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	<title>Aretha Franklin Archives - The History of Rock and Roll Radio Show</title>
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		<title>Atlantic Records – A Legacy of Rhythm, Soul &#038; Rock</title>
		<link>https://thehistoryofrockandroll.net/atlantic-records-a-legacy-of-rhythm-soul-rock/</link>
		
		<dc:creator><![CDATA[Bwana]]></dc:creator>
		<pubDate>Tue, 07 Jul 2026 02:55:04 +0000</pubDate>
				<category><![CDATA[Radio Show]]></category>
		<category><![CDATA[Ahmet Ertegun]]></category>
		<category><![CDATA[Aretha Franklin]]></category>
		<category><![CDATA[Atco Records]]></category>
		<category><![CDATA[Atlantic Records]]></category>
		<category><![CDATA[classic rock]]></category>
		<category><![CDATA[Jerry Wexler]]></category>
		<category><![CDATA[Led Zeppelin]]></category>
		<category><![CDATA[Music History]]></category>
		<category><![CDATA[Ray Charles]]></category>
		<category><![CDATA[record label history]]></category>
		<category><![CDATA[Stax Records]]></category>
		<category><![CDATA[Tom Dowd]]></category>
		<guid isPermaLink="false">https://thehistoryofrockandroll.net/?p=70891</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/atlantic-records-a-legacy-of-rhythm-soul-rock/">Atlantic Records – A Legacy of Rhythm, Soul &#038; Rock</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
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				<div class="et_pb_text_inner"><h3>Show Topic: Atlantic Records – A Legacy of Rhythm, Soul &amp; Rock</h3>
<p>This Thursday, July 9th, 2026, we celebrate one of the most influential record labels in music history—Atlantic Records.</p>
<p>Founded in 1947 by Ahmet Ertegun and Herb Abramson, Atlantic became a driving force in the evolution of rhythm and blues, soul, rock, pop, and jazz, helping launch and shape the careers of some of the greatest recording artists of the 20th century.</p>
<p>Throughout this special episode, we&#8217;ll explore the remarkable history of Atlantic Records and the visionary people behind its success. From the pioneering work of Ahmet Ertegun and legendary producer Jerry Wexler to the groundbreaking engineering innovations of Tom Dowd, Atlantic helped redefine how popular music was recorded, produced, and shared with audiences around the world.</p>
<p>We&#8217;ll also look at the important roles played by affiliated labels such as Atco Records and Stax Records, whose contributions helped expand Atlantic&#8217;s extraordinary musical legacy.</p>
<p>The soundtrack for this journey features an outstanding lineup of Atlantic recording artists, including Ray Charles, The Coasters, LaVern Baker, Aretha Franklin, Bobby Darin, The Rascals, Buffalo Springfield, Led Zeppelin, Yes, Roger Daltrey, Dusty Springfield, Julian Lennon, and many others. Together, these performers represent the remarkable diversity and lasting influence of one of the music industry&#8217;s most successful labels.</p>
<p>From rhythm and blues classics to arena rock masterpieces, Atlantic Records has spent nearly eight decades shaping the soundtrack of generations.</p>
<p>Join me as we celebrate the artists, producers, executives, and recordings that made Atlantic Records one of the most respected names in music history.</p>
<p><strong>Mark your calendars</strong> for this fascinating look inside a legendary record label. <strong>Don’t miss it!</strong></p>
<hr />
<p>No guest featured for this episode. This special broadcast is dedicated to celebrating the history, artists, producers, and enduring legacy of <span style="color: #fdcf58;">Atlantic Records</span>.</p></div>
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				<div class="et_pb_text_inner"><h3>Atlantic Records – A Legacy of Rhythm, Soul &#038; Rock</h3></div>
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				<span class="et_pb_image_wrap "><img fetchpriority="high" decoding="async" width="600" height="600" src="https://thehistoryofrockandroll.net/wp-content/uploads/2026/07/Atlantic_Records_new_2025_logo.webp" alt="rock n roll" title="Atlantic_Records_new_2025_logo" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2026/07/Atlantic_Records_new_2025_logo.webp 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2026/07/Atlantic_Records_new_2025_logo-480x480.webp 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-70907" /></span>
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				<span class="et_pb_image_wrap "><img decoding="async" width="600" height="405" src="https://thehistoryofrockandroll.net/wp-content/uploads/2026/07/thorr-jul-6-2.webp" alt="rock n roll" title="Golden-age-of-60s" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2026/07/thorr-jul-6-2.webp 600w, https://thehistoryofrockandroll.net/wp-content/uploads/2026/07/thorr-jul-6-2-480x324.webp 480w" sizes="(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 600px, 100vw" class="wp-image-70903" /></span>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><span style="font-size: large; color: #999999;">Our latest recorded show </span></p></div>
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				<div class="et_pb_text_inner"><p><audio class="wp-audio-shortcode" id="audio-70891-1" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://thehistoryofrockandroll.net/radio/2026/Atlantic-Records-2026.mp3?_=1" /><a href="https://thehistoryofrockandroll.net/radio/2026/Atlantic-Records-2026.mp3">https://thehistoryofrockandroll.net/radio/2026/Atlantic-Records-2026.mp3</a></audio></p></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/atlantic-records-a-legacy-of-rhythm-soul-rock/">Atlantic Records – A Legacy of Rhythm, Soul &#038; Rock</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<item>
		<title>#1 Hit Singles in the US on Billboard Hot 100 (Part 3)</title>
		<link>https://thehistoryofrockandroll.net/1-hit-singles-in-the-us-on-billboard-hot-100-part-3/</link>
		
		<dc:creator><![CDATA[Meagan Paese]]></dc:creator>
		<pubDate>Mon, 22 Jan 2018 16:05:50 +0000</pubDate>
				<category><![CDATA[Rock and Roll]]></category>
		<category><![CDATA[and Mary]]></category>
		<category><![CDATA[Aretha Franklin]]></category>
		<category><![CDATA[Beach Boys]]></category>
		<category><![CDATA[Elvis Presley]]></category>
		<category><![CDATA[Lulu]]></category>
		<category><![CDATA[Paul]]></category>
		<category><![CDATA[Peter]]></category>
		<category><![CDATA[Simon and Garfunkel]]></category>
		<category><![CDATA[Strawberry Alarm Clock]]></category>
		<category><![CDATA[The Association]]></category>
		<category><![CDATA[the Beatles]]></category>
		<category><![CDATA[The Fifth Dimension]]></category>
		<category><![CDATA[The Lovin’ Spoonful]]></category>
		<category><![CDATA[The Monkees]]></category>
		<category><![CDATA[Three Dog Night]]></category>
		<category><![CDATA[Tony Orlando and Dawn]]></category>
		<category><![CDATA[vinyl]]></category>
		<guid isPermaLink="false">http://www.thehistoryofrockandroll.net/?p=36700</guid>

					<description><![CDATA[<p>Summer in the City: The Lovin’ Spoonful Summer in the City by The Lovin&#8217; Spoonful is a song recorded by The Lovin&#8217; Spoonful, written by John Sebastian, Mark Sebastian, and Steve Booone. It appeared on their album Hums of the Lovin&#8217; Spoonful, and reached number one on the Billboard Hot 100 in August 1966, for [&#8230;]</p>
<p>The post <a href="https://thehistoryofrockandroll.net/1-hit-singles-in-the-us-on-billboard-hot-100-part-3/">#1 Hit Singles in the US on Billboard Hot 100 (Part 3)</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
]]></description>
										<content:encoded><![CDATA[<h3><span style="color: #ff00ff;">Summer in the City: The Lovin’ Spoonful</span></h3>
<p><img loading="lazy" decoding="async" width="280" height="280" class="wp-image-36701 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-134.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-134.jpeg 280w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-134-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-134-45x45.jpeg 45w" sizes="(max-width: 280px) 100vw, 280px" />Summer in the City by The Lovin&#8217; Spoonful is a song recorded by The Lovin&#8217; Spoonful, written by John Sebastian, Mark Sebastian, and Steve Booone.</p>
<p>It appeared on their album <em>Hums of the Lovin&#8217; Spoonful</em>, and reached number one on the <em>Billboard</em> Hot 100 in August 1966, for three consecutive weeks.</p>
<p>The song features a series of car horns during the instrumental bridge, starting with a Volkswagen Beetle horn, and ends up with a jackhammer sound, in order to give the impression of the sounds of the summer in the city.</p>
<p>The song became a gold record. It is ranked number 401 on <em>Rolling Stone</em>&#8216;s list of The 500 Greatest Songs of All Time.</p>
<p>&nbsp;</p>
<p><iframe loading="lazy" width="1080" height="810" src="https://www.youtube.com/embed/N9vbu8sfaBM?feature=oembed" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<h3><span style="color: #ff00ff;">Good Vibrations: Beach Boys</span></h3>
<p><img loading="lazy" decoding="async" width="300" height="300" class="wp-image-36702 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-135.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-135.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-135-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-135-45x45.jpeg 45w" sizes="(max-width: 300px) 100vw, 300px" />Goof Vibrations by the Beach Boys is a song composed by Brian Wilson with words by Mike Love for the American rock band the Beach Boys, of which both were members. Released on October 10, 1966, the single was an immediate critical and commercial hit, topping record charts in several countries including the US and UK. Characterized by its complex soundscapes, episodic structure, and subversions of pop music formula, it was the costliest single ever recorded at the time of its release. &#8220;Good Vibrations&#8221; later became widely acclaimed as one of the greatest masterpieces of rock music.</p>
<p>Produced by Wilson, the recording was initiated during the sessions for the 1966 album <em>Pet Sounds</em>, and was not originally issued as a track from an album, but rather as a stand-alone single, with the <em>Pet Sounds</em> instrumental &#8220;Let&#8217;s Go Away for Awhile&#8221; as the B-side. &#8220;Good Vibrations&#8221; was envisioned for the unfinished album <em>Smile</em>, but instead appeared on the 1967 substitute LP <em>Smiley Smile</em>. Most of the song was developed as it was recorded. Its title derived from Wilson&#8217;s fascination with cosmic vibrations, after his mother once told him as a child that dogs sometimes bark at people in response to their &#8220;bad vibrations&#8221;. He used the concept to suggest extrasensory perception, while Love&#8217;s lyrics were inspired by the Flower Power movement burgeoning in Southern California.</p>
<p>The making of &#8220;Good Vibrations&#8221; was unprecedented for any kind of recording. Over 90 hours of tape was spent on its sessions with the total cost of production estimated between $50,000 and $75,000 (equivalent to $380,000 and $570,000 in 2017). Building upon the multi-layered approach he had formulated with <em>Pet Sounds</em>, Wilson recorded a surplus of short, interchangeable musical fragments with his bandmates and a host of session musicians at four different Hollywood studios from February to September 1966. Only six sections were ultimately culled from the dozen-plus session dates, which were assembled through tape splicing to create a composite backing track. Band publicist Derek Taylor dubbed the unusual work a &#8220;pocket symphony&#8221;. With the nature of its recording process partly reflected in the song&#8217;s several dramatic shifts in key, texture, instrumentation, and mood, it contained previously untried mixes of instruments, including jaw harp and Electro-Theremin, and was the first pop hit to have a cello playing juddering rhythms.</p>
