1962 struggle against segregation in Albany, Georgia (the Albany Movement), and helped organize the 1963 nonviolent protests in Birmingham, Alabama.</p>
<h2>Robert F. Kennedy</h2>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-35193" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/Robert-F-Kennedy.jpg" sizes="(max-width: 350px) 100vw, 350px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/Robert-F-Kennedy.jpg 350w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/Robert-F-Kennedy-300x188.jpg 300w" alt="" width="350" height="219" /><strong>Robert F. Kennedy</strong> was an American politician from Massachusetts. He served as a senator for New York from 1965 until his assassination in 1968.</p>
<p>He was previously the 64th U.S. Attorney General from 1961 to 1964, serving under his older brother, President John F. Kennedy and his successor, President Lyndon B. Johnson.</p>
<p>An icon of modern American liberalism, and a member of the Democratic Party, Kennedy ran for its presidential nomination in the 1968 election.</p>
<p>Kennedy was the campaign manager for his brother John in the 1960 presidential election. He was appointed Attorney General after the successful election and served as the closest adviser to the president from 1961 to 1963. 4</p>
<p>His tenure is best known for its advocacy for the Civil Rights Movement, the crusade against organized crime and the Mafia, and involvement in U.S. foreign policy related to Cuba.</p>
<h2>Woman’s Rights</h2>
<p><strong>Feminism</strong></p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-35195" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/the-feminine-mystique.jpg" sizes="(max-width: 308px) 100vw, 308px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/the-feminine-mystique.jpg 308w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/the-feminine-mystique-300x210.jpg 300w" alt="" width="308" height="216" />The role of women as full-time homemakers in industrial society was challenged in 1963, when US feminist Betty Friedan published The Feminine Mystique, giving momentum to the women’s movement and influencing what many called Second-wave feminism.</p>
<p>Other activists, such as Gloria Steinem and Angela Davis, either organized, influenced, or educated many of a younger generation of women to endorse and expand feminist thought.</p>
<h2></h2>
<h2></h2>
<h2>The Doors</h2>
<p><img loading="lazy" decoding="async" class=" wp-image-35103 alignright" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Doors.jpg" sizes="(max-width: 354px) 100vw, 354px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Doors.jpg 354w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Doors-300x231.jpg 300w" alt="" width="251" height="193" /><strong>The Doors</strong> were an American rock band formed in 1965 in Los Angeles. Signing with Elektra Records in 1966, the Doors released eight albums between 1967 and 1971. All but one hit the Top 10 on the Billboard 200 and went platinum or better.</p>
<p>Their self-titled debut album (1967) was their first in a series of Top 10 albums in the United States, followed by Strange Days (also 1967), Waiting for the Sun (1968), and L.A. Woman (1971).</p>
<p>The band had three million-selling singles in the U.S. with “Light My Fire”, “Hello, I Love You” and “Touch Me”. According to the RIAA, they have sold 33 million certified units in the US and over 100 million records worldwide, making them one of the best-selling bands of all time.</p>
<h2></h2>
<h2>Woodstock</h2>
<p><strong>Woodstock</strong> was a music festival attracting an audience of over 400,000 people, scheduled over three days on a dairy farm in New York state from August 15 to 17, 1969, but which ran over four days to August 18, 1969. Billed as “An Aquarian Exposition: 3 Days of Peace &amp; Music”, it is widely regarded as a pivotal moment in popular music history.</p>
<p><img loading="lazy" decoding="async" class="wp-image-35197" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Woodstock.jpg" width="386" height="289" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Woodstock.jpg 386w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/02/thecounterculture-Woodstock-300x225.jpg 300w" sizes="(max-width: 386px) 100vw, 386px" /><br />
<img loading="lazy" decoding="async" class="wp-image-34387" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Woodstock.jpg" width="271" height="390" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Woodstock.jpg 271w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Woodstock-208x300.jpg 208w" sizes="(max-width: 271px) 100vw, 271px" /></p>