<p>&#8220;Good Vibrations&#8221; is widely regarded as one of the most important compositions and recordings of the rock era, and it is regularly hailed as one of the finest pop productions of all time. It heralded a wave of pop experimentation and the onset of psychedelic and progressive rock, and helped develop the use of the recording studio as an instrument, revolutionizing rock music from live concert performances to studio productions which could only exist on record. Although it does not technically feature a theremin, it is frequently cited for having one, which revitalized interest and sales of theremins and synthesizers. The song&#8217;s success earned the Beach Boys a Grammy nomination for Best Vocal Group performance in 1966; the record was eventually inducted into the Grammy Hall of Fame in 1994. &#8220;Good Vibrations&#8221; was voted number one in the <em>Mojo</em>&#8216;s &#8220;Top 100 Records of All Time&#8221; and number six on <em>Rolling Stone</em>&#8216;s &#8220;500 Greatest Songs of All Time&#8221;, and it was included in the Rock and Roll Hall of Fame&#8217;s &#8220;500 Songs that Shaped Rock and Roll&#8221;. In 1976, a cover version by Todd Rundgren was released as a single. It peaked at number 34 on the <em>Billboard</em> Hot 100.</p>
<p><iframe loading="lazy" width="1080" height="810" src="https://www.youtube.com/embed/9UsUL7D_GOo?feature=oembed" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<h3><span style="color: #ff00ff;">I’m a Believer: The Monkees</span></h3>
<p><img loading="lazy" decoding="async" width="300" height="300" class="wp-image-36703 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-136.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-136.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-136-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-136-45x45.jpeg 45w" sizes="(max-width: 300px) 100vw, 300px" />I’m a Believer by The Monkeesa song composed by Neil Diamond and recorded by The Monkees in 1966 with the lead vocals by Micky Dolenz. The single, produced by Jeff Barry, hit the number one spot on the U.S. <em>Billboard</em> Hot 100 chart for the week ending December 31, 1966 and remained there for seven weeks, becoming the last No. 1 hit of 1966 and the biggest-selling record for all of 1967. <em>Billboard</em> ranked the record as the No. 5 song for 1967.</p>
<p>Because of 1,051,280 advance orders, it went gold within two days of release. It is one of the fewer than forty all-time singles to have sold 10 million (or more) physical copies worldwide.</p>
<p>The song was No. 1 in the UK Singles Chart for four weeks in January and February 1967, as well as a Number 1 in numerous countries including Australia, Canada, and Ireland.<sup>[3]</sup></p>
<p>The song appears in four consecutive episodes of The Monkees&#8217; TV show throughout December 1966.</p>
<p>&nbsp;</p>
<p><iframe loading="lazy" width="1080" height="608" src="https://www.youtube.com/embed/WU93NiF12qs?feature=oembed" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<h3><span style="color: #ff00ff;">Respect: Aretha Franklin</span></h3>
<p> <img loading="lazy" decoding="async" class="wp-image-36705 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-138.jpeg" width="333" height="503" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-138.jpeg 493w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-138-199x300.jpeg 199w" sizes="(max-width: 333px) 100vw, 333px" />Respect by Aretha Franklin is a song written and originally released by American recording artist Otis Redding in 1965. The song became a 1967 hit and signature song for R&amp;B singer Aretha Franklin. The music in the two versions is significantly different, and through a few changes in the lyrics, the stories told by the songs have a different flavor. Redding&#8217;s version is a plea from a desperate man, who will give his woman anything she wants.</p>
<p>He won&#8217;t care if she does him wrong, as long as he gets his due respect when he brings money home. However, Franklin&#8217;s version is a declaration from a strong, confident woman, who knows that she has everything her man wants. She never does him wrong, and demands his &#8220;respect&#8221;.</p>
<p>Franklin&#8217;s version adds the &#8220;R-E-S-P-E-C-T&#8221; chorus and the backup singers&#8217; refrain of &#8220;Sock it to me, sock it to me, sock it to me&#8230;&#8221;</p>
<p><img loading="lazy" decoding="async" width="270" height="270" class="wp-image-36704 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-137.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-137.jpeg 270w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-137-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-137-45x45.jpeg 45w" sizes="(max-width: 270px) 100vw, 270px" />Franklin&#8217;s cover was a landmark for the feminist movement, and is often considered as one of the best songs of the R&amp;B era, earning her two Grammy Awards in 1968 for &#8220;Best Rhythm &amp; Blues Recording&#8221; and &#8220;Best Rhythm &amp; Blues Solo Vocal Performance, Female&#8221;, and was inducted in the Grammy Hall of Fame in 1987.</p>
<p>In 2002, the Library of Congress honored Franklin&#8217;s version by adding it to the National Recording Registry. It was placed number five on <em>Rolling Stone</em> magazine&#8217;s list of The 500 Greatest Songs of All Time. It was also included in the list of <em>Songs of the Century</em>, by the Recording Industry of America and the National Endowment for the Arts. Franklin included a live recording on the album <em>Aretha in Paris</em> (1968).</p>
<p>&nbsp;</p>
<p><iframe loading="lazy" width="1080" height="810" src="https://www.youtube.com/embed/n0POmdK18WU?feature=oembed" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<h3><span style="color: #ff00ff;">Windy: The Association</span></h3>
<p><img loading="lazy" decoding="async" width="320" height="311" class="wp-image-36706 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-139.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-139.jpeg 320w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-139-300x292.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-139-45x45.jpeg 45w" sizes="(max-width: 320px) 100vw, 320px" />Windy by The Associationis a pop music song written by Ruthann Friedman and recorded by The Association. Released in 1967, the song reached #1 on the <em>Billboard</em> Hot 100 in July of that year. Overseas, it went to #34 in Australia, and #3 in Yugoslavia.</p>
<p>Later in 1967 an instrumental version by jazz guitarist Wes Montgomery became his biggest Hot 100 hit when it peaked at #44. &#8220;Windy&#8221; was The Association&#8217;s second U.S. #1, following &#8220;Cherish&#8221; in 1966.</p>
<p><em>Billboard</em> ranked the record as the No. 4 song for 1967.</p>
<p>The lead vocals were sung in unison by Russ Giguere and Larry Ramos. Ramos claimed that Ruthann Friedman had written the song about a man, and that The Association changed the lyrics to make it about a woman.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><iframe loading="lazy" width="1080" height="810" src="https://www.youtube.com/embed/RsY8l0Jg3lY?feature=oembed" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<h3><span style="color: #ff00ff;">To Sir With Love: Lulu</span></h3>
<p><img loading="lazy" decoding="async" width="176" height="175" class="wp-image-36707 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-140.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-140.jpeg 176w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-140-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-140-45x45.jpeg 45w" sizes="(max-width: 176px) 100vw, 176px" />To Sir With Love by Lulu is the theme from James Clavell&#8217;s 1967 film <em>To Sir, with Love</em>. The song was written by Don Black and Mark London (husband of Lulu&#8217;s longtime manager Marion Massey). Mickie Most produced the record, with Mike Leander arranging and conducting. In her recording, Lulu makes notable use of melisma.</p>
<p>&#8220;To Sir With Love&#8221; was initially recorded by Lulu (with The Mindbenders, who also acted in the film). It was released as a single in the United States in 1967 and in October reached No. 1 on the <em>Billboard</em> Hot 100, where it remained for five weeks. The single ranked No. 1 in Billboard&#8217;s year-end chart, though the Monkees&#8217; &#8220;I&#8217;m a Believer&#8221;, which debuted in December 1966 and spent most of its chart life in 1967, was the overall bigger hit. (&#8220;I&#8217;m a Believer&#8221; was ranked number five on the same year-end chart of the same year.) It became a gold record.</p>
<p>Canada&#8217;s RPM Magazine put the song at No. 2 for the year 1967.<sup>[2]</sup> &#8220;To Sir with Love&#8221; has the distinction of being the only record by a British artist to reach No. 1 on the US charts while not charting in the UK, where it appeared only as a B-side to &#8220;Let&#8217;s Pretend&#8221; (released in the UK on 23 June 1967), which reached No. 11 on the UK Singles Chart.</p>
<p><iframe loading="lazy" width="1080" height="608" src="https://www.youtube.com/embed/yTapoA5RQyo?feature=oembed" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<h3><span style="color: #ff00ff;">Incense and Peppermints: Strawberry Alarm Clock</span></h3>
<p> <img loading="lazy" decoding="async" class="wp-image-36709 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-142.jpeg" width="382" height="384" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-142.jpeg 454w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-142-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-142-45x45.jpeg 45w" sizes="(max-width: 382px) 100vw, 382px" />Incense and Peppermints by Strawberry Alarm Clockis a song by the Los Angeles-based psychedelic rock band Strawberry Alarm Clock.</p>
<p>The song is officially credited as having been written by John S. Carter and Tim Gilbert, although it was based on an instrumental idea by band members Mark Weitz and Ed King.</p>
<p>It was released as the A-side of a single in May 1967 by Uni Records and reached the #1 position on the <em>Billboard</em> Hot 100, where it stayed for one week before beginning its fall down the charts.</p>
<p>Although the single was released in the United Kingdom it failed to break into the UK Singles Chart.</p>
<p><img loading="lazy" decoding="async" width="300" height="300" class="wp-image-36708 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-141.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-141.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-141-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-141-45x45.jpeg 45w" sizes="(max-width: 300px) 100vw, 300px" />Prior to the release of &#8220;Incense and Peppermints&#8221;, the Strawberry Alarm Clock had already issued four singles (&#8220;Long Day&#8217;s Care&#8221; b/w &#8220;Can&#8217;t Explain&#8221;, &#8220;My Flash on You&#8221; b/w &#8220;Fortune Teller&#8221;, &#8220;In the Building&#8221; b/w &#8220;Hey Joe&#8221;, and &#8220;Heart Full of Rain&#8221; b/w &#8220;First Plane Home&#8221;) on All-American Records under the name Thee Sixpence.</p>
<p>During recording sessions for &#8220;Incense and Peppermints&#8221;, the band expressed a dislike for the song&#8217;s lyrics (written by John S. Carter), so the lead vocals were sung by a friend of the band, Greg Munford, who was attending the recording session as a visitor. The regular vocalists in the band were relegated to providing background and harmony vocals on the record. Band members Mark Weitz and Ed King were both denied songwriting credits by producer Frank Slay, despite the fact that the song was, at least partially, built on an instrumental idea of Weitz and King&#8217;s. King would go on to greater fame as a member of the 1970s Southern rock band Lynyrd Skynyrd.</p>
<p>&#8220;Incense and Peppermints&#8221; initially appeared on the B-side of Thee Sixpence&#8217;s fourth single, &#8220;The Birdman of Alkatrash&#8221;, released on All-American Records in April 1967. However, local radio stations began playing &#8220;Incense and Peppermints&#8221; instead of the A-side and the song began to gain in popularity in and around Los Angeles. Sensing the possibility of a national hit, Uni Records (a subsidiary of MCA) picked up the record for national distribution and the single was re-released in May 1967: this time with &#8220;Incense and Peppermints&#8221; on the A-side and &#8220;The Birdman of Alkatrash&#8221; as the B-side. By the time of this second pressing, the band had changed their name to &#8220;Strawberry Alarm Clock&#8221; due to the existence of a local group with a name somewhat similar to Thee Sixpence.</p>
<p>&#8220;Incense and Peppermints&#8221; spent 16 weeks on the <em>Billboard</em> chart, finally reaching the #1 spot for the week ending November 25, 1967. The single earned a gold disc from the RIAA on December 7, 1967 for sales of one million copies.</p>
<p><iframe loading="lazy" width="1080" height="810" src="https://www.youtube.com/embed/4rw1_FNdy-Y?feature=oembed" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<h3><span style="color: #ff00ff;">Mrs. Robinson: Simon and Garfunkel</span></h3>
<p><img loading="lazy" decoding="async" width="300" height="300" class="wp-image-36710 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-143.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-143.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-143-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-143-45x45.jpeg 45w" sizes="(max-width: 300px) 100vw, 300px" />Mrs. Robinson by Simon and Garfunkelis a song by American music duo Simon &amp; Garfunkel from their fourth studio album, <em>Bookends</em> (1968). Produced by the duo and Roy Halee, it is famous for its inclusion in the 1967 film <em>The Graduate</em>.</p>
<p>The song was written by Paul Simon, who pitched it to director Mike Nichols alongside Art Garfunkel after Nichols rejected two other songs intended for the film. The song contains a famous reference to baseball star Joe DiMaggio.</p>
<p>&#8220;Mrs. Robinson&#8221; became the duo&#8217;s second chart-topper, hitting number one on the <em>Billboard</em> Hot 100, and peaking within the top 10 of multiple other countries, including the United Kingdom, Ireland, and Spain, among others.</p>
<p>In 1969, it became the first rock song to win the Grammy Award for Record of the Year. The song has been covered by a number of artists, including Frank Sinatra, the Lemonheads, and Bon Jovi. In 2004, it finished at No. 6 on AFI&#8217;s 100 Years&#8230;100 Songs survey of top tunes in American cinema.</p>
<p><iframe loading="lazy" width="1080" height="810" src="https://www.youtube.com/embed/5JVPdb6Urhw?feature=oembed" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<h3><span style="color: #ff00ff;">Aquarius/Let the Sunshine In: The Fifth Dimension</span></h3>
<p><img loading="lazy" decoding="async" width="300" height="300" class="wp-image-36711 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-144.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-144.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-144-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-144-45x45.jpeg 45w" sizes="(max-width: 300px) 100vw, 300px" />Aquarius/Let the Sunshine In by The Fifth DimensionIs a medley of two songs written for the 1967 musical <em>Hair</em> by James Rado &amp; Gerome Ragni (lyrics), and Galt MacDermot (music), released as a single by American R&amp;B group The 5th Dimension. The song peaked at number one for six weeks on the US <em>Billboard</em> Hot 100 pop singles chart in the spring of 1969. The single topped the American pop charts and was eventually certified platinum in the US by the RIAA.</p>
<p>Instrumental backing was written by Bill Holman and provided by session musicians commonly known as the Wrecking Crew. The actual recording is something of a &#8220;rarity&#8221;; the song was recorded in two cities, Los Angeles and Las Vegas, then mixed together in the studio, afterwards.</p>
<p>his song was one of the most popular songs of 1969 worldwide, and in the United States it reached the number one position on both the <em>Billboard</em> Hot 100 (for six weeks in April and May) and the <em>Billboard</em> Adult Contemporaries Chart. It also reached the top of the sales charts in Canada and elsewhere. <em>Billboard</em> ranked it as the No. 2 record overall for 1969.</p>
<p>The recording won both the Grammy Award for Record of the Year and Best Pop Vocal Performance by a Group for the Grammy Awards of 1970, after being published on the album <em>The Age of Aquarius</em> by the 5th Dimension, and also being released as a seven-inch vinyl single record.</p>
<p>The lyrics of this song were based on the astrological belief that the world would soon be entering the &#8220;Age of Aquarius&#8221;, an age of love, light, and humanity, unlike the current &#8220;Age of Pisces&#8221;. The exact circumstances for the change are &#8220;When the moon is in the seventh house, and Jupiter aligns with Mars.&#8221;</p>
<p><iframe loading="lazy" width="1080" height="810" src="https://www.youtube.com/embed/kjxSCAalsBE?feature=oembed" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<h3><span style="color: #ff00ff;">Get Back: The Beatles</span></h3>
<p> <img loading="lazy" decoding="async" width="1024" height="768" class="wp-image-36713" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-146.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-146.jpeg 1024w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-146-300x225.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-146-768x576.jpeg 768w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-146-610x458.jpeg 610w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-146-510x382.jpeg 510w" sizes="(max-width: 1024px) 100vw, 1024px" /></p>
<p>Get Back by The Beatles is a song recorded by the Beatles and written by Paul McCartney (though credited to Lennon-McCartney), originally released as a single on 11 April 1969 and credited to &#8220;The Beatles with Billy Preston.&#8221; A different mix of the song later became the closing track of <em>Let It Be</em> (1970), which was the Beatles&#8217; last album released just after the group split. The single version was later issued on the compilation albums <em>1967–1970</em>, <em>20 Greatest Hits</em>, <em>Past Masters</em>, and <em>1</em>.</p>
<p>The single reached number one in the United Kingdom, the United States, Ireland, Canada, New Zealand, the Netherlands, Australia, France, West Germany, Mexico, Norway, Switzerland, Austria, and Belgium. It was the Beatles&#8217; only single that credited another artist at their request. &#8220;Get Back&#8221; was the Beatles&#8217; first single release in true stereo in the US. In the UK, the Beatles&#8217; singles remained monaural until the following release, &#8220;The Ballad of John and Yoko&#8221;.</p>
<h3><span style="color: #ff00ff;">Suspicious Minds: Elvis Presley</span></h3>
<p><img loading="lazy" decoding="async" width="240" height="240" class="wp-image-36714 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-147.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-147.jpeg 240w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-147-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-147-45x45.jpeg 45w" sizes="(max-width: 240px) 100vw, 240px" />Suspicious Minds by Elvis Presleyis a song written and first recorded by American songwriter Mark James. After James&#8217; recording failed commercially, the song was handed to Elvis Presley by producer Chips Moman, becoming a number one song in 1969, and one of the most notable hits of Presley&#8217;s career.</p>
<p>&#8220;Suspicious Minds&#8221; was widely regarded as the single that returned Presley&#8217;s career success, following his <em>&#8217;68 Comeback Special</em>. It was his eighteenth and last number-one single in the United States. <em>Rolling Stone</em> ranked it No. 91 on their list of the 500 Greatest Songs of All Time.</p>
<p>Session guitarist Reggie Young played on both the James and Presley versions.</p>
<p><iframe loading="lazy" width="1080" height="810" src="https://www.youtube.com/embed/Wb0Jmy-JYbA?feature=oembed" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<h3><span style="color: #ff00ff;">Leaving on a Jet Plane: Peter, Paul, and Mary</span></h3>
<p><img loading="lazy" decoding="async" width="280" height="280" class="wp-image-36715 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-148.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-148.jpeg 280w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-148-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-148-45x45.jpeg 45w" sizes="(max-width: 280px) 100vw, 280px" />Leaving on a Jet Plane by Peter, Paul, and Mary is a song written by John Denver in 1966 and most famously recorded by Peter, Paul and Mary.</p>
<p>The original title of the song was &#8220;Babe, I Hate to Go&#8221;, as featured on his 1966 studio album <em>John Denver Sings</em>, but Denver&#8217;s then producer Milt Okun convinced him to change the title. Peter, Paul and Mary recorded the song for their 1967 <em>Album 1700</em> but only released it as a single in 1969.</p>
<p>It turned out to be Peter, Paul and Mary&#8217;s biggest (and final) hit, becoming their only No. 1 on the <em>Billboard</em> Hot 100 chart in the United States. The song also spent three weeks atop the easy listening chart and was used in commercials for United Airlines in the late 1970s. The song also topped the charts in Canada, and reached No. 2 in both the UK Singles Chart and Irish Singles Chart in February 1970.</p>
<p>In 1969, John Denver recorded a version of the song for his debut solo album, <em>Rhymes &amp; Reasons</em>, and re-recorded it in 1973 for <em>John Denver&#8217;s Greatest Hits</em>. His version was featured in the end credits of <em>The Guard</em>.</p>
<p><iframe loading="lazy" width="1080" height="608" src="https://www.youtube.com/embed/zVQAhhlq798?feature=oembed" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<p><strong><span style="font-size: 18pt;">1970&#8217;s</span></strong></p>
<h3><span style="color: #ff00ff;">Mama Told Me (Not to Come): Three Dog Night</span></h3>
<p><img loading="lazy" decoding="async" width="224" height="225" class="wp-image-36716 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-149.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-149.jpeg 224w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-149-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-149-45x45.jpeg 45w" sizes="(max-width: 224px) 100vw, 224px" />Mama Told Me (Not to Come): Three Dog Nightis a song by American singer-songwriter Randy Newman written for Eric Burdon&#8217;s first solo album in 1966. Three Dog Night&#8217;s 1970 cover of the song topped the US pop singles chart.</p>
<p>Also in 1970, Three Dog Night released a longer, rock &#8216;n roll and funk-inspired version (titled &#8220;Mama Told Me (Not to Come)&#8221;) on <em>It Ain&#8217;t Easy</em>.</p>
<p>Three Dog Night&#8217;s version had the same 3/4 by 2/4 time change as Eric Burdon&#8217;s version and featured Cory Wells singing lead in an almost humorous vocal style, Jimmy Greenspoon playing a Wurlitzer electric piano, and Michael Allsup playing guitar.</p>
<p>&nbsp;</p>
<p><iframe loading="lazy" width="1080" height="810" src="https://www.youtube.com/embed/rKaQzQAlNn4?feature=oembed" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<h3><span style="color: #ff00ff;">One Bad Apple: The Osmonds</span></h3>
<p><img loading="lazy" decoding="async" width="316" height="316" class="wp-image-36717 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-150.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-150.jpeg 316w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-150-150x150.jpeg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-150-300x300.jpeg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-150-45x45.jpeg 45w" sizes="(max-width: 316px) 100vw, 316px" />One Bad Apple by The Osmondswas a number-one hit single released by The Osmonds on November 14, 1970. It debuted on the Billboard Hot 100 on January 2, 1971. It hit the top of the chart on February 13, 1971 and stayed there for five weeks. It also reached number six on the R&amp;B chart.</p>
<p><em>Billboard</em> ranked it as the No. 4 song for 1971. Both &#8220;One Bad Apple&#8221; and the Donny Osmond-credited single &#8220;Sweet and Innocent&#8221; are on the 1970 album <em>Osmonds</em>. It was certified Gold by the RIAA on February 4, 1971.</p>