<h2>Kent State Shooting</h2>
<p><strong>Kent State Shooting</strong> involved the shooting of unarmed college students by the Ohio National Guard on Monday, May 4, 1970. The guardsmen fired 67 rounds over a period of 13 seconds, killing four students and wounding nine others. Hundreds of universities, colleges, and high schools closed throughout the United States due to a student strike of 4 million students.</p>
<h2>Rolling Stones</h2>
<p><strong>Rolling Stones</strong> are an English rock band formed in London in 1962.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-35200 alignnone" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/Kent-State-Shooting.jpg" sizes="(max-width: 350px) 100vw, 350px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/Kent-State-Shooting.jpg 350w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/Kent-State-Shooting-300x230.jpg 300w" alt="" width="350" height="268" />Identification with the youthful and rebellious counterculture of the 1960s, the group returned to its bluesy roots with Beggars Banquet (1968) which—along with its follow-ups, Let It Bleed (1969), Sticky Fingers (1971) and Exile on Main St (1972)—is generally considered to</p>
<p>be the band’s best work.</p>
<h2></h2>
<h2>Timothy Leary</h2>
<p><img loading="lazy" decoding="async" class="size-full wp-image-35096 alignnone" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Rolling-Stones-2.jpg" sizes="(max-width: 313px) 100vw, 313px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Rolling-Stones-2.jpg 313w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Ed-Sullivan-Show-The-Rolling-Stones-2-300x191.jpg 300w" alt="" width="313" height="199" /></p>
<p><strong>T</strong><strong>imothy Leary</strong> was an American psychologist and writer known for advocating the exploration of the therapeutic potential of psychedelic drugs. Leary popularized catchphrases that promoted his philosophy, such as “turn on,tune in, drop out”, “set and setting”, and “think for yourself and question authority”.</p>
<h2>Ken Kesey and the Merry Pranksters</h2>
<p><img loading="lazy" decoding="async" class="size-full wp-image-35203 alignnone" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/Timothy-Leary.jpg" sizes="(max-width: 350px) 100vw, 350px" srcset="thehistoryofrockandroll.net/wp-content/uploads/2017/02/Timothy-Leary.jpg 350w, thehistoryofrockandroll.net/wp-content/uploads/2017/02/Timothy-Leary-300x225.jpg 300w" alt="" width="350" height="263" /></p>
<p><strong>Ken Kesey and his Merry Pranksters</strong> helped shape the character of the 1960s counterculture with their cross-country voyage in 1964 in a psychedelic school bus named “Furthur”. The Pranksters created a direct link between the 1950s Beat Generation and the 1960s psychedelic scene.</p>
<h3>Music and Revolution</h3>
<p>“The 60s were a leap in human consciousness&#8230; The Beatles, The Doors, Jimi Hendrix created revolution and evolution themes.” – Carlos Santana</p>
<p>The music of the 1960s moved towards an electric, psychedelic version of rock, largely thanks to Bob Dylan’s decision to play electric at the 1965 Newport Folk Festival. This sound was molded by artists like Pink Floyd, The Beach Boys, and The Velvet Underground.</p>
<h2>Anti-nuclear</h2>
<p>The application of nuclear technology, both as energy and war, has been controversial. In 1961, about 50,000 women brought together by Women Strike for Peace marched in 60 cities to demonstrate against nuclear weapons.</p>
<h2>Law Enforcement</h2>
<p>The confrontations between college students and law enforcement became one of the hallmarks of the era. Distrust of police was based not only on fear of police brutality during political protests, but also on generalized police corruption.</p>
<h2>Marijuana, LSD, and other recreational drugs</h2>
<p>During the 1960s, LSD users expanded into a subculture that extolled mystical symbolism and advocated its use as a method of raising consciousness. Gurus like Timothy Leary and musicians like the Grateful Dead and The Beatles attracted significant publicity for the movement.</p>
<h2>Crosby, Stills, and Nash</h2>
<p><strong>Crosby, Stills, and Nash</strong> were an American-British folk rock supergroup made up of David Crosby, Stephen Stills, and Graham Nash. They were noted for their intricate vocal harmonies and political activism.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-35212 alignnone" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/Crosby-Stills-and-Nash.jpg" alt="" width="314" height="228" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/02/Crosby-Stills-and-Nash.jpg 314w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/02/Crosby-Stills-and-Nash-300x218.jpg 300w" sizes="(max-width: 314px) 100vw, 314px" /></p>
<h2>The Byrds</h2>
<p><strong>The Byrds</strong> were an American rock band formed in Los Angeles in 1964. They pioneered the musical genre of folk rock, melding the influence of the Beatles with contemporary and traditional folk music.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-35214 alignnone" src="https://www.thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Byrds.jpg" alt="" width="445" height="299" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Byrds.jpg 445w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/02/The-Byrds-300x202.jpg 300w" sizes="(max-width: 445px) 100vw, 445px" /></p>
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<p>The post <a href="https://thehistoryofrockandroll.net/the-counterculture/">The Counterculture</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>Best Songs of the 60s Pt-2</title>
		<link>https://thehistoryofrockandroll.net/best-songs-of-the-60s-pt-2/</link>
		
		<dc:creator><![CDATA[Meagan Paese]]></dc:creator>
		<pubDate>Mon, 16 Jan 2017 13:31:46 +0000</pubDate>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Pop]]></category>
		<category><![CDATA[Rock and Roll]]></category>
		<category><![CDATA[Aretha Franklin]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[Elvis Presley]]></category>
		<category><![CDATA[Help Me Rhonda]]></category>
		<category><![CDATA[Honky Tonk Women]]></category>
		<category><![CDATA[I Got You Babe]]></category>
		<category><![CDATA[I Heard it Through the Grapevine]]></category>
		<category><![CDATA[I Want to Hold Your Hand]]></category>
		<category><![CDATA[I’m a Believer]]></category>
		<category><![CDATA[Johnny Cash]]></category>
		<category><![CDATA[Like a Rolling Stone]]></category>
		<category><![CDATA[Marvin Gaye]]></category>
		<category><![CDATA[Respect]]></category>
		<category><![CDATA[Ring of Fire]]></category>
		<category><![CDATA[Rolling Stone]]></category>
		<category><![CDATA[Sonny and Cher]]></category>
		<category><![CDATA[Suspicious Minds]]></category>
		<category><![CDATA[The 13h Floor Elevator]]></category>
		<category><![CDATA[The Beach Boys]]></category>
		<category><![CDATA[the Beatles]]></category>
		<category><![CDATA[The Monkees]]></category>
		<category><![CDATA[The Shirelles]]></category>
		<category><![CDATA[Will You Love Me Tomorrow]]></category>
		<category><![CDATA[You’re Gonna Miss Me]]></category>
		<guid isPermaLink="false">http://www.thehistoryofrockandroll.net/?p=34787</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/best-songs-of-the-60s-pt-2/">Best Songs of the 60s Pt-2</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><div class="et_pb_section et_pb_section_22 et_section_regular" >
				
				
				
				
				
				
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				<div class="et_pb_text_inner"><p style="text-align: center;"><a href="http://www.thehistoryofrockandroll.net/best-songs-of-the-60s-pt-1/">Best Songs of the 60s (Pt 1)</a> | <a href="http://www.thehistoryofrockandroll.net/best-songs-of-the-60s-pt-2/">Best Songs of the 60s (Pt 2)</a> | <a href="http://www.thehistoryofrockandroll.net/best-songs-of-the-60s-pt-3/">Best Songs of the 60s (Pt 3)</a></p></div>
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				<div class="et_pb_text_inner"><h2>The 13h Floor Elevator: You’re Gonna Miss Me</h2></div>
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				<span class="et_pb_image_wrap "><img decoding="async" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-13h-Floor-Elevator-You’re-Gonna-Miss-Me.jpg" alt="" title="" /></span>
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				<div class="et_pb_text_inner"><p><strong>The 13h Floor Elevator: You’re Gonna Miss Me</strong> is a song by the American psychedelic rock band the 13th Floor Elevators, written by Roky Erickson, and released as the group&#8217;s debut single on Contact Records, on January 17, 1966.</p>