<p>The song was written by George Jackson, who originally had the Jackson 5 in mind when he wrote it. According to Donny Osmond, Michael Jackson later told him that the Jackson 5 almost recorded this song first, but chose to record &#8220;ABC&#8221; instead.<sup>[3]</sup></p>
<p>&#8220;One Bad Apple&#8221; was also used as the theme to <em>The Osmonds</em> cartoon show on ABC-TV.</p>
<p>&nbsp;</p>
<p><iframe loading="lazy" width="1080" height="810" src="https://www.youtube.com/embed/5yrx9pezxF8?feature=oembed" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>
<p>&nbsp;</p>
<h3><span style="color: #ff00ff;">Tie a Yellow Ribbon Round the Ole Oak Tree: Tony Orlando and Dawn</span></h3>
<p><img loading="lazy" decoding="async" width="280" height="283" class="wp-image-36718 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-151.jpeg" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-151.jpeg 280w, https://thehistoryofrockandroll.net/wp-content/uploads/2018/01/word-image-151-45x45.jpeg 45w" sizes="(max-width: 280px) 100vw, 280px" />Tie a Yellow Ribbon Round the Ole Oak Tree: Tony Orlando and Dawnis a song by Dawn featuring Tony Orlando. It was written by Irwin Levine and L. Russell Brown and produced by Hank Medress and Dave Appell, with Motown/Stax backing vocalist Telma Hopkins, Joyce Vincent Wilson and her sister Pamela Vincent on backing vocals. It was a worldwide hit for the group in 1973.</p>
<p>The single reached the top 10 in ten countries, in eight of which it topped the charts. It reached number one on both the US and UK charts for four weeks in April 1973, number one on the Australian charts for seven weeks from May to July 1973 and number one on the New Zealand charts for ten weeks from June to August 1973. It was the top-selling single in 1973 in both the US and UK.</p>
<p>In 2008, <em>Billboard</em> ranked the song as the 37th biggest song of all time in its issue celebrating the 50th anniversary of the Hot 100.</p>
<p>The post <a href="https://thehistoryofrockandroll.net/1-hit-singles-in-the-us-on-billboard-hot-100-part-3/">#1 Hit Singles in the US on Billboard Hot 100 (Part 3)</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>Best Songs of the 60s Pt-2</title>
		<link>https://thehistoryofrockandroll.net/best-songs-of-the-60s-pt-2/</link>
		
		<dc:creator><![CDATA[Meagan Paese]]></dc:creator>
		<pubDate>Mon, 16 Jan 2017 13:31:46 +0000</pubDate>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Pop]]></category>
		<category><![CDATA[Rock and Roll]]></category>
		<category><![CDATA[Aretha Franklin]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[Elvis Presley]]></category>
		<category><![CDATA[Help Me Rhonda]]></category>
		<category><![CDATA[Honky Tonk Women]]></category>
		<category><![CDATA[I Got You Babe]]></category>
		<category><![CDATA[I Heard it Through the Grapevine]]></category>
		<category><![CDATA[I Want to Hold Your Hand]]></category>
		<category><![CDATA[I’m a Believer]]></category>
		<category><![CDATA[Johnny Cash]]></category>
		<category><![CDATA[Like a Rolling Stone]]></category>
		<category><![CDATA[Marvin Gaye]]></category>
		<category><![CDATA[Respect]]></category>
		<category><![CDATA[Ring of Fire]]></category>
		<category><![CDATA[Rolling Stone]]></category>
		<category><![CDATA[Sonny and Cher]]></category>
		<category><![CDATA[Suspicious Minds]]></category>
		<category><![CDATA[The 13h Floor Elevator]]></category>
		<category><![CDATA[The Beach Boys]]></category>
		<category><![CDATA[the Beatles]]></category>
		<category><![CDATA[The Monkees]]></category>
		<category><![CDATA[The Shirelles]]></category>
		<category><![CDATA[Will You Love Me Tomorrow]]></category>
		<category><![CDATA[You’re Gonna Miss Me]]></category>
		<guid isPermaLink="false">http://www.thehistoryofrockandroll.net/?p=34787</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/best-songs-of-the-60s-pt-2/">Best Songs of the 60s Pt-2</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><a href="http://www.thehistoryofrockandroll.net/best-songs-of-the-60s-pt-1/">Best Songs of the 60s (Pt 1)</a> | <a href="http://www.thehistoryofrockandroll.net/best-songs-of-the-60s-pt-2/">Best Songs of the 60s (Pt 2)</a> | <a href="http://www.thehistoryofrockandroll.net/best-songs-of-the-60s-pt-3/">Best Songs of the 60s (Pt 3)</a></p></div>
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				<div class="et_pb_text_inner"><h2>The 13h Floor Elevator: You’re Gonna Miss Me</h2></div>
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				<span class="et_pb_image_wrap "><img decoding="async" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-13h-Floor-Elevator-You’re-Gonna-Miss-Me.jpg" alt="" title="" /></span>
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				<div class="et_pb_text_inner"><p><strong>The 13h Floor Elevator: You’re Gonna Miss Me</strong> is a song by the American psychedelic rock band the 13th Floor Elevators, written by Roky Erickson, and released as the group&#8217;s debut single on Contact Records, on January 17, 1966.</p>
<p>It was reissued nationally on International Artists, in May 1966 (see 1966 in music). Musically inspired by traditional jug band and R&amp;B music, combined with the group&#8217;s own experimentation, &#8220;You&#8217;re Gonna Miss Me&#8221;, along with its Stacy Sutherland and Tommy Hall-penned B-side, &#8220;Tried to Hide&#8221;, was influential in developing psychedelic rock, garage rock, and was one of the earliest rock compositions to utilize the electric jug. Accordingly, critics often cite &#8220;You&#8217;re Gonna Miss Me&#8221; as a bona fide garage rock song, as well as a classic of the counterculture era.</p>
<p>&#8220;You&#8217;re Gonna Miss Me&#8221; reached number 55 on the Billboard Hot 100, making it the 13th Floor Elevators&#8217; only single to chart nationally. The failure of the song to achieve a higher chart listing is attributed to poor distribution by a disestablished record label. In addition, the band was prevented from consistently touring during their parole for possession of marijuana. The song was also included as a track on their debut album, The Psychedelic Sounds of the 13th Floor Elevators, in November 1966.</p></div>
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				<div class="et_pb_video_box"><iframe loading="lazy" title="13th Floor Elevators - You&amp;apos;re Gonna Miss Me (Original Mono Mix)" width="1080" height="810" src="https://www.youtube.com/embed/0OytJYBfwUk?feature=oembed"  allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>
				
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				<div class="et_pb_text_inner"><h2>Johnny Cash: Ring of Fire</h2></div>
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				<div class="et_pb_text_inner"><p><img loading="lazy" decoding="async" class="alignright size-full wp-image-29182" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/06/1963-Ring-of-Fire-Johnny-Cash.jpg" alt="" width="200" height="200" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1963-Ring-of-Fire-Johnny-Cash.jpg 200w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1963-Ring-of-Fire-Johnny-Cash-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1963-Ring-of-Fire-Johnny-Cash-45x45.jpg 45w" sizes="(max-width: 200px) 100vw, 200px" /><strong>Johnny Cash: Ring of Fire</strong> is a song written by June Carter Cash and Merle Kilgore and recorded by Johnny Cash. The single appears on Cash&#8217;s 1963 album, Ring of Fire: The Best of Johnny Cash.</p>
<p>The song was originally recorded by June&#8217;s sister, Anita Carter, on her Mercury Records album Folk Songs Old and New (1963) as &#8220;(Love&#8217;s) Ring of Fire&#8221;. &#8220;Ring of Fire&#8221; was ranked No. 4 on CMT&#8217;s 100 Greatest Songs of Country Music in 2003 and #87 on Rolling Stone&#8217;s list of The 500 Greatest Songs of All Time.</p>
<p>The song was recorded on March 25, 1963, and became the biggest hit of Cash&#8217;s career, staying at number one on the country chart for seven weeks. It was certified Gold on January 21, 2010, by the RIAA and has also sold over 1.2 million digital downloads</p></div>
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				<div class="et_pb_text_inner"><h2>The Shrangri-Las: Leader of the Pack</h2></div>
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				<span class="et_pb_image_wrap "><img loading="lazy" decoding="async" width="300" height="310" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shrangri-Las-Leader-of-the-Pack.jpg" alt="" title="" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shrangri-Las-Leader-of-the-Pack.jpg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shrangri-Las-Leader-of-the-Pack-290x300.jpg 290w" sizes="(max-width: 300px) 100vw, 300px" class="wp-image-34812" /></span>
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				<div class="et_pb_text_inner"><p><strong>The Shrangri-Las: Leader of the Pack</strong> is a song written by George &#8220;Shadow&#8221; Morton, Jeff Barry, and Ellie Greenwich.</p>
<p>It was a number one pop hit in 1964 for the American girl group The Shangri-Las. The single is one of the group&#8217;s best known songs as well as a popular cultural example of a &#8220;teenage tragedy song&#8221;.</p></div>
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				<div class="et_pb_video_box"><iframe loading="lazy" title="The Shangri-Las -Leader Of The Pack Video with High Quality Sound" width="1080" height="810" src="https://www.youtube.com/embed/Q8UKf65NOzM?feature=oembed"  allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>
				
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				<div class="et_pb_text_inner"><h2>The Beach Boys: Help Me Rhonda</h2></div>
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				<div class="et_pb_column et_pb_column_4_4 et_pb_column_15  et_pb_css_mix_blend_mode_passthrough et-last-child">
				
				
				
				
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				<div class="et_pb_text_inner"><p><img loading="lazy" decoding="async" class="alignright size-full wp-image-29409" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/06/1965-Help-Me-Rhonda-The-Beach-Boys.jpg" alt="" width="280" height="285" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1965-Help-Me-Rhonda-The-Beach-Boys.jpg 280w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1965-Help-Me-Rhonda-The-Beach-Boys-45x45.jpg 45w" sizes="(max-width: 280px) 100vw, 280px" /><strong>The Beach Boys: Help Me Rhonda</strong> is a song written and composed by Brian Wilson with additional lyrics by Mike Love for American rock band the Beach Boys. It was first released as &#8220;Help Me, Ronda&#8221; in March 1965 on the album The Beach Boys Today!</p>
<p>A second recording, with a significantly different arrangement, was issued as a single under the revised title &#8220;Help Me, Rhonda&#8221;. The single peaked at number one in the United States, making it the second Beach Boys single to reach that position after &#8220;I Get Around&#8221; in 1964. The single version was later released on the album Summer Days (And Summer Nights!!) in June 1965.</p></div>
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				<div class="et_pb_text_inner"><h2>Elvis Presley: Suspicious Minds</h2></div>
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				<div class="et_pb_text_inner"><p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-32427" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/07/1969-Suspicious-Minds-Elvis-Presley-150x150.jpg" alt="" width="150" height="150" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/07/1969-Suspicious-Minds-Elvis-Presley-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/07/1969-Suspicious-Minds-Elvis-Presley-150x150-45x45.jpg 45w" sizes="(max-width: 150px) 100vw, 150px" /><strong>Elvis Presley: Suspicious Minds</strong> is an American song written and first recorded by American songwriter Mark James. After James&#8217; recording failed commercially, the song was handed to Elvis Presley by producer Chips Moman, becoming a number one song in 1969, and one of the most notable hits of Presley&#8217;s career.</p>
<p>&#8220;Suspicious Minds&#8221; was widely regarded as the single that returned Presley&#8217;s career success, following his &#8217;68 Comeback Special. It was his eighteenth and last number-one single in the United States. In 2004, Rolling Stone ranked it No. 91 on their list of the 500 Greatest Songs of All Time.[citation needed] Session guitarist Reggie Young played on both the James and Presley versions.</p></div>