<p>It was reissued nationally on International Artists, in May 1966 (see 1966 in music). Musically inspired by traditional jug band and R&amp;B music, combined with the group&#8217;s own experimentation, &#8220;You&#8217;re Gonna Miss Me&#8221;, along with its Stacy Sutherland and Tommy Hall-penned B-side, &#8220;Tried to Hide&#8221;, was influential in developing psychedelic rock, garage rock, and was one of the earliest rock compositions to utilize the electric jug. Accordingly, critics often cite &#8220;You&#8217;re Gonna Miss Me&#8221; as a bona fide garage rock song, as well as a classic of the counterculture era.</p>
<p>&#8220;You&#8217;re Gonna Miss Me&#8221; reached number 55 on the Billboard Hot 100, making it the 13th Floor Elevators&#8217; only single to chart nationally. The failure of the song to achieve a higher chart listing is attributed to poor distribution by a disestablished record label. In addition, the band was prevented from consistently touring during their parole for possession of marijuana. The song was also included as a track on their debut album, The Psychedelic Sounds of the 13th Floor Elevators, in November 1966.</p></div>
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				<div class="et_pb_video_box"><iframe loading="lazy" title="13th Floor Elevators - You&amp;apos;re Gonna Miss Me (Original Mono Mix)" width="1080" height="810" src="https://www.youtube.com/embed/0OytJYBfwUk?feature=oembed"  allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>
				
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				<div class="et_pb_text_inner"><h2>Johnny Cash: Ring of Fire</h2></div>
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				<div class="et_pb_text_inner"><p><img loading="lazy" decoding="async" class="alignright size-full wp-image-29182" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/06/1963-Ring-of-Fire-Johnny-Cash.jpg" alt="" width="200" height="200" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1963-Ring-of-Fire-Johnny-Cash.jpg 200w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1963-Ring-of-Fire-Johnny-Cash-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1963-Ring-of-Fire-Johnny-Cash-45x45.jpg 45w" sizes="(max-width: 200px) 100vw, 200px" /><strong>Johnny Cash: Ring of Fire</strong> is a song written by June Carter Cash and Merle Kilgore and recorded by Johnny Cash. The single appears on Cash&#8217;s 1963 album, Ring of Fire: The Best of Johnny Cash.</p>
<p>The song was originally recorded by June&#8217;s sister, Anita Carter, on her Mercury Records album Folk Songs Old and New (1963) as &#8220;(Love&#8217;s) Ring of Fire&#8221;. &#8220;Ring of Fire&#8221; was ranked No. 4 on CMT&#8217;s 100 Greatest Songs of Country Music in 2003 and #87 on Rolling Stone&#8217;s list of The 500 Greatest Songs of All Time.</p>
<p>The song was recorded on March 25, 1963, and became the biggest hit of Cash&#8217;s career, staying at number one on the country chart for seven weeks. It was certified Gold on January 21, 2010, by the RIAA and has also sold over 1.2 million digital downloads</p></div>
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				<div class="et_pb_text_inner"><h2>The Shrangri-Las: Leader of the Pack</h2></div>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="300" height="310" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shrangri-Las-Leader-of-the-Pack.jpg" alt="" title="" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shrangri-Las-Leader-of-the-Pack.jpg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shrangri-Las-Leader-of-the-Pack-290x300.jpg 290w" sizes="(max-width: 300px) 100vw, 300px" class="wp-image-34812" /></span>
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				<div class="et_pb_text_inner"><p><strong>The Shrangri-Las: Leader of the Pack</strong> is a song written by George &#8220;Shadow&#8221; Morton, Jeff Barry, and Ellie Greenwich.</p>
<p>It was a number one pop hit in 1964 for the American girl group The Shangri-Las. The single is one of the group&#8217;s best known songs as well as a popular cultural example of a &#8220;teenage tragedy song&#8221;.</p></div>
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				<div class="et_pb_video_box"><iframe loading="lazy" title="The Shangri-Las -Leader Of The Pack Video with High Quality Sound" width="1080" height="810" src="https://www.youtube.com/embed/Q8UKf65NOzM?feature=oembed"  allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>
				
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				<div class="et_pb_text_inner"><h2>The Beach Boys: Help Me Rhonda</h2></div>
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				<div class="et_pb_text_inner"><p><img loading="lazy" decoding="async" class="alignright size-full wp-image-29409" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/06/1965-Help-Me-Rhonda-The-Beach-Boys.jpg" alt="" width="280" height="285" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1965-Help-Me-Rhonda-The-Beach-Boys.jpg 280w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1965-Help-Me-Rhonda-The-Beach-Boys-45x45.jpg 45w" sizes="(max-width: 280px) 100vw, 280px" /><strong>The Beach Boys: Help Me Rhonda</strong> is a song written and composed by Brian Wilson with additional lyrics by Mike Love for American rock band the Beach Boys. It was first released as &#8220;Help Me, Ronda&#8221; in March 1965 on the album The Beach Boys Today!</p>
<p>A second recording, with a significantly different arrangement, was issued as a single under the revised title &#8220;Help Me, Rhonda&#8221;. The single peaked at number one in the United States, making it the second Beach Boys single to reach that position after &#8220;I Get Around&#8221; in 1964. The single version was later released on the album Summer Days (And Summer Nights!!) in June 1965.</p></div>
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				<div class="et_pb_text_inner"><h2>Elvis Presley: Suspicious Minds</h2></div>
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				<div class="et_pb_text_inner"><p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-32427" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/07/1969-Suspicious-Minds-Elvis-Presley-150x150.jpg" alt="" width="150" height="150" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/07/1969-Suspicious-Minds-Elvis-Presley-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/07/1969-Suspicious-Minds-Elvis-Presley-150x150-45x45.jpg 45w" sizes="(max-width: 150px) 100vw, 150px" /><strong>Elvis Presley: Suspicious Minds</strong> is an American song written and first recorded by American songwriter Mark James. After James&#8217; recording failed commercially, the song was handed to Elvis Presley by producer Chips Moman, becoming a number one song in 1969, and one of the most notable hits of Presley&#8217;s career.</p>
<p>&#8220;Suspicious Minds&#8221; was widely regarded as the single that returned Presley&#8217;s career success, following his &#8217;68 Comeback Special. It was his eighteenth and last number-one single in the United States. In 2004, Rolling Stone ranked it No. 91 on their list of the 500 Greatest Songs of All Time.[citation needed] Session guitarist Reggie Young played on both the James and Presley versions.</p></div>
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				<div class="et_pb_video_box"><iframe loading="lazy" title="Elvis Presley - Suspicious Minds (Official Audio)" width="1080" height="608" src="https://www.youtube.com/embed/RxOBOhRECoo?feature=oembed"  allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>
				
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				<div class="et_pb_text_inner"><h2>The Monkees: I’m a Believer</h2></div>
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				<div class="et_pb_text_inner"><p><img loading="lazy" decoding="async" class="size-full wp-image-29563 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/06/1966-I’m-a-Believer-The-Monkees-252x250.jpg" alt="" width="252" height="250" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1966-I’m-a-Believer-The-Monkees-252x250.jpg 252w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1966-I’m-a-Believer-The-Monkees-252x250-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1966-I’m-a-Believer-The-Monkees-252x250-45x45.jpg 45w" sizes="(max-width: 252px) 100vw, 252px" /><strong>The Monkees: I’m a Believer</strong> is a song composed by Neil Diamond and recorded by The Monkees in 1966 with the lead vocals by Micky Dolenz. The single, produced by Jeff Barry, hit the number one spot on the U.S. Billboard Hot 100 chart for the week ending December 31, 1966 and remained there for seven weeks, becoming the last No. 1 hit of 1966 and the biggest-selling record for all of 1967. Billboard ranked the record as the No. 5 song for 1967.</p>
<p>Because of 1,051,280 advance orders, it went gold within two days of release. It is one of the fewer than forty all-time singles to have sold 10 million (or more) physical copies worldwide.</p>