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				<div class="et_pb_text_inner"><h2>The Monkees: I’m a Believer</h2></div>
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				<div class="et_pb_text_inner"><p><img loading="lazy" decoding="async" class="size-full wp-image-29563 alignright" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/06/1966-I’m-a-Believer-The-Monkees-252x250.jpg" alt="" width="252" height="250" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1966-I’m-a-Believer-The-Monkees-252x250.jpg 252w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1966-I’m-a-Believer-The-Monkees-252x250-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/06/1966-I’m-a-Believer-The-Monkees-252x250-45x45.jpg 45w" sizes="(max-width: 252px) 100vw, 252px" /><strong>The Monkees: I’m a Believer</strong> is a song composed by Neil Diamond and recorded by The Monkees in 1966 with the lead vocals by Micky Dolenz. The single, produced by Jeff Barry, hit the number one spot on the U.S. Billboard Hot 100 chart for the week ending December 31, 1966 and remained there for seven weeks, becoming the last No. 1 hit of 1966 and the biggest-selling record for all of 1967. Billboard ranked the record as the No. 5 song for 1967.</p>
<p>Because of 1,051,280 advance orders, it went gold within two days of release. It is one of the fewer than forty all-time singles to have sold 10 million (or more) physical copies worldwide.</p>
<p>The song was No. 1 in the UK Singles Chart for four weeks in January and February 1967, as well as a Number 1 in numerous countries including Australia, Canada, and Ireland.The success of the single prompted the song to appear in four consecutive episodes of The Monkees&#8217; TV show throughout December 1966.</p></div>
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				<div class="et_pb_text_inner"><h2>The Shirelles: Will You Love Me Tomorrow</h2></div>
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				<div class="et_pb_text_inner"><p><strong><img loading="lazy" decoding="async" class="size-full wp-image-34817 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shirelles-Will-You-Love-Me-Tomorrow.jpg" alt="" width="222" height="221" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shirelles-Will-You-Love-Me-Tomorrow.jpg 222w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shirelles-Will-You-Love-Me-Tomorrow-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2017/01/The-Shirelles-Will-You-Love-Me-Tomorrow-45x45.jpg 45w" sizes="(max-width: 222px) 100vw, 222px" />The Shirelles: Will You Love Me Tomorrow</strong> is a song written by Gerry Goffin and Carole King. It was originally recorded in 1960 by the Shirelles, who took their single to number one on the Billboard Hot 100 chart.</p>
<p>The song is also notable for being the first song by an all-girl group to reach number one in the United States. It has since been recorded by many artists over the years, including a 1971 version by co-writer Carole King.</p></div>
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				<div class="et_pb_text_inner"><h2>The Beatles: I Want to Hold Your Hand</h2></div>
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				<div class="et_pb_text_inner"><p><strong>The Beatles: I Want to Hold Your Hand</strong> is a song by the English rock band the Beatles. Written by John Lennon and Paul McCartney, and recorded in October 1963, it was the first Beatles record to be made using four-track equipment.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-34578" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/11/I-Want-to-Hold-Your-Hand-The-Beatles.jpg" alt="The Beatles" width="229" height="228" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/11/I-Want-to-Hold-Your-Hand-The-Beatles.jpg 229w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/11/I-Want-to-Hold-Your-Hand-The-Beatles-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/11/I-Want-to-Hold-Your-Hand-The-Beatles-45x45.jpg 45w" sizes="(max-width: 229px) 100vw, 229px" />With advance orders exceeding one million copies in the United Kingdom, &#8220;I Want to Hold Your Hand&#8221; would have gone straight to the top of the British record charts on its day of release (29 November 1963) had it not been blocked by the group&#8217;s first million seller &#8220;She Loves You&#8221;, their previous UK single, which was having a resurgence of popularity following intense media coverage of the group. Taking two weeks to dislodge its predecessor, &#8220;I Want to Hold Your Hand&#8221; stayed at number one for five weeks and remained in the UK top 50 for 21 weeks in total.</p>
<p>It was also the group&#8217;s first American number one, entering the Billboard Hot 100 chart on 18 January 1964 at number 45 and starting the British invasion of the American music industry. By 1 February it held the number-one spot, and stayed there for seven weeks before being replaced by &#8220;She Loves You&#8221;, a reverse scenario of what had occurred in Britain. It remained on the Billboard chart for 15 weeks.</p>
<p>&#8220;I Want to Hold Your Hand&#8221; became the Beatles&#8217; best-selling single worldwide. In 2013, Billboard magazine named it the 44th biggest hit of &#8220;all-time&#8221; on the Billboard Hot 100 charts.</p></div>
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				<div class="et_pb_text_inner"><h2>Bob Dylan: Like a Rolling Stone</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Bob Dylan: Like a Rolling Stone</strong> is a 1965 song by the American singer-songwriter Bob Dylan. Its confrontational lyrics originated in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. Dylan distilled this draft into four verses and a chorus. &#8220;Like a Rolling Stone&#8221; was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-34565 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/11/Like-a-rollling-stone-bob-dylanjpg.jpg" alt="Like a Rolling Stone: Bob Dylan" width="253" height="252" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/11/Like-a-rollling-stone-bob-dylanjpg.jpg 253w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/11/Like-a-rollling-stone-bob-dylanjpg-150x150.jpg 150w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/11/Like-a-rollling-stone-bob-dylanjpg-45x45.jpg 45w" sizes="(max-width: 253px) 100vw, 253px" />During a difficult two-day preproduction, Dylan struggled to find the essence of the song, which was demoed without success in 3/4 time. A breakthrough was made when it was tried in a rock music format, and rookie session musician Al Kooper improvised the organ riff for which the track is known.</p>
<p>However, Columbia Records was unhappy with both the song&#8217;s length at over six minutes and its heavy electric sound, and was hesitant to release it. It was only when a month later a copy was leaked to a new popular music club and heard by influential DJs that the song was put out as a single. Although radio stations were reluctant to play such a long track, &#8220;Like a Rolling Stone&#8221; reached number two in the US Billboard charts (number one in Cashbox) and became a worldwide hit.</p>
<p>Critics have described the track as revolutionary in its combination of different musical elements, the youthful, cynical sound of Dylan&#8217;s voice, and the directness of the question &#8220;How does it feel?&#8221; &#8220;Like a Rolling Stone&#8221; transformed Dylan&#8217;s image from folk singer to rock star, and is considered one of the most influential compositions in postwar popular music.</p>
<p>Rolling Stone magazine listed the song at number one in their &#8220;500 Greatest Songs of All Time&#8221; list. The song has been covered by numerous artists, from The Jimi Hendrix Experience and The Rolling Stones to The Wailers and Green Day.</p>
<p>At an auction in 2014, Dylan&#8217;s handwritten lyrics to the song fetched $2 million, a world record for a popular music manuscript</p></div>
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				<div class="et_pb_text_inner"><h2>Sonny and Cher: I Got You Babe</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Sonny and Cher: I Got You Babe</strong> is a song written by Sonny Bono. It was the first single taken from the debut studio album Look at Us, of the American pop music duo Sonny &amp; Cher. In August 1965, their single spent three weeks at number 1 on the Billboard Hot 100 in the United States where it sold more than 1 million copies and was certified Gold. It also reached number 1 in the United Kingdom and Canada.</p>
<p>In 1985, a cover version of &#8220;I Got You Babe&#8221; by British reggae/pop band UB40 featuring American singer Chrissie Hynde, peaked at number one in the UK Singles Chart and reached number 28 on the US Billboard Hot 100 chart. A 1993 version by Cher with Beavis and Butt-Head bubbled under the Hot 100 chart.</p></div>
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				<div class="et_pb_text_inner"><h2>Aretha Franklin: Respect</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Aretha Franklin: Respect</strong> is a song written and originally released by American recording artist Otis Redding in 1965. The song became a 1967 hit and signature song for R&amp;B singer Aretha Franklin.</p>
<p>The music in the two versions is significantly different, and through a few minor changes in the lyrics, the stories told by the songs have a different flavor.</p>
<p>Redding&#8217;s version is a plea from a desperate man, who will give his woman anything she wants. He won&#8217;t care if she does him wrong, as long as he gets his due respect, when he comes home. However, Franklin&#8217;s version is a declaration from a strong, confident woman, who knows that she has everything her man wants. She never does him wrong, and demands his &#8220;respect&#8221;.</p>
<p>Franklin&#8217;s version adds the &#8220;R-E-S-P-E-C-T&#8221; chorus and the backup singers&#8217; refrain of &#8220;Sock it to me, sock it to me, sock it to me&#8230;&#8221;</p></div>
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				<div class="et_pb_text_inner"><h2>Rolling Stone: Honky Tonk Women</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Rolling Stone: Honky Tonk Women</strong> is a 1969 hit song by The Rolling Stones. Released as a single only release (although a country version was included on Let It Bleed), on 4 July 1969 in the United Kingdom and a week later in the United States, it topped the charts in both nations.</p>
<p>The song was written by Mick Jagger and Keith Richards while on holiday in Brazil from late December 1968 to early January 1969, inspired by Brazilian &#8220;caipiras&#8221; (inhabitants of rural, remote areas of parts of Brazil) at the ranch where Jagger and Richards were staying in Matão, São Paulo.</p>
<p>Two versions of the song were recorded by the band: the familiar hit which appeared on the 45 single and their collection of late 1960s singles, Through the Past, Darkly (Big Hits Vol. 2); and a honky-tonk version entitled &#8220;Country Honk&#8221; with slightly different lyrics, which appeared on Let It Bleed (1969).</p>
<p>Thematically, a &#8220;honky tonk woman&#8221; refers to a dancing girl in a western bar who may work as a prostitute; the setting for the narrative in the first verse of the blues version is Memphis, Tennessee, while &#8220;Country Honk&#8221; sets the first verse in Jackson, Mississippi.</p>
<blockquote><p>I met a gin soaked bar-room queen in Memphis<br />
I&#8217;m sittin&#8217; in a bar, tippin&#8217; a jar in Jackson</p></blockquote>
<p>The band initially recorded the track called &#8220;Country Honk&#8221;, in London in early March 1969. Brian Jones was present during these sessions and may have played on the first handful of takes and demos. It was his last recording session with the band.</p>