<p>The song was No. 1 in the UK Singles Chart for four weeks in January and February 1967, as well as a Number 1 in numerous countries including Australia, Canada, and Ireland.The success of the single prompted the song to appear in four consecutive episodes of The Monkees&#8217; TV show throughout December 1966.</p></div>
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				<div class="et_pb_text_inner"><h2>The Shirelles: Will You Love Me Tomorrow</h2></div>
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				<div class="et_pb_text_inner"><p><strong><img loading="lazy" decoding="async" class="size-full wp-image-34817 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shirelles-Will-You-Love-Me-Tomorrow.jpg" alt="" width="222" height="221" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shirelles-Will-You-Love-Me-Tomorrow.jpg 222w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shirelles-Will-You-Love-Me-Tomorrow-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shirelles-Will-You-Love-Me-Tomorrow-45x45.jpg 45w" sizes="(max-width: 222px) 100vw, 222px" />The Shirelles: Will You Love Me Tomorrow</strong> is a song written by Gerry Goffin and Carole King. It was originally recorded in 1960 by the Shirelles, who took their single to number one on the Billboard Hot 100 chart.</p>
<p>The song is also notable for being the first song by an all-girl group to reach number one in the United States. It has since been recorded by many artists over the years, including a 1971 version by co-writer Carole King.</p></div>
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				<div class="et_pb_text_inner"><h2>The Beatles: I Want to Hold Your Hand</h2></div>
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				<div class="et_pb_text_inner"><p><strong>The Beatles: I Want to Hold Your Hand</strong> is a song by the English rock band the Beatles. Written by John Lennon and Paul McCartney, and recorded in October 1963, it was the first Beatles record to be made using four-track equipment.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-34578" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/11/I-Want-to-Hold-Your-Hand-The-Beatles.jpg" alt="The Beatles" width="229" height="228" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/11/I-Want-to-Hold-Your-Hand-The-Beatles.jpg 229w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/11/I-Want-to-Hold-Your-Hand-The-Beatles-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/11/I-Want-to-Hold-Your-Hand-The-Beatles-45x45.jpg 45w" sizes="(max-width: 229px) 100vw, 229px" />With advance orders exceeding one million copies in the United Kingdom, &#8220;I Want to Hold Your Hand&#8221; would have gone straight to the top of the British record charts on its day of release (29 November 1963) had it not been blocked by the group&#8217;s first million seller &#8220;She Loves You&#8221;, their previous UK single, which was having a resurgence of popularity following intense media coverage of the group. Taking two weeks to dislodge its predecessor, &#8220;I Want to Hold Your Hand&#8221; stayed at number one for five weeks and remained in the UK top 50 for 21 weeks in total.</p>
<p>It was also the group&#8217;s first American number one, entering the Billboard Hot 100 chart on 18 January 1964 at number 45 and starting the British invasion of the American music industry. By 1 February it held the number-one spot, and stayed there for seven weeks before being replaced by &#8220;She Loves You&#8221;, a reverse scenario of what had occurred in Britain. It remained on the Billboard chart for 15 weeks.</p>
<p>&#8220;I Want to Hold Your Hand&#8221; became the Beatles&#8217; best-selling single worldwide. In 2013, Billboard magazine named it the 44th biggest hit of &#8220;all-time&#8221; on the Billboard Hot 100 charts.</p></div>
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				<div class="et_pb_text_inner"><h2>Bob Dylan: Like a Rolling Stone</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Bob Dylan: Like a Rolling Stone</strong> is a 1965 song by the American singer-songwriter Bob Dylan. Its confrontational lyrics originated in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. Dylan distilled this draft into four verses and a chorus. &#8220;Like a Rolling Stone&#8221; was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-34565 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/11/Like-a-rollling-stone-bob-dylanjpg.jpg" alt="Like a Rolling Stone: Bob Dylan" width="253" height="252" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/11/Like-a-rollling-stone-bob-dylanjpg.jpg 253w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/11/Like-a-rollling-stone-bob-dylanjpg-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/11/Like-a-rollling-stone-bob-dylanjpg-45x45.jpg 45w" sizes="(max-width: 253px) 100vw, 253px" />During a difficult two-day preproduction, Dylan struggled to find the essence of the song, which was demoed without success in 3/4 time. A breakthrough was made when it was tried in a rock music format, and rookie session musician Al Kooper improvised the organ riff for which the track is known.</p>
<p>However, Columbia Records was unhappy with both the song&#8217;s length at over six minutes and its heavy electric sound, and was hesitant to release it. It was only when a month later a copy was leaked to a new popular music club and heard by influential DJs that the song was put out as a single. Although radio stations were reluctant to play such a long track, &#8220;Like a Rolling Stone&#8221; reached number two in the US Billboard charts (number one in Cashbox) and became a worldwide hit.</p>
<p>Critics have described the track as revolutionary in its combination of different musical elements, the youthful, cynical sound of Dylan&#8217;s voice, and the directness of the question &#8220;How does it feel?&#8221; &#8220;Like a Rolling Stone&#8221; transformed Dylan&#8217;s image from folk singer to rock star, and is considered one of the most influential compositions in postwar popular music.</p>
<p>Rolling Stone magazine listed the song at number one in their &#8220;500 Greatest Songs of All Time&#8221; list. The song has been covered by numerous artists, from The Jimi Hendrix Experience and The Rolling Stones to The Wailers and Green Day.</p>
<p>At an auction in 2014, Dylan&#8217;s handwritten lyrics to the song fetched $2 million, a world record for a popular music manuscript</p></div>
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				<div class="et_pb_text_inner"><h2>Sonny and Cher: I Got You Babe</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Sonny and Cher: I Got You Babe</strong> is a song written by Sonny Bono. It was the first single taken from the debut studio album Look at Us, of the American pop music duo Sonny &amp; Cher. In August 1965, their single spent three weeks at number 1 on the Billboard Hot 100 in the United States where it sold more than 1 million copies and was certified Gold. It also reached number 1 in the United Kingdom and Canada.</p>
<p>In 1985, a cover version of &#8220;I Got You Babe&#8221; by British reggae/pop band UB40 featuring American singer Chrissie Hynde, peaked at number one in the UK Singles Chart and reached number 28 on the US Billboard Hot 100 chart. A 1993 version by Cher with Beavis and Butt-Head bubbled under the Hot 100 chart.</p></div>
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				<div class="et_pb_text_inner"><h2>Aretha Franklin: Respect</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Aretha Franklin: Respect</strong> is a song written and originally released by American recording artist Otis Redding in 1965. The song became a 1967 hit and signature song for R&amp;B singer Aretha Franklin.</p>
<p>The music in the two versions is significantly different, and through a few minor changes in the lyrics, the stories told by the songs have a different flavor.</p>
<p>Redding&#8217;s version is a plea from a desperate man, who will give his woman anything she wants. He won&#8217;t care if she does him wrong, as long as he gets his due respect, when he comes home. However, Franklin&#8217;s version is a declaration from a strong, confident woman, who knows that she has everything her man wants. She never does him wrong, and demands his &#8220;respect&#8221;.</p>
<p>Franklin&#8217;s version adds the &#8220;R-E-S-P-E-C-T&#8221; chorus and the backup singers&#8217; refrain of &#8220;Sock it to me, sock it to me, sock it to me&#8230;&#8221;</p></div>
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				<div class="et_pb_text_inner"><h2>Rolling Stone: Honky Tonk Women</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Rolling Stone: Honky Tonk Women</strong> is a 1969 hit song by The Rolling Stones. Released as a single only release (although a country version was included on Let It Bleed), on 4 July 1969 in the United Kingdom and a week later in the United States, it topped the charts in both nations.</p>