<p>The song was transformed into the familiar electric, riff-based hit single &#8220;Honky Tonk Women&#8221; sometime in the spring of 1969, prior to Mick Taylor&#8217;s joining the group. In an interview in the magazine Crawdaddy!, Richards credits Taylor for influencing the track: &#8220;&#8230; the song was originally written as a real Hank Williams/Jimmie Rodgers/1930s country song. And it got turned around to this other thing by Mick Taylor, who got into a completely different feel, throwing it off the wall another way.&#8221;</p>
<p>However, in 1979 Taylor recalled it this way: &#8220;I definitely added something to Honky Tonk Women, but it was more or less complete by the time I arrived and did my overdubs.&#8221;</p>
<p>&#8220;Honky Tonk Women&#8221; is distinctive as it opens not with a guitar riff, but with a beat played on a cowbell. The Rolling Stones&#8217; producer Jimmy Miller performed the cowbell for the recording.</p></div>
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				<div class="et_pb_text_inner"><h2>Marvin Gaye: I Heard it Through the Grapevine</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Marvin Gaye: I Heard it Through the Grapevine</strong> a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight &amp; the Pips and released as a single in September 1967; it went to number two in the Billboard chart.</p>
<p>Whitfield recorded the song with Marvin Gaye over five sessions, the first on February 3, 1967, and the final one on April 10, 1967. Recordings of this version took more than a month due to Whitfield overdubbing Gaye&#8217;s vocals with that of the Andantes&#8217; background vocals, mixing in several tracks featuring the Funk Brothers on the rhythm track, and adding the string section from the Detroit Symphony Orchestra with an arrangement by Paul Riser.</p></div>
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				<div class="et_pb_text_inner"><h2>Glen Campbell: Wichita Lineman</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Glen Campbell: Wichita Lineman</strong> is a song written by American songwriter Jimmy Webb in 1968. It was first recorded by American country music artist Glen Campbell with backing from members of The Wrecking Crew and widely covered by other artists.</p>
<p>Campbell&#8217;s version, which appeared on his 1968 album of the same name, reached #3 on the U.S. pop chart, remaining in the Top 100 for 15 weeks. In addition, the song also topped the American country music chart for two weeks, and the adult contemporary chart for six weeks.</p>
<p>It was certified gold by the RIAA in January 1969. The song reached #7 in the UK. In Canada, the single also topped both the RPM national and country singles charts.</p></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/best-songs-of-the-60s-pt-2/">Best Songs of the 60s Pt-2</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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		<title>The  Greatest Singers of All Time (Part 1)</title>
		<link>https://thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-1/</link>
		
		<dc:creator><![CDATA[Meagan Paese]]></dc:creator>
		<pubDate>Thu, 27 Oct 2016 20:32:38 +0000</pubDate>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Pop]]></category>
		<category><![CDATA[Rock and Roll]]></category>
		<category><![CDATA[Aretha Franklin]]></category>
		<category><![CDATA[Bob Dylan]]></category>
		<category><![CDATA[Elvis Presley]]></category>
		<category><![CDATA[Grace Slick]]></category>
		<category><![CDATA[James Brown]]></category>
		<category><![CDATA[Jim Morrison]]></category>
		<category><![CDATA[John Lennon]]></category>
		<category><![CDATA[Karen Carpenter]]></category>
		<category><![CDATA[Little Richard]]></category>
		<category><![CDATA[Marvin Gaye]]></category>
		<category><![CDATA[Otis Redding]]></category>
		<category><![CDATA[Paul McCartney]]></category>
		<category><![CDATA[Ray Charles]]></category>
		<category><![CDATA[Sam Cooke]]></category>
		<category><![CDATA[The King]]></category>
		<guid isPermaLink="false">http://www.thehistoryofrockandroll.net/?p=34400</guid>

					<description><![CDATA[<p>The post <a href="https://thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-1/">The  Greatest Singers of All Time (Part 1)</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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										<content:encoded><![CDATA[<p><div class="et_pb_section et_pb_section_16 et_section_regular" >
				
				
				
				
				
				
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				<div class="et_pb_text_inner"><p style="text-align: center;"><a href="http://www.thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-1/">The Greatest Singers of all Times (Part 1)</a> | <a href="http://www.thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-2/">The Greatest Singers of all Times (Part 2)</a></p></div>
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				<div class="et_pb_text_inner"><h2>Aretha Franklin</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Aretha Franklin is an American singer–songwriter and musician.</strong> Franklin&#8217;s church as a child. In 1960, at the age of 18, Franklin embarked on a secular career, recording for Columbia Records but only achieving modest success. Following her signing to Atlantic Records in 1967, Franklin achieved commercial acclaim and success with songs such as &#8220;Respect&#8221;, &#8220;(You Make Me Feel Like) A Natural Woman&#8221; and &#8220;Think&#8221;. These hits and more helped her to gain the title The Queen of Soul by the end of the 1960s decade.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-34402 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Aretha-Franklin.jpg" alt="Aretha Franklin" width="236" height="315" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Aretha-Franklin.jpg 236w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Aretha-Franklin-225x300.jpg 225w" sizes="(max-width: 236px) 100vw, 236px" />Franklin eventually recorded a total of 112 charted singles on Billboard, including 77 Hot 100 entries, 17 top ten pop singles, 100 R&amp;B entries and twenty number-one R&amp;B singles, becoming the most charted female artist in the chart&#8217;s history. Franklin also recorded acclaimed albums such as I Never Loved a Man the Way I Love You, Lady Soul, Young, Gifted &amp; Black and Amazing Grace before experiencing problems with her record company by the mid-1970s. After her father was shot in 1979, Franklin left Atlantic and signed with Arista Records, finding success with her part in the film The Blues Brothers and with the albums Jump to It and Who&#8217;s Zoomin&#8217; Who?</p>
<p>In 1998, Franklin won international acclaim for singing the opera aria &#8220;Nessun dorma&#8221;, at the Grammys of that year replacing Luciano Pavarotti. Later that same year, she scored her final Top 40 recording with &#8220;A Rose Is Still a Rose&#8221;. Franklin&#8217;s other popular and well known hits include &#8220;Rock Steady&#8221;, &#8220;Something He Can Feel&#8221; (from the soundtrack to the 1976 film Sparkle), &#8220;Jump to It&#8221;, &#8220;Freeway of Love&#8221;, &#8220;Who&#8217;s Zoomin&#8217; Who&#8221;, &#8220;Sisters Are Doin&#8217; It for Themselves&#8221;, &#8220;I Knew You Were Waiting (For Me)&#8221; (with George Michael), &#8220;It Isn&#8217;t, It Wasn&#8217;t, It Ain&#8217;t Never Gonna Be&#8221; (with Whitney Houston) and a remake of The Rolling Stones song &#8220;Jumpin&#8217; Jack Flash&#8221;.<br />
Franklin has won a total of 18 Grammy Awards and is one of the best-selling artists of all time, having sold over 75 million records worldwide.</p>
<p>Franklin has been honored throughout her career including a 1987 induction into the Rock and Roll Hall of Fame, in which she became the first female performer to be inducted. She was inducted to the UK Music Hall of Fame in 2005. In August 2012, Franklin was inducted into the GMA Gospel Music Hall of Fame. Franklin is listed in at least two all-time lists on Rolling Stone magazine, including the 100 Greatest Artists of All Time, in which she placed number 9, and the 100 Greatest Singers of All Time in which she placed number 1.</p></div>
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				<div class="et_pb_text_inner"><h2>Bob Dylan</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Bob Dylan is an American songwriter, singer, artist, and writer.</strong> He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when his songs chronicled social unrest. Early songs such as &#8220;Blowin&#8217; in the Wind&#8221; and &#8220;The Times They Are a-Changin'&#8221; became anthems for the American civil rights and anti-war movements. Leaving behind his initial base in the American folk music revival, his six-minute single &#8220;Like a Rolling Stone&#8221;, recorded in 1965, enlarged the range of popular music.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34404" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Bob-Dylan.jpg" alt="greatest-singers-of-all-time-bob-dylan" width="329" height="247" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Bob-Dylan.jpg 329w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Bob-Dylan-300x225.jpg 300w" sizes="(max-width: 329px) 100vw, 329px" /></p>
<p>Dylan&#8217;s lyrics incorporate a wide range of political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed to the burgeoning counterculture. Initially inspired by the performances of Little Richard and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has amplified and personalized musical genres. His recording career, spanning more than 50 years, has explored the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and the Great American Songbook. Dylan performs with guitar, keyboards, and harmonica.</p>
<p>Backed by a changing lineup of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour. His accomplishments as a recording artist and performer have been central to his career, but songwriting is considered his greatest contribution.</p>
<p>Since 1994, Dylan has published six books of drawings and paintings, and his work has been exhibited in major art galleries. As a musician, Dylan has sold more than 100 million records, making him one of the best-selling artists of all time. He has also received numerous awards including eleven Grammy Awards, a Golden Globe Award, and an Academy Award. Dylan has been inducted into the Rock and Roll Hall of Fame, Minnesota Music Hall of Fame, Nashville Songwriters Hall of Fame, and Songwriters Hall of Fame.</p>
<p>The Pulitzer Prize jury in 2008 awarded him a special citation for &#8220;his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power.&#8221; In May 2012, Dylan received the Presidential Medal of Freedom from President Barack Obama. In October 2016, he was awarded the Nobel Prize in Literature, the second to receive this honor for songwriting.</p></div>
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				<div class="et_pb_text_inner"><h2>Elvis Presley</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Elvis Presley was an American singer and actor.</strong> Regarded as one of the most significant cultural icons of the 20th century, he is often referred to as &#8220;the King of Rock and Roll&#8221;, or simply, &#8220;the King&#8221;.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-34405" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/the-greatest-singers-of-all-time-Elvis-Presley.jpg" alt="The Greatest Singers of all time Elvis Presley" width="226" height="267" />Presley was born in Tupelo, Mississippi, as a twinless twin—his brother was stillborn. When he was 13 years old, he and his family relocated to Memphis, Tennessee. His music career began there in 1954, when he recorded a song with producer Sam Phillips at Sun Records. Accompanied by guitarist Scotty Moore and bassist Bill Black, Presley was an early popularizer of rockabilly, an uptempo, backbeat-driven fusion of country music and rhythm and blues. RCA Victor acquired his contract in a deal arranged by Colonel Tom Parker, who managed the singer for more than two decades.</p>
<p>Presley&#8217;s first RCA single, &#8220;Heartbreak Hotel&#8221;, was released in January 1956 and became a number-one hit in the United States. He was regarded as the leading figure of rock and roll after a series of successful network television appearances and chart-topping records. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines that coincided with the dawn of the Civil Rights Movement, made him enormously popular—and controversial.</p>