<p>The song was written by Mick Jagger and Keith Richards while on holiday in Brazil from late December 1968 to early January 1969, inspired by Brazilian &#8220;caipiras&#8221; (inhabitants of rural, remote areas of parts of Brazil) at the ranch where Jagger and Richards were staying in Matão, São Paulo.</p>
<p>Two versions of the song were recorded by the band: the familiar hit which appeared on the 45 single and their collection of late 1960s singles, Through the Past, Darkly (Big Hits Vol. 2); and a honky-tonk version entitled &#8220;Country Honk&#8221; with slightly different lyrics, which appeared on Let It Bleed (1969).</p>
<p>Thematically, a &#8220;honky tonk woman&#8221; refers to a dancing girl in a western bar who may work as a prostitute; the setting for the narrative in the first verse of the blues version is Memphis, Tennessee, while &#8220;Country Honk&#8221; sets the first verse in Jackson, Mississippi.</p>
<blockquote><p>I met a gin soaked bar-room queen in Memphis<br />
I&#8217;m sittin&#8217; in a bar, tippin&#8217; a jar in Jackson</p></blockquote>
<p>The band initially recorded the track called &#8220;Country Honk&#8221;, in London in early March 1969. Brian Jones was present during these sessions and may have played on the first handful of takes and demos. It was his last recording session with the band.</p>
<p>The song was transformed into the familiar electric, riff-based hit single &#8220;Honky Tonk Women&#8221; sometime in the spring of 1969, prior to Mick Taylor&#8217;s joining the group. In an interview in the magazine Crawdaddy!, Richards credits Taylor for influencing the track: &#8220;&#8230; the song was originally written as a real Hank Williams/Jimmie Rodgers/1930s country song. And it got turned around to this other thing by Mick Taylor, who got into a completely different feel, throwing it off the wall another way.&#8221;</p>
<p>However, in 1979 Taylor recalled it this way: &#8220;I definitely added something to Honky Tonk Women, but it was more or less complete by the time I arrived and did my overdubs.&#8221;</p>
<p>&#8220;Honky Tonk Women&#8221; is distinctive as it opens not with a guitar riff, but with a beat played on a cowbell. The Rolling Stones&#8217; producer Jimmy Miller performed the cowbell for the recording.</p></div>
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				<div class="et_pb_text_inner"><h2>Marvin Gaye: I Heard it Through the Grapevine</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Marvin Gaye: I Heard it Through the Grapevine</strong> a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight &amp; the Pips and released as a single in September 1967; it went to number two in the Billboard chart.</p>
<p>Whitfield recorded the song with Marvin Gaye over five sessions, the first on February 3, 1967, and the final one on April 10, 1967. Recordings of this version took more than a month due to Whitfield overdubbing Gaye&#8217;s vocals with that of the Andantes&#8217; background vocals, mixing in several tracks featuring the Funk Brothers on the rhythm track, and adding the string section from the Detroit Symphony Orchestra with an arrangement by Paul Riser.</p></div>
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				<div class="et_pb_text_inner"><h2>Glen Campbell: Wichita Lineman</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Glen Campbell: Wichita Lineman</strong> is a song written by American songwriter Jimmy Webb in 1968. It was first recorded by American country music artist Glen Campbell with backing from members of The Wrecking Crew and widely covered by other artists.</p>
<p>Campbell&#8217;s version, which appeared on his 1968 album of the same name, reached #3 on the U.S. pop chart, remaining in the Top 100 for 15 weeks. In addition, the song also topped the American country music chart for two weeks, and the adult contemporary chart for six weeks.</p>
<p>It was certified gold by the RIAA in January 1969. The song reached #7 in the UK. In Canada, the single also topped both the RPM national and country singles charts.</p></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/best-songs-of-the-60s-pt-2/">Best Songs of the 60s Pt-2</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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