<p>In November 1956, he made his film debut in Love Me Tender. In 1958, he was drafted into military service. He resumed his recording career two years later, producing some of his most commercially successful work before devoting much of the 1960s to making Hollywood films and their accompanying soundtrack albums, most of which were critically derided.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-34406" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Elvis-Presley-2.jpg" alt="The Greatest Singers of all time Elvis Presley" width="217" height="287" />In 1968, following a seven-year break from live performances, he returned to the stage in the acclaimed televised comeback special Elvis, which led to an extended Las Vegas concert residency and a string of highly profitable tours. In 1973, Presley was featured in the first globally broadcast concert via satellite, Aloha from Hawaii. Several years of prescription drug abuse severely damaged his health, and he died in 1977 at the age of 42.</p>
<p>Presley is one of the most celebrated and influential musicians of the 20th century. Commercially successful in many genres, including pop, blues and gospel, he is the best-selling solo artist in the history of recorded music, with estimated record sales of around 600 million units worldwide.He won three Grammys, also receiving the Grammy Lifetime Achievement Award.</p></div>
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				<div class="et_pb_text_inner"><h2>John Lennon</h2></div>
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				<div class="et_pb_text_inner"><p><strong>John Lennon was an English singer and songwriter</strong> who co-founded the Beatles (1960-70), the most commercially successful band in the history of popular music.</p>
<p>With fellow member Paul McCartney, he formed a celebrated songwriting partnership.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34408" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-John-Lennon.jpg" alt="The Greatest Singers of all time John Lennon" width="245" height="433" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-John-Lennon.jpg 245w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-John-Lennon-170x300.jpg 170w" sizes="(max-width: 245px) 100vw, 245px" /></p>
<p>Born and raised in Liverpool, Lennon became involved in the skiffle craze as a teenager; his first band, the Quarrymen, evolved into the Beatles in 1960. When the group disbanded in 1970, Lennon embarked on a solo career that produced the albums John Lennon/Plastic Ono Band and Imagine, and songs such as &#8220;Give Peace a Chance&#8221;, &#8220;Working Class Hero&#8221;, and &#8220;Imagine&#8221;. After his marriage to Yoko Ono in 1969, he changed his name to John Ono Lennon. Lennon disengaged himself from the music business in 1975 to raise his infant son Sean, but re-emerged with Ono in 1980 with the new album Double Fantasy. He was murdered three weeks after its release.</p>
<p>Lennon revealed a rebellious nature and acerbic wit in his music, writing, drawings, on film and in interviews. Controversial through his political and peace activism, he moved to Manhattan in 1971, where his criticism of the Vietnam War resulted in a lengthy attempt by Richard Nixon&#8217;s administration to deport him, while some of his songs were adopted as anthems by the anti-war movement and the larger counterculture.</p></div>
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				<div class="et_pb_text_inner"><h2>Ray Charles</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Ray Charles was an American singer,</strong> songwriter, musician, and composer. Among friends and fellow musicians he preferred being called &#8220;Brother Ray&#8221;. He was often referred to as &#8220;The Genius&#8221;. Charles was blind from the age of seven.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34410" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Ray-Charles.jpg" alt="The Greatest Singers of all time Ray Charles" width="313" height="400" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Ray-Charles.jpg 313w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Ray-Charles-235x300.jpg 235w" sizes="(max-width: 313px) 100vw, 313px" /></p>
<p>He pioneered the genre of soul music during the 1950s by combining blues, rhythm and blues, and gospel styles into the music he recorded for Atlantic Records.</p>
<p>He also contributed to the integration of country and rhythm and blues and pop music during the 1960s with his crossover success on ABC Records, most notably with his two Modern Sounds albums.While he was with ABC, Charles became one of the first African-American musicians to be granted artistic control by a mainstream record company.</p></div>
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				<div class="et_pb_text_inner"><h2>Sam Cooke</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Sam Cooke was an American singer, songwriter, and entrepreneur.</strong> Influential as both a singer and composer, he is commonly known as the King of Soul for his distinctive vocals and importance within popular music.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-34412" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Sam-Cooke.jpg" alt="The Greatest Singers of all time Sam Cooke" width="310" height="320" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Sam-Cooke.jpg 310w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Sam-Cooke-291x300.jpg 291w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Sam-Cooke-45x45.jpg 45w" sizes="(max-width: 310px) 100vw, 310px" />His pioneering contributions to soul music contributed to the rise of Aretha Franklin, Bobby Womack, Al Green, Curtis Mayfield, Stevie Wonder, Marvin Gaye, and Billy Preston, and popularized the likes of Otis Redding and James Brown. AllMusic biographer Bruce Eder wrote that Cooke was &#8220;the inventor of soul music&#8221;, and possessed &#8220;an incredible natural singing voice and a smooth, effortless delivery that has never been surpassed&#8221;.</p>
<p>Cooke had 30 U.S. top 40 hits between 1957 and 1964, plus three more posthumously. Major hits like &#8220;You Send Me&#8221;, &#8220;A Change Is Gonna Come&#8221;, &#8220;Cupid&#8221;, &#8220;Chain Gang&#8221;, &#8220;Wonderful World&#8221;, &#8220;Another Saturday Night&#8221;, and &#8220;Twistin&#8217; the Night Away&#8221; are some of his most popular songs.</p>
<p>Cooke was also among the first modern black performers and composers to attend to the business side of his musical career. He founded both a record label and a publishing company as an extension of his careers as a singer and composer. He also took an active part in the Civil Rights Movement.</p>
<p>On December 11, 1964, at the age of 33, Cooke was shot and killed by Bertha Franklin, the manager of the Hacienda Motel in Los Angeles, California. After an inquest, the courts ruled Cooke&#8217;s death to be a justifiable homicide. Since that time, the circumstances of his death have been called into question by Cooke&#8217;s family.</p></div>
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				<div class="et_pb_text_inner"><h2>Marvin Gaye</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Karen Carpenter was an American singer and drummer.</strong> She and her brother, Richard Carpenter, formed the 1970s duo The Carpenters. Although her skills as a drummer earned admiration from drumming luminaries and peers, she is best known for her vocal performances. She had a contralto vocal range.<br />
<img loading="lazy" decoding="async" class="alignright size-full wp-image-34414" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Karen-Carpenter.jpg" alt="The Greatest Singers of all time Karen Carpenter" width="222" height="307" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Karen-Carpenter.jpg 222w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Karen-Carpenter-217x300.jpg 217w" sizes="(max-width: 222px) 100vw, 222px" /></p>
<p>Carpenter suffered from anorexia nervosa, an eating disorder about which little was known at the time. She died at age 32 from heart failure caused by complications related to her illness. Carpenter&#8217;s death led to increased visibility and awareness of eating disorders.</p></div>
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				<div class="et_pb_text_inner"><p><strong>Marvin Gaye was an American singer, songwriter and record producer.</strong> Gaye helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of hits, including &#8220;Ain&#8217;t That Peculiar&#8221;, &#8220;How Sweet It Is (To Be Loved By You)&#8221; and &#8220;I Heard It Through the Grapevine&#8221;, and duet recordings with Mary Wells, Kim Weston, Diana Ross and Tammi Terrell, later earning the titles &#8220;Prince of Motown&#8221; and &#8220;Prince of Soul&#8221;.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-34416 aligncenter" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Marvin-Gaye.jpg" alt="The Greatest Singers of all time Marvin Gaye" width="393" height="221" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Marvin-Gaye.jpg 393w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Marvin-Gaye-300x169.jpg 300w" sizes="(max-width: 393px) 100vw, 393px" /><br />
During the 1970s, he recorded the concept albums What&#8217;s Going On and Let&#8217;s Get It On and became one of the first artists in Motown to break away from the reins of their production company.</p>
<p>Gaye&#8217;s later recordings influenced several contemporary R&amp;B subgenres, such as quiet storm and neo soul. Following a period in Europe as a tax exile in the early 1980s, Gaye released the 1982 Grammy Award-winning hit &#8220;Sexual Healing&#8221; and its parent album Midnight Love.</p>
<p>On April 1, 1984, Gaye&#8217;s father, Marvin Gay Sr., fatally shot him at their house in the West Adams district of Los Angeles. Since his death, many institutions have posthumously bestowed Gaye with awards and other honors—including the Grammy Lifetime Achievement Award, the Rhythm and Blues Music Hall of Fame, the Songwriters Hall of Fame and the Rock and Roll Hall of Fame.</p></div>
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				<div class="et_pb_text_inner"><p><strong>Paul McCartney is an English singer-songwriter, multi-instrumentalist, and composer.</strong> With John Lennon, George Harrison, and Ringo Starr, he gained worldwide fame with the rock band the Beatles, one of the most popular and influential groups in the history of pop music. His songwriting partnership with Lennon is one of the most celebrated of the 20th century. After the band&#8217;s break-up, he pursued a solo career and formed the band Wings with his first wife, Linda, and Denny Laine.</p>
<p>McCartney has been recognised as one of the most successful composers and performers of all time. More than 2,200 artists have covered his Beatles song &#8220;Yesterday&#8221;, more than any other copyrighted song in history. Wings&#8217; 1977 release &#8220;Mull of Kintyre&#8221; is one of the all-time best-selling singles in the UK.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34419" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-TimePaul-McCartney.jpg" alt="The Greatest Singers of all time Paul McCartney" width="415" height="276" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-TimePaul-McCartney.jpg 415w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-TimePaul-McCartney-300x200.jpg 300w" sizes="(max-width: 415px) 100vw, 415px" /></p>
<p>A two-time inductee into the Rock and Roll Hall of Fame (as a member of the Beatles in 1988, and as a solo artist in 1999), and a 21-time Grammy Award winner, McCartney has written, or co-written, 32 songs that have reached number one on the Billboard Hot 100, and as of 2009 he has 25.5 million RIAA-certified units in the United States. McCartney, Lennon, Harrison and Starr all received The Most Excellent Order of the British Empire (MBE) in 1965, and in 1997, McCartney was knighted for services to music.<br />
McCartney has released an extensive catalogue of songs as a solo artist and has composed classical and electronic music.</p>
<p>He has taken part in projects to promote international charities related to such subjects as animal rights, seal hunting, land mines, vegetarianism, poverty, and music education. He has married three times and is the father of five children.</p></div>
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				<div class="et_pb_text_inner"><p><strong>Otis Redding was an American singer, songwriter, record producer, arranger, and talent scout.</strong> He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. His singing style influenced many other soul artists of the 1960s. During his lifetime, his recordings were produced by Stax Records, based in Memphis, Tennessee, and exemplify the sound of Stax.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34421" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Otis-Redding.jpg" alt="The Greatest Singers of all time Otis Redding" width="387" height="260" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Otis-Redding.jpg 387w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Otis-Redding-300x202.jpg 300w" sizes="(max-width: 387px) 100vw, 387px" /><br />
Born and raised in the US state of Georgia, Redding quit school at age 15 to support his family, working with Little Richard&#8217;s backing band, the Upsetters, and performing at talent shows for prize money. In 1958, he joined Johnny Jenkins&#8217;s band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first single, &#8220;These Arms of Mine,&#8221; in 1962. Stax released Redding&#8217;s debut album, Pain in My Heart, two years later.</p>
<p>Initially popular mainly with African-Americans, Redding later reached a wider American pop music audience. Along with his group, he first played small gigs in the American South. He later performed at the popular Los Angeles night club Whisky a Go Go and toured Europe, performing in London, Paris and other major cities. He also performed at the Monterey Pop Festival in 1967.<br />
Shortly before his death in a plane crash, Redding wrote and recorded his iconic &#8220;(Sittin&#8217; on) The Dock of the Bay&#8221; with Steve Cropper. The song became the first posthumous number-one record on both the Billboard Hot 100 and R&amp;B charts. The album The Dock of the Bay was the first posthumous album to reach number one on the UK Albums Chart.</p>
<p>Redding&#8217;s premature death devastated Stax. Already on the verge of bankruptcy, the label soon discovered that Atlantic Records owned the rights to his entire song catalog.</p>
<p>Redding received many posthumous accolades, including the Grammy Lifetime Achievement Award and induction into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In addition to &#8220;(Sittin&#8217; on) The Dock of the Bay,&#8221; &#8220;Respect&#8221; and &#8220;Try a Little Tenderness&#8221; are among his best-known songs.</p></div>
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				<div class="et_pb_text_inner"><h2>Grace Slick</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Grace Slick is an American singer-songwriter, musician, artist, and former model.</strong> She is widely known in rock and roll history for her role in San Francisco&#8217;s burgeoning psychedelic music scene in the mid-1960s.</p>
<p><img loading="lazy" decoding="async" class="size-full wp-image-34423 alignleft" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Grace-Slick.jpg" alt="The Greatest Singers of all time Grace Slick" width="310" height="304" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Grace-Slick.jpg 310w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Grace-Slick-300x294.jpg 300w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Grace-Slick-45x45.jpg 45w" sizes="(max-width: 310px) 100vw, 310px" />Her career spanned all or parts of four decades, most notably with the bands Jefferson Airplane, Jefferson Starship, and Starship.</p>
<p>She started with The Great Society and also had stints as a solo performer. Slick provided the lead vocals on a number of signature songs of such bands including the &#8220;flower power era-psychedelic rock&#8221; Airplane themes &#8220;Somebody to Love&#8221; and &#8220;White Rabbit&#8221;.</p>
<p>Two decades later, Slick became (at 47) the oldest female vocalist to reach the number one position on the U.S. Billboard Hot 100, this time with the Starship signature new wave/pop-influenced songs &#8220;We Built This City&#8221; and &#8220;Nothing&#8217;s Gonna Stop Us Now&#8221;.</p></div>
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				<div class="et_pb_text_inner"><p><strong>Jim Morrison was an American singer,</strong> songwriter, and poet best remembered as the lead singer of the Doors.</p>
<p>Because of his songwriting, wild personality, performances, and the dramatic circumstances surrounding his life and death, he is regarded by critics and fans as one of the most iconic and influential frontmen in rock music history. In the later part of the 20th century, he was one of the popular culture&#8217;s most rebellious and oft-displayed icons, representing the generation gap and youth counterculture.</p>
<p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-34425" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Jim-Morrison.jpg" alt="The Greatest Singers of all time Jim Morrison" width="385" height="258" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Jim-Morrison.jpg 385w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Jim-Morrison-300x201.jpg 300w" sizes="(max-width: 385px) 100vw, 385px" /><br />
He was also well known for improvising spoken word poetry passages while the band played live. Morrison was ranked number 47 on Rolling Stone&#8217;s list of the &#8220;100 Greatest Singers of All Time&#8221;, and number 22 on Classic Rock magazine&#8217;s &#8220;50 Greatest Singers In Rock&#8221;.</p>
<p>Ray Manzarek said Morrison &#8220;embodied hippie counterculture rebellion&#8221;. Morrison was sometimes referred to by other nicknames, such as &#8220;Lizard King&#8221; and &#8220;King of Orgasmic Rock&#8221;.</p>
<p>Morrison developed an alcohol dependency during the 1960s, which affected his performances on stage. He died at the age of 27 in Paris, apparently from an accidental heroin overdose. No autopsy was performed, and the exact cause of Morrison&#8217;s death is still disputed. Morrison is interred at Père Lachaise Cemetery in eastern Paris.</p></div>
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				<div class="et_pb_text_inner"><p><strong>James Brown was an American singer, songwriter, record producer, dancer and bandleader.</strong>The founding father of funk music and a major figure of 20th century popular music and dance, he is often referred to as the &#8220;Godfather of Soul&#8221;. In a career that spanned six decades, he influenced the development of several music genres.</p>
<p><img loading="lazy" decoding="async" class="alignleft size-full wp-image-34427" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-James-Brown.jpg" alt="The Greatest Singers of all time James Brown" width="236" height="288" />Brown began his career as a gospel singer in Toccoa, Georgia. He joined an R&amp;B vocal group, the Gospel Starlighters (which later evolved into the Flames), in which he was the lead singer.</p>
<p>First coming to national public attention in the late 1950s as a member of the singing group The Famous Flames with the hit ballads &#8220;Please, Please, Please&#8221; and &#8220;Try Me&#8221;, Brown built a reputation as a tireless live performer with the Famous Flames and his backing band, sometimes known as the James Brown Band or the James Brown Orchestra.</p>
<p>His success peaked in the 1960s with the live album Live at the Apollo and hit singles such as &#8220;Papa&#8217;s Got a Brand New Bag&#8221;, &#8220;I Got You (I Feel Good)&#8221; and &#8220;It&#8217;s a Man&#8217;s Man&#8217;s Man&#8217;s World&#8221;.</p>
<p>During the late 1960s he moved from a continuum of blues and gospel-based forms and styles to a profoundly &#8220;Africanized&#8221; approach to music-making that influenced the development of funk music. By the early 1970s, Brown had fully established the funk sound after the formation of the J.B.s with records such as &#8220;Get Up (I Feel Like Being a) Sex Machine&#8221; and &#8220;The Payback&#8221;. He also became noted for songs of social commentary, including the 1968 hit &#8220;Say It Loud – I&#8217;m Black and I&#8217;m Proud&#8221;. Brown continued to perform and record until his death from congestive heart failure in 2006.</p>
<p>Brown recorded 16 singles that reached number one on the Billboard R&amp;B charts. He also holds the record for the most singles listed on the Billboard Hot 100 chart which did not reach number one. Brown has received honors from many institutions, including inductions into the Rock and Roll Hall of Fame and Songwriters Hall of Fame. In Joel Whitburn&#8217;s analysis of the Billboard R&amp;B charts from 1942 to 2010, James Brown is ranked as number one in The Top 500 Artists.</p>
<p>He is ranked seventh on the music magazine Rolling Stone&#8217;s list of its 100 greatest artists of all time. Rolling Stone has also cited Brown as the most sampled artist of all time.</p></div>
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				<div class="et_pb_text_inner"><h2>Little Richard</h2></div>
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				<div class="et_pb_text_inner"><p><strong>Little Richard is an American musician singer and songwriter. </strong>An influential figure in popular music and culture for more than six decades, Little Richard&#8217;s most celebrated work dates from the mid-1950s, when his dynamic music and charismatic showmanship laid the foundation for rock and roll.</p>
<p><img loading="lazy" decoding="async" class="alignright size-full wp-image-34429" src="http://www.thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Little-Richard.jpg" alt="greatest-singers-of-all-time-little-richard" width="364" height="258" srcset="https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Little-Richard.jpg 364w, https://thehistoryofrockandroll.net/wp-content/uploads/2016/10/Greatest-Singers-of-All-Time-Little-Richard-300x213.jpg 300w" sizes="(max-width: 364px) 100vw, 364px" />His music also played a key role in the formation of other popular music genres, including soul and funk. Little Richard influenced numerous singers and musicians across musical genres from rock to hip hop; his music helped shape rhythm and blues for generations to come, and his performances and headline-making thrust his career right into the mix of American popular music.</p>
<p>Little Richard has been honored by many institutions. He was inducted into the Rock and Roll Hall of Fame as part of its first group of inductees in 1986. He was also inducted into the Songwriters Hall of Fame.</p>
<p>He is the recipient of a Lifetime Achievement Award from the Recording Academy and a Lifetime Achievement Award from the Rhythm and Blues Foundation. Little Richard&#8217;s &#8220;Tutti Frutti&#8221; (1955) was included in the National Recording Registry of the Library of Congress in 2010, which stated that his &#8220;unique vocalizing over the irresistible beat announced a new era in music.&#8221; In 2015, the National Museum of African American Music [1] honored Little Richard with a Rhapsody &amp; Rhythm Award for his pivotal role in the formation of popular music genres and in helping to shatter the color line on the music charts, changing American culture significantly</p></div>
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				<div class="et_pb_text_inner"><p style="text-align: center;"><a href="http://www.thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-1/">The Greatest Singers of all Times (Part 1)</a> | <a href="http://www.thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-2/">The Greatest Singers of all Times (Part 2)</a></p></div>
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<p>The post <a href="https://thehistoryofrockandroll.net/the-greatest-singers-of-all-time-part-1/">The  Greatest Singers of All Time (Part 1)</a> appeared first on <a href="https://thehistoryofrockandroll.net">The History of Rock and Roll Radio Show</a>.</p>
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